Book Review: Love in the Time of Global Warming by Francesca Lia Block (Series, #1) (Audiobook narrated by Julia Whelan)
Pen’s life was destroyed when an Earthshaker took away her family (even their dog) and destroyed the Los Angeles she once knew. She’s now on a quest to save them from the monstrous giants that rose up after (or with?) the Earthshaker. Along the way she finds other teens who’ve miraculously survived, each with secrets and talents of their own.
This book left me completely torn. I loved, oh how I loved, the representation of both bisexual (Pen) and trans (Hex, her boyfriend) teens. But the story to go with these teens failed to live up to both these wonderful characters and the beautiful title.
Let’s talk about the good first, because I don’t want it to be overshadowed by what didn’t work. Pen is a bookish teenager who generally prefers to stay in reading the Encyclopedia or The Odyssey to going out to parties. But she still has two close friends. She’s not a loner. She’s brave, open, loving, and sometimes makes rather short-sighted decisions. And it is gradually revealed throughout the book that she is also bisexual. The scenes exploring Pen’s bisexuality, and how it’s hard for her to be out about it, in spite of being completely comfortable with herself, are wonderfully done. Pen acknowledges that even though her parents have always told her that it doesn’t matter a whit if she is straight, lesbian, bisexual, or trans, that the world at large doesn’t always think that, and that’s part of what makes being out hard for her. The world is not always the welcoming place her family is.
The book early on establishes that Pen currently has a crush on a boy, so the reader may perhaps be surprised when she reminisces about an earlier crush on a girl, and how she first realized she liked girls too.
Thinking of how I once kissed Moira on the lips. We were drunk and dancing, and our lips just brushed for that electroshock nanosecond, and then she smiled at some boys who were watching us, laughed, and danced away from me like it was a joke. But I’d had an epiphany, even though I hadn’t fully accepted it at the time. I wanted to kiss girls. And it was no joke. (loc 2:14:53)
Similarly, Pen struggles with self-editing her past when telling Hex about her life before the Earthshaker. She is not sure if he’ll understand or accept the fact that she’s perfectly capable of having crushes on girls as well as boys like himself, so she edits herself when speaking to him. She’s telling him a story about a party she didn’t go to, and the picture that her friends sent her of a boy with her friend, Moira:
I went to sleep staring at the last image wondering not what his mouth tasted like but hers. This part, this last, I don’t tell Hex, although I trust him enough to tell him anything. Don’t I? So I’m not sure why I don’t. Because I don’t want him to know I had a crush on a girl? Or because I have a crush on him. (loc 1:39:44)
It’s rare to see a book explore so eloquently what it is to be bisexual, and these feelings Pen has while not universal still explore the difficulty of coming out and being out as a bisexual person, and they were so wonderful to see in a book that I had to restrain myself from jumping up and shouting “Yes!” when they showed up on my audiobook on the bus.
Similarly, Hex, Pen’s love interest and eventual boyfriend (this is not a spoiler, when Hex shows up he may as well have a giant neon “future boyfriend” sign over his head), is a FTM transman. Hex is just as nervous about being out to Pen and their other travel companions as Pen is about being out to him, probably more. Being cis myself, I can’t say as definitively about the quality of FTM representation as I could about bisexuality, however, the author certainly tries to broach topics that I believe would be of interest to a trans YA reader reading this book: acceptance (or not) by family members and impact on romantic relationships with other teens. Hex comes out to Pen as a transman only because she has fallen for him, and he wants her to know precisely who he is before anything more *ahem* romantic happens. Pen immediately accepts him and tells him he is clearly a boy to her, and this changes nothing about how she feels about him. They then have to navigate their sex life. Hex, like many trans people, is uncomfortable with his body. He would rather touch Pen than allow Pen to touch him. Eventually, they reach an arrangement that both supports and asserts Hex’s maleness and allows Pen to give the pleasure back to him that she wants to. I was glad to see a YA book “go there.” I frankly haven’t seen much of that even in adult literature including a trans person. It both addresses the “how do they….” question some YA readers would certainly have after learning about Hex and also serves a purpose in the story to demonstrate a mature, healthy, loving relationship between the two characters.
In addition to Hex and Pen, they also wind up with two male travel companions who become a couple. The characters themselves point out at one point how odd it is that the minority before the Earthshakers is now the majority (none of them are straight AND cis). I was glad the author acknowledged the quirk and had the characters process why that may be. The answer they decide upon is a positive one, rather than the potentially negative one of punishment.
So now let’s talk about what didn’t work. The plot and the setting. The book is meant to be a magical realism style story told in a non-linear way. This could have worked if in the end the overarching plot, when reassessed by the reader from beginning to end, made sense. But it doesn’t. For most of the book, Pen refers to everything in fantastical ways, such as saying “Earthshaker” for what appears to the reader to be an earthquake. Why is she saying “Earthshaker”? Was there something different about it? Does she just like prettying up her language? What is going on with that? Later it is revealed that an earthquake seems to have happened when some genetically engineered giants escaped (showed up? were released?). The whole world basically goes to shit overnight, though, and it just doesn’t seem logical that that would happen from just a few giants escaping. Similarly, there are other fantastical creatures who are never explained.
Similarly, although it is indicated early on that this is a modern retelling of The Odyssey, it doesn’t line up well with the original. In the original, Odysseus is trying to come home after a war and keeps getting swept into side-quests. In this book, Pen starts out at home and then quests away from home. It would have made more sense for Pen to be somewhere away from home (maybe on a school trip or something), have the disaster occur, and then have her have to find her way home encountering fantastical things along the way. Starting her at home just doesn’t work.
Several elements feel like they are just thrown in because they look pretty or work with the scene even though they don’t work with the book as a whole. For instance, butterflies appearing around people who can be trusted pops up in the middle of the book, but isn’t particularly present at the beginning or the end. Similarly, some characters are revealed to have magical powers toward the end of the book, with no foreshadowing about that, only to have them….not use them much beyond the scene where it’s revealed.
Also, I’m sorry, but the whole some evil scientist genetically engineered giants to be his children and now the giants are out to destroy us but also the whole world inexplicably now resembles a myth just really doesn’t work. First, it makes no sense why a scientist would even want to engineer a giant. To be his children? Really? Why would anyone want giant children? Second, to give the mystical elements that started this whole thing a scientific explanation but then leave the rest fantastical doesn’t work. Either they’re all explained by science or they’re all fantastical. I really felt the book went way downhill for me when there was suddenly a “scientific” explanation for the giants. But just the giants and nothing else.
Finally, we need to talk about the name of the book. It’s a beautiful title but it’s really wasted on this book. First, global warming doesn’t come into play in the book at all, so why is it mentioned in the title? Second, it’s clearly a send-up to Love in the Time of Cholera, but it has nothing in common with that book save both having elements of magical realism in them. It feels as if the author came up with a title that sounded pretty and couldn’t bring herself to let go of it in spite of it not fitting the book she actually wrote.
Overall, this is a short read featuring four well-rounded and written teen characters on the LGBTQ spectrum. YA readers looking for positive representations of bisexual and trans characters, in particular, and who don’t mind some inexplicable fantasy elements will enjoy this quick read. Readers who will easily be bothered by the title not matching the content, a mixture of magical realism and scientific explanations for things, and/or nonlinear plots that when told linearly don’t make sense should probably look elsewhere, in spite of the positive representations of underrepresented letters in the LGBTQ spectrum.
3 out of 5 stars
Aiyana Gamelle has been sleepwalking, waking up on the beach of the half Gullah, half Native American Sa’Fyre Island off the coast of South Carolina. But she knows she’ll soon be transitioning to being Queen of the Gullah half of the island, due to being directly descended from both the founders and a mysterious African goddess, so she brushes it off and focuses on the festival she’s organized on the island to bring in more revenue. But when an important island guest is murdered and her grandmother passes away before the official crowning ceremony, an unwanted family curse is slowly revealed.
This is one of the six indie books I accepted for review on this blog in 2015. Everything about it from the title to the description stuck out to me both as something that I hadn’t seen a mainstream publisher get around to trying in many years and also as something that piqued my interest. An island that’s half Gullah and half Native American? (Never heard of the Gullah? Check out this informative article about them). A woman inheriting a position of power from another woman? A family curse? Yes please! I am happy to say that the book more than lived up to my expectations, it also had some unexpected elements that I was delightfully surprised by.
The known history of the island and the Gamelle family is well told early in the book. It comes through in bits and pieces at just the right times. There is never an info dump. Similarly, Aiyana and her siblings are slowly revealed, going from how you may first perceive them to more well-rounded characters throughout the book. The island and the people on it are incredibly well described. I had no trouble imagining what this island may be like, despite having never been to the Carolinas myself.
One thing that caught me by surprise in the book and that I think should be promoted more in its promotional materials, as it’s something that is often sought after, is the romance between Aiyana (who is half-Native American and half-Gullah, since her mother dated her Native American father against the wishes of both sides) and one of the Native American men on the island. It’s an inter-racial relationship….with no white people. I can’t remember the last time I saw that in a book, frankly, and I was happy to see it.
This is primarily a mystery/horror book though, so let’s talk about the mystery plot. It takes many twists and turns, none of which I expected but all of which ultimately made sense. I found it at times grotesque and at other times it kept me on the edge of my seat. All the time I was always rooting for Aiyana, which is exactly what I generally want out of a mystery.
One negative I would say is that it’s a bit unclear if the book is the first in a series or a standalone. Amazon mentions it being the first in a series, but neither the GoodReads record nor the page about it on the author’s website mention it being the start of a series. If it is the start of a series, the book’s slightly abrupt ending works. If it’s a standalone, then I would want a bit more closure at the end. If it is the start of a series, then I’d say perhaps a quick “Look for more Sa’Fyre Island adventures coming soon!” at the end would be an excellent addition to help the reader know to expect more and to keep them coming back.
Overall, this is both a fun and a quite different entry into the mystery genre. A Gullah woman takes the center stage of the mystery, rather than being a prop. The mystery is well crafted and told, and there’s even the bonus of a bit of romance in the book. Recommended for readers looking for a completely different mystery from what they may be used to reading and who don’t mind a bit of the fantastical showing up in the plot.
4 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
Something evil is haunting the small town of Tarker Mills, Maine. Every month another person is found dead, brutally ripped apart. Can they solve what is haunting their town before the terror consumes them all?
I picked this up in a used book basement because I’m generally trying to read most everything Stephen King has written, and this particular print book was beautifully illustrated. Each chapter (or month…or murder) had at least one full-color illustration, and that just spoke to me. The story itself wound up being rather ho-hum to me, but part of that may be due to the fact that I’m rather hard to shock these days.
My favorite part of the book is that it opens with a note from King stating that astute readers will notice that the full moon couldn’t possibly have fallen on all of the big holidays he has it fall on, but that he’s taken artistic license to make it do so. The passage reads like it has a wink at the end, and I like that King assertively addresses what could bother some readers or be a controversy and acknowledges that his facts are wrong, but he did it for artistic reasons. Personally, I’m not a fan of books that take artistic licenses, but if you’re going to, this is the way to do it. Acknowledge it (don’t hide from it) and move on.
This feels like an early Stephen King book. The usual small town New England stock characters are there, but they’re not fully fleshed-out. There’s even a spunky kid in a wheelchair who reminds me of an earlier version of Susannah from The Dark Tower series (the book about Susannah was first published in 2004). The stock, rather two-dimensional characters work in this book, since the storytelling approach is basically one of folklore. We don’t need to know much more about these characters than we see on the surface, and that’s fine.
Each chapter is a different month in the year, and they sort of feel like connected short stories. By the last half of the year, the reader starts to know what’s going on, and the “short stories” become even more connected.
Fans of an underdog hero will enjoy who ends up battling the werewolf plaguing the town, as will those who enjoy seeing the trope of a trusted citizen being someone who should not be trusted. (That’s as much as I can say without being too spoilery).
This all sounds rather positive, so why did I feel ho-hum about it? The tension building didn’t work for me. Nothing that happened really scared me. The character in the wheelchair feels like a less bad-ass version of Susannah, and what I would want would be Susannah. This is perhaps unfair of me to say, since Susannah came about further down the line, but I do think it points to how King’s writing improved with time (as does everyone’s). I also just found the villain to be rather expected and cliche, although I’m sure it wasn’t when the book first came out. In general, this book just doesn’t feel like it aged particularly well, especially when compared to other older King books.
Overall, if a reader is looking for a quick, beautifully illustrated folklore style retelling of a werewolf story, they will enjoy this book. Those looking for high levels of tension or gore or in-depth character development will want to give it a pass.
3 out of 5 stars
Source: Brookline Booksmith, used books basement
Hello my lovely readers! Once Upon a Time IX, the reading challenge I signed up for running between March 21st and June 21st focusing on reading books that fit into the categories of fantasy, folklore, fairy tales, or mythology is now over (it has been for 5 days, actually….), so it’s time to post my wrap-up!
I signed up for the level called “The Journey” reading at least one book in any of the categories named above, but I had a personal goal aiming for three books. I wound up reading a whopping NINE BOOKS. Particularly given that I used to think I didn’t like fantasy, I’m kind of blown away.
My completed reads for the challenge, in the order I read them:
- A Local Habitation by Seanan McGuire, 4 stars, review
- An Artificial Night by Seanan McGuire, 4 stars, review
- The Years of Rice and Salt by Kim Stanley Robinson, 4 stars, review
- Maplecroft by Cherie Priest, 4 stars, review
- Fables: Legends in Exile, Vol. 1 by Bill Willingham, 3 stars, review
- Cycle of the Werewolf by Stephen King, 3 stars,
not yet reviewed, review
- Love in the Time of Global Warming by Lia Francesca Block, 3 stars, not yet reviewed
- Everlasting: Da Eb’Bulastin by Rasheedah Prioleau, 4 stars, not yet reviewed
- Fated by S. G. Browne, 3 stars, not yet reviewed
Unfortunately, as you can tell, I fell a bit behind actually reviewing the books during the challenge. Ah well. This just means you can expect to see more fantasy reviews coming up now through July!
Have you enjoyed the influx of fantasy on my blog? Did you participate in the challenge too?
The month of June in the United States is Pride Month, celebrating LGBTQ people, culture, and history. In Boston, the culmination of Pride is this weekend, with the Pride Parade and block parties. I wanted to contribute to my local celebration with a little something on my own blog–obviously a reading list! There are a lot of good reading lists out there for LGBTQ reads, so I wanted to do something a little different. First, I wanted to feature one of the letters not featured very much — the B for bisexual. Second, I wanted to to highlight both that bisexual people are everywhere and the issue of bi invisibility (more info on that term and issue here) by featuring books that have bisexual characters but that don’t mention that in their blurbs. You’d be amazed how hard it can be to just find books with bisexual characters. It’s usually downplayed or not named. So, here is my list, in alphabetical order, with a mention as to which character is bi and whether the book ever actually uses the term “bisexual.”
- Bad Glass
by Richard E. Gropp
Genre: Fantasy, Horror, Lovecraftian
Something strange is happening in Spokane, and the US military has taken control of the city, closing it and its happenings to the press. Dean sees this as the perfect opportunity to break into photography before he graduates from college and is forced into giving up on his artistic dreams to work a regular 9 to 5 job. So he sneaks into Spokane, where he meets an intriguing young woman and her rag-tag household of survivors, and quickly starts to see the inexplicable things that are going on inside the city.
Who’s bi? Dean, the main character, is bi. He at first appears to be straight but later it is revealed he also sometimes is interested in men.
My Full Review
- The Drowning Girl
by Caitlin R. Kiernan
Genre: Fantasy, Psychological
India Morgan Phelps, Imp to her friends, is sure that there were two different Eva Canning who came into her life and changed her world. And one of them was a mermaid (or perhaps a siren?) and the other was a werewolf. But Imp’s ex-girlfriend, Abalyn, insists that no, there was only ever one Eva Canning, and she definitely wasn’t a mermaid or a werewolf. Dr. Ogilvy wants Imp to figure out for herself what actually happened. But that’s awfully hard when you have schizophrenia.
Who’s bi? Eva Canning (both iterations of her). Also, Abalyn, a transwoman who is also Imp’s girlfriend at one point. She states that she likes both men and women but currently prefers women because men in her experience tend to negatively react to her now that she has had bottom surgery.
My Full Review
- Doctor Sleep
by Stephen King
Genre: Fantasy, Thriller
Danny Torrance didn’t die in the Overlook Hotel but what happened there haunts him to this day. Not as much as the shining does though. His special mental powers that allow him to see the supernatural and read thoughts lead to him seeing some pretty nasty things, even after escaping the Overlook. He soon turns to drinking to escape the terror. But drinking solves nothing and just makes things worse. When he sees his childhood imaginary friend, Tony, in a small New Hampshire town, he turns to AA to try to turn his life around and learn to live with the shining.Abra is a middle school girl nearby in New Hampshire with a powerful shine. She sees the murder of a little boy by a band of folks calling themselves the True Knot. They travel in campers and mobile homes, seeking out those who have the shine to kill them for it and inhale it. They call it steam. They’re not human. And they’re coming after Abra. Abra calls out to the only person she knows with a shine too, the man she’s talked to before by writing on his blackboard. Dan.
Who’s bi? Rose, the main antagonist. What makes her the antagonist or the “big bad” has absolutely nothing to do with her sexuality. She’s just an antagonist who happens to be bi.
My Full Review
- Love in the Time of Global Warming
by Francesca Lia Block
Genre: Fantasy, YA
Her life by the sea in ruins, Pen has lost everything in the Earth Shaker that all but destroyed the city of Los Angeles. She sets out into the wasteland to search for her family, her journey guided by a tattered copy of Homer’s Odyssey. Soon she begins to realize her own abilities and strength as she faces false promises of safety, the cloned giants who feast on humans, and a madman who wishes her dead. On her voyage, Pen learns to tell stories that reflect her strange visions, while she and her fellow survivors navigate the dangers that lie in wait.
Who’s bi? Pen, the main character. She has a crush on one of her best female friends in the time before the disaster, and then later falls for a transman. There is one particularly beautiful scene where she talks about being afraid of telling her friends that she likes girls the way she likes boys.
My Full Review not yet posted
- The Miriam Black Series
by Chuck Wendig
Genre: Fantasy/Urban Fantasy
Miriam Black is an early 20-something drifter with bleach blonde hair and a surprising ability to hold her own in a fight. She also knows when and precisely how you’re going to die. Only if you touch her skin-on-skin though. And it’s because of this skill that Miriam became a drifter. You try dealing with seeing that every time you touch someone. But when a kind trucker gives her a lift and in her vision of his death she hears him speak her name, her entire crazy life takes an even crazier turn.
Who’s bi? Miriam, the kick-ass main character. Miriam uses no labels for herself whatsoever (she would probably hate even being called a brunette, to a certain extent), so she also refuses to label her sexuality. However, she also states she enjoys being with all genders. It’s interesting to note that the first time Miriam’s sexuality comes up is not until the third book in the series, and only because she (minor spoiler warning) breaks up with her boyfriend. A great example of how bisexual people’s sexuality can be erased when they’re in a monogamous relationship.
My Full Review of the first book in the series
“Lizzie Borden took an axe; gave her mother forty whacks….”
Any New Englander knows the nursery rhyme based on the true crime story of Mr. and Mrs. Borden who were murdered with an axe in 1892. In spite of being tried and acquitted for the murders, their daughter (in the case of Mrs. Borden, step-daughter), was widely believed to actually be responsible for the murders. In this book, she definitely was, but maybe not for the reasons you might think.
A darkness is trying to take over Fall River, Massachusetts, and Lizzie and her ailing sister Emma are all that might stand between the town and oblivion, with Lizzie’s parents being the first casualties in the battle.
I grew up chanting the nursery rhyme about Lizzie Borden the first half of which is quoted above (this perhaps says an awful lot about New Englanders, but I digress), and I also love tales from the Lovecraft universe, which also originated in New England. When I heard about this book that mashed up the two, I put it on my wishlist. Lo and behold, my future sister-in-law, who had never even seen my wishlist, bought it for me for Christmas last year. I thought this would be the perfect read for the fantasy challenge, and although it was a bit different than what I was expecting, I still enjoyed the mix of Lovecraft and women’s history that Priest has woven and am eagerly anticipating reading the sequel.
The story is told through a combination of first person accounts from Lizzie, Emma, and Nance, diary-style entries by their neighbor doctor, letters, police and fire reports, and first person ramblings of a professor from Miskatonic University (another Lovecraft element). Some readers may be put off by the combination of first person perspectives, but I’ve always enjoyed this style, particularly when it includes things like letters and police reports. I felt that it was one of the strengths of the book, and I also particularly enjoyed getting to see both Emma’s and Lizzie’s perspectives, as well as that of Lizzie’s lover, Nance.
The Lovecraft mash-up basically is that some sort of Dark One in the deep is out to turn everyone on the seacoast either into worshippers or victims or literally turn them into monstrous ones who live in the deep. Emma and Lizzie’s parents were among the first to begin succumbing to this infection and that is why Lizzie had to kill them. Lizzie and Emma now are conducting research, trying to figure out how to prevent the Dark One from actually rising up. This is all extremely Lovecraftian, including the fact that some of these developments don’t make a ton of sense, but things just don’t make sense in the dark fantasy world of Lovecraft, so I was ok with that. Readers new to the world of Lovecraft might be a bit more frustrated by how inexplicable most things to do with the Dark Ones and the deep are, however.
I particularly enjoyed how Priest explores how societal and cultural norms of 1890s New England affects women’s lives. Emma could be a scientist now that women are being accepted into colleges, but she chooses to instead write her scientific papers under a male pseudonym because she believes she would never garner respect otherwise. Lizzie and Nance are in love and must hide it, although Lizzie often feels why should she bother when she is already disgraced after the trial. The clashes between Lizzie and Emma regarding both her affair with Nance and the fact that Lizzie believes in trying out magical and fantastical defenses against the Dark One whereas Emma believes purely in science are interesting reading. They are two very different people who are thrust together both by virtue of being siblings and by the fact that as women in the 1890s their lives are limited.
On the other hand, in spite of liking the characters of the neighbor doctor and the Miskatonic professor and enjoying the exploration of Lizzie’s and Emma’s relationship and getting to see some of Emma’s character, I couldn’t help but feel that Lizzie didn’t get a chance to be enough in this book. Lizzie Borden is such a looming large figure in local history, even on the book cover she presents as a bad-ass in a period skirt holding a bloody axe. In contrast in the book she spends a lot of time dealing with her annoying sister. Similarly, I’m not a fan of the fact that Lizzie does very little of rescuing herself in this book, which is, I believe, if the historic Lizzie really did kill her parents, what she actually did in real life. To me Lizzie has always been a woman who said fucking enough and took an axe and dealt violently and finally with her problems. Whereas in the book, she starts off off-screen that way (we don’t actually see her kill her parents) and she sort of tapers off. Much as I enjoyed seeing her messed up relationship with Emma, I couldn’t help but feel it would have ended more powerfully if she’d said fucking enough and whacked Emma through the skull for being such an insufferable bitch and in the way all the time. This was my main issue with the book.
My second, more minor, issue is that I felt the plot takes too long to build up to actual horrifying events and/or murders. The first murders, as I mentioned before, happened off-screen. The beginning of the book then is a build-up of a lot of tension with not much actual gore or murder occurring. I should mention that I was watching “The Lizzie Borden Chronicles” on tv at the same time as I was reading this book. In that show, Lizzie kills at least one person an episode. Now, some of that gets over the top, but it does get the idea of the pacing one would expect from this type of story right. More mayhem. More murder. More danger. More often.
On a positive note, the scenes between Lizzie and Nance are beautifully done, and while I was frustrated to see Lizzie turn a bit into a lovesick fool, I was very glad it was happening with Nance. Their relationship and dynamic jumped off the page and really brightened up the book for me.
The set-up at the end of the book for the sequel is well-done, although I’m uncertain how the series can proceed forward so far removed from the actual historical event, I am excited to read it and see what happens.
Overall, this Lovecraft fantastical take on the Lizzie Borden of history and what led to the murders of her parents hits just the right note for Lovecraft fans. Readers who are new to the dark fantasy world of Lovecraft may be a bit surprised by the slow burn of the horror and how much of it winds up not making much sense, but those readers who can embrace this style of dark fantasy will enjoy it. Those looking for a bad-ass Lizzie should be aware that this Lizzie only acts when absolutely necessary and then with restraint, and they should perhaps tune into the made for tv movie Lizzie Borden Took An Ax instead. Recommended to fans of Lovecraft who are interested in getting some local history woven in to the New England settings they are familiar with from the Lovecraft universe.
4 out of 5 stars