Book Review: Cat Sense: How the New Feline Science Can Make You a Better Friend to Your Pet by John W.S. Bradshaw
John W.S. Bradshaw, PhD, has been studying the behavior of cats and dogs and their people for over 25 years. In this book, he seeks to present the biology behind the modern domestic cat in the hopes of helping their humans understand them better. He also presents theories about the possible future of cats and suggestions as to how to direct that the best way possible for better human/cat relationships.
I picked this book up because I wanted to understand my adorable talkative tortie fluffball, Ayla, better. I certainly learned a few things about cats that I found useful in relating to my own, but I also learned a lot about the genetics of cats (not sure I really wanted to learn that), the history of human treatment of them, and theories on their future evolution.
The book is divided into 11 chapters, which could be casually grouped into the following general themes:
- the genetic and biological history of the cat or just how did we end up with a domesticated tiger anyway
- how the domestic cat thinks and feels or yes scientists are now proving that cats actually have feelings although maybe not quite to the extent that their most loving owners believe
- how cats relate to each other or cats hate other cats except for random kittens that are dropped into their nest or possibly other females from their own family
- how cats relate to people or cats think you are a giant mother cat who is possibly superior (possibly)
- how cats relate to wildlife or no cats aren’t destroying your precious birds you overly upset cat-haters (um except for possibly the wildlife on small islands but the invasive rats are actually worse and cats hunt them so there)
- the potential future of the cat or for the love of god stop spaying and neutering the bestest most loving kitties in the world and only allowing the anti-social ferals to breed.
Obviously this is a lot of ground, so I’m only going to touch on each one briefly. First though, just let me mention that the author is both a renowned expert in this science (the science of cats), and his book also features extensive references. This is thus a trustworthy source, however, potential readers should be aware that the author (just as every author) has biases, and Bradshaw’s are fairly clear in the book. The man clearly adores cats, and thus sometimes may sway a bit to the side of positive representations of cats and optimistic beliefs about the extent of their feelings and internal lives. Now, I love cats too, so that didn’t bother me in the least, but a reader just looking at the science should note this bias. Additionally, some of the studies he cites for his findings were quite small (under 100 participants, in one case, only 8 cats were tested). Studies this small show definite room for further research. Additionally, all of the cat studies he himself has conducted were in Great Britain, so cultural biases and differences in how cats and people interact should be considered when thinking about how he analyzes cat/human interaction and behavior.
The section about the history of the domestication of the cat and the genetics of the cat is, honestly, a bit of a heavy place to start for the average person just looking to get along with their cat better. There are sentences that go far more in-depth into the genetics of a cat than I really ever cared to know. Given that this book is marketed toward the average cat owner, it may have been better to dial down the genetic information just a bit to make it easier and also speedier to read in the lead-in into the more modernly relevant information. The most interesting things I learned in this section were that domestication of the cat happened in multiple different times and places, meaning multiple cultures saw the potential of the cat and domesticated them (loc 267). There is Egyptian temple art of cats sitting in baskets (loc 634), something I found to be pretty adorable. The genetics of just how we wind up with torties, which I admit to only being interested in because my own cat is a tortie:
If a cat carries one orange and one brown version of the gene, then both appear in the coat, in random patches: in one part of the skin, the chromosome with the orange version has been switched on, and in another it is it eh brown-black pattern that “wins,” producing a tortoiseshell-tabby (or “torbie”) cat. (loc 772)
If you found that quote a bit tedious to read, just bare in mind that that is the most interesting to me of the genetics information in this section. The cat is a “hypercarnivore” (loc 1176), meaning that unlike the dog, it has lost the ability to live on plants. Cats, unlike dogs, must eat meat. I also finally learned why I shouldn’t worry too much if my cat doesn’t drink very much water:
Cats do have two notable nutritional advantages over humans. First, their kidneys are very efficient, as expected for an animal whose ancestors lived on the edge of deserts, and many cats drink little water, getting all the moisture they need from the meat they eat. Second, cats do not require vitamin C. Taken together, these make cats well suited to shipboard life: they don’t compete with sailors for precious drinking water, getting all they need from the mice they catch, and they are not afflicted by scurvy. (loc 1192)
The next four sections often blurred together, since how a cat thinks and feels directly relates to how cats relate to each other, humans, and wildlife.
Cats can develop a cat form of PTSD if they are abandoned by their mothers early in life:
Kittens that are abandoned by their mothers and are then hand-raised can become excessively attention seeking toward their first owners, though some subsequently seem to “grow out of” this. Based on what we know about other mammals in similar situations, we can assume that after the mother’s departure, the kittens’ brains endure high levels of stress hormones. These consistently high levels cause permanent changes in their developing brains and stress hormone systems, such that they may overreact to unsettling events later in life. (loc 1371)
I found this particularly interesting, since I know my cat was abandoned by her first owners in their apartment when they moved away, and it took weeks for anyone to find her. I’ve often suspected my cat has some form of kitty PTSD, and I think this scientific information would support that, although the specific type of abandonment was different.
Cats can’t focus on anything closer than a foot from their nose. Your cat is not being stupid when it can’t spot a piece of food on the floor, she really can’t see it. It helps to move it around or tap the floor next to it, to get the cat to sniff that area. (loc 1644)
This section also addresses why cats are harder to train than dogs:
Cats are much more difficult to train than dogs are for at least three reasons. First, their behavior shows less intrinsic variety than that of dogs, so there is less raw material with which to work….Second, and perhaps most important, cats are less naturally attentive toward people than dogs are….Third, although dogs are powerfully rewarded by simple physical contact from their owner, few cats are. (loc 2086)
It goes on to explain how to do basic training with your cat, adapted to cats’ specific needs, primarily using a clicker (a device that makes a noise).
Feral cats have shown us that cat society is a matriarchy, with the females of the family sticking together and the toms getting booted out to go roam and make more kittens, although there are certain scenarios in which toms are tolerated living in close proximity, generally in a situation where the tom is valuable for protection of the kittens if the space is at a premium. (loc 2426)
In spite of the ability of feral cats to live in matriarchies, cats are not well-suited for a bunch of unrelated and gender-mixed cats living in one small space. Cats generally don’t like most other cats, and Bradshaw talks some about how forcing cats to live with other cats they are not related to or don’t particularly like can put undue stress on the cats.
Cats appear to be incapable of sustaining a large number of friendly relationships, even when all their neighbors are close relatives. (loc 2438)
However, the bond the cat feels with its immediate family is strong, and scientists believe they extend that bond to their owners, who they perceive of as being a sort of mother cat. (loc 3080) This section also offers potential reasons for why a cat may purr or lick their owner, but there is no definitive scientific answer yet. It is also noted that cat personalities are the result of a mix of nature and nurture, and affectionate owners tend to have affectionate cats but whether they pick out affectionate cats or cats become affectionate in response to the owner is uncertain.
Bradshaw then addresses the concern some groups have that domestic cats are hurting native wildlife populations, particularly birds. It’s clear that Bradshaw believes that this is mostly a bunch of hokum created by cat-haters as a way to get rid of cats. This is potentially true, and Bradshaw does cite some good studies about the actual impact cats have on wildlife (very small, and in some cases, helpful since they eat the invasive predator of a native species). However, it is difficult to believe everything he cites, since his bias in favor of cats is so clear, and I am saying this as a cat-lover myself. I would find it more useful for his evidence to be presented in a more balanced fashion, as I would then feel more confident citing it to people who are concerned about cat impact on wildlife.
Finally, Bradshaw looks at the potential future of the cat. He is clearly quite concerned that our current method of neutering pet cats will hurt future cats.
Because neutering inevitably targets those cats that are being best cared for, it must logically hand the reproductive advantage to those cats that are least attached to people, many of which are genetically predisposed to remain unsocialized. We must consider the long-term effects of neutering carefully: for example, it might be better for the cats of the future as a whole if neutering programs were targeted more at ferals, which are both the unfriendliest cats and also those most likely to damage wildlife populations. (loc 4039)
I found this argument to be quite moving and logical. Bradshaw suggests both that owners might let their pet cats breed once before neutering/spaying them and also that breeders could begin to work at breeding pet cats with an eye on personality rather than looks. He also suggests focusing spay/neuter programs on feral populations. This is definitely food for thought, and I certainly will consider letting a future pet cat have a litter of kittens.
Bradshaw ends his book with this statement:
Cats need our understanding–both as individual animals that need our help to adjust to our ever-increasing demands, and also as a species that is still in transition between the wild and the truly domestic. If we can agree to support them in both these ways, cats will be assured a future in which they are not only popular and populous, but are also more relaxed, and affectionate, than they are today. (loc 4072)
A good summary of the overall themes of the book.
Overall, this book will definitely teach cat owners and lovers some new things both about the science of cats and cat behaviors. Sometimes the science can veer a bit too in-depth for the audience of the book, and also sometimes the author’s love of cats can make him seem a bit biased in favor of them. However, readers who are willing to skim over the science that they are not so into will still be able to gleam lots of information from this book that will be directly helpful to them with their pet cats. Also, this audience probably won’t mind the love of cats bias in the science. ;-)
4 out of 5 stars
When the world is devastated by GMO plants over-running the land and destroying cropland, humanity splits into multiple factions. There’s the people who firmly believe in transforming people so that they can photosynthesize food from the sun–and have green skin. There’s the cannibals, who have returned to a hunter/gatherer way and eat humans when necessary. Unbeknownst to the green folk, there’s a holdout of Old Order Amish. They’ve changed from how they were in the past but still hold onto many of their ways. In particular, they have decided that taking green skin is the Mark of the Beast, and will not go for it.
Tula is a scientist among the green folk who is tasked with assisting cannibal children who are kidnapped and converted. Levi is an Amish who leaves the compound against orders, seeking yet another group of scientists who are supposed to live in a mountain and may have the cure to his dying son’s Cystic Fibrosis. When Levi is swept up in a green raid of cannibal land, his and Tula’s worlds collide with unimaginable consequences.
I picked this up because the cover of a green-skinned woman in a desert appealed to me, and then the description seemed like an interesting post-apocalyptic future. This is certainly and interesting and unique read for any fans of post-apocalyptic or dystopian literature.
The future is imaginative with many different groups and reactions to the botanicaust (the destruction of plant matter that is considered this world’s apocalypse). As someone who has studied the Amish, I appreciated how the author imagined how the Old Order would handle such a crisis and address it for the future. Allowing people into the compound if they are willing to convert seems logical, and showing that the Old Order did accept some technological innovation also makes sense. Similarly, the green scientists who seek to photosynthesize everyone and don’t seem to care too much if the cannibals want to be photosynthesized or not make logical sense. The scientists believe this is the solution in a world without enough food, and hey haven’t bothered to do any cross-cultural studying to see if there is any rhyme or reason or value to the cannibal lifestyle. This again is a logical position for a group of scientists to hold. The other group of scientists who live in the mountain and have managed to find the solution to not aging are a great contrast to the groups of greens. Whereas the greens do sometimes do evil but don’t intend to, they only intend to be helping (with the exception of one bad guy character), the mountain dwellers have been turned inhumane by their abnormally long lives. These three groups set up a nice contrast of pros and cons of scientific solutions and advancement. At what point do we stop being human and at what point are we being too stubborn in resisting scientific advancement? How do we maintain ethics among all of this? The exploration of these groups and these questions was my favorite part of the book.
The plot is complex and fast-paced, visiting many areas of the land and groups of people. I wasn’t particularly a fan of the romance, but I can see where others would find that it adds to the book. I just wasn’t particularly a fan of the pairing that was established, but for no reason other than it seemed a bit illogical to me. Then again, romance is not always logical.
The one thing that really bothered me in the book was the representation of Down Syndrome and the language used to refer to it and those who have it. The mountain scientists have children, but as a result of tampering with their own genetics, all of their children have Down Syndrome. First, I don’t like that this makes it appear as if Down Syndrome is a punishment to the evil scientists who went too far with science. Down Syndrome is a condition some people are born with. It is not a condition as the result of anything a parent did, such as fetal alcohol syndrome. Second, all of the characters with Down Syndrome are presented as large, bumbling oafs with hearts of gold. There is just as much variety to the personalities and abilities of those with Down Syndrome as there are in those of us without Down Syndrome. Finally, the author persists in referring to these characters as:
a Down’s Syndrome woman (loc 2794)
or of course, “a Down’s Syndrome man.” First, the preferred term for Down Syndrome is Down Syndrome, not Down’s Syndrome. This is a mistake that is easy to make, though (I have made it myself), and I am willing to give the author a pass for that. The more upsetting element in the way she refers to these characters though is that she always lists the condition first and then the person, not the other way around. It is always preferred, in any illness or condition, to list the person first and the illness or condition second. For instance, a woman with cancer, not a cancerous woman. A man with PTSD, not a PTSD man. A child with Down Syndrome, not a Down Syndrome child. I cringed every single time this happened, and it happens a lot in the section of the book that takes place in the mountain. Given that this is an indie book, and it is thus quite easy to make editing changes and fixes, I would hope that the author would go through and fix this simple aspect of language. It would be a show of good faith to the entire community of people who have Down Syndrome, as well as their families. For more on the preferred language when referring to Down Syndrome and people who have Down Syndrome, please check out this excellent guide, written by the National Down Syndrome Society.
It’s a real bummer to me that the language about Down Syndrome and presentation of these characters isn’t better, because if it was, this would have been a five star read for me.
Overall, this is an interesting and unique post-apocalyptic future with an action-packed plot. Those who are sensitive to the language used to refer to Down Syndrome and representation of people with Down Syndrome may wish to avoid it, due to an unfortunate section where characters with Down Syndrome are referred to improperly and written a bit two-dimensionally.
4 out of 5 stars
The author has written a thoughtful and kind comment on this post. You may view it by going below. To sum up, she cannot make edits to those book, due to it also having an audiobook version. However, she has promised to edit for these issues in future books containing characters with Down Syndrome. This genuine and thoughtful response is much more than the community of those with Down Syndrome and their families and loved ones often get, and it is very much appreciated.
Raptor Red is one of the utahraptors who’ve newly arrived in what will one day be the western United States. Follow a year of her life as faces being both a predator and, as one of the smaller predator dinosaurs, prey.
I love dinosaurs. Who doesn’t? When I saw that this book was written by a paleontologist, I immediately was intrigued. Who better to tell a story about dinosaurs than someone who studies them extensively? The book certainly presents a realistic view of dinosaurs based on science, but sometimes the story suffers as a result of the intense attention paid to science.
First I just want to say my absolute favorite part of the book is the beginning of each chapter. Each chapter beginning has a small note in the corner about what month it is, but more importantly, it has a hilarious drawing of a dinosaur (or a few) along with a tongue-in-cheek chapter title.
I wish that this ability to both present scientifically realistic dinosaurs and be humorous/cartoonish about them simultaneously had carried through to the writing. The overarching story that the book tells is sound. Raptor Red’s mate dies, and she reunites with her similarly widowed sister while simultaneously looking for a new mate. (This is not a spoiler, it is well-established in the first chapter). But the story on the sentence level is belabored by the author’s apparent need to couch everything in speculations. For instance, instead of just saying Raptor Red stamped her foot angrily, he’ll say something like Raptor Red was probably angry because she stamped her foot, and we know that dinosaurs stamping their foot indicated impatience, and if we believe that higher-thinking animals can feel emotions, then it was probably anger she was feeling. Passages like that really gum up the storytelling. The story would have worked better if he had some disclaimer at the beginning regarding emotions in animals, literary license, etc…, and then just ran with putting emotions on the extremely well-researched animal behavior.
The book teaches the reader a lot about dinosaurs in the context of the story, but the storytelling manner makes the reader get bogged down and realize they’re learning, instead of enjoying a story and happening to get some knowledge about dinosaurs in the process. The former makes for a tough read, in spite of enjoyable illustrations.
Overall, dinosaur enthusiasts will enjoy both the illustrations and the high level of science present in the story. Some may be frustrated by the author’s insistence on not personifying the dinosaurs, in spite of telling a very emotional story of being widowed and finding a new mate. Recommended primarily to those with a vested interest in reading everything dinosaur who won’t mind that the story sometimes suffers at the hands of science.
3 out of 5 stars
Since I finished the Miffy / Nijnjte line for my shop, it was time to think of a new one! I knew I wanted to do something to pay homage to New England, both where I grew up and my current home. It’s a truly beautiful place. The spring weather and planting my (incredibly tiny) container gardening got me to thinking about plants. Then it struck me. I could make a line about the plants you can forage for in New England! Foraging is the act of gathering plants that grow wild to eat, as opposed to gardening. My grandmother on my father’s side was incredibly knowledgeable about foraging. She passed her knowledge on to my dad, who passed it on down to me. Of course, my father knows more about it than I do! I consulted him some on the new line on everything from which plants to choose (there are so many edible wild plants in New England!) to getting the look of each plant just right. I decided that I would include with the plant itself the common name and the scientific name. The line is intended both to decorate and educate.
The plant I chose to stitch up first for the new line is: rhubarb!
Rhubarb features in my favorite pie, strawberry-rhubarb pie! It can also be used in everything from breads to jams to drinks. It has a savory, bitter flavor, so it generally is combined with something sweet to bring out its underlying sweetness. The pattern is stitched on oatmeal aida with the common name (rhubarb) above the plant, and the scientific name (Rheum rhabarbarum) below it. This is done to reflect older hand-drawn plant guidebooks.
Use the coupon code INSTARHU1ST today or tomorrow to get 10% off either item!
ETA 3/5/15: I have now closed my Etsy shop, but I’ve made my patterns available on my Cross-Stitch page.
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
In the not-too-distant future, the heavily populated world is run by corporations instead of governments. The corps keep their workers and people in Compounds where they’ll be safe from the rampant crime in the rest of the world. Supposedly. Those who can’t get jobs at a corp must live in the pleeblands, essentially ghettoes. The pleeblands are haunted by painballers–people who fought their way out of prison in a gladiator-style competition and who are usually now addicted to drugs.
The world isn’t entirely humans and corps, though. There are also a whole slew of new GMO plants and animals, such as rakunks and pigoons. Children can buy bracelets with live fish inside them as wearable pets.
Jimmy works in a corp with Crake. Crake is a genius who the corp allows to create basically whatever he wants. They share a love interest in Oryx, who works with them, caring for the creations Crake makes. Toby lives in the pleeblands, working in fast food restaurants. She is being pursued by a violent stalker, who she is sure will kill her one day. Then she discovers God’s Gardeners, a vegetarian cult that lives on the rooftops of the city gardening, learning all the species of the planet, and preparing for the impending End Times. And the End Times come in the form of a virus released by Crake to destroy humanity and make room for the new breed of humans he has created in his lab–Crakers. Crakers are herbivorous, polyamorous, and turn blue when they are in heat. The pandemic wipes out almost everyone, but not quite. Jimmy is left to care for the Crakers, and Toby survives, reminiscing about how her life has gone. And there are some that Crake gave an immunity drug to. They gather together and attempt to survive, guide the Crakers, and ponder on how things turned out this way.
The future world, prior to the virus outbreak that destroys most human life, is incredibly imaginative and simultaneously realistic. It is by far the strength of the series. Atwood takes real modern day science and intelligently extrapolates how that combined with our evolving culture would affect life on Earth. The change from politicians and nations controlling the world to corporations doing so makes excellent sense. The types of animals those corps create are also logical both within that context and from a scientific perspective. For instance, the mo’hairs are sheep who have had their genetics modified so that their wool is instead human hair to makes wigs out of. How the world works makes sense and is slightly frightening at the same time. It’s a subtle dystopia.
The post-apocalyptic setting is slightly less creative. Only a few humans survive and quickly leave the cities to live in the countryside. Conveniently, at least half of the group of survivors are from the vegetarian cult, God’s Gardeners, who predicted the end times, and so are well prepared for living in the wild. This setting is much staler compared to the pre-apocalypse dystopia. It feels as if the characters are just sitting in a clearing in the woods chatting at each other. This would not be a problem if the characters were rich enough to sustain the plot when the creative world has disappeared. But most of them are not.
Atwood is known for writing richly imagined female characters in scifi settings. Unfortunately, this series is dominated by men, with the women mostly relegated to secondary roles, with the exception of Toby. Toby starts out strong, and the book focusing on her story (The Year of the Flood) is the strongest of the series as well. But in the post-apocalyptic setting, Toby loses all of her vim and three-dimensionality. She becomes a woman obsessed with a man and pining for things she can’t have. The male characters who dominate the story lack anything compelling. Crake reads precisely as a slightly creepy genius. Jimmy is difficult to get to know since he spends most of the series narrating when he is out of his mind from the effects of the apocalypse. And Zeb reads as a muscled thug who comes to his senses when it best suits him. None of these male characters show real breadth or true humanity. They could have carried the story well, although I would still have missed the strong female presence Atwood brings to scifi. However, these men seem more like caricatures of types of men we meet throughout our lives.
The plot is clearly meant to show us how the world could be destroyed and also how new life begins, complete with religious mythology. Some of the plot twists that go with this core of the plot work and others don’t. For the world destroying, the plot approaches it in two ways. There’s telling how the world ends from an outsider, underprivileged perspective of a woman who happens to survive. This aspect of the plot had enough twists and differences, such as Toby’s involvement in the God’s Gardeners cult, that it maintained interest. The plot also tells how the world ends from the perspective of a man caught in a hopeless hetero love triangle with a kind woman and an evil genius. This common trope takes no different plot twists or turns. It is entirely predictable and dull. A bit of a flop. The twists in the final third of the story, how the world begins and the last of the prior world fades out with a murmur, does nothing truly daring. Toby’s romance ends essentially as expected. Loose ends are tied up. And the Crakers take over with a new mythology given to them by a flawed human being. I’m sure this is meant to say something radical, and maybe someday to someone it will, but to the reader who has already read many thinly veiled take-downs of religion and where it comes from in scifi, it was rather ho-hum and long-winded. Particularly when compared to the much shorter and more richly written work by Atwood taking a similar anti-religion stance: The Handmaid’s Tale.
Overall, this is a series with two-thirds of the plot set in a richly imagined and intelligently extrapolated subtle dystopia future. The basic plot of dystopia to apocalypse to post-apocalypse is told slightly non-linearally with some interesting poetic-style writing inserted in-between chapters. Most of the characters feel flat against the rich backdrop, although one female character at first stands out then slowly fades. Recommended to readers interested in a realistic near future dystopia who don’t mind a rather typical plot and two-dimensional characters will enjoy most of the series, although they may enjoy the first two books more than the third.
3.5 out of 5 stars
Source: PaperBackSwap, library, and Audible
I recently went to a town meeting on Open Access (OA) and our Institutional Repository (IR). (Universities and colleges have our own town meetings, because we’re basically our own mini-towns). This meeting spurred me on to do a bit of a blog post on OA and IRs. I’ll first give a brief explanation of OA and IRs, including links to some resources for more information, and wrap up with my own thoughts.
OA is the concept and movement within academia that access to academic literature should be free online and free of most copyright restrictions. The idea is that for knowledge to flourish the exchange of ideas should be as free and fluid as possible. Because this is a concept and movement this means that not everyone agrees with this idea. Agreement and support of OA also varies drastically by area of specialty. The sciences are the most supportive of OA, particularly Physics. This is evident by the existence of the website arXiv.org, which provides “open access to 792,606 e-prints in Physics, Mathematics, Computer Science, Quantitative Biology, Quantitative Finance and Statistics.” The humanities are less so. This has to do with the culture of the different disciplines. The sciences are more focused on teamwork and sharing new knowledge as quickly as possible, whereas the humanities tend to be more concerned with ruminating on ideas. The pace is simply faster in the sciences than in the humanities, and OA is more useful in that environment.
Utilizing and supporting OA comes across in a few different ways. There are OA journals, which are free to use, but not necessarily free to submit an article to. To those concerned, the submission fee does not guarantee acceptance of an article. It is simply there to help the OA journals function. Studies on the percentage of OA journals charging a fee vary rather widely on their final numbers. These fees are of concern to faculty members, though, because they can quickly go through grant money that could have been used in other ways just paying submission fees. Although there originally was concern as to the quality of OA journals, OA does not negate peer-review. There are many peer-reviewed and respected journals; the PLOS ones in particular spring to mind, but you can see a listing of all OA journals at the Directory of Open Access Journals. Academics can support OA both by submitting to and reading OA journals, and institutions can support OA by giving articles published in OA journals equal consideration when doing tenure reviews.
OA can be pursued in traditional publishing as well, however. Frequently faculty members do not fully understand what is happening with their copyright when they sign contracts with a publisher. The creator owns the copyright of an item at the moment of creation. He or she does not need to register it. This is not always clear to people because from 1923 to 1963 (in the US) you did have to register your copyright and re-register it every 28 years. Anything published before 1923 in the US is officially in the public domain aka free of copyright. This is why mashups such as Pride and Prejudice and Zombies can happen. What all this means is that the author of the paper owns copyright until they sign it over to the publisher, and they do not have to kowtow to all of the demands of the publisher. OA advocates encourage authors to return the contract to the publisher unsigned with a SPARC Addendum attached. This addendum gives the publisher some rights over the paper/article/book while retaining some for the author. What this essentially means is that the author retains certain rights over his or her article that most faculty members think they have anyway. Only now it’s legal. For instance, this addendum gives the author permission to deposit their paper in an Institutional Repository or include it in a group of pdfs of publications on their personal website, as long as it is properly cited to the journal of first publication.
A popular way for publishers to support OA while still staying in business, beyond agreeing to SPARC Addendums, is the concept of an embargo. An embargo means that articles are available exclusively through subscription and fees for a set period of time (usually from 6 months to 2 years), and after that point they are available through OA. The qualm some advocates of OA have with this model is that for certain fields of study, particularly in the sciences, the embargo period is long enough that the article will be practically irrelevant by the time it is available openly, thereby defeating the whole purpose of encouraging collaboration and free flow of ideas behind OA to begin with.
So what do Institutional Repositories (IRs) have to do with OA? An IR is a curated collection of all academic publishing, as well as collections such as photographs taken by anthropologists, created by scholars associated with the institution. The IR is the institution’s research portfolio. It’s important for the institution to be able to demonstrate to interested parties the valuable work their scholars are doing. The connection to OA is that the current restrictive copyright contracts publishers send to authors frequently make it impossible to include their works in the IR. The SPARC Addendum addresses this, but an institution can also address this concern by making it a mandate that all scholarly work done while at their institution be deposited in the repository. This gives the author a prior commitment that is usually already covered in the contract. A pioneer in the world of IRs is MIT’s IR: DSpace. Check them out to get a feel for what an IR is like.
So what do I think about all of this? I can understand and sympathize with all three sides (universities, scholars, and publishers). The publishers are concerned that they will go out of business if everything is available immediately in OA. As an indie author, I can easily see how valid that concern is. Frankly if OA does take off the way, say, literary zines have, most journals will go out of business. Yes a few big name zines are still surviving, and most zines also sell a print version and do alright with that, but publishing as we know it must change for OA to take hold. Of course one doesn’t want that in one’s own industry.
I can also understand the dual view scholars hold. Academic journals are peer-reviewed, and while OA journals can be, they aren’t necessarily. OA can seem like a scary free-for-all with no verification of facts or quality. Things don’t always become popular because they’re good. But on the other hand if your audience is other scholars, aka the peer part of peer-review, then it should work itself out anyway. Not to mention the fact that OA journals can mandate peer-review if they want to. Similarly, I get it that scholars usually want to share their work with anyone interested and to that end want to post the pdfs on their website. The problem is, though, if a person can get your article just by googling it and going to you instead of the publisher then we’re right back to putting the publisher who published you in the first place out of business. But if publishing changes the way we think it will, then that would be a moot point anyway.
As far as IRs go, I truly see their value for gray literature. Things like posters from poster sessions, dissertations and theses that are frequently not available or searchable otherwise, etc… but I also think an institution obsessively collecting a copy of everything every scholar has done is a bit redundant. Not that the institution shouldn’t ever broaden to that level of collection and archiving, but since IRs are so new, it might be better to focus in on the gray literature for now.
Overall though the change won’t really happen until institutions start accepting OA publications in the tenure process. Until that point all scholars must publish in traditional journals in order to secure tenure. It seems to me that the power is really in the hands of the universities. The universities must decide: what do we want true scholarship and academic achievement look like in the 21st century?
Book Review: Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy
My new library (where I work as a librarian) serves a school of public health. Working with these students has opened up a whole new world of science to me. Public health is a fascinating combination of medicine, science, culture, and communication. So when I saw this public health book on Netgalley, I knew I needed to give it a shot.
This is a completely fascinating book. Prior to reading it, my main knowledge of rabies came from that episode of Dr. Quinn Medicine Woman where her adopted son’s dog gets rabies and bites her other adopted son’s fiancee. I didn’t really understand how much of a plague it used to be, but I did know that you’re required to get your pets vaccinated for it.
I learned SO MUCH from this book! And it wasn’t a struggle to read or absorb the information either. Wasik and Murphy strike that hard to find balance in writing science for the layman. They explain complex, scientific things without so much scientific terminology as to be a struggle for the average reader but with enough so that you’ve still learned something. For instance:
With most zoonotic leaps in disease, animal contact is the spark, but urbanization is the bone-dry tinder; a newly evolved pathogen can’t spread from person to person, after all, unless people run across one another in the first place. (location 453)
There are a few passages that use more scientific terminology than that, but they only use them after explaining them. You do not have to be a scientist to be able to read, enjoy, and learn from this book.
The basic structure of the book is typical of a history book. In fact, think of it kind of as a scientific history book. It starts with the earliest accounts of rabies and moves up through time to the present. The strongest passages are: Greco-Roman history of the disease, Dark Ages history of the disease, Pasteur’s creation of a vaccination, and the modern day outbreak in Bali. These strike the perfect balance of discussing the understanding and treatment of the disease and the reflections of rabies and fear of rabies in popular culture of that time period.
For instance, in the Greco-Roman period we learn:
Pliny’s thoughts tend to involve using the animal to treat the man. His best-known cure—to “insert in the wound ashes of hairs from the tail of the dog that inflicted the bite”—lives on today in our expression “hair of the dog,” referring to a not-quite-so-dubious hangover remedy. (location 473)
Or this fascinating bit of public health history in the Pasteur section:
Pasteur’s collaborator Roux believed that Pasteur selected rabies as a subject for research as a calculated bit of stagecraft, so that his ideas about vaccination would attract maximum public interest. (location 1714)
The other sections, particularly the era after the vaccine to about the 1980s, suffer a bit from a lack of focus and direction. There’s a part where the authors try to convince us that zombies are a reflection of a latent fear of rabies. Ok? But that’s rather speculative compared to the rest of the book. There are other elements of pop culture that are nowhere near as loosely connected that they discuss, such as the actual rabies books and movies that came out in the UK when the Chunnel was put in and people were afraid that rabid animals would come over to the island nation from France. That is a tight, interesting connection. The zombie one was a bit of a stretch. I was more interested in more information on things like Old Yeller and why the authors think that even with the vaccine in the US and very little threat at the time the public still was fascinated with the idea of a rabid dog.
The book also explores other zoonotic diseases (diseases that originate in non-human animals). Although this is also technically not rabies, this connection makes a lot more sense, particularly since more started cropping up in the 20th century after rabies was beaten down by vaccination. The knowledge we have from working against rabies and promoting vaccination of it via public health initiatives could really help with things like HIV/AIDS and H1N1. This is using past public health experience to aid in future endeavors, which helps give the book a certain umph and validity for modern readers.
So, although the book struggles a bit during the early 20th century time period, the rest of it is very well put-together. It is written at the appropriate level for a popular science history book. It is easy to learn from and includes lots of fascinating tid-bits in addition to the basic rabies history and information. It also demonstrates as a kind of side-story the history of public health. I recommend it to anyone with an interest in the history of rabies, the history of vaccination, and most especially to those with an interest in public health issues.
4 out of 5 stars