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Book Review: The Walking Dead, Book Five by Robert Kirkman (Series, #5) (Graphic Novel)
Summary:
After the slaughter at the prison, Carl and Rick are alone in the open, keeping a constant vigil against the walking dead. They are not alone for long, though, quickly finding Michonne and the other survivors. Soon yet another group of strangers stumbles upon them. These ones, though, claim that one among them is a scientist who knows how the whole plague started, and they’re heading to DC to put a stop to it.
Review:
This entry in the series could easily be called, “The survivors start losing their damn minds.” Not that you can blame them, what with the constant deaths, being surrounded by zombies, and disturbingly frequent loss of limbs. (Seriously. If I’m ever in a zombie apocalypse, I’m wearing chain mail. The amount of limbs lost is starting to freak me out).
Basically, almost everyone in the group is starting to show symptoms of post-traumatic stress disorder, in spite of still being in the middle of trauma. I applaud Kirkman for being realistic and including the whole going crazy bit in the storyline. Too often in these sort of post-apocalyptic stories the people all show this unrealistic super-human strength. Having people talking to their dead relatives, people trying to commit suicide, people pretending like some of the dead never existed, and kids becoming surprisingly cool-headed about killing are all realistic outcomes of a hypothetical scenario. The character development at this point is basically the kids are turning cold and the adults are losing their shit.
Meanwhile, the plot has the much needed addition, finally, of a scientist. We are being teased by a possible reason for the zombies, after finally accepting there isn’t one, and it’s awesome.
Speaking of the zombies, this book finally delivers what we haven’t really seen since book one–a zombie herd. A horde of hundreds and hundreds of flesh-eating zombies. So much gore to look at. And each one is unique in its own way. This is why zombie graphic novels are *fun*.
In spite of the character development and propelling of the plot forward, this entry does not have the power of the last one. It’s hard to compete against The Governor and the loss of key characters, of course. This book felt like the classic setting the stage for the next big event syndrome often found in series. It’s fun, not mind-blowing, but necessary.
4 out of 5 stars
Source: Public Library
Previous Books in Series:
The Walking Dead, Book One
The Walking Dead, Book Two
The Walking Dead, Book Three
The Walking Dead, Book Four
Movie Review: Martha Marcy May Marlene (2011)
Summary:
Martha calls her sister to come get her from the Catskills. She’s been missing for two years. Over the course of the next two weeks, her behavior becomes increasingly abnormal in ways her sister cannot understand, while the audience sees flashbacks to where Martha was for the previous two years–living in an abusive cult.
Review:
This is the best representation of PTSD I’ve seen on film to date. Martha’s outbursts of violence, sobbing, and even loss of bladder control seem completely out of the blue to her sister and brother-in-law, but she and audience can clearly see what minor things brought them on. Anything from a pine cone falling on the roof to a spoon clanking against a glass to a hand placed in just the wrong place on her body can set her off.
The audience is left with many gaping holes and unanswered questions in the plot line, but this is one of the rare instances where that works. We are seeing things through Martha’s eyes in the bits and pieces typical of someone with PTSD. The film is more about giving us a sense of what it is to be Martha than telling us the story. It is a character study through and through.
The filmography feels documentary style instead of film style. It is gritty and sometimes shaky. This sets the appropriate tone for the film.
The acting is what seals the deal for this film though. Everyone is excellent, but Elizabeth Olson is superb. She *is* Martha Marcy May. She acts from the top of her head to the tips of her toes. I hope she continues to make wise movie role choices, because she could have a major acting career ahead of her.
The one drawback to the film is the ambiguous, sudden ending. I get it that the director was trying to help the audience feel the paranoia Martha feels, but the ending was so jarring that it drew away power from the rest of the film.
Overall, this is a serious, powerful look at PTSD through the eyes of a sufferer. I highly recommend it.
4 out of 5 stars
Source: Movie Theater
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This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
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