In the future, people’s memories are backed up on sticks like external hard-drives, and when someone dies, they can just be put into a new body or resleeved. Criminals are put into the brain bank for a set period of time to serve their “prison” sentence before being resleeved. Kovacs is an ex-UN envoy but he’s also a criminal, and he wakes up one day in a new sleeve on Earth, not his home planet, before his sentence is up. A rich myth–someone who has been alive for centuries in the same body, due to their wealth–has been killed. After being resleeved, the local police told him it was suicide, but he doesn’t believe them. So he’s hired Kovacs to figure it out for him. If he solves the mystery, he’ll get sent back to his home planet and get a sleeve of his choice without serving any further sentence. If he doesn’t, he’ll serve out the rest of his sentence and get resleeved on Earth, far from home. Kovacs has no choice but to try to figure out who would waste their time killing a man who has endless sleeves to burn?
I love a good noir, and I liked the futuristic scifi sound of this one (the most famous futuristic scifi noir is Blade Runner/Do Androids Dream of Electric Sheep, in case you were wondering). Unfortunately, in spite of the very cool resleeving concept, I was left quite bored by the plot.
The setting and ideas for this future scifi world are fantastic. Earth has colonized various planets, and each planet was colonized by different mixes of cultures. Kovacs’ planet was colonized by the Japanese and Nordic cultures. When he was a UN envoy he fought on one colonized by Middle East cultures. So each planet has its own distinct culture, and, Kovacs at least, clearly feels that Earth is quite backwards. For instance, Earth has a cadre of people who believe that resleeving is unethical and sign documents saying they are ethically opposed to being resleeved. It sounds as if no other planets have that faction. Similarly, it sounds as if only Earth has people wealthy enough to become myths–people who can afford to be resleeved in new clones of their own bodies they grow and keep safe, as well as back up their brains at frequent intervals into a cloud. So Kovacs has some immediate culture shock, which is interesting to see.
Also, obviously, the idea of people’s brains being kept on usb sticks (basically) that you can just stick into the brain stem of another body and what implications that would have is just brilliant. It’s cool to read about, and it’s an interesting take on longevity. I also particularly appreciated that people *can* still die in various ways. For instance, if you shoot someone where this brain stick goes in, you ruin their stick and they therefore can’t be downloaded into a new body. This whole setting gives both a cool futuristic vibe and a complex environment for solving murders in. It’s hard to solve for murders when people can just be rebooted, basically.
There is a lot of realistic diversity in the book. The lead cop on the assignment is a Latina woman. Takeshi Kovacs is clearly intended to be biracial (white and Japanese). There is a big bad (who I won’t reveal) who is an Asian woman. The only other major characters are the myth and his wife, both of whom are white. However, the surrounding and minor characters all demonstrate a clear melting pot of race and creed. I appreciate it when futuristic scifi is realistic about the fact that all races and cultures and creeds would most likely be present.
One thing I do want to note, although I do think the book tries to address the obvious issue of what if a person gets resleeved into a race or gender different from their own, I’m not sure it was successful. Takeshi immediately notes that he is in a Caucasian sleeve, and that irritates him some. He continues to act like his own culture and exhibits a preference for the food of his home world but he doesn’t seem to be too bothered by being in someone else’s body. (Criminals get resleeved into other criminals at random. That is part of the punishment…not getting your own body back and knowing yours is out there being used by someone else). It is explained that Takeshi is able to deal with the dysphoria because he was trained for it in the UN Envoy but I do wish a bit more explanation was given to this issue. For instance, is being resleeved into a different race usually ok for the person? Or is it difficult just like every aspect of being resleeved into a new body is difficult? Does it vary person to person? This was unclear, largely because Takeshi’s Envoy training makes it a bit of a non-issue.
Similary, at one point a male character is resleeved into a female body, specifically because sleeving across genders is perceived of as an act of torture in this world (it is a bit unclear to me if this actually happened or if it’s virtual reality, but it is made very clear that virtual reality feels exactly the same as reality to the person in question, so the fact remains). I thought this was interesting and a nice send-up to trans issues. However, in the next breath, the character mentions that he can tell he’s in a woman’s body because he FEELS THINGS MORE EMOTIONALLY. *sighs* (I would provide you with a direct quote, but I don’t always manage to successfully bookmark passages in audiobooks, and this was one of those times). I get it that this passage is supposed to be a complement to women. The man in question talks at length about how women feel things so much more and isn’t that nice and what a burden it must be and men should understand it more. Yes, ok, fine, the character is being nice about it, but it’s still sexist. The character could have had the same experience and limited to just this sleeve without making it about all women, but no. He mentions that he’s been sleeved in women’s bodies before and this is how it always is.
On a related note, I just want to mention for anyone who might be triggered by such things that there is a rather graphic scene in which the same character inside a woman’s body is raped by torturers with a rod of hot iron. Just once I would like to get through a noir book without someone being raped, just saying. (If you appreciate warnings for this type of content, see my dedicated page here).
So the characters are interesting and diverse, and the scifi world is creative, but the plot is a bit ho-hum. Part of the problem is that I just honestly cannot make myself care about the rich myth and his problem. The second issue comes up though when Takeshi ends up having a problem that intertwines with the myth’s, and I just can’t care about his either, largely because it revolves around protecting someone who the reader meets for about two minutes of audiobook, so I’m imagining that’s only a few pages of the book. It’s basically big money all coming up against each other, and that’s a plot I personally struggle to really be interested in unless there’s at least one character I can really root for, and I just couldn’t root for any of these. I also think that it didn’t help that compared to how creative the world-building was, the plot is very average. So I was given high expectations with the world-building in the first few pages only to have a been there, seen that, reaction to the plot.
What lifted the book up from 3 stars to 4 for me was actually the audiobook narration. Todd McLaren does an awesome job of producing many different voices and accents for all the different characters, helping to keep complex scenes straight. He also has a great noir detective vibe to his voice when he speaks for Takeshi. I will note, though, that I did have to speed the audiobook up to 1.25x to match my listening speed. But I tend to listen fast, so other readers would probably prefer the slower speed.
Overall, scifi readers who also enjoy noir will most likely still enjoy the read, in spite of a seen it before plot, because the world-building is unique and creative. I would recommend that readers who enjoy both print and audiobook check out the audiobook, as I feel it elevates the story.
4 out of 5 stars
It’s 2015, and Denny Younger of New Cardiff, California, is a caste of 8. He loves reading and studying but he knows he will probably end up working in the shops just like his father. But when he takes his placement test, he’s offered a position that he is promised is better, but he can’t know anything about it until he starts working, and he must leave his family behind. Denny’s family life is in pieces, so he eagerly agrees. Before he knows it, he is re-caste as a 5 and soon discovers that he will be traveling through time as an observer, recording family histories for the elite. Even the smallest error in time-travel can have far-reaching consequences, and before he knows it, Denny finds himself racing against time (and other time-travelers) to fix everything. But what does fixing everything actually mean?
I love a good time-travel book, so when Audible offered this one up to me for review, I eagerly agreed. This is an action-packed book but with far less time-travel than it originally appears and much more parallel universes.
The basic premise of the book is that this is the year 2015 in a wold where the American Revolution never occurred. Without the American Revolution, the British Empire ended up taking over most of the world (except East Asia). Everyone is sorted into extremely strict castes, and family history is everything. These people haven’t made it to the moon yet, but they have managed to discover time-travel. And they use this discovery solely to send people called “rewinders” back in time to verify people’s ancestry to solidify their ranking in this world. Now, this was my first major problem with the book, and it’s a plot point I just never was able to let go of. This society acknowledges the risk of the butterfly effect and yet they brazenly send people willy-nilly through time risking everything for what? Geneaology. And this has been going on for decades with no ill effects. Perhaps other readers can get past the idea that a federally (er, royally) backed agency would do this, but I simply could not.
Naturally, when our brave hero goes back in time, he is the first to woops his way into a butterfly effect. He knows he’s probably done it (he causes someone to leave a location 12 seconds late), but he still pops back up into the present to check on things. Once there, it takes him days to figure out that he’s changed history. Daaaaays. It should really not take him this long to figure this thing out. Denny causes a change. Denny pops up to the present. Denny has troubling connecting to his companion (a person in the present who grounds the person time-traveling), so he gets sick for a few days. Denny then wanders through our universe’s New York City and can’t figure out what’s going on. It takes traveling to California’s New Cardiff (in our world, Los Angeles) and seeing that his family home is gone to figure out what’s happened. Really? A person who has been trained in time-travel takes this long to figure out this very basic time-travel problem? It’s hard to believe, especially after we’ve been told repeatedly how smart Denny is, that he could be that stupid.
Denny then starts living in Los Angeles to investigate this parallel universe. He naturally meets a girl and falls for her. He then has trouble deciding whether to put everything back or not. And of course there are other rewinders out there he must contend with.
The basic plot idea is interesting. What would have happened if there had been no American Revolution and how would a person from that society react if they discovered a different option for their lives? But how the author gets there isn’t fully thought-out or fleshed-out enough. There are too many logical fallacies, such as the ones I’ve laid out above. That said, it was a fun read with a different plot than what has been coming from a lot of YA recently. I was glad to see a scifi that contains some history for YA readers. I also appreciated how many women characters are present in the book, including Denny’s trainer and his nemesis. Similarly, Denny’s world is extremely lacking in diversity due to the success of the British empire and its traditionalism. When he travels to our world, he immediately encounters greater diversity, both of race and of sexuality, and he seems to appreciate that, which is a nice touch.
The narrator does a good job both keeping a good pace and setting the tone for the book. While I understand why the narrator uses a British accent for the British characters from the 1700s, the history geek in me was frustrated, since the stereotypical modern “British accent” didn’t exist back then. (I knew this from my History BA, but here’s an article that explains what I’m talking about).
Overall, this book has an interesting premise and fast-moving plot. It has some romance, but is thankfully free of any love triangles. Time-travel fans may be frustrated by how easily characters brush off the real presence of time-travel issues. The science of time-travel is simply not explored enough, nor is history. However, YA readers looking for a quick read and something different in the genre will most likely enjoy it.
3 out of 5 stars
Source: Free download from Audible in exchange for my honest review
Eugenia Markham is a shaman who spends her time sending the fae back to their own world. She hates the fae both for trespassing into our world and for kidnapping women into their own. When fae start referring to her by her given name, rather than her working name, she becomes concerned something is awry. What she discovers is a prophecy that will change everything.
I picked this up because I love Richelle Mead’s Georgina Kincaid series (review) so much. I wish any of the summaries I read of the book had even hinted at one of the big plot points, as I think how a reader responds to that plot point will dictate how much they enjoy the series overall.
Without revealing too much, early on in the book, fae start showing up and attempting to rape Eugenie. She finds out that there is a prophecy that her child will be the one to bring about large changes in the land of the fae. (This is not particularly a spoiler, it is revealed early on and there are even more plot twists later on to complicate this). What this means for the reader is that our main character must repeatedly physically fight off would-be rapists. If I had realized this was such a key plot point, I would not have personally picked up this book, and I think there are probably quite a few other readers who would be similarly bothered by this repeated scene of our heroine trying to fight off rapists. To be clear, this is not one single solitary incident. It is one of the main repeated problems for this character. Fae keep trying to rape her.
Another plot line is that the fae are known for kidnapping and raping young (this is specified, young, as in early to mid teens) human women. Because the fae have fertility problems. In fact, the case that Eugenie takes on early in the book is trying to save a teenaged girl who has been kidnapped by the fae. Eugenie normally doesn’t go into the land of the fae in a corporeal form (she does send her spirit via astral projection), but she agrees to in this case because she is so bothered by the knowledge that this teenage girl is facing a lifetime of rape.
These are just two non-spoiler examples of the rape plots, and there is at least one more that I won’t reveal as it’s a big spoiler. Readers who for whatever reason do not want to read either about rapes occurring off-screen or about the threat of rape or about a woman repeatedly having to physically fight off rapists should not pick this book up. These are key and frequent plot points in this book.
Having said this, I do not judge the book for including these plot points. Rape is a part of some fae mythology, and the author has every right to include it in an urban fantasy book based in fae mythology. I also think the author handles the inclusion of the rape and threatened rape well. Rape is never excused, rapists are denounced, and there are some fae characters who state they would never have sex with a human female who hasn’t consented. The author has a valid reason for including the rape plots, and she handles them well. I simply wish that it was clearer from the official book blurb what a large role rape plays in this book, and thus, in my review, I am being certain to be clear for potential readers the extent of rape plot points in this book.
So what about the rest of the book? Eugenie is mostly what one expects from an urban fantasy heroine. She is strong, talented, wears her hair short and hates dresses. She has a questionable roommate and a cover story of being some sort of private investigator. What makes Eugenie unique in urban fantasy is that she is a shaman trained by her step-father, and the only really supernatural humanoids in her world are the fae and some mythological shapeshifters from other cultures (think of Japanese myth’s shifters). Don’t come to this series looking for vampires and werewolves. You won’t find them. The fantastical world of this book is simply that there is another world of fae, and sometimes they cross over into ours.
The prophecy at the center of the book has more to it than it originally seems, and the plot twists are surprising and exciting. Yes, many urban fantasy books revolve around a prophecy that has our heroine at the center, but this is the first one I’ve seen in a while that’s more about the heroine’s child than the heroine herself.
As is to be expected, Eugenie has two potential love interests, a half kitsune (shape shifting fox) half human man and a fae. Personally, I didn’t like either of her love interests. One is too bourgeois/royal, and the other is too macho for my taste. But I can see how other readers would enjoy one or the other or both of them and appreciate Eugenie’s difficulty in deciding who has her heart.
The audiobook narration by Jennifer Van Dyck starts out a bit awkward and gets better with time. For the first half or so of the book, her narration can sometimes be a bit stilted. She almost sounds like she’s reading lists. She pauses at odd times. Also, her voice sometimes comes across as elderly, which doesn’t suit the tone of the book. For the most part, though, the narration doesn’t detract too much from the book, it simply doesn’t elevate it either.
Overall, this is an entry in the urban fantasy genre that sticks closely to the well-loved trope of a strong, non-girly woman battling supernatural forces while also adding on some unique elements, such as a prophecy about her future child and sticking to the fae of mythology. Readers should be aware that attempted rape and rapes occurring off-screen feature frequently in the book. The plot itself is twisting and exciting, with enough unique elements to keep regular readers of urban fantasy engaged. Recommended to urban fantasy fans looking for a universe that sticks more closely to the traditional mythical depiction of the fae world and who don’t mind the inclusion of rape and attempted rape in the plot of the book.
3 out of 5 stars
Book Review: Dark Victory by William Shatner, Judith Reeves-Stevens, and Garfield Reeves-Stevens (Series, #2) (Audiobook narrated by William Shatner)
Our universe has been invaded by the inhabitants of the Mirror Universe–a parallel universe that is a dark, twisted version of our own. Now, Captain Kirk, with the captains and crews of The Next Generation and Voyager must battle evil versions of themselves, led by the evil version of Kirk — Tiberius Kirk. What nightmares does Tiberius have planned for the Federation?
Back in December, my fiancé and I road-tripped to Michigan to visit his family. It’s about a 13 hour drive, and I had Audible credits, so I suggested we pick out a book. We both love Star Trek so we investigated what Star Trek options are available. This one jumped out at us for the obvious reason that it’s narrated by William Shatner himself! Other reviewers complained about sound effects, but that just made us more excited, so we downloaded it, oblivious to the fact that it’s the second book in a series. This book reads like a radio program version of a Star Trek movie featuring a crazy mash-up of the Original Series, Next Generation, and Voyager.
The action starts right away, which was admittedly a bit confusing, since we hadn’t read the first book. It starts with Tiberius and his crew escaping into our own universe, and Kirk and his trying to battle them. Also, Kirk’s hands are mysteriously mangled from something that happened in the first book. Ultimately, we were able to catch up with the plot and follow it somewhat. Kirk is in love with a woman who is pregnant with his baby. Tiberius seems intent on getting to some orbs that the Federation wants to protect. Kirk wants to stop him, but the Federation and some spy branch of theirs are trying to keep him from engaging in the fight anymore. They even go so far as to lie to him and tell him that Tiberius is dead. It’s a complex, twisting plot that makes some sense when listening to it, although summarizing it is nigh on impossible. Suffice to say, that if you enjoy the concept of the mirror universe and the characters from three series all interacting together, you’ll probably enjoy this plot. Plus, there’s also Kirk’s wedding in this book, and that is just not to be missed. (There are horses! And red leather outfits!)
What really made the book for me was the audiobook presentation of it. It is presented like a radio program, complete with amazing sound effects. The communicator actually beeps! There are impact noises from shots at the Enterprise! There are even whinnies from the horses. If you’re a more serious Star Trek fan, you might be irritated by the relative kitsch of this book and its reading, but if you enjoy Star Trek for its periodic utter ridiculous, then you’ll enjoy the way this audiobook is presented.
Shatner’s narration is sometimes good but often hilariously bad. His voice for women is unnaturally high and soft, making me giggle each time, and mysteriously, he uses the same voice for Captain Picard as for women. Listening to him narrate anyone who is not Captain Kirk is a bit like watching Captain Kirk “fight” in the Original Series. I enjoyed it for its ridiculousness, not for its quality.
Overall, if you’re a Star Trek fan who doesn’t take the show too seriously, you’ll enjoy this radio program like audiobook with a plot mashing up everything from a mirror universe to somehow placing Captains Kirk, Picard, and Janeway on the same ship.
4 out of 5 stars
Previous Books in Series:
When Leslie married Alex, she knew they both agreed on wanting children. What she didn’t realize, though, was how fiercely Alex, the last son in a long line of wealthy and powerful New Yorkers, would want only their own biological children. He’s willing to try anything to get them biological children, and she feels she can’t deny him one last-ditch effort with a doctor in Slovenia that a couple from their infertility support group swears worked for them. And the woman has the baby bump to prove it. So they fly off to Slovenia, and from the first instant in the doctor’s office, Leslie feels that something just isn’t right….
I’m a real sucker for evil pregnancy/children stories. Rosemary’s Baby and The Omen are two of my favorite movies. So when I heard about this new take on a classic trope, I knew I had to try it out. The book ends up being much less about pregnancy and more about the perils of genetic modification, providing an interesting twist on the evil pregnancy trope that carries out through the childhood of the babies that were conceived.
Essentially, the parents’ genetics were so messed up by the treatments performed by the doctor that they start turning into something different from human. Something a bit more animalistic. The children, of course, also have some of this animalistic genetics, but most of the differences don’t show up until puberty. This allows the children to be innocents for most of the book while their parents have gone off the rails from their very first treatment. My favorite part of this book is how it offers a smart critique of pushing our bodies to do something they don’t want to do. Where is that line? How far should we push things with science and at what point will using science make us something different from human? And is that something different going to necessarily be better? Leslie clearly feels that her children were ultimately worth everything she, her husband, and their bodies went through, but the book itself leaves the answer to that question up to the reader.
Beyond this concept, though, the actual execution of the characterizations and the plot get a bit messy. The writing can sometimes wander off onto tangents or become repetitive. Some aspects of the plot are explored too much whereas others are glossed over too quickly. The book starts out tightly written and fast-paced but toward the end of the book the plot gets disjointed and goes a bit off the rails. Part of the issue is a bit of a lack of continuity regarding just how messed up Leslie and Alex actually are by the treatments. Are they still at all human or are they completely untrustworthy? Is there any possibility of redemption for them? At first both seem equally far gone but then Leslie seems to pull back from the edge a bit, thanks to a MacGuffin. It’s hard to be frightened of the situation if the frightening aspect of the parents comes and goes at will.
Similarly, in spite of the book wanting us to root for Alice and Adam (the twins Leslie and Alex have), it’s hard to really feel for them when they come across as extraordinarily two-dimensional, particularly Alice. Children characters can be written in a well-rounded way, and when it’s well-done, it’s incredible. Here, though, Alice and Adam seem to mostly be fulfilling the role of children and not of fully fleshed characters.
Most of these issues are more prevalent in the second half of the book, so it’s no surprise the ending is a bit odd and feels like it leaves the reader hanging. I was surprised to find out there’s a sequel, as I thought this was a standalone book. On the one hand I’m glad there’s another one, because the story isn’t finished. On the other, I’m not a fan of such total cliffhanger endings.
Overall, the first half of the book offers up a thrilling and horrifying critique of just how far people should be willing to go to get pregnant. The second half, however, is not as tightly plotted and drops the well-rounded characterization found in the first half of the book. Recommended to pregnancy and/or genetic modification horror enthusiasts who may be interested in a different twist but won’t be disappointed by a cliffhanger ending.
3 out of 5 stars
Book Review: The Walking Dead: The Fall of the Governor: Part One by Robert Kirkman and Jay Bonansinga (Series, #3) (Audiobook narrated by Fred Berman)
In the aftermath of her rebellion attempt against The Governor, Lilly Caul is starting to see him as a man who does what it takes to protect the citizens of Woodbury. So when strangers in riot gear and prison suits underneath show up at Woodbury, she believes The Governor that they’re out to get their supplies and that the woman, unprovoked, bit his ear. But not everyone believes The Governor, and The Governor starts to think he can use the doubters to his advantage.
This non-graphic novel series telling the backstory of the big bad villain of the graphic novel Walking Dead series started off incredibly strong but, unfortunately, each new entry in the series gets worse and worse. Instead of lending new light to the backstory of The Governor and Woodbury, this entry retells scenes readers of the graphic novel have already seen, simply from The Governor and other residents of Woodbury’s perspectives.
While I understand that some things readers of the graphic novel series already know may need to be briefly mentioned again for those who are only reading the print books, a sizable portion of this book features scenes already told once in the graphic novels. Many of these scenes were disturbing enough in the graphic novels, such as the scene in which Michonne is repeatedly raped and beaten by The Governor. Retelling them from the perspective of The Governor just felt unnecessary and was frankly difficult to listen to. It would have been better to have left out showing that scene again and instead showed the, well-told and well-done scene of The Governor after her rapes Michonne back in his apartment where he tries to rationalize his behavior. This lends new insight into the character without forcing the readers to, essentially, re-read.
The characterization of Lilly Caul continued to bother me. First she hates The Governor and leads a rebellion, then turns right around and becomes loyal to him? What? This makes zero sense and is never fleshed out enough to make sense. Similarly, how she handles one particular plot development feels like lazy, cliched writing of women, which bothered me.
Speaking of writing of women, while I understand that the third person narration is supposed to simultaneously be from an evil guy’s perspective, how the narrator talked about Michonne really bothered me. We are constantly reminded that she is black. She is never just “the woman” she is always “the black woman” or “the dark woman.” Her dreadlocks are mentioned constantly. Whereas white characters, Latino characters, and male characters are referred to once with descriptors about how they look, her looks are constantly described. I understand looks need to be described periodically, but this is far too heavy-handed and in such a way that it feels like the narrator feels it necessary to constantly remind the reader that she is “other” and “different from us.” Worse, she is also referred to as a “creature,” etc…, particularly during her rape scenes. I never felt Michonne was mishandled in the graphic novels. She’s a bad-ass woman who just happens to be black in the graphic novels. Here, though, the descriptions of her feel like they are exoticized, which feels entirely wrong for a book in which we mostly just see her being raped. She is depicted so animalistically, it made my stomach turn. Even when she is among her friends, the narrator feels it necessary to constantly refer to her otherness.
So what’s done well in this book? The scenes where we finally learn how the double-cross happens and see it plotted and carried out from the bad guys’ perspective is chilling and enlightening. It’s also really nice to get to actually see the scene where Michonne beats the crap out of The Governor. If other scenes had been left out, the characterization of Lilly Caul and descriptions of Michonne handled better, and the whole book tightened up (and probably part two included here), it could have been a strong book.
Overall, fans of the series will be disappointed by the repetition of scenes they’ve already seen and the overall shortness and lack of new information in this book. Some may be bothered both by how Michonne is presented in this book, far differently from how she is in the graphic novel series, as well as by seeing some of the rapes from The Governor’s perspective. Recommended to hard-core fans who feel they need to complete reading the companion series to the graphic novels.
2 out of 5 stars
Simeon Krug, creator of androids, has a new vision. Earth is receiving a transmission from deep space, and he’s determined to answer it. He’s building a tower in the Arctic tundra, a tall tower that reminds many of the Tower of Babel. With this tower he will send a return transmission to whoever is sending the message to Earth. He also has his androids building a spaceship, to be entirely manned by androids, to try to reach those sending the transmission. However, the androids he designed that now outnumber and serve humans have other things on their minds. They want to be recognized as equal to humans, their brothers of the womb. While some seek this politically, others seek it spiritually, worshiping their creator Krug.
Robert Silverberg wrote one of my all-time favorite books (The World Inside), so I now have an informal goal to read most (if not all) of what he has written. This one was, unfortunately, a miss for me, but at least the world he has created was fascinating to visit. The book presents a fascinating possible future that is marred by the rampant misuse of the term android and the length of time spent on the “android” religion.
I loved the idea of this book, and I love books about ai/androids/robots. I thus was horrified when within the first chapter we discover that the “androids” are, in fact, clones. They’re not machines at all. They are genetically engineered humans, created in vats, and whose genetic code is changed enough to give them plasticine skin so that humans can tell themselves apart from them. I like the concept of GMO humans vs non-GMO humans. I like the idea of the vat versus the womb. I cannot, however, tolerate the fact that everyone calls these folks androids. That is not what an android is! (Merriam-Webster definition of android). It really put a sour note on the whole book for me, and the misnomer is never explained. Did Krug just call them androids to make people think of them as robots when they actually aren’t? If that’s the case, he himself would not think of them as androids. But he does. He calls them machines. What scientist would genetically manipulate humans and then call the outcome machines? It just makes no sense, and in a scifi book, it’s something I can’t look past.
The plot is a bit of a bait-and-switch. The reader thinks it’s going to be about the tower, the possible aliens, etc… In fact this is the backdrop to the story of the “androids” fighting to have their humanity recognized. I liked that the book was ultimately not the Tower of Babel retelling I originally thought it was going to be, but potential readers might want to know that the “androids” and their fight for human rights are actually the focus of the book.
Readers should also be ready to have every minute detail of the “android” religion worshiping Krug outlined for them. While that type of scifi book definitely has its audience, it might be different from the one expecting the tower story. The one aspect of the telling of the “android” religion that I found incredibly annoying was how they recite their DNA strands as prayer. Think of it as like a Catholic person saying the rosary. Only instead of words, it’s series like “AAA-ABA-ACA-CCC-BBB-AAA,” and it goes on for a very long time. Perhaps this is less annoying to read in print than to hear in an audiobook, but going on for such long stretches of time each time an “android” prays seems unnecessary.
The characters are all fairly well-rounded. There is Krug, his son, a high-ranking “android,” Krug’s son’s “android” mistress, a couple of “android” politicians, and more. There are enough characters to support the complex plot, and it’s fairly easy to get to know all of them. The “androids” are also given the same amount of characterization as the humans.
The audiobook narrator was somewhere between pleasant and unpleasant to listen to. He has a very deep voice that doesn’t fluctuate much for various characters or narration. It works really well for Krug but not so great for the female characters. If the narrator’s female voices were better and if he emoted more for emotional scenes, his narration would be more enjoyable. Between this fact and the reading of the DNA mentioned earlier, I definitely recommend picking up the print over the audiobook version.
Overall, the book presents an interesting world of GMO humans worshiping their creator and seeking freedom while he is entirely focused on the project of communicating with the stars. The misuse of the term “android” throughout the book will likely bother most scifi readers. Some readers may find some aspects of the “android” religion a bit dull. Recommended to scifi readers more interested in the presentation of future religions than in contacting deep space or hard science.
3 out of 5 stars