A canny young woman is struggling to survive by perpetrating various levels of mostly harmless fraud. On a rainy April morning, she is reading auras at Spiritual Palms when Susan Burke walks in. A keen observer of human behavior, our unnamed narrator immediately diagnoses beautiful, rich Susan as an unhappy woman eager to give her lovely life a drama injection. However, when the “psychic” visits the eerie Victorian home that has been the source of Susan’s terror and grief, she realizes she may not have to pretend to believe in ghosts anymore. Miles, Susan’s teenage stepson, doesn’t help matters with his disturbing manner and grisly imagination. The three are soon locked in a chilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it.
I’m not a huge short story person but I generally really enjoy Flynn’s writing so I decided to pick this up anyway. Flynn surprised me by excelling at the short story. I think part of why I struggle with wanting to read short fiction is because so much of it is done poorly. This isn’t. It’s the perfect tale for the length, tightly told, with surprisingly real characters drawn in such a short amount of time.
The first paragraph struck me like a female Palahniuk (that’s a complement) and drew me in immediately. Every time I thought the story was taking a turn for the cliche, Flynn surprised me by twisting it away in another direction. It’s not easy to take a style you usually write in full novel length and transform it into short fiction, but she does it well. I would gladly read more Flynn short fiction, although I admit to selfishly hoping for more full-length novels so I get to spend more time in the story she creates next.
5 out of 5 stars
On a night flight from London to Boston, Ted Severson meets the mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing intimate details about themselves. Ted talks about his marriage and his wife Miranda, who he’s sure is cheating on him. But their game turns dark when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.”
You know from that description that this is going to be a thriller. I was fairly certain it would be in the vein of Gone Girl, and it certainly was.
This book takes you on a delightful rollercoaster of emotions. It’s hard to determine precisely who to root for because they’re all just so darn despicable. In a way, you’re kind of glad that they’re taking things into their own hands amongst themselves because then society won’t be burdened by dealing with it ourselves. On the other hand, there’s certainly an aspect of “look how off the rails things get when we let just any individual decide who deserves what.” That said it’s never heavy-handed. It has more of a delightful sneaky glance into disastrous lives ala a murdery Lifetime movie.
The plot is kept moving forward and twisty and full of surprises partially through alternate viewpoints (more than two). This is a technique I really enjoy when done well, and it was done quite well here. The transitions felt smooth and natural. Never cheap.
I also must say as a New England local that the author got both the logistics and the vibe of multiple New England locations right, everywhere from the ritziest Boston neighborhoods to central Massachusetts towns to rural Maine. If you want a true sense of the area and can handle some murder, definitely pick this up.
I’m not sure how I feel about how the book ended, which is what kept me from loving it. I knew where it was going by about two-thirds of the way through, and I just don’t think it was as smooth as the rest of the book. That said, I do think it ended at the right point in time (with the particular plot it was telling). It left me perfectly satisfied, unlike quite a few thrillers lately.
If you’re still looking for a quick Halloween read, pick this one up. It’ll keep you up and on the edge of your seat waiting to see who comes out on top.
4 out of 5 stars
On the Beach
By: Nevil Shute
After a nuclear World War III has destroyed most of the globe, the few remaining survivors in southern Australia await the radioactive cloud that is heading their way and bringing certain death to everyone in its path.
Surely someone in
The last surviving nation
Would have kinky sex?
3 out of 5 stars
By: Justin Kramon
Finny’s relationships with Earl and Judith open her up to dizzying possibilities of love and loss and propel her into a remarkable adventure spanning twenty years and two continents.
Selfish male artists are top!
Unlike all things femme.
2 out of 5 stars
By: Siobahn Vivian
It happens every year. A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn’t matter. The damage is done the minute it goes up.
Could’ve been a series,
Instead squished eight tales in one.
Outline with no depth.
3 out of 5 stars
Generations ago, humans fled to the cosmic anomaly known as Grass. But before humanity arrived, another species had already claimed Grass for its own. It too had developed a culture……
Now a deadly plague is spreading across the stars, leaving no planet untouched, save for Grass. But the secret of the planet’s immunity hides a truth so shattering it could mean the end of life itself.
I wanted to say “I’m sure this was super progressive when it was first published” but actually it was first published in 1989 so….actually not so much. I think if I read this in print I might have flown through it faster and not noticed how kind of all-over-the-place it was but actually…it’s kind of all-over-the-place.
First there’s the weird backwards planet that for some reason has decided to revert to medieval European ways of being in spite of being settled at some point in the future when people figured out how to travel through space and colonize planets. Then we jump back to planet Earth which has been taken over by both Catholicism and some weird new religion that I still haven’t figured out but that seems to believe in saving the soul to computers? But also has forced monk servitude?
So some Catholics go to Grass (the medieval planet) because some evil flesh-eating plague is spreading all over the galaxy and Grass is the only place that doesn’t have it. Somehow Grass is blissfully unaware of the impending plague. The Catholic family consists of the mom who used to work helping people who didn’t obey the two child mandate, the father and his mistress, and their two teenagers (one boy and one girl and the girl is of course super sullen).
Then we have a long diatribe about this weird Fox Hunt the Grassians do using entirely alien species. Riding the aliens gives the women orgasms, and this is dangerous. I couldn’t help but feel like the author had some huge problem with horseback riding, and what is with that in scifi? HORSES ARE GREAT, SCIFI WRITERS. STOP WRITING THIS PLOT. Anyway so then somehow this plot of maybe the alien Fox Hunt is saving the Grassians from the plague takes a super weird religious turn involving morals and ethics and what are the aliens actually and the Catholic lady has some weird religious dream after she whacks her head and the aliens start attacking the humans and somehow they find a scientist/doctor person in the midst of all this who can help them with the cure yadda yadda. See? All over the place.
Ultimately it’s realized that this whole thing was basically Catholic lady’s mid-life crisis, and she finally comes into her own as a result of the whole thing and wow. I just kept thinking….who is so out-of-touch with themselves that it takes this whole huge interplanetary incident to sort your shit out? In the end I sort of felt like this is the book version of that random old lady you meet on the bus who talks to you through your headphones to tell you her “tragic” life story and you sit there nodding because you think she might be just a bit coo-coo and well her story is all-over-the-place but at least it’s moderately interesting and then at the end you realize her life has been awful because she is awful.
So…..if you’re a person who didn’t sort your shit out until mid-life and you have a lot of empathy for people who claim to be trapped by their own damn choices then you’ll probably enjoy this book. Also if you have some weird problem with horseback riding you’ll probably enjoy this book.
Why three stars? Because while I found it annoying and disappointing the plot was at least interesting, it was well-written on the readability level, and it was an audiobook but I read the whole thing, so I think that’s saying something.
3 out of 5 stars
Maguire is bad luck.
No matter how many charms she buys off the internet or good luck rituals she performs each morning, horrible things happen when Maguire is around. Like that time the rollercoaster jumped off its tracks. Or the time the house next door caught on fire. Or that time her brother, father, and uncle were all killed in a car crash—and Maguire walked away with barely a scratch.
It’s safest for Maguire to hide out in her room, where she can cause less damage and avoid meeting new people who she could hurt. But then she meets Jordy, an aspiring tennis star. Jordy is confident, talented, and lucky, and he’s convinced he can help Maguire break her unlucky streak. Maguire knows that the best thing she can do for Jordy is to stay away. But it turns out staying away is harder than she thought.
I picked this up because I heard it featured mental illness in a realistic manner, and I think that’s something that’s important, particularly in YA. I was not disappointed.
Maguire has a form of Obsessive-Compulsive Disorder (OCD) that developed in response to trauma. She’s been around when some very bad things happened, and her survivor’s guilt has kind of gotten out of control. The reader meets Maguire initially through her therapy session, where she is definitely a sullen teenager. Maguire’s approach to her mental illness is one of the more realistic parts of the book. She at first very firmly believes that everyone else is crazy in refusing to acknowledge her “bad luck.” But slowly with the help of her therapist she comes to see that maybe it’s all in how she’s perceiving the random universe, and that her magical thinking won’t really fix anything.
While I didn’t think having a love interest was necessary (why couldn’t it be a friend for once), I get why Jordy was included and I liked him beyond the love interest part. Jordy’s existence shows that therapy can be useful for things beyond more serious mental illnesses, such as relearning coping mechanisms or dealing with issues in your family. I also appreciated that for once there wasn’t a love triangle.
I did think the writing was a little bit too simplistic for the audience, and I also thought that sometimes the descriptions were rocky. Some sentences read early first draft with the list of descriptors that are then repeated every time characters show up again. But I also think that YA readers who aren’t used to seeing themselves (or their loved ones) in literature will be so enthralled by Maguire and her realistic therapy assignments and issues that they will quickly gloss over that.
Recommended to fans to contemporary YA lit looking for a realistic mental illness depiction.
4 out of 5 stars