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5 Short LGBT Book Club Books

An infographic with a purple background. The modern pride flag stands next to the words 5 short LGBT book club books. The covers of five books populate the rest of the image. The books are: On a Grey Thread, Stage Dreams, Solo Dance, Coffee Will Make You Black, and The Gilda Stories.

So, you want to bring an LGBTQIA+ book to your book club. But Pride month is already upon us, so it needs to be short! Or maybe reading an LGBTQIA+ book will be a bit of a stretch for your group so you want to entice them into it by promising a short read.

Never fear, your friendly queer and bisexual book blogger has your back with 5 books all under 300 pages. Plus, I have discussion guides available for each and every one of them.

Let’s take a look at them from shortest to longest.

Image of a digital book cover. Roses in shades of pink are painted on a green background.

On a Grey Thread by Elsa Gidlow

Coming in at just 73 pages, this is also in the public domain – meaning everyone in your book club can read it on Archive.org for free. (They can also get it on Amazon or Bookshop.org if they prefer.)

Published in 1923, this poetry collection was the first in North American history to openly express lesbian desire. Both personal and political, Gidlow’s poems express the poet’s complex feelings as a young woman whose political ideology and sexual identity ran counter to the traditional values of her time. Whether or not this will work for your book club depends on everyone’s feelings about poetry. But it’s a nice, quick read with historical value.

Get the Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions.

Image of a digital book cover. Two women ride on a horse through the American west with a hawk soaring above them.

Stage Dreams by Melanie Gillman

While technically more pages than the poetry book with 104, this is a graphic novel, so it’s possible it’s actually an even quicker read. Get it on Amazon or Bookshop.org.

In this rollicking queer western adventure, acclaimed cartoonist Melanie Gillman (Stonewall Award Honor Book As the Crow Flies) puts readers in the saddle alongside Flor and Grace, a Latina outlaw and a trans runaway, as they team up to thwart a Confederate plot in the New Mexico Territory. When Flor—also known as the notorious Ghost Hawk—robs the stagecoach that Grace has used to escape her Georgia home, the first thing on her mind is ransom. But when the two get to talking about Flor’s plan to crash a Confederate gala and steal some crucial documents, Grace convinces Flor to let her join the heist.

Get the Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions.

Image of a digital book cover. A bird drawn in red ink has legs made of thorny stems.

Solo Dance by Lit Kotomi, translated by Arthur Reiji Morris

This 149 page read is more of a contemporary, literary selection, translated from its original Japanese. Get it on Amazon or Bookshop.org.

Cho Norie, twenty-seven and originally from Taiwan, is working an office job in Tokyo. While her colleagues worry about the economy, life-insurance policies, marriage, and children, she is forced to keep her unconventional life hidden—including her sexuality and the violent attack that prompted her move to Japan. There is also her unusual fascination with death: she knows from personal experience how devastating death can be, but for her it is also creative fuel. Solo Dance depicts the painful coming of age of a queer person in Taiwan and corporate Japan. This striking debut is an intimate and powerful account of a search for hope after trauma.

Get the Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions.

Image of a digital book cover. A Black woman's face is in silhouette against a papyrus background.

The Gilda Stories by Jewelle Gómez

If your book club likes the paranormal or urban fantasy genres, then this 252 page read should be right up their alley. Get it on Amazon or Bookshop.org.

A young Black girl escapes slavery in the 1850s United States. When she grows up, she is made into a vampire with her consent. We see her immortal life and her perspective of the US through an imagined 2050.

Get the Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions.

Image of a digital book cover. A Black woman with an Afro and a colorful head band holds her hands around her mouth accentuating her shout. The shout bubble contains the name of the book.

Coffee Will Make You Black by April Sinclair

At 256 pages, this will be a great fit for a book club that likes historic fiction set in the mid-20th century. Get it on Amazon or Bookshop.org.

Set on Chicago’s Southside in the mid-to-late 60s, following Jean “Stevie” Stevenson, a young Black woman growing up through the Civil Rights and Black Power movements. Stevie longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin’ trash, “kicking butt,” and boys. With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a ‘fro instead of straightened, to refuse to use skin bleach, and to confront prejudice. She also finds herself questioning her sexuality. As readers follow Stevie’s at times harrowing, at times hilarious story, they will learn what it was like to be Black before Black was beautiful.

Get the Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions.

Bonus Suggestion:

Image of a digital book cover. The silhouette of a young girl stands in a field of tulips gazing up at a sky full of three planets and stars.

Bloemetje: a speculative retelling of Hans Christian Andersen’s Thumbelina fairy tale by Amanda McNeil

Of course, I must also mention my own queer-inclusive retelling of Thumbelina, coming in at 121 pages. Available on Amazon.

A Dutch company known as The Bedrijf commences colonizing Venus via the construction of a dome filled with plants that convert its natural air into something breathable by humans. Since all workers are granted permission to bear a child, a woman and her spouse join the crew. But the woman soon discovers she is plagued with infertility. When her spouse illegally brings home a tulip from the garden, they discover a miniature baby inside who they name Bloemetje – little bloom. As the baby grows in mere days into a teenager, pushing her boundaries, she illuminates the true horrors of colonization and leads them all on a journey to decolonize. 

If you’re interested in reading this for your book club, drop me a note at mcneil.author@gmail.com. I’d be happy to make a discussion guide and/or talk to your book club via Zoom or similar software.

Book Review: Love on the Menu by Mimi Deb

Image of a digital book cover. A takeaway bag and containers with a note with a heart on it sits in front of a bright pink background.

A London romcom whose meet-cute is a get your life together list accidentally dropped in a take-out bag leading to notes being passed back and forth.

Summary:
Gia thrives on risks. Ben plays it safe.

She crossed continents to chase her London dream; he works the same job in the same restaurant, night after night.

Then fate steps in. When Gia’s takeout is delivered, her embarrassing list of New Year’s resolutions accidentally makes its way to Ben’s restaurant, stuck to the bottom of a delivery backpack.

With each delivery Gia orders, Ben slips in a note of his own and eagerly awaits her reply. One by one, these notes transform their lives in unexpected ways, and an unlikely love story is written.

Review:
The only thing I can say without spoilers was I loved the meet-cute idea but ultimately disliked both halves of the pairing. The rest of this review will contain spoilers.

I didn’t know when I requested this book that Ben, the love interest, is in long-term recovery (5 years plus) from alcohol. As a sober person myself, when I realized this about the love interest, I was ecstatic to see that representation. It’s what kept me hanging on after a shaky opening that I’ll talk about in a moment. But ultimately the representation left me disappointed. Plus I wound up not liking Ben. So let’s get into it.

First, the opening chapter. Gia gets drunk at a work event and accidentally kisses her boss while dancing. How, you ask? I’m still confused by it. She was doing the Single Ladies dance, they were dancing back-to-back, and when she jumped to turn 180 degrees, her lips landed on her boss’s. I do not think this would actually be possible to do without either bonking noses or hitting teeth together.

Now I need to explain a bit about the plot to talk about what didn’t work for me. So, after this, she convinces herself she’s about to lose her job and writes the get your life together list Ben ultimately finds. When she returns to work after the holidays, she becomes convinced that her boss is out to get her, thanks partially to her work-friend, Jay’s warnings. They are both immigrants. She immigrated from India, and he from China. He explains that the boss can’t legally fire her for such a thing in Britain but she can set her up to fail by giving her too much responsibility then a warning then a firing. When she does suddenly get more responsibility at work, she becomes convinced this is what is happening. Meanwhile she keeps ordering delivery from a local Indian takeaway that reminds her of home, plus she’s getting to exchange cute notes with one of the employees, Ben, through them. He coaches youth football on the weekends and has a large and loving family. Ben becomes enamored with Gia. Eventually they get a chance to meet when she needs a caterer for a big important work event.

Gia repeatedly drinks too much throughout the book. I was ok with this at first because I thought maybe she would have an ah-hah moment and cut back (or stop entirely). But she doesn’t. She thinks maybe she should. She puts it on her list. (Heartbreakingly the list at the ends says: “Don’t Drink. Drink less. Drink responsibly.”) But then she doesn’t actually do it. She even continues binging up through her marathon run. Her mother at one point in the last chapter says to her boss that Gia drinks too much. The boss agrees. And Gia blows it off. In the last chapter! There’s nothing I can root for with a person in long-term recovery getting together with someone with an active alcohol problem that’s bad enough that their family and boss have noticed and yet they won’t acknowledge it.

There is a giant reason I don’t think Ben is right for Gia either. Essentially, when Ben was in the throes of his addiction, he made some choices that led to an immigrant getting fired from his brother’s company. Instead of standing up for the guy and taking responsibility for what happened that night, Ben let him be fired and then took his job (only to quit it a few weeks later). Everyone makes mistakes, and I’m ok with a hero being imperfect. But later – five years later – when this comes up, he says, “Why didn’t he just get another job?” and “Why do you make looking for a job sound like a marathon?” This was a very heartless thing to say. It’s even more heartless given that Ben knows that Gia is also an immigrant whose ability to stay in London is tied to her employment which she at that moment feels is precarious. Ben never actually apologizes for this. He reads Gia a letter in which he talks about how wonderful she is, but he never apologizes for how flippantly he regarded the immigrant work situation.

These two people don’t belong together, and that is what left me feeling sour at the end. I don’t see a HEA or even a HFN but the first few seconds of a train wreck.

So, while the meet-cute was adorable, and I loved seeing diversity both in race and mental health in this book, I ultimately felt that the two leads did not belong together, although with some different plot directions, they could have been. Ben could have made a real apology and done something to try to make up for his lack of compassion for immigrants. Gia could have realized she had a problem with alcohol and taken Ben up on the offer to hook her up with a sponsor. If these two conditions were met, there could have been a very cute one year later they get together with a new meet-cute epilogue. But instead the book just swept the important issues under the rug with a Beyonce song at the end.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

3 out of 5 stars

Length: 416 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Book Review: Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick

Image of a digital book cover. A black-and-white photo of Elvis on a train getting ready to eat.

Considered by many to be book one of the quintessential Elvis biography duology.

Summary:
Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.

This volume tracks the first twenty-four years of Elvis’ life, covering his childhood, the stunning first recordings at Sun Records (“That’s All Right,” “Mystery Train”), and the early RCA hits (“Heartbreak Hotel,” “Hound Dog,” “Don’t Be Cruel”). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.

Review:
If you know you’d be into an in-depth Elvis biography, I can tell you that this one is widely acknowledged as the best starting place for its depth of research and attempt to present a neutral viewpoint – neither one of a fan nor one of a naysayer. It’s out to find the middle-ground, and the the truth does often lie somewhere in the middle.

If you think you wouldn’t be into an Elvis biography, there’s more to this book than Elvis. It’s also the story of the American music industry in the 1950s. I learned so much about how music was made and marketed at that time, and how rock n roll changed it. It wasn’t just about the sound but about how the music was actually sold. For example, I didn’t realize how at the tie going on near-constant tour to small music venues was considered the best way to market yourself. The chapters about how Elvis’s manager, the Colonel, got him onto television and how television really started to change the music industry were fascinating. It was like an echo of TikTok in some ways. I also really enjoyed learning about Sun Records – the small, independent label that gave both Elvis and Johnny Cash their starts.

I’d previously heard a lot of the very bad things about the Colonel. It made me wonder how Elvis fell for using him as his manager to begin with. This book really brought to light the why. The Colonel may have taken a much larger percent (25%) than was usual (10%), but he also had a great business mind and really got things done. It was the Colonel who got Elvis on television and in the movies. I’d always thought the Colonel pushed Elvis into the movies but this book showed from its extensive interviews that Elvis himself was quite interested in being like James Dean. The relationship, at least at the beginning, was a lot more give and take than I’d thought. Another example is that it’s clear from the interviews that Elvis was ok with letting the Colonel be “the bad guy.” He didn’t protest or get in the way when the Colonel did something that those around him thought was squidgy. In fact, it seems like he was kind of ok with letting the Colonel be the scapegoat.

I knew from previously reading The Gospel Side of Elvis that Elvis loved gospel music and considered it his first music love. I hadn’t realized, though, how almost indifferent he felt about the music he did play. He was professional about it, but he didn’t love it the way he loved gospel. From my understanding of the book he seemed to pursue the music he thought would be the most likely to lead to success, not the one he was passionate about. It always makes me a little sad to hear of someone making a choice based on potential success than passion, although I do understand why people do that. How different things would have been if he’d pursued gospel though, huh?

This book was a little slow-going for me because I kept stopping to listen to the songs mentioned or watch the television appearances as they came up. I think that enhanced the book, and if you have the chance to read the digital book with the audio/video enhancements, I would.

Overall, this book delivers what it promises – an in-depth look at Elvis based on extensive research and interviews. But it also goes further, illuminating America’s music scene in the 1950s, and how it changed, putting us on the trajectory to the modern music scene.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

4 out of 5 stars

Length: 560 pages – chunkster

Source: Library

Buy It (Amazon or Bookshop.org)

Publication Announcement: Space Fantasy: “Legends as Told by the Laborers of the Forest Solar System Logging Corp. – An Oral History Project”

Image of a journal logo. The silhouette of a crow holds two old-fashioned skeleton keys in his beak. The moon is behind him. The name of the journal is below the crow. Crow & Cross Keys.

I am thrilled to announce the publication of my space fantasy short story in Crow & Cross Keys literary journal.

This literary journal is 100% free, so please give it a click and a perusal!

Here’s a blurb about my piece.

Oral history interview with an anonymous retired logger (Interviewee #15) for the Forest Solar System Logging Corp. Interview conducted by Tess Dalgleish on stardate 99938 on Planet Minnesota. Topic of the interview is the legend of Paul Bunyan. This version includes Babe the Big Blue Ox.

Please be sure to check out my Publications Page for my other work.

Publication Announcement: Novelette – Bloemetje: a speculative retelling of Hans Christian Andersen’s Thumbelina fairy tale

Image of a digital book cover. The silhouette of a small girl stands in a field of tulips. She's gazing up at the sky. The sky is showing a sunset in rich shades from yellow to orange. Silhouettes of hills may be seen in the distance. Above the sunset are three planets in the sky of varying sizes. The title of the book is in white cursive against the sky. There is a green border around the image.

I am thrilled to announce the publication of my new novelette Bloemetje: a speculative retelling of Hans Christian Andersen’s Thumbelina fairy tale!!!

One miniature girl leads her human and fairy people to decolonize Venus in this speculative, queer-inclusive reimagining of Thumbelina.

A Dutch company known as The Bedrijf commences colonizing Venus via the construction of a dome filled with plants that convert its natural air into something breathable by humans. Since all workers are granted permission to bear a child, a woman and her spouse join the crew. But the woman soon discovers she is plagued with infertility. When her spouse illegally brings home a tulip from the garden, they discover a miniature baby inside who they name Bloemetje – little bloom. As the baby grows in mere days into a teenager, pushing her boundaries, she illuminates the true horrors of colonization and leads them all on a journey to decolonize. 

This retelling takes the original Thumbelina’s focus on marriage and flips it on its head, granting the miniature girl a strong voice of her own and questioning her removal from the fairy world. Exploring themes of childlessness, adoption, being childfree by choice, colonization, decolonization, negative impacts of capitalism, and what LGBTQIA+ inclusive societies can look like, this novelette comes in 17 bite-sized episodes perfect for reading in the small snippets of time available to modern individuals and families.

Early readers called this “transporting” and “intriguing.” The “journey is beautiful,” and the ending is “deeply satisfying.” “A great escape read that also made me think, and it’s both quick and engrossing.”

*A portion of proceeds will be donated to the Massachusetts Center for Native American Awareness, a Native American-led 501(c)(3) nonprofit.

The ebook is available for pre-order now and will be delivered on May 18th. If you want to sneak in a little earlier, you can order the paperback or hardcover versions and get them delivered at your usual Amazon shipping speed.

If you would like to read a sneak peek of the first episode (chapter), sign up for my newsletter. I will be sending that sneak peek out on Monday, May 15th.

Pre-orders really matter for books, so please do consider pre-ordering if you know you want to purchase a copy. I also sincerely appreciate you passing the link on to anyone you know who might be interested in the book. Word of mouth is vital for indie authors.

Thank you for your support!

Book Review: Appalachian Zen by Steve Kanji Ruhl

Image of a digital book cover. A grayscale photo of a mountain range. Over the top is the Zen enso circle. Within this is the title of the book in red font - Appalachian Zen

A memoir written throughout one man’s life looking back on his childhood in the Appalachian region of Pennsylvania and following his journey to becoming a Zen Buddhist minister in Massachusetts.

Summary:
Edgy, lyrical, and lovingly rendered, this book recounts how a kid from a Pennsylvania mill-town trailer park grew up—surrounded by backwoods farms and amid grief, violence, and passionate yearning—to become something a Buddhist minister teaching Zen. Throughout the book, Ruhl engages Buddhist themes of awakening and the death of the self by confronting the lives and deaths, including two by suicide, of his loved ones. This provocative memoir tells how it feels to practice Zen, and to move toward a life of hard-won forgiveness, healing, and freedom.

Review:
As a woman who grew up in the hills of Vermont, I’ve felt an affinity for other hill folk throughout my life, but especially ones who struggled with the local culture and left looking for something else. The title of this book drew me in instantly when I saw it on my library’s new book shelf, and I brought it home after quickly verifying it was, indeed, about both Appalachia and Zen Buddhism.

I’ve read a lot of memoirs and a lot of Buddhist books in my day. But I’ve never read a book that’s both. I’ve also never read a memoir that was written over decades. That’s something that fascinated me about this memoir – Ruhl actually wrote large section of it while he was living through those moments. Of course, some parts, like looking back on his childhood, were written in retrospect, but others were written in the moment. Thus, Ruhl’s own voice and perspective changes over the course of the memoir in ways I found fascinating. Perhaps the most noticeable to me was how he moved from exoticizing Japan a bit when he first visited to beautifully articulating why that needs to be avoided as an American Zen practitioner later in the book.

Ruhl beautifully articulates what it feels like to grow up rural white poor, how that culture is beautiful and painful simultaneously, and, similarly, how it is both a relief and an ache to leave and live elsewhere. I thought this book would pair nicely with reading Limbo: Blue Collar Roots, White Collar Dreams (review). As part of his training, Ruhl went back to Pennsylvania to bring Zen to these hills. I was so excited about this part of the book because I find the idea of Buddhist ministry to the rural parts of the US like where I grew up so fascinating. But unfortunately the book had very little to say about it. That disappointed me. I wanted to know more about how he felt going back, what it was like to be back as a forming Zen minister, and how people in the area responded to Zen. It seemed to me that he was quite motivated to go back and do this work and then after his training he, instead, returned to Massachusetts. I realize that even memoirists get to hold parts of themselves and their journey private. But in a book called Appalachian Zen, I felt like it wasn’t unreasonable of me as a reader to expect more clarity about what happened here. Even if something simple and straightforward was said like…I realized that type of ministry wasn’t for me.

In contrast the author is exquisitely honest when discussing the suicides of two women he loved dearly – his sister and a close friend (former girlfriend). This part of the book moved me so much, I could only read it a few pages at a time. The author reveals the full spectrum of grief, including guilt, and even includes some excerpts from his ex-girlfriend’s journals, which she mailed to him just before she committed suicide. This is one of the most raw and honest accountings of being bereaved for someone lost in that way. But do be aware the methods of suicide are described (although not in graphic detail).

Ruhl describes participating in trainings with both the Zen Peacemakers, and the Zen Mountain Monastery, along with some other organizations. His trainings with the Zen Peacemakers included taking on being unhoused for a few days and traveling to Dachau to confront the Holocaust. His time with the Zen Mountain Monastery seems to have been more traditionally Zen. You can read more about Ruhl’s current work on his website.

Overall, this is a unique and emotional memoir written throughout the author’s life. The reader should be prepared for some areas to be explored more in-depth than others and open to aspects of Zen Buddhist thought being incorporated throughout.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

4 out of 5 stars

Length: 356 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

Book Review: The Saga of the Bloody Benders by Rick Geary

Image of a book cover. A white woman stands in the foreground of a prairie holding a knife. Behind her is a white man holding a hammer. to his right is a white man with a beard holding a shovel. In the far background is an old white woman holding a cooking pot next to a small cabin. The title of the book - The Saga of the Bloody Benders is in red and orange across the top.

A true crime graphic novel telling of a family of serial killers in the 1870s.

Summary:
Out on a deserted stretch of Kansas road linking newly forming towns, a mysterious family stakes a claim and builds an inn for weary visitors. Soon, reports multiply of disappearances around that area. Generally, those who disappear have plenty of cash on them. A delicious tale of a gruesome family fronted by a beguiling lass who led their victims on…

Review:
I first heard about the Bloody Benders in an American Indians in Children’s Literature blog post about what Laura Ingalls Wilder left out of the Little House books. Essentially, Laura said she left out some aspects of her childhood because she didn’t think they belonged in a book written for children,…one of which is how Pa probably participated in mob justice against the Benders. American Indians in Children’s Literature does a great job breaking down how problematic it is that depicting white serial killers in her books wasn’t ok but depicting the horrifying treatment of Indigenous peoples was. In any case, I got curious about the Bloody Benders, and the internet said this was one of the better books written about the topic, so I picked it up from my public library.

The artwork is nice. I particularly enjoyed this depicted of the Bender family’s one-room grocery and inn to demonstrate how they pulled off the serial killings.

Image of a photograph of a page of a print book. There is a drawing of a one-room cabin with the roof pulled aside to see inside. A man sits at a table in front of a curtain with a woman serving him food. Another man lurks behind the curtain with a hammer.

The content is factual and is careful to steer clear of using quotes in the panels when we don’t actually know what anyone said.

What made me dislike the book, though, was how it treated both Indigenous peoples and women. I understand that sometimes in historic nonfiction if a quote is being used or documents from the time period that it will use offensive language. However, this book used offensive language in parts that were narration written by the modern day author. It was published in 2007, and I truly feel someone on this book team should have been more thoughtful. A near-victim of the Benders was a Catholic missionary to the Osage people. Instead of saying it this way, though, the book says he, “dedicated his life to converting the savages.” This is the use of both a dehumanizing term and a glossing over of how missionary work was used as a weapon against Indigenous peoples in the Americas. This is a book about serial killers – I think whoever is reading it should be able to handle at least a footnote illuminating the complexities of this person’s missionary work.

With regards to the treatment of women, this is mostly in regards to how Kate Bender is discussed in the book. She is one of the four Bloody Benders, so I certainly don’t expect her to be discussed kindly, however while most of the book strives to stick closely to the truth as far as we know it, there is one part of the book that breaks down how folks determined the Benders pulled off their killings, based on the layout of the room, the trap door found, and reports of survivors. Most of this sticks to the facts, but then it gets to the part where Kate feeds the person sitting down at the guest table and says, “Does Kate also offer sexual favors as part of the package? No certain answer will ever be known.” What an unnecessarily and misogynistic supposition. Nothing that we know about Kate from survivors and those who knew her suggests she was promiscuous at all. In fact, earlier in the book it mentions she entertained suitors who ran errands for her but the suitors were never successful with her. Later when the book discusses possible endings for the various Benders that the rumor mills supposed, one proposed for Kate is as “a whore in Montana.” I trust that this was a true rumor, but it could have very easily said prostitute or sex worker.

True crime writing has the opportunity to analyze a crime and the society that surrounded it through a current lens. It can highlight both the good and the bad of that society and look at how this crime managed to occur, and, in the case of some crimes, go unstopped for so long. This book doesn’t do that, making it a beautifully illustrated reporting of what happened, lacking any analytical meat.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

2 out of 5 stars

Length: 76 pages – short nonfiction

Source: Library

Buy It (Amazon or Bookshop.org)

Book Review: The Sentence by Louise Erdrich

Image of a digital book cover. A quilt in white, yellow, black, red, and turquoise is behind the title.

A previously incarcerated Indigenous woman loves her job at an independent bookstore focused on Indigenous literature right up until the store’s most annoying customer dies and begins haunting it.

Summary:
A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.

Review:
It’s a good thing I didn’t see that this book is magical realism or I wouldn’t have picked it up. You see, I had a serious misunderstanding of what magical realism is and thought I didn’t like it. In fact, I like it very much. I only wish I had first been introduced to it by the excellent explanation from Master Class originally. I’m excited that this book has helped me see past the magical realism label.

The thing that I love structurally about this book is how the title has so many different meanings. There’s the sentence that Tookie serves for her crime. There’s the sentence found within the book that Flora is reading when she dies. And there’s many other sentences throughout the book. I love when one title has many meanings.

The book starts with Tookie thinking back briefly on her incarceration and what landed her there. Part of what made the beginning so readable was how Tookie told this story. It was like speaking with a friend about a piece of their past. Raw and real but quick and to the point. It got me invested in the book right away. Then we jump to Tookie’s present, working in the bookstore, and the haunting, and this is utterly engaging right away as well. Tookie is flawed but so relatable. I think most readers will find her to be this way because she’s such a huge reader herself.

I also found her relatable because she’s in long-term recovery. I like how she sometimes thinks about how she was but it’s not like any single bad day gives her an urge she has to fight. A lot of times in literature and movies only early sobriety is shown, and the fact is, the experience in long-term recovery is different. I was so glad to see that in Tookie, and to see her breaking the multi-generational disease. But I also appreciated the very realistic depiction of her being concerned about talking about the haunting with her husband, Pollux, for fear he would think she had relapsed. I also should mention that both Tookie and her niece are bisexual. Their sexual fluidity is never judged or questioned. It’s just a part of who they are, which I really appreciated.

The book centers around a difficult question that it doesn’t provide answers for. Flora is a “wannabe Indian.” She’s a white woman who claims Indigenous heritage based on one photo she says is of a great-grandparent. The Indigenous community is dubious but doesn’t want to tell her she can’t belong. She spends much of her life working for the betterment of Indigenous people, including even taking in an unhoused teenager and caring for her so much that when she’s grown she refers to her as mother. So everyone has complex feelings about her. There are also some scenes that show white people behaving in offensive ways and smoothly depict how hard it is for Indigenous people to deal with these aggressions on a regular basis. One that really stuck in my mind was the white woman who shows up at the Indigenous bookstore and talks about her grandmother reassembling Indigenous bones she found on her land and winning a blue ribbon for it. She doesn’t understand why this is offensive to the Indigenous people she’s speaking with. To me the examples like this throughout the book demonstrate two types of white people who are hurtful to Indigenous people. The book is never preachy with these scenes. They come across as very realistic depictions of, unfortunately, regular interactions between Indigenous people and white people. If you yourself aren’t sure why these two types of interactions are hurtful, then I think this book would show you.

I wasn’t sure how I would feel reading a fictional book set during the first year of the pandemic. Overall, even though Tookie’s experiences and mine were different from each other (she was much older than me and had an essential worker, public facing job), I still found it realistic and relatable. The book never dwelled too much on any individual aspect of the pandemic but had scenes that were necessary reminders of how things were in the early days, like when Tookie goes to the grocery store to stock up just in case and ends up buying the best she can from what’s left, such as a tube of cookie dough. Similarly, Minneapolis was where George Floyd was killed and followed by the protests that spread throughout the country in 2020, and so this had to be a part of the book. At the start of the book it’s established that Tookie’s husband, Pollux, is who actually arrested her. By the time she was out of prison, he had left the tribal police force. But her household still must deal with the complex situation of having a previously incarcerated person and an ex-cop in the same household during this tumultuous time. There’s also the nice addition of Pollux’s niece, Hetta, living with them and, as a young person, being more involved in the protests. This thoughtful characterization allowed for multiple perspectives on the protests. For example, while there is support, there is also sadness and concern about the small businesses being impacted.

In spite of all that comes in the middle, the last part of the book deals mainly with Tookie’s relationship with Pollux and Tookie dealing with Flora’s ghost. This provides closure even while the reader knows the difficulties didn’t end in November 2020. In many ways I found this to be a story about relationships and reconciliation.

Overall, this is a strong piece of contemporary magical realism. If you’re ready to read a book featuring the pandemic while not being about the pandemic itself, this is a great place to begin.

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4 out of 5 stars

Length: 387 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

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Book Review: Long Story Short: 100 Classic Books in 3 Panels by Lisa Brown

Image of a book cover. A drawing of a woman at a table saying "Done!". To her right three drawings summarize Moby Dick. In the first, a man with a spyglass stands on a ship's deck. In the second, a white whale is in the foreground while a ship is in the background. In the third, the white whale is eating a man.

For English literature lovers who want to explain why they loved…or hated…a classic in one comic.

Summary:
100 pithy and skewering three-panel literary summaries, from curriculum classics like Don Quixote, Lord of the Flies, and Jane Eyre to modern favorites like Beloved, The Brief Wondrous Life of Oscar Wao, and Atonement, conveniently organized by subjects including “Love,” “Sex,” “Death,” and “Female Trouble.” 

Review:
I became interested in this book because the amazing website American Indians in Children’s Literature described the comic about Little House on the Prairie but when I checked out the link I found the comic gone and a prompt about the book. In fairness, it had been more than 12 years since that article was published so I’m not too surprised Lisa Brown got a book deal in the meantime. It came in quite quickly for me from the library, and I read it in less than 30 minutes.

Rather than being organized by time period, the classics are organized by topic like “Love” and “Death.” This is also an inclusive definition of classics including ancient literature like Beowulf to modern pieces like The Fault in Our Stars. I like her illustration style. It’s colorful and engaging. You can see examples of actual panels from the book on her website. (It doesn’t include the Little House one but it does include one of my other favorites from the book – Edgar Allan Poe.)

You might think this is a way to Sparknotes your way through 100 books. This is not the case. The comics that were the funniest and most meaningful were the ones for books I had read. The ones for pieces I hadn’t fell kind of flat for me. This is actually sort of like a collection of inside jokes from one reader to another, and in order for the inside joke to make sense, you have to have read the book in question. That said, a couple of the comics for books I had read fell flat for me because I felt like they missed the point of the book. For example, I felt like the comic summary of Their Eyes Were Watching God was a very poor summary of an absolutely amazing book. So my experience of the comics was kind of all over the place.

Overall, this is an interesting collection of short comics drawn in an engaging manner. Recommended to big readers who want a couple of inside joke style chuckles. It could also make a good gift to a big reader you know.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!

3 out of 5 stars

Length: 80 pages – novella

Source: Library

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Book Review: Never Ever Getting Back Together by Sophie Gonzales

Image of a digital book cover. Two white women stand on opposite sides of a staircase leading to a white man holding a rose behind his back. The art is cartoon style.

If you’ve ever wished that two of the women – any two of the women – on a reality tv dating show would just get with each other instead of pining over the questionable man they’re supposedly there for, this one is for you.

Summary:
It’s been two years since Maya’s ex-boyfriend cheated on her, and she still can’t escape him: his sister married the crown prince of a minor European country and he captured hearts as her charming younger brother. If the world only knew the real Jordy, the manipulative liar who broke Maya’s heart.

Skye Kaplan was always cautious with her heart until Jordy said all the right things and earned her trust. Now his face is all over the media and Skye is still wondering why he stopped calling.

When Maya and Skye are invited to star on the reality dating show Second-Chance Romance, they’re whisked away to a beautiful mansion—along with four more of Jordy’s exes— to compete for his affections while the whole world watches. Skye wonders if she and Jordy can recapture the spark she knows they had, but Maya has other plans: exposing Jordy and getting revenge. As they navigate the competition, Skye and Maya discover that their real happily ever after is nothing they could have scripted.

Review:
I’m revealing my age here, but in high school I definitely watched the very first season of The Bachelor (and a few of the following ones). I wasn’t yet out to myself, but even so found myself wondering why the women were such better catches than the man. Apparently, long after I stopped watching, in 2016 two of the women contestants got together with each other. But this happens far less frequently than one might imagine. In any case, when I saw the plot description for this book, let me tell you, I smashed the request button on NetGalley without paying too much attention beyond – two women on a reality tv dating show get together.

Beyond the reality tv show wrapping, this uses the enemies to lovers romance trope. I’ve historically avoided this trope because I had a hard time conceptualizing how I could root for someone to get together with someone they start off disliking strongly. This book showed me otherwise, though. Although it starts in Maya’s perspective in just a couple of chapters it shifts to Skye’s so it becomes easy to see how these two women have come to dislike each other based on a bad misunderstanding. So there’s not actually something enemy-worthy about either of them. That said, both of them are flawed (as are well all) but with the enemies to lovers they start out only seeing the flaws then start to see what’s great about each other. It makes for a really realistic depiction of a healthy relationship at the end, because it’s not all rose-colored glasses. Also, I really like how they move from enemies to women supporting women to women loving each other.

This book is also hysterically funny. I legitimately laughed out loud multiple times while reading it. Representation is decent. Two of the secondary characters are people of color, and one is gay. Both Skye and Maya are bisexual. Because Jordy hid his two-timing ways easily since his family moved all over the world, his exes are also international. Chalonne is funnily contrived in much the way Genovia from The Princess Diaries was. (Incidentally, this got me to wondering if European writers set books in fake countries in the Americas the way we seem to make up fake European monarchies. It seems like most of them that do exist are more of an alternate history where either fascism takes over or the colonies never won independence sort.)

There were three things I wasn’t so keen on in the book that held me back from five stars. First, I just didn’t feel like these characters were 18. They read as more like just out of college than just out of high school to me. It was easy for me to give that a pass, though, because I just headcanoned them older. Related to my mistaken belief that they were older when I started reading it, in the first scene, Maya is at a bar and not drinking. Oh nice! I thought. Representation of sobriety in a romance. But no. She was just under the drinking age in the US. As soon as she gets to Chalonne, where the drinking age is 18, she starts drinking. A lot. Just not wine because she thinks it’s icky. So that was disappointing to me. I also wish that the scene where she has too many vodka jello shots was more realistic. Binge drinking for people assigned female at birth is 4 drinks in one sitting. She has way more than that. She should have been very sick as opposed to having a mild hangover that passed by lunchish. I refuse to believe this reality tv show would have gone light on the vodka when we all know they like for contestants to get drunk. To be clear, while I personally would like to see more romances depicting sober people, I understand it’s realistic to show people drinking. But if we’re going to show them drinking and drinking too much in one night is a plot point, let’s be realistic about how much is too much for a person in a body assigned female at birth. Last, while I get it that Jordy needs to be the bad guy, he’s such a bad guy that I struggled to understand how all these nice women fell for him at all to begin with. I understand from Maya’s perspective he’s gross for valid non-physical reasons (the cheating, the lying, etc…) but we do have the chance to see Skye’s perspective as well, and it’s not clear to me from hers what she sees in him either. Maybe even if just in one of the first scenes where Jordy takes his shirt off Maya found herself attracted to him in spite of knowing his douchey ways, that would have helped me to understand. But she even seems to be turned off by his looks. It left me scratching my head a bit.

Overall, this book was a breath of fresh air, featuring two women bisexual leads who fall for each other surrounded by a very humorous reality tv setting. While some of that setting was a bit difficult to believe, the enemies to lovers plot was so enjoyable that it was easy enough to just focus on them.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!

4 out of 5 stars

Length: 384 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)