Giveaway Winner: The Walking Dead: Rise of the Governor by Robert Kirkman and Jay Bonansinga (US ONLY)
Comment #4 Corey R!
Corey will be contacted for his shipping information today. Thank you all for entering!
Hopefully anyone who’s read The Odyssey remembers Odysseus’s long-suffering wife, Penelope, who waited years for his return from the Trojan War, all while raising their son and fending off suitors who were eating her out of house and home. Here, Atwood turns the focus from Odysseus onto Penelope, who from the underworld of Hades tells us about her own life, interspersed with choruses by the 12 maids who were hung to death upon Odysseus’s return.
I’ve taken to loading an audiobook on my ipod for those frequent times when I either have to walk from a T stop or am crammed onto a train with literally no elbow-room to hold onto my kindle. I was excited to see this on the shelf at my library, since I had decided rather spur of the moment to pick one up, and I do love Atwood. Plus, this is only three discs long, which is good for my audiobook attention span.
For me the story ultimately fails, although I don’t blame Atwood for that. The thing is, Penelope, to a modern woman, is kind of pathetic. It’s not easy to make her into a heroine we can root for, the way we can root for Odysseus. Ok, so he’s a womanizer and a liar, but he’s also brilliant and hilarious. The kind of guy you want to be friends with, but don’t want to date. Yet Penelope not only is married to him, but has never stood up to him. Even when he’s been gone for years and years fighting in a war. Atwood is a great writer, but that’s just not a situation you can fix. I completely get Atwood’s fascination with Penelope’s story, not to mention the 12 maids. I don’t think any woman can read The Odyssey and not wonder about it. But it ultimately doesn’t hold up for a story.
Penelope comes across as a woman who lived in tough times to be a woman, yes, but who never does anything really to fight the status quo. She can’t even bring herself to stand up to the elderly maid who takes the run of her household. Plus, she willingly puts her maids into situations where they are likely to get raped (indeed, do get raped) and then doesn’t stand up for them when her wayward husband finally comes home. Is it within character? Sure. Is it something that holds up as the main focus of a story? Nope.
I did enjoy Atwood’s modern take on the Greek chorus using the dead 12 maids. I appreciate her choice to include a chorus in the book, as well as how she played with different ancient and modern music styles. It even left me wishing the maids were the focus of the book instead of Penelope! Of course, interspersing music between chapters is something I’ve seen Atwood do before in The Year of the Flood, and she’s very good at it. It’s an Atwood style that works perfectly in this book.
So what does this all ultimately mean? Atwood’s writing style is creative and pleasant as always, but the topic of the book just isn’t. I think the constraints of who Penelope is from such an ancient story placed a sour note on Atwood’s work that normally isn’t there. It’s an interesting exercise, but not one I found particularly enjoyable to read. I was more interested in it as an academic exercise. If you’re a fan of retellings of the classics, you’ll be intrigued by it.
3 out of 5 stars
Source: Public Library
My lovely readers! Boy am I ever glad I gave you guys the heads up that things would slow down around here for the next few months. I’m not even sure how long it’s been since I posted a Friday Fun. A couple of weeks?
In any case, my new job is AWESOME, and I am so blissfully happy that after years of struggling through school and in a bad economy that I wound up with a job in the field and area of librarianship that I wanted in the city that I love. I love my commute! I love my coworkers! I love my patrons! I love the view from my shared office! I love that I HAVE an office! I love that I’m getting to go to the Medical Library Association’s 2012 conference in Seattle!
But it is also a huge learning process and I find myself with a brain refusing anymore information by the time I hit the T at the end of the day. This means that all three of my nonfiction reads I had started before working at my new library, as well as during the first week, have hit the wayside. Cannot. Do. It. I need memoirs and paranormal romance and swashbuckling and FICTIONAL STORYLINES FOR THE LOVE OF GOD. I cannot read and attempt to comprehend things about evolution in a toxic world or why you should eat this and not that. Nope. Can’t do it. At least not right now. So, yes. I’m going to attempt to struggle my way through the three nonfiction reads I had started with a chapter a day. Beyond that, no more. I mean, I have to work on learning PHP for my new job. One can only handle so much nonfiction in one day. That said, I still want to do Diet for a New America, but I think I’m going to have to rework it somehow. Maybe make it a challenge instead of a project. That way I won’t feel bad if it takes me a while to get to the next book. I still intend to finish, buuuut probably not by the end of 2012 *snort*
Speaking of diet and health, I have discovered ZUMBA and it is AWESOME. I’ve always been a dancer from a very young age (before I got fat and unhealthy) and for some reason even though I’ve recovered my fitness, I was ignoring dance. No more! Zumba is basically dance aerobics only using Latin dance and a mix of Latin music and modern popular songs. (I think to date my favorite routine has been the one we did to I’m Sexy and I Know It. It involved showing off our guns). Anywhooo I love the Latin dancing because it is all hip shaking, but it’s also a great class to go to once a week because long-term cardio is still what is really difficult for me, but the class and instructor are just so dang FUN that I am bound and determined to make it through. And I do. I just also have at least one point in every class where I am certain I am going to die. Then we pretend to be roping a cow, and I suddenly am fine. ;-)
Happy weekends everyone! Tomorrow is my first day as a Saturday librarian, and I am mad excited. (Which seems to be my perpetual state of emotion nowadays).
Lacy grew up in Missouri to a traditional, poor farming family that never bothered to keep track of its European roots. Through interviews with her family members and a series of personal vignettes, Lacy explores what it is to be white and poor in America, the farming community, and the odd in-between Missouri inhabits as not quite southern and not quite midwestern.
The concept behind this book is excellent. The execution is discombobulated with a few gems at best, off-putting to the reader at worst.
I think what is most difficult about this book as a reader is that we jump around through time and situations with no guidance. Who is Judith? How is she related to Archie? For that matter, how is she related to the author? We have no real idea. I’m not against the jumps around the family time-line as a method in contrast to the more traditional linear timeline, but the reader needs to know who we are reading about. I honestly think an intro with a simple, straight-forward family tree would have helped immensely. Instead we have to wait until later in the book to determine who these women are that the author is speaking about. It leaves things confused.
Then there’s the narration style. It jumps from “you are so and so” to third person to first person past to first person present without any real rhyme or reason. I can appreciate the style of the individual vignettes. Individually, they are well-written. But assembled together into one single book where they are all supposed to tell a cohesive story, they are puzzling and off-putting.
The absolute strength of the work is when Lacy puts down her story-telling mantel and simply talks about the history of the terms “white trash, cracker,” what it is to grow up white trash, what it is to change class setting from poor to academic. These were interesting and relatable. I believe this is the author’s strong point and would encourage her to pursue this in future works. It is certainly an experience that she is not alone in having in her lifetime.
Overall although the concept of this memoir is strong and unique, the method of time-jumping vignettes and constantly changing narration styles make for a confusing read. I would recommend you browse a copy in a library or a bookstore if you are interested in the author’s writing style or one or two particular vignettes, but not venture beyond that.
2 out of 5 stars
Jac ran away from her family’s traditional perfumerie in Paris to pursue a career in mythology in her mother’s homeland of the USA. This move was spurred on by her mother’s suicide, and Jac’s own subsequent loss of touch with reality. Years of therapy later, all is well, but when Jac’s brother and current manager of the perfumerie goes missing, Jac must face up to her demons at home, as well as scenes in her own mind. Are they delusions or past life memories?
I requested this on NetGalley without realizing it was part of a series, but it is evident each entry in the series is about different people whose lives intertwine in a minor way. Thus, I was able to read this book without feeling that sense of disorientation that happens when you jump into the middle of a series. I’m glad too, because I found the story an intriguingly different plot-line for a thriller.
Essentially, there are some pottery pieces that Robbie discovers in his home that may or may not have once held a scent that allows whoever smells it to remember their past lives. A past life therapist wants these pottery pieces, Robbie wants to give them to the Dalia Lama, and the Chinese government wants to keep them out of the Dalai Lama’s hand in their on-going quest against Tibet. It’s a good big world plot, but the overall focus is mostly on Jac, which is how I tend to prefer thrillers. And Jac is a great character. She is strong, intelligent, a caring sister. She had a rough childhood, but still has her head on straight. Her struggle with whether or not she had past lives ends up not being as important as the reader might at first think, which I also appreciated. Jac’s character development is about accepting herself for who she is and not making selfish choices. It is not at all the romance I thought at first it was going to be, and that is a good thing.
Rose evokes the settings of Paris and NYC with equal aptitude. I must say I found myself craving an afternoon at the museum and some creperies when I was done with the book. The perfumerie business and house are equally beautiful and easy to picture, but also the tunnels underneath Paris are evoked well. Setting and characterization are strong points of Rose’s.
I did periodically feel the book moved too slow in the beginning. Also, I was disappointed that people who were evil now were evil in past lives and the good were always good. Similarly, only one person had a past life as a different gender. I get it that Rose’s point is that one needs to know one’s past lives in order to fix your mistakes that you make over and over, but I think it’s a bit short-sighted to think that if reincarnation did exist it would be that simplistic. Also, personally, I just don’t believe in soul mates, so having that as a strong theme in the book was rather eye-roll inducing.
Overall, this is a fun worldwide thriller with educated people at the center of it that includes thought-provoking themes like self-improvement and self-acceptance. Fans of the modern, globe-spanning thriller will enjoy it, as well as anyone who has a love of Paris.
4 out of 5 stars
What You’ll Win: One audiobook copy (CD format) of The Walking Dead: Rise of the Governor by Robert Kirkman and Jay Bonansinga, read by Fred Berman, listened to once by moi, your lovely reviewer.
How to Enter: Leave a comment on this post with your email address or twitter name so I can contact the winner for his/her mailing address.
Who Can Enter: US ONLY
Contest Ends: March 27th. Two weeks from today!
This giveaway is now over! Thank you all for entering!
Book Review: The Walking Dead: Rise of the Governor by Robert Kirkman and Jay Bonansinga (Series, #1)
The first in a prequel trilogy that relates how the baddest villain of The Walking Dead’s zombie apocalypse came to be–not just how he came to rule Woodbury, but how he became an evil sociopath.
Wow. Just wow. If I could be a good book blogger and just say that I would, but I can’t so I suppose I must attempt to put my love for this book into words.
First of all, it’s important to know that this is sort of a prequel to The Walking Dead graphic novels. It’s the origin story of The Governor (aka one of the most evil comic book villains ever). Only instead of sticking to his graphic novel format, Kirkman, with the assistance of Bonansinga, went with the written word. Now, I was offered this book as an audiobook, and I have to say this really affected my reading of it. The reader, Fred Berman, does an absolutely amazing job. He has a natural standard American accent, but seamlessly slips into a Southern drawl when the characters speak. Beyond this though he is able to bring the anguish and tensity to the survival scenes that is necessary without seeming melodramatic. It reminded me of being read to by my own father when I was a little girl. I found myself choosing to curl up with the audiobook over many other activities. So. I’m not sure if the experience is the same reading it yourself. I do know that listening to the audiobook is a remarkable experience.
Now, this is a zombie apocalypse horror novel about an evil man. It gets uncomfortable. Kirkman and Bonansinga bring us inside the minds of men warped by situations and psychiatric problems alike. It’s not pretty. It makes you squirm. But it’s supposed to. Some reviewers have accused this book of being misogynistic because bad things seem to happen an awful lot to the female characters. I have a couple of things to say about that. First of all, hello, do you live in this world? Because women have to survive a lot of bad shit. Second, this is an apocalypse. Think of it as a war zone. Do women get molested, raped, murdered, treated as less strong and unequal? Absolutely. The book isn’t misogynistic. It’s realistic about how a south torn apart by zombies would treat women. The way to determine if a book in this sort of situation is misogynistic is to look at how the author treats the women. Does he present them as hysterical, over-reacting? Do they refuse to stand up for themselves? I can unequivocally say that although horrible things happen to the women in this book, they fight for themselves. It is therefore not misogynistic, but realistic.
Now one thing that probably a lot of people wonder is is the story predictable? We already know who The Governor is and that he keeps his zombie daughter as a pet. That would seem to remove the ability for the authors to surprise us at all. I am happy to say that in spite of knowing the end result, this story kept me on the edge of my seat. Some readers didn’t like all of the surprises and twists. Personally, I feel that they brought the novel up a notch in both talent and enjoyability.
Overall, this is a wonderful addition to The Walking Dead canon. Fans of the graphic novel series will not be disappointed, although fans of the tv show seem to be taken aback by it. All I can say is that the books don’t pull any punches and are not for the squeamish. If you don’t want to be challenged, stick to tv. Everyone else should scoop this up as soon as possible.
5 out of 5 stars
Source: Copy from the publisher in exchange for my honest review and a giveaway