Maui wedding planner Pali Moon wouldn’t normally accept a last-minute request to plan a wedding when the groom is lost at sea, but the client wants to pay cash, and she is in debt up to her ears. Plus, the bride assures Pali that the groom’s best friend will stand in as his proxy if the groom hasn’t been found by the wedding date. What could possibly go wrong? Well, when a body washes up on shore….it turns out, a lot.
This would be a cozy mystery if it offered any type of recipes or patterns in the back, as it is, think of it as a light-hearted mystery with very little blood and some steamy kissing scenes. The story transports the reader to Hawaii with lovely described settings and keeps the reader there with an intriguing plot.
A wedding planner in Hawaii is just an interesting job to begin with. Plus, Pali has a bit of mystery to her. She admits from the very beginning that Pali isn’t her name, but the reader never finds out (in this entry in the series anyway) what her real name is. Why is she keeping it a secret? Plus, Pali’s friends (and enemies) are an interesting bunch. Her Native best friend who also runs the general store and officiates weddings is a breath of fresh air to the story. Her gay roommate may feel a bit expected at this point, but the author keeps him from verging too far into stereotype and gives of a hint of the three dimensions he could have in future installments. The bad guys may veer a bit toward caricature sometimes, but that lends the book part of its humor and lack of tension that is key to this type of mystery.
The mystery and plot consist of two main points of conflict. First, Pali is at risk of losing her business. Second, the missing groom and the bride’s family may not be precisely what they appear. This lends some realness to the character. She has more going on than this mystery that fell in her lap. It also gives her a reason for accepting a client who has a clear iffy feeling about them. That said, the will she or won’t she hold onto her business lacks some real tension, as it’s fairly clear that Pali will figure a way out of losing her business. With the missing groom conflict, while we know Pali will probably be safe, since she’s the main character, the rest of the characters are basically up for grabs for danger. This gives it just enough tension to stay interesting but not be stressful. Similarly, this plot was more well-written, with some unexpected yet believable twists. It also takes into consideration the local laws of Hawaii, so events stayed grounded in the real world.
The romance consists of two potential love interests. I am always a bit turned off when a main character has two people interested in them. It will never not feel a bit fake to me. However, the two potential love interests are handled in a balanced and modern way. Neither is the clear “right choice,” and readers could easily prefer one over the other while still liking the main character with either.
I also would like to mention that there is a good minor plot involving characters revealing that they are alcoholics who have been in recovery for a while. It’s good to see people with a mental illness that they have worked on and are actively managing in a positive way. I appreciate this diversity being included in this book.
Given all of these positives, why is it only an average read for me? There was nothing unexpected for this type of mystery. It is very similar to others I have read in the genre. Additionally, the main character can kind of rub me the wrong way sometimes. How she handles her love interests is not as up-front as it should be. It is also unclear as to how she managed to get herself into so much debt. It seems she might just be bad at balancing books but all for taking favors from friends. Similarly, she’s a white woman, albeit raised in Hawaii, but she goes by a Native name and never explains why, beyond the fact that she doesn’t like her own name. Add to this the fact that the romance didn’t really work for me, and this is why I consider this a rather average read. It may be more than average for you, if these factors I have named are not an issue for you.
Overall, this is a light-hearted mystery that transports the reader to the tropical island of Maui. Some readers may be a bit turned off by the main character or the romance secondary plot. Those who enjoy a non-tense mystery set in a tropical locale will most likely enjoy the read, however.
3 out of 5 stars
When the world is devastated by GMO plants over-running the land and destroying cropland, humanity splits into multiple factions. There’s the people who firmly believe in transforming people so that they can photosynthesize food from the sun–and have green skin. There’s the cannibals, who have returned to a hunter/gatherer way and eat humans when necessary. Unbeknownst to the green folk, there’s a holdout of Old Order Amish. They’ve changed from how they were in the past but still hold onto many of their ways. In particular, they have decided that taking green skin is the Mark of the Beast, and will not go for it.
Tula is a scientist among the green folk who is tasked with assisting cannibal children who are kidnapped and converted. Levi is an Amish who leaves the compound against orders, seeking yet another group of scientists who are supposed to live in a mountain and may have the cure to his dying son’s Cystic Fibrosis. When Levi is swept up in a green raid of cannibal land, his and Tula’s worlds collide with unimaginable consequences.
I picked this up because the cover of a green-skinned woman in a desert appealed to me, and then the description seemed like an interesting post-apocalyptic future. This is certainly and interesting and unique read for any fans of post-apocalyptic or dystopian literature.
The future is imaginative with many different groups and reactions to the botanicaust (the destruction of plant matter that is considered this world’s apocalypse). As someone who has studied the Amish, I appreciated how the author imagined how the Old Order would handle such a crisis and address it for the future. Allowing people into the compound if they are willing to convert seems logical, and showing that the Old Order did accept some technological innovation also makes sense. Similarly, the green scientists who seek to photosynthesize everyone and don’t seem to care too much if the cannibals want to be photosynthesized or not make logical sense. The scientists believe this is the solution in a world without enough food, and hey haven’t bothered to do any cross-cultural studying to see if there is any rhyme or reason or value to the cannibal lifestyle. This again is a logical position for a group of scientists to hold. The other group of scientists who live in the mountain and have managed to find the solution to not aging are a great contrast to the groups of greens. Whereas the greens do sometimes do evil but don’t intend to, they only intend to be helping (with the exception of one bad guy character), the mountain dwellers have been turned inhumane by their abnormally long lives. These three groups set up a nice contrast of pros and cons of scientific solutions and advancement. At what point do we stop being human and at what point are we being too stubborn in resisting scientific advancement? How do we maintain ethics among all of this? The exploration of these groups and these questions was my favorite part of the book.
The plot is complex and fast-paced, visiting many areas of the land and groups of people. I wasn’t particularly a fan of the romance, but I can see where others would find that it adds to the book. I just wasn’t particularly a fan of the pairing that was established, but for no reason other than it seemed a bit illogical to me. Then again, romance is not always logical.
The one thing that really bothered me in the book was the representation of Down Syndrome and the language used to refer to it and those who have it. The mountain scientists have children, but as a result of tampering with their own genetics, all of their children have Down Syndrome. First, I don’t like that this makes it appear as if Down Syndrome is a punishment to the evil scientists who went too far with science. Down Syndrome is a condition some people are born with. It is not a condition as the result of anything a parent did, such as fetal alcohol syndrome. Second, all of the characters with Down Syndrome are presented as large, bumbling oafs with hearts of gold. There is just as much variety to the personalities and abilities of those with Down Syndrome as there are in those of us without Down Syndrome. Finally, the author persists in referring to these characters as:
a Down’s Syndrome woman (loc 2794)
or of course, “a Down’s Syndrome man.” First, the preferred term for Down Syndrome is Down Syndrome, not Down’s Syndrome. This is a mistake that is easy to make, though (I have made it myself), and I am willing to give the author a pass for that. The more upsetting element in the way she refers to these characters though is that she always lists the condition first and then the person, not the other way around. It is always preferred, in any illness or condition, to list the person first and the illness or condition second. For instance, a woman with cancer, not a cancerous woman. A man with PTSD, not a PTSD man. A child with Down Syndrome, not a Down Syndrome child. I cringed every single time this happened, and it happens a lot in the section of the book that takes place in the mountain. Given that this is an indie book, and it is thus quite easy to make editing changes and fixes, I would hope that the author would go through and fix this simple aspect of language. It would be a show of good faith to the entire community of people who have Down Syndrome, as well as their families. For more on the preferred language when referring to Down Syndrome and people who have Down Syndrome, please check out this excellent guide, written by the National Down Syndrome Society.
It’s a real bummer to me that the language about Down Syndrome and presentation of these characters isn’t better, because if it was, this would have been a five star read for me.
Overall, this is an interesting and unique post-apocalyptic future with an action-packed plot. Those who are sensitive to the language used to refer to Down Syndrome and representation of people with Down Syndrome may wish to avoid it, due to an unfortunate section where characters with Down Syndrome are referred to improperly and written a bit two-dimensionally.
4 out of 5 stars
The author has written a thoughtful and kind comment on this post. You may view it by going below. To sum up, she cannot make edits to those book, due to it also having an audiobook version. However, she has promised to edit for these issues in future books containing characters with Down Syndrome. This genuine and thoughtful response is much more than the community of those with Down Syndrome and their families and loved ones often get, and it is very much appreciated.
Drumila, four-armed king of the daityas, seeks to take them above ground to escape their enemy the naagas, giant flame-breathing serpents. Meanwhile, Krishna (the highest-ranking god) sends his daughter, Nandini, to Earth in human form to weaken Drumila and keep him from crossing the barrier from Earth into the higher plains. Unfortunately, Nandini ends up liking Drumila a bit more than they bargained for.
I was excited to have a fantasy based in a non-European mythology submitted to me, and wow is this different from the typical European-based fantasy. In a good way. This is a dense, different fantasy with a strong learning curve unless the reader is already very familiar with Hinduism.
The basic story reads just like mythology. This has pros and cons. On the plus side, it feels quite fantastical. On the minus side, some of the plot points can be cringe-worthy (such as an unwanted kiss that could have turned into a rape if the female character hadn’t suddenly 180ed from zero interest to desire) and the characters can be a bit two-dimensional. This will bother some readers, but those who enjoy mythology, in spite of its shortcomings, will appreciate this read. Personally, I generally prefer if authors update and modernize their mythological rewritings a bit more, but not all readers feel that way.
The author is well-aware that Hindu mythology won’t be familiar to many Western readers, so he offers an extensive footnotes that are well hyperlinked in the ebook that explain both definitions of words and various aspects of Hindu mythology. This means that the reader learns a lot but it does also slow down the reading of the book and breaks up the immersion in the world. The footnotes are a good idea but perhaps if some of the words and concepts were better incorporated and explained within the writing itself then there could be fewer footnotes that offered greater explanations of more value.
The ending is a bit abrupt. It’s clear this is intended to be the first book in a series, but an extremely abrupt ending like this one makes it difficult to feel like the reader got a full book out of the deal. It feels more like the pilot of a tv show than the first book in a series.
I would give this book a more full review, but it has been pulled from publication since the review copy was sent to me. I really wish when authors and/or publishers choose to do this that they would notify those of us with review copies. While I enjoyed the read enough to not regret reading it, it feels rather silly for me to bother reviewing a book no one else can get their hands on anymore.
Overall, this is a fantasy book set firmly in the tradition of Hindu mythology that will best appeal to readers who enjoy the traditional features of mythology and don’t mind an abrupt ending.
3 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
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Logan finds himself a single dad after his young son’s mother abandons him on his doorstep, so he moves back to his hometown of Salem, Massachusetts, looking to provide his young son with some stability. He has a bad rep from his teen years in Salem to get over, though, and he hopes his new job as a television producer at the local tv station will help. He wasn’t expecting his downstairs neighbor Melody Seabright, however.
Melody, who seems incapable of holding onto a job for any length of time, gets him to get her a meeting with the owner of the tv station and somehow convinces him to give her her own tv show, The Kitchen Witch. The only problem is she can’t cook, and whether or not she’s really a witch is up for debate.
Can Melody learn how to cook and hold onto the job? Or are both of their jobs now in jeopardy? And why does Logan keep thinking about such an unpredictable woman when he knows he needs to provide stability for his son?
I picked this up on a free book cart at a local library because the cover and title were cute, and I definitely am periodically in the mood for some lighthearted paranormal romance. I was a bit disappointed to find this isn’t really a paranormal romance, but I still enjoyed the contemporary tale it told, primarily due to its featuring a good-hearted single dad.
Logan is a contemporary romance character who will make many readers’ hearts beat a bit faster. He’s cute, young, has a high-powered job, lives in the quirky town of Salem and enjoys it, and is an awesome single dad to his young son. Having him be a bad boy who overcame it for his son is the perfect last touch for a contemporary romance. I can see many readers enjoying fantasizing about him.
Melody may be a bit more hit and miss with readers. The delightfully clumsy bit has been used a lot in romance recently and may feel a bit been there done that. Her apartment is divinely adorable, though, and she has some curves that are always looked upon as a good thing. Her difficult relationship with her own father adds some depth to the character, but some readers might have trouble sympathizing with a poor little rich girl, although I do think that Blair handled this particular aspect well.
Blair also writes children characters beautifully. The son sounds like a child, and yet still has the proper astuteness and vocabulary for his age. The only negative I can say about him is that I honestly already forgot his name. However, I enjoyed his presence every time he popped up into the story.
The plot is where things get a bit shaky. The book is definitely marketed as a paranormal romance, and there are hints at the beginning of the book that Melody might be a witch, but that never comes to fruition. The best I can tell is that she’s learned how to act and sound like a witch by virtue of living and working in Salem. There’s nothing wrong with this, but it was disappointing given that I thought I was getting a paranormal story. I also thought that if the book is going to have Logan suspicious Melody is a witch, at some point he should definitely find out once and for all whether she is one. I think perhaps the book was trying to say she’s just a regular girl with some knowledge of Wicca (which isn’t the same thing as being a paranormal romance witch, since Wicca is a religion and doesn’t actually involve paranormal romance style magic but it’s still a reveal I would have been happier with). However, that also is never firmly revealed. Just what type of witch, if any, Melody is is just a plot idea that is dropped and never fully dealt with, which is a bit frustrating.
A bigger plot issue to me though is that this book falls into the romance trope of everyone can see the couple should be together but the couple makes up fake obstacles to stand in their way and they just have to come to their senses and deal with their own stupidity to get over it. (I really wish there was a shorter way to describe that particular trope…..) It is just a trope that really bugs me. I don’t mind real obstacles in the way of a couple, but the couple just being idiotic and making up their own obstacles feels to me like the author stirring up fake drama to make the book longer. Also, I am 100% a-ok with a couple meeting, working out some realistic difficulties, and then being together. Things that are overly dramatic for the sake of drama just rub me the wrong way. Some readers may be ok with this trope, but for those who aren’t, be aware that this is where the plot eventually goes.
Having been to Salem multiple times, I can say that the author clearly did her research, as she depicts the culture and feel of Salem quite well. She also understands the layout of the town and even gives a realistic vague-ish location for Logan and Melody’s house. (In the few blocks nearish the House of the Seven Gables, in case you’re wondering).
The sex scenes were good, not ridiculous. They weren’t mind-blowingly hot, but they were fun to read and well-written.
Overall, this is a good contemporary romance featuring a lovable single dad love interest that is mismarketed as a paranormal romance. Those looking for paranormal romance should be aware that this fits in much better with the contemporary romance crowd. Additionally, those who are frustrated by couples keeping themselves apart for no reason should be aware that this is the romance trope found in this particular book. Recommended to those looking for a steamy contemporary read featuring a heartthrob single dad and a realistically quirky New England town.
3 out of 5 stars
Source: Library free book cart
When Leslie married Alex, she knew they both agreed on wanting children. What she didn’t realize, though, was how fiercely Alex, the last son in a long line of wealthy and powerful New Yorkers, would want only their own biological children. He’s willing to try anything to get them biological children, and she feels she can’t deny him one last-ditch effort with a doctor in Slovenia that a couple from their infertility support group swears worked for them. And the woman has the baby bump to prove it. So they fly off to Slovenia, and from the first instant in the doctor’s office, Leslie feels that something just isn’t right….
I’m a real sucker for evil pregnancy/children stories. Rosemary’s Baby and The Omen are two of my favorite movies. So when I heard about this new take on a classic trope, I knew I had to try it out. The book ends up being much less about pregnancy and more about the perils of genetic modification, providing an interesting twist on the evil pregnancy trope that carries out through the childhood of the babies that were conceived.
Essentially, the parents’ genetics were so messed up by the treatments performed by the doctor that they start turning into something different from human. Something a bit more animalistic. The children, of course, also have some of this animalistic genetics, but most of the differences don’t show up until puberty. This allows the children to be innocents for most of the book while their parents have gone off the rails from their very first treatment. My favorite part of this book is how it offers a smart critique of pushing our bodies to do something they don’t want to do. Where is that line? How far should we push things with science and at what point will using science make us something different from human? And is that something different going to necessarily be better? Leslie clearly feels that her children were ultimately worth everything she, her husband, and their bodies went through, but the book itself leaves the answer to that question up to the reader.
Beyond this concept, though, the actual execution of the characterizations and the plot get a bit messy. The writing can sometimes wander off onto tangents or become repetitive. Some aspects of the plot are explored too much whereas others are glossed over too quickly. The book starts out tightly written and fast-paced but toward the end of the book the plot gets disjointed and goes a bit off the rails. Part of the issue is a bit of a lack of continuity regarding just how messed up Leslie and Alex actually are by the treatments. Are they still at all human or are they completely untrustworthy? Is there any possibility of redemption for them? At first both seem equally far gone but then Leslie seems to pull back from the edge a bit, thanks to a MacGuffin. It’s hard to be frightened of the situation if the frightening aspect of the parents comes and goes at will.
Similarly, in spite of the book wanting us to root for Alice and Adam (the twins Leslie and Alex have), it’s hard to really feel for them when they come across as extraordinarily two-dimensional, particularly Alice. Children characters can be written in a well-rounded way, and when it’s well-done, it’s incredible. Here, though, Alice and Adam seem to mostly be fulfilling the role of children and not of fully fleshed characters.
Most of these issues are more prevalent in the second half of the book, so it’s no surprise the ending is a bit odd and feels like it leaves the reader hanging. I was surprised to find out there’s a sequel, as I thought this was a standalone book. On the one hand I’m glad there’s another one, because the story isn’t finished. On the other, I’m not a fan of such total cliffhanger endings.
Overall, the first half of the book offers up a thrilling and horrifying critique of just how far people should be willing to go to get pregnant. The second half, however, is not as tightly plotted and drops the well-rounded characterization found in the first half of the book. Recommended to pregnancy and/or genetic modification horror enthusiasts who may be interested in a different twist but won’t be disappointed by a cliffhanger ending.
3 out of 5 stars