Hello my lovely readers!
I hope you enjoyed the variety of genres on the blog this month. I know I enjoyed reading them! I also just wanted to let you know not to expect a huge influx of product reviews. I at most will have one a month, and then only if I’ve won an item from another blog (I like to give them the links back as a thank you) or if I receive an item for review. Again, though, I will keep it to one a month at most.
The book of the month for September will be:
The Lady in the Lake by Raymond Chandler
First reviewed in September 2011
“Marlowe is someone whose presence it is always worth being in, regardless of whether his surroundings are perfect or not. I recommend this to noir fans, highly.”
How was my reading, reviewing, and writing this month?
August books read: 4 (1 historic urban fantasy, 2 ya dystopian scifi, 1 historic fantasy)
August reviews: 7
Other August posts: 1 product review
Most popular post in August written in August: Product Review: Squatty Potty
My favorite post of August: Book Review: Anarchism and Other Essays by Emma Goldman. I really enjoyed the discussion in the comments of this review. It was a difficult review to write, and I was really glad it stirred such a positive response!
Most popular post in August written at any time: Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
August writing: I put my writing energy into the blog this month, as well as my reading. This was intentional, as I was very limited on time, and I wanted my blog in tip top shape before fall.
Coming up in September: I have a 2015 ARC with a giveaway to post, as well as reviews for the reads named above. For the first time in years, I won’t be participating in the R.eaders I.mbibing P.eril challenge. Instead, I chose to participate in the Once Upon a Time fantasy challenge in the spring. But I encourage you all to consider participating in R.I.P. X!
Happy September and happy reading!
One of Toby’s oldest friends is in dire trouble. Lily of the Tea Gardens is slowly fading away, and no one knows what’s causing it. On top of that, one of Toby’s worst nemeses whose name is feared throughout Fae, Oleander, is back. Are the two related or is something else going on? And can Toby save the day without losing herself?
I picked this book up expecting it to be another mystery of the week entry in the series, but what I found was a surprising development in the overarching plot that kept my heart in my throat but also left me dubious about the possible directions the next book could take.
The plot starts out similarly to the previous entry in the series. Someone close to Toby is in danger. In this case, it’s Lily, and she’s sick, slowly fading out of existence. Over the course of the book, others close to Toby end up sick as well, as it soon becomes clear (this is really not a spoiler, it’s revealed early on) that someone is poisoning them. When Oleander showed up, I nearly groaned at how obvious it felt that she is the one to blame for all of this. But it’s not quite that straight-forward, and there’s also a sub-plot of Toby possibly going crazy….which changelings are known to do in this world. The book then isn’t just about Toby trying to solve the mystery, it’s also about her trying to determine if her blood has doomed her to sink into insanity. This gives the plot enough depth to keep it interesting.
Long-standing characters receive more depth of character development and new ones are added. Toby cotinues to have the wit that keeps the book upbeat even when things are grim. One quote in particular I think would work pretty well as a fitspo positive argument:
I promised myself that if I lived, I’d start working out. Better cranky and alive than cheerful and dead. (loc 1815)
As for the plot twist, I can’t talk about it much without spoilers. The spoiler free review would be that I am concerned the big overarching plot twist moves things a bit too far into one hero to save us land, which isn’t a fantasy plot I personally usually enjoy. For the spoiler version of this, see the next paragraph.
It is revealed that Toby is not the type of Fae she thought, she is rather a very rare type of Fae. This type of Fae is capable of changing the make-up of their own blood. She can thus morph into more Fae, changeling, or human as she desires. It also turns out her mother is from the first born, which makes her kind of Fae royalty. My issue with this is one of the things I like so much about the series is that Toby lacks the magical powers to the extent the Fae have. She also doesn’t fit into the human world. But she fights for her right to be in the world she chooses to live in, and her value in the Fae world is due to how hard she tries and her brains, not her blood. This plot development feels like it’s making it all about her blood. Her power is due to whose daughter she is, not who she herself is. That’s just not a message I’m as fond of.
Overall, this is an action-packed entry in the series that visits another mystery with enough different sub-plots and twists to keep it interesting. Fans of the series will be surprised by the big overarching plot development toward the end of the book and will be eager to pick up the next one to see where this plot development goes.
4 out of 5 stars
Book Review: Love in the Time of Global Warming by Francesca Lia Block (Series, #1) (Audiobook narrated by Julia Whelan)
Pen’s life was destroyed when an Earthshaker took away her family (even their dog) and destroyed the Los Angeles she once knew. She’s now on a quest to save them from the monstrous giants that rose up after (or with?) the Earthshaker. Along the way she finds other teens who’ve miraculously survived, each with secrets and talents of their own.
This book left me completely torn. I loved, oh how I loved, the representation of both bisexual (Pen) and trans (Hex, her boyfriend) teens. But the story to go with these teens failed to live up to both these wonderful characters and the beautiful title.
Let’s talk about the good first, because I don’t want it to be overshadowed by what didn’t work. Pen is a bookish teenager who generally prefers to stay in reading the Encyclopedia or The Odyssey to going out to parties. But she still has two close friends. She’s not a loner. She’s brave, open, loving, and sometimes makes rather short-sighted decisions. And it is gradually revealed throughout the book that she is also bisexual. The scenes exploring Pen’s bisexuality, and how it’s hard for her to be out about it, in spite of being completely comfortable with herself, are wonderfully done. Pen acknowledges that even though her parents have always told her that it doesn’t matter a whit if she is straight, lesbian, bisexual, or trans, that the world at large doesn’t always think that, and that’s part of what makes being out hard for her. The world is not always the welcoming place her family is.
The book early on establishes that Pen currently has a crush on a boy, so the reader may perhaps be surprised when she reminisces about an earlier crush on a girl, and how she first realized she liked girls too.
Thinking of how I once kissed Moira on the lips. We were drunk and dancing, and our lips just brushed for that electroshock nanosecond, and then she smiled at some boys who were watching us, laughed, and danced away from me like it was a joke. But I’d had an epiphany, even though I hadn’t fully accepted it at the time. I wanted to kiss girls. And it was no joke. (loc 2:14:53)
Similarly, Pen struggles with self-editing her past when telling Hex about her life before the Earthshaker. She is not sure if he’ll understand or accept the fact that she’s perfectly capable of having crushes on girls as well as boys like himself, so she edits herself when speaking to him. She’s telling him a story about a party she didn’t go to, and the picture that her friends sent her of a boy with her friend, Moira:
I went to sleep staring at the last image wondering not what his mouth tasted like but hers. This part, this last, I don’t tell Hex, although I trust him enough to tell him anything. Don’t I? So I’m not sure why I don’t. Because I don’t want him to know I had a crush on a girl? Or because I have a crush on him. (loc 1:39:44)
It’s rare to see a book explore so eloquently what it is to be bisexual, and these feelings Pen has while not universal still explore the difficulty of coming out and being out as a bisexual person, and they were so wonderful to see in a book that I had to restrain myself from jumping up and shouting “Yes!” when they showed up on my audiobook on the bus.
Similarly, Hex, Pen’s love interest and eventual boyfriend (this is not a spoiler, when Hex shows up he may as well have a giant neon “future boyfriend” sign over his head), is a FTM transman. Hex is just as nervous about being out to Pen and their other travel companions as Pen is about being out to him, probably more. Being cis myself, I can’t say as definitively about the quality of FTM representation as I could about bisexuality, however, the author certainly tries to broach topics that I believe would be of interest to a trans YA reader reading this book: acceptance (or not) by family members and impact on romantic relationships with other teens. Hex comes out to Pen as a transman only because she has fallen for him, and he wants her to know precisely who he is before anything more *ahem* romantic happens. Pen immediately accepts him and tells him he is clearly a boy to her, and this changes nothing about how she feels about him. They then have to navigate their sex life. Hex, like many trans people, is uncomfortable with his body. He would rather touch Pen than allow Pen to touch him. Eventually, they reach an arrangement that both supports and asserts Hex’s maleness and allows Pen to give the pleasure back to him that she wants to. I was glad to see a YA book “go there.” I frankly haven’t seen much of that even in adult literature including a trans person. It both addresses the “how do they….” question some YA readers would certainly have after learning about Hex and also serves a purpose in the story to demonstrate a mature, healthy, loving relationship between the two characters.
In addition to Hex and Pen, they also wind up with two male travel companions who become a couple. The characters themselves point out at one point how odd it is that the minority before the Earthshakers is now the majority (none of them are straight AND cis). I was glad the author acknowledged the quirk and had the characters process why that may be. The answer they decide upon is a positive one, rather than the potentially negative one of punishment.
So now let’s talk about what didn’t work. The plot and the setting. The book is meant to be a magical realism style story told in a non-linear way. This could have worked if in the end the overarching plot, when reassessed by the reader from beginning to end, made sense. But it doesn’t. For most of the book, Pen refers to everything in fantastical ways, such as saying “Earthshaker” for what appears to the reader to be an earthquake. Why is she saying “Earthshaker”? Was there something different about it? Does she just like prettying up her language? What is going on with that? Later it is revealed that an earthquake seems to have happened when some genetically engineered giants escaped (showed up? were released?). The whole world basically goes to shit overnight, though, and it just doesn’t seem logical that that would happen from just a few giants escaping. Similarly, there are other fantastical creatures who are never explained.
Similarly, although it is indicated early on that this is a modern retelling of The Odyssey, it doesn’t line up well with the original. In the original, Odysseus is trying to come home after a war and keeps getting swept into side-quests. In this book, Pen starts out at home and then quests away from home. It would have made more sense for Pen to be somewhere away from home (maybe on a school trip or something), have the disaster occur, and then have her have to find her way home encountering fantastical things along the way. Starting her at home just doesn’t work.
Several elements feel like they are just thrown in because they look pretty or work with the scene even though they don’t work with the book as a whole. For instance, butterflies appearing around people who can be trusted pops up in the middle of the book, but isn’t particularly present at the beginning or the end. Similarly, some characters are revealed to have magical powers toward the end of the book, with no foreshadowing about that, only to have them….not use them much beyond the scene where it’s revealed.
Also, I’m sorry, but the whole some evil scientist genetically engineered giants to be his children and now the giants are out to destroy us but also the whole world inexplicably now resembles a myth just really doesn’t work. First, it makes no sense why a scientist would even want to engineer a giant. To be his children? Really? Why would anyone want giant children? Second, to give the mystical elements that started this whole thing a scientific explanation but then leave the rest fantastical doesn’t work. Either they’re all explained by science or they’re all fantastical. I really felt the book went way downhill for me when there was suddenly a “scientific” explanation for the giants. But just the giants and nothing else.
Finally, we need to talk about the name of the book. It’s a beautiful title but it’s really wasted on this book. First, global warming doesn’t come into play in the book at all, so why is it mentioned in the title? Second, it’s clearly a send-up to Love in the Time of Cholera, but it has nothing in common with that book save both having elements of magical realism in them. It feels as if the author came up with a title that sounded pretty and couldn’t bring herself to let go of it in spite of it not fitting the book she actually wrote.
Overall, this is a short read featuring four well-rounded and written teen characters on the LGBTQ spectrum. YA readers looking for positive representations of bisexual and trans characters, in particular, and who don’t mind some inexplicable fantasy elements will enjoy this quick read. Readers who will easily be bothered by the title not matching the content, a mixture of magical realism and scientific explanations for things, and/or nonlinear plots that when told linearly don’t make sense should probably look elsewhere, in spite of the positive representations of underrepresented letters in the LGBTQ spectrum.
3 out of 5 stars
Aiyana Gamelle has been sleepwalking, waking up on the beach of the half Gullah, half Native American Sa’Fyre Island off the coast of South Carolina. But she knows she’ll soon be transitioning to being Queen of the Gullah half of the island, due to being directly descended from both the founders and a mysterious African goddess, so she brushes it off and focuses on the festival she’s organized on the island to bring in more revenue. But when an important island guest is murdered and her grandmother passes away before the official crowning ceremony, an unwanted family curse is slowly revealed.
This is one of the six indie books I accepted for review on this blog in 2015. Everything about it from the title to the description stuck out to me both as something that I hadn’t seen a mainstream publisher get around to trying in many years and also as something that piqued my interest. An island that’s half Gullah and half Native American? (Never heard of the Gullah? Check out this informative article about them). A woman inheriting a position of power from another woman? A family curse? Yes please! I am happy to say that the book more than lived up to my expectations, it also had some unexpected elements that I was delightfully surprised by.
The known history of the island and the Gamelle family is well told early in the book. It comes through in bits and pieces at just the right times. There is never an info dump. Similarly, Aiyana and her siblings are slowly revealed, going from how you may first perceive them to more well-rounded characters throughout the book. The island and the people on it are incredibly well described. I had no trouble imagining what this island may be like, despite having never been to the Carolinas myself.
One thing that caught me by surprise in the book and that I think should be promoted more in its promotional materials, as it’s something that is often sought after, is the romance between Aiyana (who is half-Native American and half-Gullah, since her mother dated her Native American father against the wishes of both sides) and one of the Native American men on the island. It’s an inter-racial relationship….with no white people. I can’t remember the last time I saw that in a book, frankly, and I was happy to see it.
This is primarily a mystery/horror book though, so let’s talk about the mystery plot. It takes many twists and turns, none of which I expected but all of which ultimately made sense. I found it at times grotesque and at other times it kept me on the edge of my seat. All the time I was always rooting for Aiyana, which is exactly what I generally want out of a mystery.
One negative I would say is that it’s a bit unclear if the book is the first in a series or a standalone. Amazon mentions it being the first in a series, but neither the GoodReads record nor the page about it on the author’s website mention it being the start of a series. If it is the start of a series, the book’s slightly abrupt ending works. If it’s a standalone, then I would want a bit more closure at the end. If it is the start of a series, then I’d say perhaps a quick “Look for more Sa’Fyre Island adventures coming soon!” at the end would be an excellent addition to help the reader know to expect more and to keep them coming back.
Overall, this is both a fun and a quite different entry into the mystery genre. A Gullah woman takes the center stage of the mystery, rather than being a prop. The mystery is well crafted and told, and there’s even the bonus of a bit of romance in the book. Recommended for readers looking for a completely different mystery from what they may be used to reading and who don’t mind a bit of the fantastical showing up in the plot.
4 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
Something evil is haunting the small town of Tarker Mills, Maine. Every month another person is found dead, brutally ripped apart. Can they solve what is haunting their town before the terror consumes them all?
I picked this up in a used book basement because I’m generally trying to read most everything Stephen King has written, and this particular print book was beautifully illustrated. Each chapter (or month…or murder) had at least one full-color illustration, and that just spoke to me. The story itself wound up being rather ho-hum to me, but part of that may be due to the fact that I’m rather hard to shock these days.
My favorite part of the book is that it opens with a note from King stating that astute readers will notice that the full moon couldn’t possibly have fallen on all of the big holidays he has it fall on, but that he’s taken artistic license to make it do so. The passage reads like it has a wink at the end, and I like that King assertively addresses what could bother some readers or be a controversy and acknowledges that his facts are wrong, but he did it for artistic reasons. Personally, I’m not a fan of books that take artistic licenses, but if you’re going to, this is the way to do it. Acknowledge it (don’t hide from it) and move on.
This feels like an early Stephen King book. The usual small town New England stock characters are there, but they’re not fully fleshed-out. There’s even a spunky kid in a wheelchair who reminds me of an earlier version of Susannah from The Dark Tower series (the book about Susannah was first published in 2004). The stock, rather two-dimensional characters work in this book, since the storytelling approach is basically one of folklore. We don’t need to know much more about these characters than we see on the surface, and that’s fine.
Each chapter is a different month in the year, and they sort of feel like connected short stories. By the last half of the year, the reader starts to know what’s going on, and the “short stories” become even more connected.
Fans of an underdog hero will enjoy who ends up battling the werewolf plaguing the town, as will those who enjoy seeing the trope of a trusted citizen being someone who should not be trusted. (That’s as much as I can say without being too spoilery).
This all sounds rather positive, so why did I feel ho-hum about it? The tension building didn’t work for me. Nothing that happened really scared me. The character in the wheelchair feels like a less bad-ass version of Susannah, and what I would want would be Susannah. This is perhaps unfair of me to say, since Susannah came about further down the line, but I do think it points to how King’s writing improved with time (as does everyone’s). I also just found the villain to be rather expected and cliche, although I’m sure it wasn’t when the book first came out. In general, this book just doesn’t feel like it aged particularly well, especially when compared to other older King books.
Overall, if a reader is looking for a quick, beautifully illustrated folklore style retelling of a werewolf story, they will enjoy this book. Those looking for high levels of tension or gore or in-depth character development will want to give it a pass.
3 out of 5 stars
Source: Brookline Booksmith, used books basement
Hello my lovely readers! Once Upon a Time IX, the reading challenge I signed up for running between March 21st and June 21st focusing on reading books that fit into the categories of fantasy, folklore, fairy tales, or mythology is now over (it has been for 5 days, actually….), so it’s time to post my wrap-up!
I signed up for the level called “The Journey” reading at least one book in any of the categories named above, but I had a personal goal aiming for three books. I wound up reading a whopping NINE BOOKS. Particularly given that I used to think I didn’t like fantasy, I’m kind of blown away.
My completed reads for the challenge, in the order I read them:
- A Local Habitation by Seanan McGuire, 4 stars, review
- An Artificial Night by Seanan McGuire, 4 stars, review
- The Years of Rice and Salt by Kim Stanley Robinson, 4 stars, review
- Maplecroft by Cherie Priest, 4 stars, review
- Fables: Legends in Exile, Vol. 1 by Bill Willingham, 3 stars, review
- Cycle of the Werewolf by Stephen King, 3 stars,
not yet reviewed, review
- Love in the Time of Global Warming by Lia Francesca Block, 3 stars, not yet reviewed
- Everlasting: Da Eb’Bulastin by Rasheedah Prioleau, 4 stars, not yet reviewed
- Fated by S. G. Browne, 3 stars, not yet reviewed
Unfortunately, as you can tell, I fell a bit behind actually reviewing the books during the challenge. Ah well. This just means you can expect to see more fantasy reviews coming up now through July!
Have you enjoyed the influx of fantasy on my blog? Did you participate in the challenge too?