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Book Review: American Jezebel: The Uncommon Life of Anne Hutchinson, the Woman Who Defied the Puritans by Eve LaPlante
Summary:
Anne Hutchinson, a forty-six- year-old midwife who was pregnant with her sixteenth child, stood before forty male judges of the Massachusetts General Court, charged with heresy and sedition. In a time when women could not vote, hold public office, or teach outside the home, the charismatic Hutchinson wielded remarkable political power. Her unconventional ideas had attracted a following of prominent citizens eager for social reform. Hutchinson defended herself brilliantly, but the judges, faced with a perceived threat to public order, banished her for behaving in a manner “not comely for [her] sex.”
Review:
I love US History. I have a degree in it, and I particularly enjoy reading about women in US History. I remembered studying a bit about Anne Hutchinson in some of my coursework, so when I saw this book going more in-depth into her life in a used book basement, I picked it up. I ultimately was disappointed to find a book that somehow managed to make reading about a woman with such an interesting life boring.
Anne Hutchinson was what I like to think of as a quiet rebel. She did things like hide the birth of a grotesquely malformed stillborn so that the mother wouldn’t be judged by the community as somehow entangled with Satan or being punished by God. She led Bible studies/prayer meetings in her home, and these groups she led didn’t consist of just women. Men sought her out for advice and knowledge in these groups in a culture where women were only supposed to advise other women. Most fascinating to me was the dynamic between her and her husband. He clearly loved her and gave her basically the reins over their lives. He was known as a quiet person and happily stepped back and let her make the noise. When she was banished, instead of complaining, he just packed up and moved with her to Rhode Island. It’s not that I think that’s the ideal marriage but I do think it went directly against the gender norms of the time, and they were both brave for being true to themselves and what worked best for their own relationship.
However, the writing in this book somehow managed to take such an interesting woman and bore me to tears. I dreaded picking up this book. I eagerly anticipated when the author would quote primary texts because they were exponentially more interesting than her own. The other issue I had with the book was that the author is a descendant of Hutchinson and clearly lets this bias her own perception of Hutchinson the historic situation. On top of this, there’s a lot of talk about genealogy (far too much for my taste), and sections read like someone writing a family history for their own family, not for public consumption. I understand being interested in someone you are descended from, but who you are descended from doesn’t automatically make you a cooler person. People who are proud of themselves because of who they happen to be descended from infuriate me to no end. Do something worthy of being proud of yourself. Don’t rest on your ancestor’s laurels.
Overall, while the historic facts are accurate and Anne Hutchinson herself is an interesting historical figure who deserves to be talked about, the writing of this book is boring and it is colored by the author’s obsession with being descended from Hutchinson. Readers interested in Hutchinson should consider looking elsewhere, perhaps starting with Unafraid: A Life of Anne Hutchinson, which is available in its entirety thanks to Hathi Trust Digital Library.
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3 out of 5 stars
Length: 312 pages – average but on the longer side
Source: Brookline Booksmith
Buy It (Amazon or Bookshop.org)
Counts For:
Bottom of TBR Pile Challenge
Announcement: I Am Open to Review Requests Now Through December 30th for Review in 2016
I am happy to announce that as of now I am open to review requests for books to be reviewed in 2016!!!
Now through December 30th, feel free to fill out the submission form if you are interested in being reviewed right here on Opinions of a Wolf at some point during 2016.
Here’s how it’s going to work:
- You lovely indie authors and indie publishers read my review policies to determine if your book is a good match for me.
- If it is, fill out the submission form. I do NOT accept submissions via comments or emails.
- Between December 1st and 30th, I go over the submissions and determine which ones I will accept. The number I accept will depend upon both the number that interest me, and the number I feel comfortable committing my time to in 2016.
- I send out acceptance emails to all the accepted authors/publishers anytime between December 1st and January 8th.
- By January 15th, accepted authors/publishers reply to this email either with a copy of the ebook or confirmation that they have sent out the print book to me. If I do not hear back from accepted authors/publishers by January 15th, the review acceptance will be rescinded.
- By January 31st, I will write a post right here announcing the books I have accepted for review. This means that if you are accepted for review, you have the potential for three instances of publicity: 1) the announcement 2) the review 3) a giveaway (if you request one AND your book receives 3 stars or more in the review). You may view 2015’s announcement post here. I highly recommend checking it out, as it reveals some interesting data on genres that have many versus few submissions.
I would like to note that I strongly encourage women writers and GLBTQA writers to submit to me, particularly in genres that do not normally publish works by these authors. I was quite disappointed last year to get only 38% of my submissions from female authors. I would like to get at least 50% of my submissions from women authors. Although I received 14% of my submissions from authors who self-identified as GLBTQA, I would like to see this grow to at least 25%. Please help me get the word out that I am actively seeking works by these authors.
If you are interested in the full breakdown of submissions I received last year and what was ultimately accepted, check out my 2015 accepted review copies post.
Thank you for your interest in submitting your books to Opinions of a Wolf! I’m looking forward to reading through all of the submissions, and I can’t wait to see what review copies I’ll be reading in 2016!
Book Review: Fudoki by Kij Johnson (Bottom of TBR Pile Challenge)
Summary:
An aging empress decides to fill her empty notebooks before she must get rid of them along with all of her belongings to retire to the convent, as is expected of her. She ends up telling the story of Kagaya-hime, a tortoiseshell cat who loses her cat family in a fire and is turned into a woman by the kami, the god of the road.
Review:
I’m not usually big into fantasy, particularly not ones involving court life, but I am a real sucker for any story involving cats, especially if that cat is a tortoiseshell, since I’m the proud kitty mommy of a talkative tortie. This book didn’t just not disappoint me, it blew me away with two side-by-side, related by different, thoughtful tales.
I had no idea when I picked up the book that the empress would figure into the story quite so much. At first I was a bit irritated that she was a) getting 40% to 50% of the storytime and b) rambling off from one thought to another like elderly people tend to do. But I stayed patient, and I learned that there was more to the empress than met the eye and also that the two stories were actually informing each other. Kagaya-hime’s story shows everything the empress had secretly wished for her whole life, and the empress’s life translated into how Kagaya-hime felt trapped in her human body. It’s artfully done in a subtle way, which is part of what makes it so beautiful.
Kagaya-hime goes from a sad lost kitty with burned paws to a warrior woman, allowed along on a quest for revenge by a moderately elite rural family. She is able to earn respect from the men as a warrior because as a cat she sees no reason not to hunt or defend herself. She is a woman but no one ever took her claws away (though they may be arrows and knives now, instead of claws). Thinking of her is empowering to the empress, who always had an interest in war and politics but was forced to remain literally behind screens in gorgeous gowns that are hard to move in. It’s interesting to note that while the empress may be jealous of Kagaya-hime’s ability to do what she wants and defend herself, Kagaya-hime herself is unhappy because she simply wishes to be a cat again. It is the conclusion to Kagaya-hime’s story that allows the empress to see a conclusion to her own story (her life) that will ultimately make her feel fulfilled.
The details of ancient Japan were clearly meticulously researched. Johnson smoothly writes about the outfits, land, and battles as if she was there for them herself. The information never comes through as an info dump but instead is something that simply is, that the reader learns about naturally just by venturing into Kagaya-hime and the empress’ world. This is what knowing your history inside and out before starting writing does for historic fiction. It makes history come to life.
Overall, this is a stunning piece of historic fiction the reading of which feels like slowly sipping a well-made matcha latte. Fans of historic fiction of all sorts will be engaged, those that love cats will be enthralled, and those with an interest in women’s history will be enamored and touched by how much things change and yet still stay the same for women. Recommended to all who think they might even possibly be interested in a piece of historic fiction set in Japan featuring an aging empress and a shape-changing cat.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
5 out of 5 stars
Length: 316 pages – average but on the longer side
Source: Better World Books
Book Review: Eighty Days: Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World by Matthew Goodman
Summary:
In 1889, the world was obsessed with Jules Verne’s fictional work Around the World in 80 Days. So when Nellie Bly, a human rights crusading female reporter in New York City, suggested taking a shp to Europe in first class then coming back in steerage, she was surprised to get a counter-offer: try to beat the fictional Fogg’s record for traveling around the world. When The Cosmopolitan magazine heard about it, they sent their own female reporter, Elizabeth Bisland, on a trip trying to beat her. Only she left a day later and would go the opposite direction. Bly would travel east to west (Europe first), Bisland would travel west to east (continental US first). The women weren’t just taking different routes around the world, they had quite different backgrounds and personalities. Bly overcame a northern, working-class background to break into newspapers and crusaded for the less-fortunate whenever the paper would allow her to. Bisland was the daughter of a plantation owner. Raised in southern gentility and with an intense interest in everything British. She wrote a literary column for The Cosmopolitan. One of these women would win the race, but would either beat the fictional Phineas Fogg?
Review:
With my interest in women’s history, I was surprised when I saw this title on Netgalley that I had never heard of this race around the world, although I had heard of Nellie Bly, due to her investigative report into Bellevue Hospital (a mental institution). I knew I had to request it, and I’m quite glad I got a review copy. Goodman tells not just the story of these two women but also immerses the reader into the newly global world of the late 1890s, both the good and the bad.
Goodman starts the book by introducing us to the two women who will race around the world. He does an excellent job using primary source materials to give us both how others saw these women and how they saw themselves. For instance, in describing Elizabeth Bisland, Goodman writes:
One of her admirers, the writer Lafcadio Hearn, whom she had befriended in New Orleans, called her “a sort of goddess” and likened her conversation to hashish, leaving him disoriented for hours afterward. Another said, about talking with her, that he felt as if he were playing with “a beautiful dangerous leopard,” which he loved for not biting him. (loc 241)
While introducing the women, Goodman also talks at length about the role of women in journalism in the late 1800s and how hard it was for them to break into real reporting. Jumping off from Bisland and Bly, describes how women were blocked from many journalism positions with excuses such as that the newsroom needed to be free to swear and not worry about a lady’s sensibilities. Women were often barred to what was deemed the ladylike journalism of the society pages. The hardest part of being a hardhitting female journalist at the time wasn’t the actual reporting but instead the reception of women in the newsroom.
The successful female journalist, McDonald suggested, should be composed of “one part nerve and two parts India rubber.” (loc 465)
Bisland and Bly and their race came at the beginning of having women journalists do some form of stunt journalism, which is how they started to break into hardhitting journalism. Editors and owners discovered that readers enjoyed reading about women in stunt situations, such as learning how to stunt ride a horse, so this was their way in. Thus, even if the reader dislikes the personalities of either or both of the racers, they come away with some level of respect for them both breaking into the business.
From here, Goodman starts following the women on their race around the world. He takes the different legs of their journeys as a jumping-off point to discuss something historically relevant to that portion of the journey. For instance, during Bly’s trip on the ocean liner to Europe, he discusses how the steamships worked, from the technical aspects of the steam to the class aspects of first class down to steerage. During Bisland’s railroad trip across the United States, he discusses the railroad barons and the building of the transcontinental railroad. Thus, the reader is getting both the story of the race and historical context. It’s a wonderful way to learn, as the historical explanations flesh out the settings around and expectations of the women, and the women lend a sense of realness to the historical situations and settings being described.
After the completion of the trip (and, no, I won’t tell you who won), Goodman explores the impact of the trip on the women’s lives and follows the rest of their lives to their deaths. This part may feel a bit long and irrelevant to some readers, however often when people become famous for doing something, no one talks about the long-lasting impact of that fame or what the rest of their lives are like. Seeing how both women reacted to the trip, their careers, and others puts them in a more complete light, giving the reader a complete picture of what the race did in their lives. This complete picture of both of their lives is something I really appreciated and that also demonstrated that one shouldn’t judge people too fast. They and their lives may turn out differently than you expect at first.
What would have made me love the book is if I had come away feeling like I could respect or look up to either woman. Unfortunately, by the time I heard the full story of both of their lives, I found them both to be so deeply flawed that I couldn’t do that. I respect them for breaking into the newspaper business, and perhaps if I was a journalist myself that would be enough to make me look up to them. But each had a fatal flaw that made this not be a book about two role models but instead a book about two women. There’s nothing wrong with that, but it does keep it from being a book I would return to over and over again.
Overall, Goodman does an excellent job using the true story of two female journalists’ race around the world in 1889 to 1890 to build a solid picture of the increasingly global world of that time. The reader will come away both with having learned an incredible true story and details about the 1800s they might not have known before, told in a delightfully compelling manner. Some readers might be a bit bothered by how flawed the two women journalists are or by the fact that the book goes on past the race to tell about the end of their lives in detail. However, these are minor things that do not distract too much from the literary qualities of this historical nonfiction. Recommended to those interested in an easy-to-read, engaging historical nonfiction book focusing in on women’s history. Particularly recommended to modern, women journalists.
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4 out of 5 stars
Length: 480 pages – chunkster
Source: Netgalley
Book Review: To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War by Tera W. Hunter (The Real Help Reading Project)
Summary:
Hunter examines the lives of southern black women, particularly southern domestic workers, by narrowing her focus in on the development of the city of Atlanta after the Civil War. Since many ex-slaves moved to Atlanta and then migrated again north during the Great Migration decades later, this makes for an excellent focal point for the topic. By examining black women’s lives in Atlanta both in and out of their employer’s homes, she is able to dissect the roles of race, class, and gender in the elite’s attempts to maintain dominance in America.
Review:
I’ve said throughout the project that the nonfiction books have come up a bit short for me. Although they’ve contained valuable information, they haven’t been the most readable. Nonfiction can tell a story too, and Hunter does exactly that. She explores so much more than just the women’s lives in relation to their employers. Atlanta truly comes to life as we see the women commute to work via bicycle so as to avoid racist trolley lines and kick up their heels on the interracial Decatur Street after dark. We also get to see the empowering role of secret societies in black women’s lives, as well as reclamation of performing in black face and the terrifying resurgence of the Ku Klux Klan. It is impossible not to be moved and outraged by the tale of these women’s struggles. The book addresses three issues: classism, racism, and sexism.
In spite of Americans being told repeatedly that the American Dream is available to all if you work hard enough, Hunter quickly shows how the poor are fighting a losing battle and on top of it are demonized by the wealthy. For instance, the use of debt to keep the poor enslaved:
Poor women often borrowed money in meager amounts, less than one dollar at a time, amassed running accounts for several months or years, and repaid ever-accumulating interest in small installments. Many moneylenders were usurious. It was common for borrowers to pay 250 to 3500 percent interest on small sums, which exacerbated poverty with interminable debt. Fannie Holman, a washerwoman, borrowed between $60 and $90 over a two- or three-year period. Though she would repay over $1,000, the creditor applied it to defray the interest but not the principal of the loan. (page 134)
Similarly, upper class employers’ attempts to control every aspect of their employee’s lives, claiming a right over their bodies:
Dance halls were a menace, declared Proctor, because “the servant class tried to work all day and dance all night.” He warned employers that household laborers would not perform well if they used their leisure unproductively—dancing instead of resting in preparation for the next day of work. (page 179)
Hunter via maps and clear explanations demonstrates how the wealthy acquired the highest land in Atlanta most conveniently near shopping and such, while the poor and blacks were forced into the lowest land that, in addition, sewage was dumped into. These conditions combined with the poor housing provided by slumlords made a perfect scenario for disease, and yet the poor were blamed for the outbreak of tuberculosis in the city and even accused of exposing wealthy whites to it:
Tuberculosis signified more than a purely physiological condition. The disease became a medium for “framing” tensions in labor and race relations, with the rhetoric cloaked in scientific and medical legitimacy. (page 187)
Of course, the fact that black workers were poor was no coincidence. The entire city conspired since the Civil War to make black Americans poor and keep them that way. The wealthy whites, and in a lot of cases the poor whites, wanted black people out of sight and out of mind unless they were actively in service to them
Jim Crow and domestic labor thus represented contradictory desires among urban whites striving to distance themselves from an “inferior race,” but dependent on the very same people they despised to perform the most intimate labor in their homes. (page 105)
Segregation was not a system imposed entirely from above; it also helped to advance the interests of white workers, who were able to gain status from their position in the social hierarchy above all blacks. (page 119)
Jim Crow parks were designed not simply to put white urbanites closer to nature, but also to give them moments of reprieve and distance from blacks in order to channel racial friction in “wholesome” directions. (page 147)
Of course, on top of having their fight for the right over their own bodies and lives depicted by the ruling white class as them being uppity servants and uppity blacks, women had the additional injustice of having their femininity and womanhood called into question.
Like the defiant women in Galveston, strikers in Atlanta showed little attachment to prevailing middle-class conventions of femininity. As they did on other occasions, working-class women used street fights to settle disputes that jeopardized their unity and engaged in militant resistance. (page 89)
The moral implications of women consuming intoxicating substances troubled many middle-class blacks and whites. Women not only evaded laws prohibiting them from entering saloons, they frequented bar room “annexes,” they drank alcohol in alleys and streets, and they sold beer from their homes. (page 165)
I usually don’t quote this much, but the whole book is just so good. The three-way injustices faced by black working class women is palpable throughout. Facing one alone would be daunting enough, but facing three feels terrifyingly insurmountable even just reading about it, let alone living it. And yet some black domestic workers did pull through in spite of the odds and do great things. Women like Carrie Steele.
Former slave Carrie Steele, a stewardess and cook at the train station, volunteered her time as a probation officer for children in trouble with the law. This experience and her childhood as an orphan inspired her to start an orphanage in 1890. She believed that many of the children she came in contact with had fallen on hard times because they had no families to take care of them. Steele raised money to purchase four acres of land and the orphans’ first home by selling her own house, writing and selling her autobiography, and soliciting funds from generous individuals, black and white. By 1898 the Steele orphanage consisted of a brick building, hospital, and schoolhouse, and more than two hundred children had passed through its portals since its founding. (page 142)
Inspirational. Humbling. Awe-inspiring. Words that describe both Carrie Steele’s life and the book as a whole. Read it.
Source: Public Library
Discussion Questions:
- Why do you think Decatur Street was allowed to continue in spite of being the only known location in Atlanta where the races mingled?
- Hunter values the dance halls for the role of letting off steam and embracing black culture they played in black Americans’ lives. How do you feel about them?
- In spite of viewing black Americans as “unclean,” white Atlantans persisted in sending their laundry out to black homes to be washed. Why do you think people were able to hold onto such illogical dichotomies?
- Given the depiction of of everything stacked against them, do you view drug dealers, bootleggers, prostitutes, etc… differently now than you did before?
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!