In the near future, the Pro-Choice and Pro-Life debate explodes into a war called the Heartland War. The only way the war could reach a peace was to come to an agreement. There would be no abortion but when children are between the ages of 13 and 17 their parents can sign an order to have them unwound. New scientific technology allows doctors to transplant all of a person’s body parts. They will then “live on” in a “divided state.” Teens whose parents choose to sign an unwind order for them are rounded up by juvie cops and brought to Harvest Camps to await their fate. Some families, particularly from fundamentalist branches of all faiths, believe in tithing 10% of their children, and will have a child simply to raise them to be a tithe. Additionally, many children end up unwanted and living in State Homes, where they are all given the last name of Ward–for ward of the state.
Connor is a light-hearted bad boy who just accidentally found his own unwind orders in his parents’ desk and immediately goes on the run. Lev is a tithe who is on his way to Harvest Camp. Risa is a ward of the state, and she is on a bus to be unwound, because she isn’t deemed exceptional enough to justify her upkeep. A series of events throws them into each other’s lives and leaves whether or not they will be unwound in question.
This was recommended to me years ago, but when I first read the description I was skeptical that the book was anything but Pro-Life propaganda. Years later I decided to check it out again, and most reviews mentioned how neutral the book was. Additionally, I read some interviews with the author where he stated he genuinely was trying to present a neutral story that analyzes some tough questions, so I thought I would give it a shot. Ultimately, the author has succeeded at creating a future world that is fascinating to visit and that also analyzes medical ethics in a creative way. I would honestly say the book is much more about medical ethics, particularly in regards to transplants, than it really is about abortion rights.
The basic plot is that three very different teenagers are supposed to be unwound but then find themselves on the run instead of actually at Harvest Camp. The book is in the third person but from the limited perspective of one character, and that one character switches around. It is predominantly Connor, Risa, or Lev, but it is also sometimes someone like a juvie cop or a parent. Sometimes this narrative structure works really well, providing many different perspectives on the same event or issue. Other times it feels too contrived. The perspective switches at just the right moment to keep the reader in the dark, or to reveal something we wouldn’t otherwise know. Sometimes this structure builds suspense and other times it kind of ruins it. Overall, though, I enjoyed the structure and found that the multiple perspectives really added to the world and the story.
This narrative structure is enhanced by clippings from real, modern-day newspaper articles and blogs, as well as fake advertisements and news from the future the book is set in. Partially due to the Audible narrator, who did a fantastic job at the ads, I really enjoyed these snippets of media from the future. They are very tongue-in-cheek and adult, but will still appeal to teens reading the book for their over-the-topness. I found the modern day news articles to be less interesting, and mostly felt a bit like scare mongering. They read as a bit heavy-handed in pushing the “this could really happen!” angle.
I did find it a bit frustrating that all three of the main characters are white and straight. While it is acknowledged that a few people (primarily adults) could be GLBTQ, the assumed norm is straight and cis, no matter what social organization is in control. Whether it’s mainstream society, rebels, or anyone in-between. The norm is always straight cis. Similarly, while the author does include non-white people to a much greater degree than non-straight/non-cis people (there are a wide variety of ethnicities and religions represented in the society), they are all secondary characters. One thing that really stuck out to me was that at one point in the book we meet a Chinese-American girl who is being unwound because her parents wanted a son, and they just kept trying until they got one and then picked a daughter to unwind, because they couldn’t afford all the kids. She’s also got an interesting punk aesthetic to her. What an interesting main character she would have been! Can you imagine her in the role of Connor? They are both running away from being unwound, and she could easily have taken that main character role. It just bothers me when a book has three main characters who are all in a similar situation due to society-wide problems, and yet they are so non-diverse, with just a nod at gender by having one female character.
With regards to the female character, Risa, I must say I was very disappointed to have one plot point be an attempted rape of her, and her then being saved by a male character. First, we only get one female main character and then she naturally is almost raped. Then naturally she must be saved by someone else. The whole scene sickened me, especially when I thought about teen girls reading it. It was just a completely unnecessary plot point. I once read an article that talked about how often rape scenes (or attempted rape scenes) are a sign of lack of creativity. I don’t think all of them are, but this one certainly came across that way. Unnecessary and a convenient plot point without thought to how it would affect the readers.
In spite of these characterization and style complaints though, the plot is very good, and the world is fascinating. Characters in a natural manner talk about and explore the ethics of life, when life begins, and who has the right to life, as well as who has the right to end it. The plot is fast-paced, and I read as quickly as I could to find out what happened. There are also a couple of twists at the end that rocked my socks off and left me immediately downloading the next book in the series.
All of that said, I have a few questions about the world that were never addressed. First, if everyone who is unwound is between the ages of 13 and 17, how does that work out with transplantation? People have not yet finished growing at 17, especially their minds. Does this mean a 67 year old woman would have a 15 year old’s arm if she needed a transplant? If so, that sounds very grotesque to me, and I wonder how society has learned to deal with something so mis-matched. This isn’t particularly addressed, except to say that sometimes it’s weird to look at someone with two eyes that don’t match. Similarly, the world at large isn’t really talked about at all. The kids who are trying to escape being unwound don’t even consider running into another country but they never explain why. How has the world at large reacted to the United States’ new law? Is there any country that would be a safe-haven for unwinds? Are there other countries following suit? The international impact is woefully underaddressed.
In spite of these various shortcomings, the plot and the world still sucked me in. It was a quick read that left me wanting more.
Overall, fans of dystopian ya looking for another series to whet their appetite will definitely enjoy this one. It’s a completely different dystopia from most of the ones that are already big, and I am sure YA readers who are currently teens themselves will find the idea of their parents being able to sign an unwind order on them chilling. Dystopian YA fans should definitely give this one a go.
4 out of 5 stars
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Contest Ends: October 14th at midnight!
Disclaimer: The winner will have their book sent to them by the author. The blogger is not responsible for sending the book. Void where prohibited by law.
In an alternate history, the personal fax machine, not computers, became the quintessential technology, and one company, BelisCo, is running much of the United States. San Jose is now run entirely by BelisCo, and it boasts all the best of modern planned living: adult-only zones, smoking and non-smoking zones, clean and reliable transportation, and legal weed. Marcus Metiline is a PI in San Jose, and his whole world gets turned upside down when he agrees to take a job for BelisCo itself.
This is one of my accepted ARCs for 2015, and I went for it due to its interesting slight twist on the noir genre. I was intrigued at the idea of a PI in an alternate world where fax machines were the status quo instead of PCs. It felt almost like a steampunk. Techpunk? There should be a world for this when the old tech isn’t steam-power. In any case, although I found the world very interesting and I enjoyed visiting it, the plot left me dissatisfied.
This book is an enjoyable read even when the plot is doing weird things. The sentences flow smoothly, and the settings and characters are clearly rendered. I really enjoyed this alternate world. I liked it so much that I was disappointed by how little time we spend in it. Marcus is quickly scooped out and plopped into another world, and I didn’t like that one nearly as much or find it as interesting. The first world Marcus inhabits is creative and new. The other worlds are more dull and are things I’ve seen before.
It’s difficult to review this book without giving much away, but suffice to say that there is physics in the book, and while I appreciate the fact that science of it is good and well-explained, it also is a physics I’ve seen in scifi many times before, and I don’t think this particular rendering brought anything fresh to the table.
There are three really important characters in the book: Marcus, the owner of BelisCo, and a doctor. All three of them are male. This makes the book read a bit like a boys’ club, and it bugged me. The book would have instantly been more unique and interesting if, say, Marcus had been a hard-boiled woman PI. When every main character is basically the same (an intelligent white male), it’s just dull.
So, the non-spoiler reason of why I wasn’t into the plot is that I felt it took things just one twist too far, rendering things a bit ridiculous. If you want more explanation, see the spoiler-filled paragraph below.
Basically, Marcus finds out that San Jose is some sort of Matrix-like simulation aka not the real world, and he is encouraged to break out of it. When he does, the buildings of San Jose start falling apart and people are mad at him. We discover that the reason for this is that the simulation was being done on a bunch of cancer patients. The science here didn’t make much sense to me at the time, but basically they would live longer if they were in the simulation, giving them more of a chance to beat the cancer. Everyone entered the simulation through Marcus, and they had to keep him believing it to keep the experiment going. This whole experiment is highly illegal, and they blow up the building to get rid of the evidence. There are then hints that there are more worlds and simulations than these. First, I found the whole we’re in a simulation and this isn’t real life thing to be a very been there done that plot. It took us out of the much more interesting simulation world and into a computer simulation that I’ve seen before. The second twist of it actually being cancer treatment and them needing Marcus to stay in the world just sent the whole thing off into left field for me. Particularly since I found the science of the cancer treatment to be weak compared to the physics earlier. While I appreciate to others it may read more like a cool idea, to me it just took things on a path from super interesting to I’ve seen this before to wtf was that. It just really didn’t work for me.
Overall, readers who are intrigued by the world in the summary and who don’t mind multiple plot twists and a predominantly male cast will enjoy this read. It is well-written and interesting, but readers expecting to linger in the fax machine world of the plot summary should know that this world is soon left behind.
3 out of 5 stars
Source: Kindle copy in exchange for my honest review
Hello my lovely readers!
I hope you enjoyed the variety of genres on the blog this month. I know I enjoyed reading them! I also just wanted to let you know not to expect a huge influx of product reviews. I at most will have one a month, and then only if I’ve won an item from another blog (I like to give them the links back as a thank you) or if I receive an item for review. Again, though, I will keep it to one a month at most.
The book of the month for September will be:
The Lady in the Lake by Raymond Chandler
First reviewed in September 2011
“Marlowe is someone whose presence it is always worth being in, regardless of whether his surroundings are perfect or not. I recommend this to noir fans, highly.”
How was my reading, reviewing, and writing this month?
August books read: 4 (1 historic urban fantasy, 2 ya dystopian scifi, 1 historic fantasy)
August reviews: 7
Other August posts: 1 product review
Most popular post in August written in August: Product Review: Squatty Potty
My favorite post of August: Book Review: Anarchism and Other Essays by Emma Goldman. I really enjoyed the discussion in the comments of this review. It was a difficult review to write, and I was really glad it stirred such a positive response!
Most popular post in August written at any time: Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
August writing: I put my writing energy into the blog this month, as well as my reading. This was intentional, as I was very limited on time, and I wanted my blog in tip top shape before fall.
Coming up in September: I have a 2015 ARC with a giveaway to post, as well as reviews for the reads named above. For the first time in years, I won’t be participating in the R.eaders I.mbibing P.eril challenge. Instead, I chose to participate in the Once Upon a Time fantasy challenge in the spring. But I encourage you all to consider participating in R.I.P. X!
Happy September and happy reading!
Humanity, desperate to save themselves from oncoming meteors that will destroy Earth, builds two spaceships and binds them together into one unit. They fill it with the best and brightest of humanity then send it off into space, with nanobots working to keep them all perpetually the same age they were when entering the ship, hoping that they will find another habitable planet. But over the thousands of years of searching, the two ships have slowly evolved into one of beauty, order, and plenty of food. The other has become a prison ship, full of starvation and degradation. Both ruled by an artificial intelligence known as Ark. When a man awakes on the prison ship, he must discover who he is and why he has been awakened.
The basic idea of a ship full of thousands of people wandering outer space for thousands of years and how that impacts their culture is a good one. But it is unfortunately supported by weak characterization, quite a bit of telling instead of showing (often in the form a conversational infodump), questionable science, and aggravating plot twists.
I am not a scifi reader who expects everything to be Asimov or heavy on the science. I enjoy the broad range that scifi has to offer. But I do expect a scifi that takes itself seriously, as this one does, to have: a plot that makes sense, at least two characters who are well-rounded and richly presented, and any science within it to be accurate or at least plausible. This scifi definitely takes itself seriously, but it fails on these marks.
The book opens with a first person narration of the nameless hero (later named Harbinger) believing he is being dissected by an alien race. It takes quite a bit of time to find out that he was cryogenically frozen on this ship, and the rebels of the prison ship have woken him up. If this wasn’t a review copy, I probably would have given up before Harbinger figures this out, because the reader has zero reason to care about this character who is being dissected, apparently. It’s quite jarring to open up the book that way, and it’s hard to read with no investment in any of the characters at all. It’s a rough beginning.
Harbinger has amnesia, so he can’t help the rebels figure out why exactly he was on the ship. But they do discover that he has superhuman powers, just as the rebels were hoping, so they want him to help them fight for access back to Echelon–the ship that is not a prison (There are names for both ships, but I honestly can’t remember what the name of the prison ship was.) The rebel character who works closest with Harbinger is a woman named Leema. Harbinger gets slightly more characterization than Leema, because we are inside his head. But both come across as flat. Their actions appear to exist entirely as plot devices and not out of real, rich motivation. For instance, Leema seems mostly to exist to give Harbinger information, to have sex with, then to spur him to make certain decision. She doesn’t come across as a person so much as a plot device. The same can be said for the leader of the rebels, Argus, an older man who calls people “son.” He simply does not feel real. He feels like a plot device who pops in whenever it’s necessary to make something happen to Harbinger.
The writing often relies on conversational infodump, which is a shame, because when there are action sequences, they are interesting and exciting. The periodic action sequences are what kept me reading. They are well-written, particularly the fight scenes. But when the characters talk, the conversation doesn’t feel real. It feels like the author is speaking directly to the reader through the characters, often to provide background information. This is known as an infodump, and it’s frustrating to read. It would be better to work this information into the plot, rather than have characters sit in a room and say it at each other for chapters at a time.
The science is a bit shaky. For instance, the spaceship is decorated with marble. Real marble. Real marble is incredibly heavy, and there’s a weight limit that spaceships can handle. It’s hard to imagine a people desperate to save humanity from meteors wasting precious weight space on marble decorations. Similarly, Harbinger is never fully explained. He appears to be human and bleeds but can’t feel pain, has superhuman strength, can only be killed by cutting off his head. Is he a robot? Or a genetically modified humanoid? Maybe a clone? Leema explains “his kind” being created but she seems to know very little about it, which makes it odd that she and the rebels knew enough to know how to break him free from Ark by cutting into him and adjusting things inside his body. The core of the idea is good but it’s just not explained enough. That is really what makes some of the science in the book weak. It’s not gone into in enough depth to make enough sense.
Finally, the plot makes quite a few quick zany twists, most of which I was willing to give a pass. The final twist, however, made me want to throw my kindle against the wall. (I didn’t, because I like my kindle). I’m sure the final plot twist was intended to make the reader want to continue on to the next book in the series, but it actually just left me feeling deeply unsatisfied and frustrated. If I had to put my finger on what made it so frustrating, I’d say that it felt forced, not organic.
Overall, this book consists of a good basic idea that suffers from infodumping, weak characters, and being forced to stick to a plot that doesn’t feel organic. Rich characters who drove an organic plot free of infodumps could have made this into an interesting world and cultural exploration. Instead, it’s a frustrating read.
2 out of 5 stars
Source: kindle copy from author in exchange for my honest review