Someone is shooting shifters in the parish, and the Werepanthers are suspicious of Jason. Sookie sets out to clear his name, but things get a bit more complicated when it becomes clear someone has their eye not only on the shifters, but also on her.
Although the back cover claims this entry into the Sookie-verse is full of entertaining plot-twists, it actually reads as a been there, done that, plot.
Jason is in trouble, again. Sookie’s fairy godmother has to save her, again. Someone isn’t what they seem. Again. Sam still has the major hots for Sookie (though I’ll never understand why. She seems to just use him repeatedly when she needs help). Bill still wants Sookie even though he’s sleeping with someone else, and Alcide is still kind of a jerk.
I think the problem with this book is that it doesn’t move the overarching plot forward much at all. There is a tiny development in the Sookie/Eric plotline, but that’s all. I guess I could forgive this if the individual storyline was new and exciting, but it’s not. Ooo, someone’s targeting the supes. Big deal.
In spite of all these complaints, I still want to keep reading the series. This book read more like a clunker episode of a tv series you really love than a death toll. I expect things will improve in the next book, and this was just a mystery idea that went bad for Harris.
2 out of 5 stars
Source: Bought on Amazon
Just because Sookie has broken up with Bill doesn’t mean her relationship with the supernatural world is over–especially when she finds Eric naked and suffering from amnesia on the side of the road. When she discovers from Pam that a league of evil witches have their sights set on ruling Shreveport, she agrees to hide Eric while the vampires, werewolves, and Wiccans attempt to fend off the witches. To top it off, Sookie’s brother has gone missing, which may or may not be related to the near-war going on.
While the books in the series so far have been improving, Dead to the World is definitely a step back.
The individual plot lines aren’t so bad, but Harris doesn’t do a good job of keeping them integrated and flowing. The book reads as if it has too many sticks in the fire. Just too much happens in such a short book. The reader is left feeling a bit of whiplash from the rapidly changing storylines and situations.
I knew Sookie would have a rebound after Bill, but I’d hoped Harris would be more creative than having that rebound be Eric. Don’t get me wrong. I like Eric better than Bill, but I also enjoyed the tension between him and Sookie. I wish that had lasted longer. Similarly, I don’t think giving Eric amnesia was a wise character development choice. I’m pretty sure anyone with amnesia plopped into the supernatural world would be a cowering mess. That doesn’t tell us anything about who Eric is underneath his persona. Sookie’s interactions with him therefore felt so fake that I not only couldn’t take real interest in them, I was also a bit grossed out by the falseness of them. I didn’t expect Sookie’s rebound to be emotional, but I did expect it to be more real.
On the other hand, Sookie’s character development takes a nice turn. Without Bill in the picture, she may have expected the supernatural world to pretty much leave her alone. Instead she finds out they still depend on her. Through the various situations, she starts to become a more empowered version of herself, and I enjoyed seeing that.
The best part of the book by far is Jason’s plot-line. I can’t say much more or I’ll give away the secret, but suffice to say that I hope True Blood gets to this part of the story sooner rather than later.
While I’m irritated by some of the character development choices Harris has made, I am still enjoying the world she has created. I am hoping though that the series returns to the tight, witty writing found in Club Dead.
3 out of 5 stars
Source: Bought on Amazon
Jack Torrance thinks he’s found the ideal job. He, along with his wife and son, can move into a Colorado hotel and take care of it for the winter in exchange for a living stipend. An aspiring novelist, Jack sees this as such a perfect opportunity to write that he shrugs off the story of the previous caretaker who murdered his wife and daughters and then committed suicide. At first everything is fine, but soon the sinister forces in the hotel start to work on Jack and his psychic son.
Wow. I love horror movies, but it takes a certain combination of plot and visual to really scare me. The Shining has scares in spades.
For the person who’s freaked out by visuals, there’s blood pouring out of elevators, corpses, and of course Jack Nicholson’s amazing facial contorions when his character turns sinister. Truly the movie would not have been anywhere near as frightening without Nicholson’s ability to contort his face into so many different frightening combinations. The man’s face was made to act.
What really got to me though is the psychological aspect of this story. What really makes this story worth it is the question of how much of what is going on is in the characters’ minds. The truly evil things that happen are performed by characters whose minds are not all there. They have lost their tenuous grasp on reality, and that is more frightening than any axe murderer, because anyone could go crazy. Essentially, anyone could turn into a monster.
Take these two elements and toss in a bit of a last-minute puzzle at the end, and you’ve got the perfect formula for an excellent horror movie.
5 out of 5 stars
Bill has been acting oddly distant with Sookie lately, so she isn’t exactly pleased when he announces he’s going to Seattle on a mission for the vampire queen of Louisiana. She soon finds out from Pam and Eric, though, that Bill lied to her. He’s actually been in Jackson, Mississippi with his one-time vampire lover, Lorena. He’s also been kidnapped. Something he’s been secretly up to has put them all in danger, so Sookie must put aside her anger for now and try to help the vampires free Bill and prevent a vampire war between the kingdoms of Mississippi and Louisiana. Along the way, Sookie gets to know a whole lot more about the werewolves–not to mention about Eric.
I have to hand it to Harris, I expected there to be trouble in paradise for Bill and Sookie, but I didn’t expect it this soon or this serious. Reading Club Dead made me realize this series isn’t about Sookie’s relationship with Bill, but about Sookie’s gradual entry into the supernatural world. Bill just kind of served as a door. I tend to be a bit of a romantic, but I’ve never really liked Bill nearly as much as the other supernatural guys, so let me just say–woohoo!
The plot is complex. There are multiple mysteries for Sookie to figure out on top of dealing with her emotions about Bill’s betrayal and her odd popularity among the supernatural guys. I enjoy the fact that she was never desired by human guys, but is among the the supernaturals. It’s akin to the awkward growing up girl finding her niche in her 20s. At first Sookie thought it was just Bill who has the major hots for her, but it turns out she’s a hot commodity with lots of the supernatural guys, but it isn’t just about her looks. They like Sookie for her personality. Something it seemed to me Bill never seemed to appreciate much.
Harris does a good job writing a unique werewolf world. Whereas the vampires are notoriously cold emotionally, the werewolves are hot-blooded. They’re passionate, strong, and animalistic. Harris has them mostly working blue collar jobs, but excelling at it. Sookie’s escort, Alcide, runs a highly profitable family general contracting business.
My only complaint is that Harris doesn’t seem to trust her readers to remember the rules of the world she’s created. We get told yet again that silver chains can hold a vampire down, shifters aren’t out yet, Sookie had a hard time in school, the Japanese created synthetic blood, etc… It’s annoying, and it makes it feel like Harris thinks she needs to dumb down the story for her readers. I understand a quick rehash at the beginning of the book to remind us where we left off, but as for everything else, I think the reader can be trusted to remember that silver chain nets are dangerous to vampires. Those parts are easily skimmed over though, and the res of the book makes up for it.
I originally was uncertain that Harris could keep Sookie Stackhouse’s world interesting for seven books. I envisioned repeated “Bill and Sookie solve yet another mystery” outings, but I am glad to say I was mistaken. As the books continue, more of the world is revealed, and Sookie’s life becomes more complicated. I’m looking forward to what she’s going to reveal next.
If you enjoy the gradual building of a world around a strong female character, you will enjoy the direction this series is headed.
4 out of 5 stars
Source: Bought on Amazon
After finishing the first stage in a long series toward finding The Dark Tower, Roland knows he must now “draw the three.” He will recruit three people to assist him in his quest. Now past the desert and mountains, he has reached an ocean beach where dangerous creatures lurk. As he walks up this beach he gradually finds doors to other realities where his three assistants reside, completely unaware they are about to be drawn into a quest in another world.
The Drawing of the Three makes it abundantly clear that The Dark Tower series is all about plot and not about character development. The characters do things that work for the plot, but make zero sense from a character stand-point. I’m not talking about mistakes here. I know in the real world people do stupid things. It’s more akin to say a Nazi suddenly deciding he loves a Jew. (That doesn’t happen in the book, but similar things do). I personally find this jarring, but if you’re more of a plot person than a character person, it won’t bother you.
My other issue, and bare in mind that I’ve now read three Stephen King books, is that his writing tends to be misogynistic. Sometimes it’s subtle. An example in this book is when a pharmacist who hates his job is on the phone with a complaining female client. Instead of thinking that he hates these people who complain, he thinks that he hates all these bitches who complain. I, as someone who works with the public, am certain that he has had men and women complain, so why did King specify only women? It seems whenever there’s an opportunity for a character to slur against women, they do. I’m not saying no character should be misogynistic. That’d be like saying no character should ever be racist. I am saying that King shouldn’t take every opportunity to be misogynistic and run with it.
An even better example of this is the only female character in this book, the second assistant, Odetta. She has Dissociative Identity Disorder. (King wrongfully calls this Schizophrenia, which is an entirely different illness). Stereotypically, one personality is “good,” and the other is “bad.” The good personality is grateful to the men for helping her. She is quiet, submissive, intelligent, and strong inside. Naturally one of the men instantaneously falls in love with her. *rolls eyes* The bad personality attempts to defend herself, is physically strong, and vehemently protects herself against suspected rape. She actually tells these men that she will kill them with her cunt. The only women I know who use that word are raging feminists attempting to reclaim the word, and that is not the context here. She is also described as an ugly hag. Granted later these two personalities merge into one, but the implications are there. Men love women who act appropriately feminine. If you behave in any unfeminine manner, you are an ugly hag they naturally want to kill.
In spite of that, though, I do still like King’s stories. I’m mostly willing to overlook the bouts of misogyny, because the man can certainly write plot-driven horror. The plot here is excellent. We have doors that lead into people’s brains, horrifying creatures called “lobstrosities,” drugs, shoot-outs, infections, murderers, and more. There is literally horror on almost every page. I couldn’t put it down.
If you like plot-driven horror and don’t mind overlooking character development weakness, then you will enjoy this entry into the Dark Tower series.
3 out of 5 stars
Previous Books in Series:
The Gunslinger, review
Netflix recommended this to me after I gave Battle Royale a 5 star rating. I’m starting to have a thing for Japanese movies, and after reading the description I knew I had to get it.
Highschooler Momoko may live in the countryside, but she’s big city fashion at heart. Her babydoll, Rococo style frilly dresses, parasols, and bonnets make her stick out like a sore thumb at her school. Ichigo is a member of a rough, tough girl biker gang. Their paths cross when Momoko sells some of her dad’s Versace knock-offs to acquire money for more dresses. A tentative friendship develops, affecting both girls forever.
The box for Kamikaze Girls claims it’s a Japanese comedy. Although live-action, it definitely employs some of the zaniness seen in comic Anime films, so if that’s not your style, consider yourself warned. I enjoy zany humor though, so I appreciated it here.
The acting is great. The actresses playing Momoko and Ichigo play perfectly off of each other. Ichigo walks tough and speaks gruff, while Momoko gently reprimands.
Japanese fashion is highlited here, making for excellent eye candy throughout the film. Ichigo’s clothes are Easternized versions of Western punk fashion. Momoko’s richly styled frilly dresses definitely hearken back to the 18th century France inspiration.
What really makes the film though is the plot. This is a movie about friendship between young women, and their friendship doesn’t revolve around talking about men. They support each other, instead, in making decisions about who they will be. Instead of it seeming forced that they weren’t talking about men or sex or drugs, it felt completely natural. They just had more important things in their life right now. Should Ichigo stay in her growing gang or strike out on her own? Should Momoko try to break into fashion design? Can a Rococo girl also ride a scooter?
If you like quirky foreign films and want a solid friendship movie, look no further than Kamikaze Girls. You won’t be disappointed.
4 out of 5 stars
I recently acquired an iPod Touch, which led to me downloading some apps. This means that the Oregon Trail app is competing with my current read for attention on my commute. One day though while browsing the app store, I found one called “Masterpieces.” It was around 20 books for 99cents.
I have no idea why I bought this. I have a distinct aversion to eBooks. I don’t care if that makes me an old fogey at the ripe age of 23; I much prefer holding the paper book firmly in my hand. Not to mention that I hate staring at screens for fun when I stare at them at work all day.
Today though my bus was abnormally full, which led me to standing and holding the pole with one hand leaving one hand free. Usually that’s enough to hold a book, but my current one has a broken binding and pages that have to be held in. I also couldn’t play the Oregon Trail with only one hand. All of a sudden, I found myself opening the Masterpieces app. Just as I had chosen a classic to start reading, a seat next to me freed up. Relieved, I sat down and pulled out my paper book.
I realized later though that although I was relieved to be able to read my paper book, I also was relieved when I was standing up that I had an option besides music to get me through the commute.
Maybe there’s a place in my life for eBooks after all.