Toby Daye, changeling, private detective, and knight to the knowe of the powerful Sylvester, feels like she has her feet back under her after returning to human form after 14 years as a fish and also solving the murder of a powerful fae. When her liege requests she go investigate why he hasn’t heard from his niece in a while, she expects it to be a quick visit, although possibly a bit irritating since she has to bring along young Quentin, a teenaged full-blooded Daoine Sidhe fae. Sylvester’s niece just so happens to own the only fae tech company, and she claims that she has indeed been calling her uncle. But when an employee turns up dead and Toby finds out there have been two mysterious deaths previously, she realizes there’s more here than immediately meets the eye, particularly since she can’t read anything from the blood of the dead.
I enjoyed the first book in this urban fantasy series about a changeling investigator so much that I immediately checked out the second ebook from the Boston Public Library on my kindle. (If you have an ereader, definitely check out if your local public library will let you do this. It saves me so much money!) This book brought me right back into the wonderfully built world of Toby and offered up a new murder mystery even more mysterious than the first.
Readers of the first book know that Toby’s special fae power is the ability to read a person’s memories from tasting their blood. I found it startling and intriguing that McGuire immediately took this power away from Toby in the second book. There’s nothing to read in the victims’ blood. Why is that? It’s a plot I may have expected in the fourth or fifth book, but not so soon. From a writing perspective, it’s bold to take away your hero’s superpower in only the second book in the series. And it works. There’s ultimately a logical explanation for why the blood is telling Toby nothing (and no, it’s not Toby’s fault), so it never feels like a gimmick. I think that is what I like most about this series. The author utilizes techniques that could easily turn into a gimmick but she always keeps it from actually being a gimmick so it instead is utterly engaging and enthralling.
The fae world is also clearly much larger than we originally saw in the first book. The fae have a tech company so that they can rework modern technology to work in the fae knowes. On top of that, we also meet many more races of fae, as well as ways for the races we already know to exist and appear. For instance, Sylvester’s niece, January, has a daughter. But her daughter is in fact a tree fairy. Tree fairies are normally tied to a tree or a forest, so how is she in this tech building? January tied her branch to the computer server after her forest was destroyed, and she was able to keep living after adapting into the server and treating the server as a forest. Very cool idea, and it works beautifully in the story.
Even though I was basically able to predict whodunnit, I couldn’t figure out why or how, so the plot still satisfied me as I waited for Toby to figure all of that out.
One thing that kind of disappointed me in the book is that Toby meets a type of fae who can emit a magical scent that makes the person smelling it think they are massively attracted to him and thus sleep with him. They then become obsessed with this type of fairy, and the fae feeds off of the obsession. I was glad to see the book treat this as rape (basically drugging someone into sleeping with you) but I was also disappointed to see our heroine have to face off against an attempted rape. As I said in my review of the previous book, I get really tired of urban fantasy heroines being threatened constantly by rape. My hope is that this was a one-off type thing to introduce the concept of this type of fae rather than the new normal for the series.
Toby herself and the worldbuilding continue to be my two favorite aspects of the series. The plots are good, but I’d read almost anything plot-wise to visit Toby and her world again.
The essence of Toby and why I love her is evident in this quote:
Long dresses weren’t designed for walking in the woods. My mother could’ve made the walk without stumbling; she fits into the world that well, even insane. That’s what it means to be a pureblood. I stumble and fall, and I always get up and keep going. That’s what it means to be a changeling. (page 371)
Picking a quote to show why I love the worldbuilding so much is a bit harder, but here’s a particular favorite that really punched a visual of what this world is like home for me. In this passage, Toby is explaining that she and her mother are Daoine Sidhe and can see memories through blood:
My mother was so strong she could taste the death of plants. She could never stomach maple syrup; she said it tasted like trees screaming. (page 91)
As a born and raised Vermonter who grew up harvesting maple syrup, that line was a bit of a gut punch. An eloquent one.
Overall, readers of the first entry in the series will be pleased with this second outing. Toby continues to be a strong character set in a fascinating world. The mystery plot is another murder, but it is a series of murders and has a very different solving pattern and outcome than the first. Recommended to fans of the first book to continue on to the second as soon as they can.
4 out of 5 stars
Terric, nickname T, a half shifter half demon, and his girlfriend Jordyn, full vampire, have decided to move from New York City to Provincetown, Massachusetts. T has an opportunity to work as head of security at a nightclub and bar that caters to the supernatural, and he thinks the move will be good for he and Jordyn. Jordyn had a nightmarishly abusive past, and T has been helping her heal through a safe, consenting BDSM relationship. But his love for Jordyn is not one of a mate; it is one of a friend. He intuitively knows that his mate will be a man but he struggles to accept this, due to suffering he has endured in the demon realm. When Jordyn decides it is time for her to stand on her own two feet and move out, she also encourages T to confront himself and grow as well. But all T feels is set adrift.
Every November/December I open up to submissions for books to review in the upcoming year on my blog. When I saw this one in the submissions, I was excited. Not very much paranormal romance is submitted to me, and paranormal romance with a bisexual main character is nigh on impossible to find. Plus, I love Provincetown. This paranormal romance features a unique set of characters and a wide variety of sex scenes but its world building struggles some.
The strongest aspect of the book is that its main character Terric is so unique in paranormal romance. Terric actually describes himself perfectly:
I’m an anomaly. A fucking bisexual demon shifter. Not really all of any one thing…. I don’t really fit in most categories, you know. (page 33)
First, I love love love the fact that the hero of the book isn’t just bisexual, but he actually uses the term to describe himself as such. This may not seem like a big deal, but it is quite rare to have a character self-identify as bisexual and simultaneously have that character be one of the good guy leads. I really applaud the author for going there. Terric struggles with his sexuality but not for the reasons the reader might expect. Provincetown, for those who don’t know, is known for being a small town with a large accepting queer community. T’s community would accept him for who he is, but he struggles with accepting and loving himself. The reason given for this is that when he is summoned to the demon realm (as a half demon, he is subject to hell’s dominion), he is sometimes subject to punishment that consists of rape by other male demons (or half demons). The reason he has trouble imagining being mated with a man is due to this trauma. Bisexual men experience a higher rate of rape than straight or gay men (source), and I think it’s a good thing that the author works this into T’s past within the context of his supernatural world. The rape is not misrepresented as causing his bisexuality but rather as a trauma he must get over to fully embrace his sexuality for what it is. It’s not a storyline seen very often, and it’s handled well.
Similarly, the BDSM subplot in the first half of the book is also handled well. The BDSM is completely presented as something both partners have consented to with pre-agreed upon boundaries that are respected. It is also shown as something that is therapeutically used to help Jordyn overcome her past trauma. This is a use for BDSM that some readers may not know but it is clearly well-understood by the author and well presented in the book. Plus, the BDSM scenes are well-written and just the right level of steamy.
Unfortunately, the world that T and Jordyn live in is not as well fleshed-out as they are. In particular, the workings of the supernatural world are never fully explained and can be a bit confusing. For instance, vampires can apparently have children (as in, conceive and give birth to them, not as in turning humans into vampires), but it is never explained how. Also the logistics of mixing different supernatural races are unclear. For instance, there is one character who is 100% shifter, but his parents are both half vampire and half shifter. Even the character himself doesn’t know how that worked out to him being pure shifter. Some readers probably wouldn’t be bothered by the lack of details and world building regarding the supernatural and just how it works in this world, but others will be.
There are a few minor editing mistakes, the most startling of which is that the book on page 142 suddenly changes from indenting new paragraphs to having a line space between them (like how paragraphs appear on this blog). I have no preference for one over the other, but consistency throughout the book is preferred. There is also one plot point that bothered me. At one point a character is established as being tipsy. He then kisses someone and, freaked out about it, decides to leave and states that he can because he is “sober as a judge,” and the other character agrees he is fit to drive (page 152). Unless that kiss lasted an hour or two, there’s no way he went from tipsy to sober as a judge in the span of one kiss (unless something supernatural was going on that was not explained). Similarly, sometimes the book veers too far into telling rather than showing, particularly in the scenes that are not sex scenes. For instance, in one scene, this occurs:
He told Kevin a little bit about his own upbringing, just the basics. (page 144)
At this point, the reader does not know much about this character’s upbringing. Why not write out the dialogue in which the character tells Kevin about it, rather than telling the reader that the character tells Kevin? The sex scenes never veer into this telling rather than showing zone, and it would be nice if the plot points didn’t either.
There is also a chapter that is called the “epilogue,” which kind of bothered me since it is a direct continuance of the plot in the previous chapters. No significant time is skipped, nothing in the future is explained. It is basically the last chapter in the book. I am uncertain as to why it is thus called an epilogue. I was expecting it to update me on the future of these characters, not simply continue the story in a direct linear fashion from the last chapter.
Sex acts in the book include: anal sex (male on female), BDSM (male dom, female sub), and M/M kissing/touching. Rape is mentioned as an occurrence in the past but is not depicted. Those readers looking for more in-depth M/M scenes should keep their eye out for the next book in the series, as it appears that a M/M relationship will be building to greater intimacy in the next book.
Overall, this is a welcome addition to the paranormal romance genre, featuring a unique cast of characters, including a bisexual half-demon, half-shifter male hero. The book contains a wide variety of sex scenes, including M/F BDSM and M/M kissing/touching. Readers interested in in-depth world building may be disappointed by the lack of explanation of the supernatural world these characters inhabit. Those looking for a quick, steamy read will enjoy these characters and the development of them that goes on in-between their well-written sex scenes.
3 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
October (Toby) Daye is a changeling — she’s half fae and half human. Half Daoine Sidhe to be exact. She has just enough fae features to not fit into the human world, but her magic is just weak enough to keep her from fitting into fae either. Toby was splitting the difference quite well, serving her fae liege as a private detective and living a semi-normal human life with her human husband. But when a bad fae turns her into a fish on a mission for her liege, and it takes fourteen years to be turned back, everything changes. Toby loses her family and her desires to have any ties to the fae world, but the fae world won’t let her be for long. A high-ranking fae who was also her friend turns up dead, killed by iron, and a curse means that Toby must investigate.
Interestingly enough, one of the later books in this series was recommended to me by an automatic readalike generator (whose name I know forget) as a readalike for Fudoki (review) a book set in historic Japan about a cat turned into a woman warrior. I was intrigued by the series, although I wasn’t certain of the connection to Fudoki, and so I put the first book on my wishlist. My future mother-in-law was kind enough to gift it to me during the height of my cabin fever during Boston’s historic winter this year. This book hits all the right tones for urban fantasy: a strong yet wounded heroine, a complex mystical world operating parallel to and sometimes overlapping with our own, a single book mystery for the heroine to figure out, and an overarching mystery that leaves the reader wanting to come back for more.
The book takes a little bit to get set up. There’s a flashback to before Toby was a fish then the book pops quickly forward to the (near) present when Toby escapes being a fish. It at first struck me as a bit of an odd beginning, but by the end of the book I was loving it. The fact that Toby has a 14 year gap means that there are elements about her world she has to learn or relearn, meaning when key parts of information need to be told to the reader, it comes across as natural that Toby will need to learn about it or remember it. She did have those 14 years away, after all. It’s a plot-telling device, but it’s smart. It also isn’t forgotten when it comes to Toby’s character. The fact that she lost her family and all those years deeply impact her psyche, and that’s as it should be. It helps automatically make her a more well-rounded character.
Halfings are common in urban fantasy, but the ones in this universe are particularly well-done, mostly because there’s just so many of them. Toby isn’t an anomaly, halflings are a constant, persistent problem for the fae to have to deal with. They don’t quite fit into fae, but they also can’t just banish them for the humans to deal with. The humans don’t even know they exist, in fact, most humans who do mate with fae never even know that they did. While some fae are open to and embrace the halflings, others are not. Similarly, some halflings will give anything to just fit into fae or into the human world, while others are comfortable living partly in each. The fact that there are so many halflings allows for a lot of diversity and keeps Toby from looking like a marked heroine. She is just one of many, dealing as she can. I appreciate the everywoman aspect this lends her.
Toby is also extremely likeable. She’s down-to-earth and matter-of-fact about everything. She has many quotes that sound like an average person talking but contain a kernel of wisdom. She’s a humble smart woman who maybe doesn’t realize just how much savvy she does have.
That’s the true value in wards; not keeping things out, but telling you if something’s managed to get in. (loc 537)
It can’t all be dreams because a broken dream will kill you as surely as a nightmare will, and with a lot less mercy. At least the nightmares don’t smile while they take you down. (loc 2428)
The fae world is incredibly complex and yet makes a lot of sense. There are many different types of fae, and they are smoothly introduced. My personal favorite are the Caid Sidhe. They are surely the reason this book was recommended due to my loving Fudoki. The Caid Sidhe are fae who shapeshift into cats, and even in bipedal form have some cat-like features and abilities. The king of the cats has a bit of a love/hate relationship with Toby that is fun to see. But also, fae cats. How is that not fun? Realistically, though, I wouldn’t have loved seeing the Caid Sidhe so much if there hadn’t been such a variety of fae. It’s a richly imagined world that is really fun to visit.
The mystery is good, with Toby investigating a murder. There were plenty of plot-twists, although I did guess the responsible party far in advance of the ending, which was a bit of a bummer. I also must say that I’m not really a fan of heroines getting wounded within an inch of their life only to be saved by magic repeatedly. It removes some of the sense of danger for me. I did appreciate that for once there was an urban fantasy heroine who was never threatened with rape. That was a nice change of pace. I’ll take forcibly changed into a fish over that any day.
Overall, this book sets up the incredibly complex fae world of the series, as well as establishes the heroine’s character and background quite well. Readers will easily fall into the incredibly imaginative world that Toby partially lives in that runs parallel to and sometimes hand-in-hand with our own. Some readers may find the mystery a bit predictable, but this is an excellent first entry in an urban fantasy series that will leave the reader eager to pick up the next and go back to this rich world as soon as possible.
4 out of 5 stars
It’s 2015, and Denny Younger of New Cardiff, California, is a caste of 8. He loves reading and studying but he knows he will probably end up working in the shops just like his father. But when he takes his placement test, he’s offered a position that he is promised is better, but he can’t know anything about it until he starts working, and he must leave his family behind. Denny’s family life is in pieces, so he eagerly agrees. Before he knows it, he is re-caste as a 5 and soon discovers that he will be traveling through time as an observer, recording family histories for the elite. Even the smallest error in time-travel can have far-reaching consequences, and before he knows it, Denny finds himself racing against time (and other time-travelers) to fix everything. But what does fixing everything actually mean?
I love a good time-travel book, so when Audible offered this one up to me for review, I eagerly agreed. This is an action-packed book but with far less time-travel than it originally appears and much more parallel universes.
The basic premise of the book is that this is the year 2015 in a wold where the American Revolution never occurred. Without the American Revolution, the British Empire ended up taking over most of the world (except East Asia). Everyone is sorted into extremely strict castes, and family history is everything. These people haven’t made it to the moon yet, but they have managed to discover time-travel. And they use this discovery solely to send people called “rewinders” back in time to verify people’s ancestry to solidify their ranking in this world. Now, this was my first major problem with the book, and it’s a plot point I just never was able to let go of. This society acknowledges the risk of the butterfly effect and yet they brazenly send people willy-nilly through time risking everything for what? Geneaology. And this has been going on for decades with no ill effects. Perhaps other readers can get past the idea that a federally (er, royally) backed agency would do this, but I simply could not.
Naturally, when our brave hero goes back in time, he is the first to woops his way into a butterfly effect. He knows he’s probably done it (he causes someone to leave a location 12 seconds late), but he still pops back up into the present to check on things. Once there, it takes him days to figure out that he’s changed history. Daaaaays. It should really not take him this long to figure this thing out. Denny causes a change. Denny pops up to the present. Denny has troubling connecting to his companion (a person in the present who grounds the person time-traveling), so he gets sick for a few days. Denny then wanders through our universe’s New York City and can’t figure out what’s going on. It takes traveling to California’s New Cardiff (in our world, Los Angeles) and seeing that his family home is gone to figure out what’s happened. Really? A person who has been trained in time-travel takes this long to figure out this very basic time-travel problem? It’s hard to believe, especially after we’ve been told repeatedly how smart Denny is, that he could be that stupid.
Denny then starts living in Los Angeles to investigate this parallel universe. He naturally meets a girl and falls for her. He then has trouble deciding whether to put everything back or not. And of course there are other rewinders out there he must contend with.
The basic plot idea is interesting. What would have happened if there had been no American Revolution and how would a person from that society react if they discovered a different option for their lives? But how the author gets there isn’t fully thought-out or fleshed-out enough. There are too many logical fallacies, such as the ones I’ve laid out above. That said, it was a fun read with a different plot than what has been coming from a lot of YA recently. I was glad to see a scifi that contains some history for YA readers. I also appreciated how many women characters are present in the book, including Denny’s trainer and his nemesis. Similarly, Denny’s world is extremely lacking in diversity due to the success of the British empire and its traditionalism. When he travels to our world, he immediately encounters greater diversity, both of race and of sexuality, and he seems to appreciate that, which is a nice touch.
The narrator does a good job both keeping a good pace and setting the tone for the book. While I understand why the narrator uses a British accent for the British characters from the 1700s, the history geek in me was frustrated, since the stereotypical modern “British accent” didn’t exist back then. (I knew this from my History BA, but here’s an article that explains what I’m talking about).
Overall, this book has an interesting premise and fast-moving plot. It has some romance, but is thankfully free of any love triangles. Time-travel fans may be frustrated by how easily characters brush off the real presence of time-travel issues. The science of time-travel is simply not explored enough, nor is history. However, YA readers looking for a quick read and something different in the genre will most likely enjoy it.
3 out of 5 stars
Source: Free download from Audible in exchange for my honest review
Eugenia Markham is a shaman who spends her time sending the fae back to their own world. She hates the fae both for trespassing into our world and for kidnapping women into their own. When fae start referring to her by her given name, rather than her working name, she becomes concerned something is awry. What she discovers is a prophecy that will change everything.
I picked this up because I love Richelle Mead’s Georgina Kincaid series (review) so much. I wish any of the summaries I read of the book had even hinted at one of the big plot points, as I think how a reader responds to that plot point will dictate how much they enjoy the series overall.
Without revealing too much, early on in the book, fae start showing up and attempting to rape Eugenie. She finds out that there is a prophecy that her child will be the one to bring about large changes in the land of the fae. (This is not particularly a spoiler, it is revealed early on and there are even more plot twists later on to complicate this). What this means for the reader is that our main character must repeatedly physically fight off would-be rapists. If I had realized this was such a key plot point, I would not have personally picked up this book, and I think there are probably quite a few other readers who would be similarly bothered by this repeated scene of our heroine trying to fight off rapists. To be clear, this is not one single solitary incident. It is one of the main repeated problems for this character. Fae keep trying to rape her.
Another plot line is that the fae are known for kidnapping and raping young (this is specified, young, as in early to mid teens) human women. Because the fae have fertility problems. In fact, the case that Eugenie takes on early in the book is trying to save a teenaged girl who has been kidnapped by the fae. Eugenie normally doesn’t go into the land of the fae in a corporeal form (she does send her spirit via astral projection), but she agrees to in this case because she is so bothered by the knowledge that this teenage girl is facing a lifetime of rape.
These are just two non-spoiler examples of the rape plots, and there is at least one more that I won’t reveal as it’s a big spoiler. Readers who for whatever reason do not want to read either about rapes occurring off-screen or about the threat of rape or about a woman repeatedly having to physically fight off rapists should not pick this book up. These are key and frequent plot points in this book.
Having said this, I do not judge the book for including these plot points. Rape is a part of some fae mythology, and the author has every right to include it in an urban fantasy book based in fae mythology. I also think the author handles the inclusion of the rape and threatened rape well. Rape is never excused, rapists are denounced, and there are some fae characters who state they would never have sex with a human female who hasn’t consented. The author has a valid reason for including the rape plots, and she handles them well. I simply wish that it was clearer from the official book blurb what a large role rape plays in this book, and thus, in my review, I am being certain to be clear for potential readers the extent of rape plot points in this book.
So what about the rest of the book? Eugenie is mostly what one expects from an urban fantasy heroine. She is strong, talented, wears her hair short and hates dresses. She has a questionable roommate and a cover story of being some sort of private investigator. What makes Eugenie unique in urban fantasy is that she is a shaman trained by her step-father, and the only really supernatural humanoids in her world are the fae and some mythological shapeshifters from other cultures (think of Japanese myth’s shifters). Don’t come to this series looking for vampires and werewolves. You won’t find them. The fantastical world of this book is simply that there is another world of fae, and sometimes they cross over into ours.
The prophecy at the center of the book has more to it than it originally seems, and the plot twists are surprising and exciting. Yes, many urban fantasy books revolve around a prophecy that has our heroine at the center, but this is the first one I’ve seen in a while that’s more about the heroine’s child than the heroine herself.
As is to be expected, Eugenie has two potential love interests, a half kitsune (shape shifting fox) half human man and a fae. Personally, I didn’t like either of her love interests. One is too bourgeois/royal, and the other is too macho for my taste. But I can see how other readers would enjoy one or the other or both of them and appreciate Eugenie’s difficulty in deciding who has her heart.
The audiobook narration by Jennifer Van Dyck starts out a bit awkward and gets better with time. For the first half or so of the book, her narration can sometimes be a bit stilted. She almost sounds like she’s reading lists. She pauses at odd times. Also, her voice sometimes comes across as elderly, which doesn’t suit the tone of the book. For the most part, though, the narration doesn’t detract too much from the book, it simply doesn’t elevate it either.
Overall, this is an entry in the urban fantasy genre that sticks closely to the well-loved trope of a strong, non-girly woman battling supernatural forces while also adding on some unique elements, such as a prophecy about her future child and sticking to the fae of mythology. Readers should be aware that attempted rape and rapes occurring off-screen feature frequently in the book. The plot itself is twisting and exciting, with enough unique elements to keep regular readers of urban fantasy engaged. Recommended to urban fantasy fans looking for a universe that sticks more closely to the traditional mythical depiction of the fae world and who don’t mind the inclusion of rape and attempted rape in the plot of the book.
3 out of 5 stars
Penny Farthing, member of the wealthy elite, is full of tons of energy she mostly uses to ride her motorized high wheel bicycle and collect robotic butterflies. Unfortunately, her clockwork heart doesn’t always entirely keep up with her. Plus she has to wind it. Much more troubling to her, though, is the fact that the creator of her clockwork heart, Calvin Warwick, is now on trial for murdering dozens of people he abducted from the street to practice on before giving her her new heart. When there is an explosion at her family’s factory and Warwick escapes prison immediately after being found guilty of murder (oh, and her parents disappear), Penny and her twin brother and two of their closest friends embark on a journey of intrigue to bring her parents home and Warwick to justice.
I rarely am actually interested in anything in the Kindle First email (a once-monthly email that informs Kindle owners as to four books they can access ahead of publication for free). I am also not often into most steampunk books. It’s an idea I love, but I often find isn’t executed as well as it should be. When this one popped up, though, I was intrigued for its transhumanist explorations. The book definitely explores the concept of transhumanism via the steampunk idea of augmentation, but it mostly is a story about a young girl’s first love and a bit of a mystery/thriller search for a murderer.
The basic premise that a teenager finds out that the medical device that saved her life was the result of the brutal torture and murder of dozens of people is awesome. This is a more extreme version of the types of realizations that young adults often have. (For instance, I will never forget the first time I realized that sometimes scientists must experiment on innocent animals in the pursuit of cures and the ethical quandary that resulted for me). It works quite well because it is set in an alternate universe. This allows the reader to have some distance to view the ethical issue through but the alternate universe is still similar enough to our own that it is relatable. Penny is always firmly against any unwilling human experimentation (as she should be) but she is left wondering how much responsibility and guilt she should feel for the tortures and murders when she herself was indirectly responsible. She is so grateful to be not only alive but able to function better than she could before. But she is also traumatized at the thought of how she got there. This is the book’s real strength, and I am glad it is out there for the YA audience to read. That said, there are other elements of the book that just don’t quite work for me.
First, the level of steampunk is sometimes a bit ridiculous and isn’t explained well enough. For instance, the world seems to have only robotic butterflies and horses. Why is that? For that matter, it’s deeply confusing to me why this culture would develop a robotic horse and carriage, particularly when they also have motorized bicycles (I won’t call them motorcycles, because they definitely are not nearly so eloquent nor sexy as motorcycles). It’s not a far leap to car from there. The reasons behind the steampunk features are simply never explored. They just are. This may be fine to some readers, but I found it dissatisfying. I particularly really needed to know why the animals are robots.
Second, the society Penny lives in is clearly meant to be a parallel to the British Empire in its heyday. It is highly stratified, classist, regal, and feels oppressive (except for Penny and her family of course *eye-roll*). I have no problem with a book containing this type of society but it is not only never questioned it seems to be held up as an excellent way of living. It’s great that the military just jumps right on in and solves everyone’s problems (including abducting civilians up to their sky fort). It’s oh so wonderful that Penny’s family has all this wealth. It’s tragic for Penny’s family that they lose some product in the factory explosion but the workers and their injuries and lives are barely touched upon. It ends up feeling like whenever any of the elite people in the book (and most of the main and secondary characters are elite, with the exception of one young girl who is saved from her poor destitute life by the military) discusses anything bad about being the lower class, they do so in a “See, I’m a good person because I care about them” tone but not out of any sincerity. None of them have any desire to actually change or fix anything. Indeed, one of the main characters excitedly jumps right in when they are asked to become an honorary member of the military. The book has the tone that the only thing wrong with this alternate universe is the fact that Warwick is a very bad man who experiments on people he snatched from the street. Everything else is fine! When it clearly is not.
Finally, I just don’t particularly care for the main character, Penny Farthing. First there’s her name, which is exactly the same as the name of the style of bicycle she rides (only motorized) (info on the penny farthing). That’s just a bit too cutesy for me. Second, she is a person who is oblivious to her privilege of wealth and access to medical care, even when it is smacking her in the face. She never learns, changes, or grows (beyond falling in love). She briefly realizes “hey, maybe things have been rough on my twin brother too,” but she glosses over that quite quickly. She also eats incessantly in a way that reminds me very much of The Gilmore Girls (here is a great article that talks about why this trope is annoying as hell). Basically, she eats whatever she wants, whenever she wants, primarily junk food, and everyone finds it “oh so adorable” that she is constantly hungry. Oh that Penny Farthing! And she does this all while staying the classic western media ideal of what is attractive! Without working out! So basically she never does that annoying thing women can sometimes do which is to eat a salad and never eat a burger because she’s watching her figure (which men find annoying) but she also is definitely not fat (which men also find annoying). She is the best of both worlds. In Penny’s case, this mystery is explained as the fact that she needs to eat to keep her clockwork heart going. The “science” of that drives me absolutely batty, by the way. My best guess is that the author was possibly going for the idea of how some people, such as people with diabetes, need to eat at evenly spaced times to keep their blood sugar even. However, no one would tell a person with diabetes to eat primarily sugary baked goods at those intervals, which is what Penny mostly eats. Also, diabetes does not equal heart disease so…..the “science” of this makes very little sense. It reads as an excuse to use the Gilmore Girls junk food trope. Finally, it really bothers me that she collects the robotic butterflies. Yes, I know people do this in the real world with real butterflies, but it has always struck me as cruel, and I think it says a lot about her character that she seems so cool with trapping what in her world are perceived of as essentially living creatures for her own amusement and collection.
All of that said, the plot and mystery of Warwick, his escape, and finding Penny’s parents is fast-paced and unpredictable without ever verging into the land of plots that make no sense. It’s an interesting world with an engaging plot built around a cool premise. Where it is weak is primarily in the elements that were either not sufficiently well thought-out, explored, or explained, such as the robotic animals, the functioning of Penny’s heart, etc…
Overall, this has an interesting premise and an engaging plot. It unfortunately doesn’t explore the workings of the society or the steampunk it has created enough, and the main character can be a bit annoying and hard to root for at times. However, those who love steampunk with a dash of mystery and romance will likely enjoy adding it to their repertoire, provided they are ok with the issues outlined above.
3 out of 5 stars
Source: Amazon Kindle First (Free copy of the book provided by Amazon to those with kindles who request it. Requesters are under no obligation to provide a review).
It’s Halloween, and Pali Moon, Maui’s wedding planner, is happy to be back to planning a normal wedding after her adventures earlier in the year. Even if she’s being sent out on Halloween night to Lahaina to look for a bridesmaid who’s gone missing. Pali expects to find her drunk and lost, but what she finds instead is her ponytail in the backseat of her car. Cut off. Pali is very worried about the missing bridesmaid, but no one else–not the bride, groom, or even the police–seem to care. When she starts getting threatening messages, Pali decides it’s up to her to figure out just how much danger the bridesmaid is in.
This second entry in this near cozy-style mystery series finds the reader again following a wedding Pali is planning gone criminal.
Perhaps some would expect every entry in a mystery series about a wedding planner to involve some wedding going haywire. I suppose that’s fair, although personally I would prefer the source of the mystery to be a bit more shaken up. Something like maybe Pali’s neighbor in the business district going missing, and Pali having to still manage to plan a big wedding while investigating the missing neighbor. However, I can see how some readers would enjoy the predictability of “wedding gone awry” as a mystery plot. In fact, it’s probably a mystery niche I was previously unaware of. Potential readers should know, though, to expect the “wedding gone awry” plot from this series.
Even if readers are ok with the “wedding gone awry” idea being brought back in the second entry, how it goes awry could perhaps be executed a bit more uniquely. In the first book, a groom is missing. In the second book, a bridesmaid is missing. The mystery would read quite differently if, for instance, the bridesmaid winds up dead at the bachelorette party, and Pali has to help clear the bride’s name in time for her wedding. That at least wouldn’t be a missing person all over again.
That said, the reason behind the missing bridesmaid, and the plot that goes along with it is quite different from the first book. Once the reader gets past the first 1/3 of the book or so, things definitely do start to develop differently. The plot particularly surprised me at the end, again, in a way that seemed plausible and logical. I just wish the beginning had been more unique.
Pali’s characterization continues along the same way as the first book. If you liked her in the first, you’ll like her here. If you didn’t, you won’t.
The romance plot is also quite similar to the first book. Pali is still waffling between two men and doing a rather bad job of handling it in an adult-like manner. Again, if you enjoyed the romance in the first book, you’ll enjoy it here. If you didn’t, you won’t.
The setting is still as lovely as in the first book. Hawaii and its culture are beautifully depicted. It’s easy to feel swept away to Hawaii when reading this book.
Overall, this mystery has a plot that starts quite similar to the plot in the first book but that is saved by a drastically different ending and reasons behind the missing person. The main character and romance continue to be a bit ho-hum, but if readers enjoyed them in the first book, they will enjoy them here. Recommended primarily to those who greatly liked the first book in the series.
3 out of 5 stars