Hello my lovely readers!
I hope you enjoyed the variety of genres on the blog this month. I know I enjoyed reading them! I also just wanted to let you know not to expect a huge influx of product reviews. I at most will have one a month, and then only if I’ve won an item from another blog (I like to give them the links back as a thank you) or if I receive an item for review. Again, though, I will keep it to one a month at most.
The book of the month for September will be:
The Lady in the Lake by Raymond Chandler
First reviewed in September 2011
“Marlowe is someone whose presence it is always worth being in, regardless of whether his surroundings are perfect or not. I recommend this to noir fans, highly.”
How was my reading, reviewing, and writing this month?
August books read: 4 (1 historic urban fantasy, 2 ya dystopian scifi, 1 historic fantasy)
August reviews: 7
Other August posts: 1 product review
Most popular post in August written in August: Product Review: Squatty Potty
My favorite post of August: Book Review: Anarchism and Other Essays by Emma Goldman. I really enjoyed the discussion in the comments of this review. It was a difficult review to write, and I was really glad it stirred such a positive response!
Most popular post in August written at any time: Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
August writing: I put my writing energy into the blog this month, as well as my reading. This was intentional, as I was very limited on time, and I wanted my blog in tip top shape before fall.
Coming up in September: I have a 2015 ARC with a giveaway to post, as well as reviews for the reads named above. For the first time in years, I won’t be participating in the R.eaders I.mbibing P.eril challenge. Instead, I chose to participate in the Once Upon a Time fantasy challenge in the spring. But I encourage you all to consider participating in R.I.P. X!
Happy September and happy reading!
Humanity, desperate to save themselves from oncoming meteors that will destroy Earth, builds two spaceships and binds them together into one unit. They fill it with the best and brightest of humanity then send it off into space, with nanobots working to keep them all perpetually the same age they were when entering the ship, hoping that they will find another habitable planet. But over the thousands of years of searching, the two ships have slowly evolved into one of beauty, order, and plenty of food. The other has become a prison ship, full of starvation and degradation. Both ruled by an artificial intelligence known as Ark. When a man awakes on the prison ship, he must discover who he is and why he has been awakened.
The basic idea of a ship full of thousands of people wandering outer space for thousands of years and how that impacts their culture is a good one. But it is unfortunately supported by weak characterization, quite a bit of telling instead of showing (often in the form a conversational infodump), questionable science, and aggravating plot twists.
I am not a scifi reader who expects everything to be Asimov or heavy on the science. I enjoy the broad range that scifi has to offer. But I do expect a scifi that takes itself seriously, as this one does, to have: a plot that makes sense, at least two characters who are well-rounded and richly presented, and any science within it to be accurate or at least plausible. This scifi definitely takes itself seriously, but it fails on these marks.
The book opens with a first person narration of the nameless hero (later named Harbinger) believing he is being dissected by an alien race. It takes quite a bit of time to find out that he was cryogenically frozen on this ship, and the rebels of the prison ship have woken him up. If this wasn’t a review copy, I probably would have given up before Harbinger figures this out, because the reader has zero reason to care about this character who is being dissected, apparently. It’s quite jarring to open up the book that way, and it’s hard to read with no investment in any of the characters at all. It’s a rough beginning.
Harbinger has amnesia, so he can’t help the rebels figure out why exactly he was on the ship. But they do discover that he has superhuman powers, just as the rebels were hoping, so they want him to help them fight for access back to Echelon–the ship that is not a prison (There are names for both ships, but I honestly can’t remember what the name of the prison ship was.) The rebel character who works closest with Harbinger is a woman named Leema. Harbinger gets slightly more characterization than Leema, because we are inside his head. But both come across as flat. Their actions appear to exist entirely as plot devices and not out of real, rich motivation. For instance, Leema seems mostly to exist to give Harbinger information, to have sex with, then to spur him to make certain decision. She doesn’t come across as a person so much as a plot device. The same can be said for the leader of the rebels, Argus, an older man who calls people “son.” He simply does not feel real. He feels like a plot device who pops in whenever it’s necessary to make something happen to Harbinger.
The writing often relies on conversational infodump, which is a shame, because when there are action sequences, they are interesting and exciting. The periodic action sequences are what kept me reading. They are well-written, particularly the fight scenes. But when the characters talk, the conversation doesn’t feel real. It feels like the author is speaking directly to the reader through the characters, often to provide background information. This is known as an infodump, and it’s frustrating to read. It would be better to work this information into the plot, rather than have characters sit in a room and say it at each other for chapters at a time.
The science is a bit shaky. For instance, the spaceship is decorated with marble. Real marble. Real marble is incredibly heavy, and there’s a weight limit that spaceships can handle. It’s hard to imagine a people desperate to save humanity from meteors wasting precious weight space on marble decorations. Similarly, Harbinger is never fully explained. He appears to be human and bleeds but can’t feel pain, has superhuman strength, can only be killed by cutting off his head. Is he a robot? Or a genetically modified humanoid? Maybe a clone? Leema explains “his kind” being created but she seems to know very little about it, which makes it odd that she and the rebels knew enough to know how to break him free from Ark by cutting into him and adjusting things inside his body. The core of the idea is good but it’s just not explained enough. That is really what makes some of the science in the book weak. It’s not gone into in enough depth to make enough sense.
Finally, the plot makes quite a few quick zany twists, most of which I was willing to give a pass. The final twist, however, made me want to throw my kindle against the wall. (I didn’t, because I like my kindle). I’m sure the final plot twist was intended to make the reader want to continue on to the next book in the series, but it actually just left me feeling deeply unsatisfied and frustrated. If I had to put my finger on what made it so frustrating, I’d say that it felt forced, not organic.
Overall, this book consists of a good basic idea that suffers from infodumping, weak characters, and being forced to stick to a plot that doesn’t feel organic. Rich characters who drove an organic plot free of infodumps could have made this into an interesting world and cultural exploration. Instead, it’s a frustrating read.
2 out of 5 stars
Source: kindle copy from author in exchange for my honest review
Hello my lovely readers!
I just wanted to take a moment to let you know that I’ve signed both my novella and my novel up for Smashwords’s annual summer/winter sale (so entitled to cover both hemispheres).
BOTH of my books are 100% off aka FREE through the end of July!! Just use the coupon code SW100 when checking out to get my books for free!! Smashwords books are compatible with all ereaders, computers, and tablets, and you can also give Smashwords books as gifts. Click through to Smashwords by clicking on the titles.
Tova Gallagher isn’t just your average Bostonian. She also just so happens to be half-demon, and the demons and fairies have just issued a deadline for her to choose sides. But it’s hard to worry about the battle of good versus rebel when she’s just met a sexy stranger on the edge of the Charles River
Waiting For Daybreak
post-apocalyptic psychological science fiction
What is normal?
Frieda has never felt normal. She feels every emotion too strongly and lashes out at herself in punishment. But one day when she stays home from work too depressed to get out of bed, a virus breaks out turning her neighbors into flesh-eating, brain-hungry zombies. As her survival instinct kicks in keeping her safe from the zombies, Frieda can’t help but wonder if she now counts as healthy and normal, or is she still abnormal compared to every other human being who is craving brains?
Hello my lovely readers!
I hope you enjoyed the variety of genres reviewed here in May.
The book of the month for June will be:
A Queer and Pleasant Danger: The True Story of a Nice Jewish Boy Who Joins the Church of Scientology and Leaves Twelve Years Later to Become the Lovely Lady She is Today by Kate Bornstein
First reviewed in June 2013
“I strongly recommend this book to everyone, really, but especially anyone with an interest in GLBTQ history/theory/studies or an interest in the first few decades of Scientology.”
How was my reading, reviewing, and writing this month?
May books read: 5 (2 nonfiction, 3 fantasy)
May reviews: 5
Other May posts: 1 response to current events
Most popular post in May written in May: On Josh and Anna Duggar and the Fundamentalist Christian Culture of Forgiving Molesters and Abusers
Most popular post in May written at any time: Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
May writing: This was a rough writing month for me. It was an incredibly busy month, including a business trip that meant I wound up working twelve days in a row. I also this month really felt the stress of planning my wedding more so than other months. So that meant a lot of evenings (when I usually write) I was too stressed out to get into the zone. I hope that this month I can handle my stress better so I can get back into the groove. I would like to finish the first draft of my current project by the end of June.
Coming up in June: I have three fantasy reads for Once Upon a Time IX to post reviews for. I also have a review of a nonfiction book I got through NetGalley to post. I also participated in the book blogger interview swap for Juneterviews over on Book Bloggers International, so be keeping an eye out for a link to that.
Happy June and happy reading!
In the future, people’s memories are backed up on sticks like external hard-drives, and when someone dies, they can just be put into a new body or resleeved. Criminals are put into the brain bank for a set period of time to serve their “prison” sentence before being resleeved. Kovacs is an ex-UN envoy but he’s also a criminal, and he wakes up one day in a new sleeve on Earth, not his home planet, before his sentence is up. A rich myth–someone who has been alive for centuries in the same body, due to their wealth–has been killed. After being resleeved, the local police told him it was suicide, but he doesn’t believe them. So he’s hired Kovacs to figure it out for him. If he solves the mystery, he’ll get sent back to his home planet and get a sleeve of his choice without serving any further sentence. If he doesn’t, he’ll serve out the rest of his sentence and get resleeved on Earth, far from home. Kovacs has no choice but to try to figure out who would waste their time killing a man who has endless sleeves to burn?
I love a good noir, and I liked the futuristic scifi sound of this one (the most famous futuristic scifi noir is Blade Runner/Do Androids Dream of Electric Sheep, in case you were wondering). Unfortunately, in spite of the very cool resleeving concept, I was left quite bored by the plot.
The setting and ideas for this future scifi world are fantastic. Earth has colonized various planets, and each planet was colonized by different mixes of cultures. Kovacs’ planet was colonized by the Japanese and Nordic cultures. When he was a UN envoy he fought on one colonized by Middle East cultures. So each planet has its own distinct culture, and, Kovacs at least, clearly feels that Earth is quite backwards. For instance, Earth has a cadre of people who believe that resleeving is unethical and sign documents saying they are ethically opposed to being resleeved. It sounds as if no other planets have that faction. Similarly, it sounds as if only Earth has people wealthy enough to become myths–people who can afford to be resleeved in new clones of their own bodies they grow and keep safe, as well as back up their brains at frequent intervals into a cloud. So Kovacs has some immediate culture shock, which is interesting to see.
Also, obviously, the idea of people’s brains being kept on usb sticks (basically) that you can just stick into the brain stem of another body and what implications that would have is just brilliant. It’s cool to read about, and it’s an interesting take on longevity. I also particularly appreciated that people *can* still die in various ways. For instance, if you shoot someone where this brain stick goes in, you ruin their stick and they therefore can’t be downloaded into a new body. This whole setting gives both a cool futuristic vibe and a complex environment for solving murders in. It’s hard to solve for murders when people can just be rebooted, basically.
There is a lot of realistic diversity in the book. The lead cop on the assignment is a Latina woman. Takeshi Kovacs is clearly intended to be biracial (white and Japanese). There is a big bad (who I won’t reveal) who is an Asian woman. The only other major characters are the myth and his wife, both of whom are white. However, the surrounding and minor characters all demonstrate a clear melting pot of race and creed. I appreciate it when futuristic scifi is realistic about the fact that all races and cultures and creeds would most likely be present.
One thing I do want to note, although I do think the book tries to address the obvious issue of what if a person gets resleeved into a race or gender different from their own, I’m not sure it was successful. Takeshi immediately notes that he is in a Caucasian sleeve, and that irritates him some. He continues to act like his own culture and exhibits a preference for the food of his home world but he doesn’t seem to be too bothered by being in someone else’s body. (Criminals get resleeved into other criminals at random. That is part of the punishment…not getting your own body back and knowing yours is out there being used by someone else). It is explained that Takeshi is able to deal with the dysphoria because he was trained for it in the UN Envoy but I do wish a bit more explanation was given to this issue. For instance, is being resleeved into a different race usually ok for the person? Or is it difficult just like every aspect of being resleeved into a new body is difficult? Does it vary person to person? This was unclear, largely because Takeshi’s Envoy training makes it a bit of a non-issue.
Similary, at one point a male character is resleeved into a female body, specifically because sleeving across genders is perceived of as an act of torture in this world (it is a bit unclear to me if this actually happened or if it’s virtual reality, but it is made very clear that virtual reality feels exactly the same as reality to the person in question, so the fact remains). I thought this was interesting and a nice send-up to trans issues. However, in the next breath, the character mentions that he can tell he’s in a woman’s body because he FEELS THINGS MORE EMOTIONALLY. *sighs* (I would provide you with a direct quote, but I don’t always manage to successfully bookmark passages in audiobooks, and this was one of those times). I get it that this passage is supposed to be a complement to women. The man in question talks at length about how women feel things so much more and isn’t that nice and what a burden it must be and men should understand it more. Yes, ok, fine, the character is being nice about it, but it’s still sexist. The character could have had the same experience and limited to just this sleeve without making it about all women, but no. He mentions that he’s been sleeved in women’s bodies before and this is how it always is.
On a related note, I just want to mention for anyone who might be triggered by such things that there is a rather graphic scene in which the same character inside a woman’s body is raped by torturers with a rod of hot iron. Just once I would like to get through a noir book without someone being raped, just saying. (If you appreciate warnings for this type of content, see my dedicated page here).
So the characters are interesting and diverse, and the scifi world is creative, but the plot is a bit ho-hum. Part of the problem is that I just honestly cannot make myself care about the rich myth and his problem. The second issue comes up though when Takeshi ends up having a problem that intertwines with the myth’s, and I just can’t care about his either, largely because it revolves around protecting someone who the reader meets for about two minutes of audiobook, so I’m imagining that’s only a few pages of the book. It’s basically big money all coming up against each other, and that’s a plot I personally struggle to really be interested in unless there’s at least one character I can really root for, and I just couldn’t root for any of these. I also think that it didn’t help that compared to how creative the world-building was, the plot is very average. So I was given high expectations with the world-building in the first few pages only to have a been there, seen that, reaction to the plot.
What lifted the book up from 3 stars to 4 for me was actually the audiobook narration. Todd McLaren does an awesome job of producing many different voices and accents for all the different characters, helping to keep complex scenes straight. He also has a great noir detective vibe to his voice when he speaks for Takeshi. I will note, though, that I did have to speed the audiobook up to 1.25x to match my listening speed. But I tend to listen fast, so other readers would probably prefer the slower speed.
Overall, scifi readers who also enjoy noir will most likely still enjoy the read, in spite of a seen it before plot, because the world-building is unique and creative. I would recommend that readers who enjoy both print and audiobook check out the audiobook, as I feel it elevates the story.
4 out of 5 stars