Archive
2017’s Accepted Review Copies!
Here on Opinions of a Wolf, I accept submissions of review copies via a form between February and December. The books I accept will then be reviewed the following year. So, the books accepted for review here in 2017 were submitted in 2016. You can view more about my review process here. You may view the accepted review copies post for 2014, 2015, and 2016 by clicking on the years. I view the submissions I receive as my own mini-bookstore of indie books. I browse the shelves and pick up however many spark my interest.
This year there were 60 submissions, and I accepted 2 books. This means books featured on this post only had a 3% chance of being accepted.
I actively pursue submissions from women and GLBTQA authors, as well as books with GLBTQA content.
Before getting to the accepted books, I like to show the demographics of books submitted to me. This helps those submitting this year for review in 2018 see what I had an overload of and where they might stand a better chance of getting accepted. It also allows for a lot of transparency of my review acceptance process.
Although there are still fewer women authors submitting to me than men, the proportion of women is up from last year’s 38.7%. I would really like it if this could hit at least 50/50 next year. Of the two books I accepted, one is by a woman author.
This went way down from last year’s 24.2%. I would very much appreciate any help getting the word out to LGBTQA authors that I’m actively seeking their submissions. Of the two books I accepted, one is by a GLBTQA author.
This also went down from last year’s 29%. One of my top three genres of books read last year was GLBTQA lit, so I obviously would hope for more of this in the future. Also of note: both of my accepted books have GLBTQA content.
The top three most frequently submitted genres were:
1) Fantasy (including urban) 31.7%
2) Horror 30%
3) Scifi 28.3%
Note that books fitting into multiple genres had all genres checked off on their submission. I actually didn’t accept any scifi or fantasy books so remember when submitting that the most frequently submitted genre doesn’t necessarily correlate to most likely to get accepted.
The review copies are listed below in alphabetical order by title. Summaries are pulled from GoodReads or Amazon. Both books will feature giveaways thanks to the author at the time of review. These books will be read and reviewed here in 2017, although what order they are read in is entirely up to my whim at the moment.
The Eighth Day Brotherhood
By: Alice M. Phillips
Genre: Historical Fiction, Horror, Mystery
Notable GLBTQA Content
Summary:
In Paris, 1888, the city prepares for the Exposition Universelle and the new Eiffel Tower swiftly rises on the bank of the Seine. One August morning, the sunrise reveals the embellished corpse of a young man suspended between the columns of the PanthEon, resembling a grotesque Icarus and marking the first in a macabre series of murders linked to Paris monuments. In the Latin Quarter, occult scholar Remy Sauvage is informed of his lover’s gruesome death and embarks upon his own investigation to avenge him by apprehending the cult known as the Eighth Day Brotherhood. At a nearby sanitarium, aspiring artist Claude Fournel becomes enamored with a mesmerist’s beautiful patient, Irish immigrant Margaret Finnegan. Resolved to steal her away from the asylum and obtain her for his muse, Claude only finds them both entwined in the Brotherhood’s apocalyptic plot combining magic, mythology, and murder.
Why I Accepted It:
It struck me as a queered up historical version of The DaVinci Code, and what’s not to like about that? Plus the excerpt was well-written.
Peacefully, In Her Sleep
By: Milo Bell
Genre: Mystery
Notable GLBTQA Content
Summary:
June Godfrey is a widowed crime writer living a well-ordered life in Barling, a village in Sussex, England. An anonymous letter, received by June’s friend Angela, reveals that the peacefulness of the quiet community may be illusory.
The letter’s author alleges that Angela’s aunt, Jacqueline Sims, was murdered. June is doubtful, yet when she begins a tentative investigation into the letter’s origins, she discovers that Jackie Sims was no sweet old lady. Jackie had been an unscrupulous blackmailer, and many could have wished her dead.
June uncovers startling secrets, and becomes entangled in the disappearance of an enigmatic teenaged girl. She crosses paths with the kindly, gentle Detective Inspector Guy Taverner, and when they join forces, they uncover a staggering and unexpected truth.
Why I Accepted It:
What struck me first was how well-written the excerpt was. When I saw that it’s a mystery set in an English village and had notable GLBTQA content, well, I had to read it.
Congratulations again to the accepted authors for 2017!
Interested in submitting for 2018? Find out how here.
Book Review and Giveaway: The Fair & Foul by Allie Potts (Series, #1)
Summary:
Juliane has a supercomputer for a brain and she isn’t afraid to use it. Perhaps she should be.
Juliane Faris is a brilliant programmer determined to change the world through scientific and technical advancement. Blinded by ambition, she will do whatever it takes to secure her legacy including agreeing to participate in an experimental procedure. The procedure grants her unprecedented knowledge and cellular control over her body but threatens everything she holds dear including her sanity. When others undergo the same modifications it becomes apparent that not everyone can afford the price that this technology demands.
Review:
This is my final accepted ARC of 2016 (well, there was one more, but the author never sent me the book). I thought what better last review of 2016 than a review and giveaway of my final 2016 ARC. I picked this up right before going on vacation, and I found it to be the perfect vacation read. Tightly paced with an interesting plot and memorable characters I found it easy to remember and relaxing to come back to between vacation activities.
This is scifi of the type where scientists do a thing and it turns out that thing might not be so great after all (but we’re not sure yet). I really enjoy this type of scifi but it’s often hard to find one where the main character (the main scientist) is a woman. I knew from the plot summary that a woman was supposed to be the main character but I admit to being concerned that she would wind up overshadowed by a secondary male character. These fears were unfounded, as Juliane (Dr. Faris) stayed at the center of the story at all times. It truly was her tale at all times.
Now, Juliane is flawed, but that’s as it should be. Just because a female scientist is successful doesn’t mean she’s perfect, and it fits within the genre for the main character to have deep-seated flaws. I appreciate how well-rounded Juliane was, even though I often disliked her as a person. There is an awareness of the times she is unlikeable, as well, as seen through secondary characters’ eyes and sometimes even her own self-awareness. This reassured me that they were intentional flaws and not being held up as something to strive for.
The plot was fun, putting a fiction twist on real scientific research. It takes time for some things to develop but this is well-handled with the story being split into three parts divided by time. For instance, one section detailing a scientific discovery then another 5 years later looking at its impact. The plot was well planned and managed to surprise me a few times without venturing into the realm of the ridiculous.
The only things holding me back from a 4 star rating were the dialogue and a few editing issues. The dialogue was primarily unrealistic and stiff. I do work in academia and know how scientists and researchers speak, and the way they do in this book is too stilted and formal. There were also some editing issues throughout the book, such as: using the wrong homonym, spelling errors, and words that were probably from a previous draft that no longer belonged in the sentence in the new draft. Neither of these slowed down my reading or ruined my enjoyment of the book but they did knock it down a bit. The book has a lot of good bones, and both of these are issues that could be easily addressed in the sequel, which I intend to read (I need to know what happens to Juliane!)
Overall, if you’re a scifi reader looking for fast-paced tale of scientists inventing something that could be more dangerous than they realize and would love to see that story told with a woman at the center, you should pick this book up.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 320 pages – average but on the longer side
Source: Kindle copy from author in exchange for honest review
Giveaway!
This giveaway is now over. Congrats to our winner!
There were 2 entries, one via blog comment and one via twitter, both by the same person, so she is our winner. Congrats to Katie of Doing Dewey!
Thanks to the generosity of the author, one lucky Opinions of a Wolf reader can win a copy of this ebook.
How to Enter:
- Leave a comment on this post stating what type of scifi story you’d like to see more women characters in.
- Copy/paste the following and tweet it from your public twitter. Retweets do not count:
Enter to win THE FAIR & FOUL by @alliepottswrites, hosted by @McNeilAuthor http://buff.ly/2htJ2XG #scifi #womenauthors #giveaway - Repost the Instagram giveaway announcement and tag my Instagram.
- Tag one of your friends on the Instagram giveaway announcement.
Each options gets you one entry. Multiple tweets/Instagram posts do not count as multiple entries.
Who Can Enter: International
Contest Ends: January 5th at midnight
Disclaimer: The winner will have their book sent to them by the author. The blogger is not responsible for sending the book. Void where prohibited by law.
Book Review: Blackout: Remembering the Things I Drank to Forget by Sarah Hepola (Audiobook narrated by Sarah Hepola)
Summary:
“It’s such a savage thing to lose your memory, but the crazy thing is, it doesn’t hurt one bit. A blackout doesn’t sting, or stab, or leave a scar when it robs you. Close your eyes and open them again. That’s what a blackout feels like.”
For years Sarah Hepola ignored her blackouts. She was a young woman with a successful writing career living in New York City. She was empowered, and part of embracing equality was drinking like one of the guys. But while littering her writing with references to drinking and laughing off her drunken escapades, she actually spent her daytimes cleaning up after her blackouts. Figuring out how she scraped up her knees or tracking down her purse. Eventually, she realized that drinking wasn’t making her the life of the party and one of the guys. It was stealing who she was, and it was time to get herself back.
Review:
I have a thing for addiction memoirs (and addiction documentaries….movies…tv shows…). But I have often found myself puzzled by the female drinking memoir. Often presented as a woman (usually a wife and mother) who appears to have it all and hides all of her drinking because women don’t drink. I’m sorry, but as a Millennial, that’s not the kind of drinking I’ve seen women in my generation partake in. Drinking was considered unladylike by generations even as recent as the one right before ours (that my brother is in). But in mine? What I often saw was women proving their coolness by keeping up with the guys. These women would never hide wine. They’d take shots and get praised for it. So when I saw this memoir talking about the impact on women of drinking like one of the guys; of how this equality of substance abuse is really impacting women, I had a sense it was going to be something good and insightful, and I was right.
Sarah Hepola shows the reader through a clear lens exactly how the different perceptions of women and alcohol impacted her drinking, and thus how they might impact other women. The book starts with some context of how young women are both encouraged by their peers to binge drink but then are also blamed by them when bad things happen to them when they are drunk. She then moves on to talking about her own childhood when she would steal sips of beer from open cans in the fridge, and how her parents never suspected she was sneaking beer because little girls wouldn’t do that. She then gradually brings us up through time and shows us how with drinking she was subconsciously trying to pursue both fitting in and equality. She drank to fit in and be cool in college. She drank with co-workers on her male-dominated first job to be one of the guys and get the same networking opportunities they got after work by going out for beers. She liked that it wasn’t necessarily feminine. She liked feeling strong and empowered.
By embracing something that is perceived of by the culture as hyper-masculine, like binge drinking, women are seeking to be taken seriously and viewed as equals. Women do this in other areas too. Just look at power suits or the short haircuts preferred by women in positions of power. Our culture devalues what is perceived of as feminine and elevates what is perceived of as masculine. There are many issues with this, which I can’t go into in a short book review, but what matters about this for women and alcohol is that women’s bodies just don’t biologically process alcohol the same way men’s bodies do. Sarah Hepola goes into this in quite some detail, but essentially, women get drunker faster on less alcohol than men do, which means women black out more easily, and blackouts are dangerous. They make anyone vulnerable, but they make women particularly vulnerable to things like date rape.
Sarah Hepola does a much more eloquent job in the book than I am doing here in the review of illuminating how gender and alcohol mix to make the modern alcoholic young woman. And the book doesn’t just detail the dramatics of her youthful drinking. She also goes into great detail about what it was like to stop. To find the empowerment of being completely in control again and not losing parts of herself and her life to blackouts. She talks about her sober life and how exciting it is, and she even talks about finding some spirituality. Most importantly to me, she discusses how women in western culture today are often told we are equal but are able to sense that things that are feminine are just not taken seriously. So they pursue the masculine to be taken more seriously and in some cases the masculine is simply not helpful. It is harmful. Sometimes, in cases like with binge drinking, it’s even more dangerous for women than for men. I believe the book offers some hope when Hepola talks about finding strength in her sober living and in her accomplishments at facing life as a single woman.
Those listening to the audiobook will be entranced by Hepola’s own voice telling the story. I couldn’t stop listening and listened every second I could. One of the more haunting moments of the audiobook is when toward the end Hepola introduces a tape recording she made as a teenager discussing a sexual encounter she had while drunk with a much older boy. Hearing the incredibly young voice of a woman already being drawn into the harmful world of addiction was heartbreaking to listen to and made me want to fix things, even though I wasn’t totally sure how.
This book left me realizing that the reality of women and alcohol has changed, and the cultural narrative needs to catch up with it. Women aren’t drinking in closets to dull their feminine mystique pain anymore. They’re drinking loud and proud because they want to be empowered and taken seriously and yes, even perceived of as cool. While we can talk about finding more positive ways of empowerment, I think it’s also important that we as a culture strive to stop putting innate positive value on the masculine and negative on the feminine. Things should be valued based on their impact on the world and not on the gender norm of who does it. And young women will stop feeling pressured to act like a man when men and women are equally valued. All of these things I am saying play into male drinking as well. If you think zero young men are binge drinking to be seen of as more of a man, you’re very wrong. We just see less of the immediate negative impact of male binge drinking because women black out so much more easily.
Hepola wrote a brave book that illuminates the issue of binge drinking among young women today. It’s both personal and with an eye to the culture as a whole, thinking beyond just the author herself. Readers will be haunted both by the voice of the young Sarah and by the thought of young women seeking to empower themselves actually making themselves more vulnerable. A key read for anyone who works with or cares about these younger generations of women.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
5 out of 5 stars
Length: 230 pages – average but on the longer side
Source: Audible
Counts For:
Illness(es) featured: Addictive Disorders
Announcement: I Am Open to Review Requests Now Through December 30th for Review in 2016
Hooray!!
I am happy to announce that as of now I am open to review requests for books to be reviewed in 2016!!!
Now through December 30th, feel free to fill out the submission form if you are interested in being reviewed right here on Opinions of a Wolf at some point during 2016.
Here’s how it’s going to work:
- You lovely indie authors and indie publishers read my review policies to determine if your book is a good match for me.
- If it is, fill out the submission form. I do NOT accept submissions via comments or emails.
- Between December 1st and 30th, I go over the submissions and determine which ones I will accept. The number I accept will depend upon both the number that interest me, and the number I feel comfortable committing my time to in 2016.
- I send out acceptance emails to all the accepted authors/publishers anytime between December 1st and January 8th.
- By January 15th, accepted authors/publishers reply to this email either with a copy of the ebook or confirmation that they have sent out the print book to me. If I do not hear back from accepted authors/publishers by January 15th, the review acceptance will be rescinded.
- By January 31st, I will write a post right here announcing the books I have accepted for review. This means that if you are accepted for review, you have the potential for three instances of publicity: 1) the announcement 2) the review 3) a giveaway (if you request one AND your book receives 3 stars or more in the review). You may view 2015’s announcement post here. I highly recommend checking it out, as it reveals some interesting data on genres that have many versus few submissions.
I would like to note that I strongly encourage women writers and GLBTQA writers to submit to me, particularly in genres that do not normally publish works by these authors. I was quite disappointed last year to get only 38% of my submissions from female authors. I would like to get at least 50% of my submissions from women authors. Although I received 14% of my submissions from authors who self-identified as GLBTQA, I would like to see this grow to at least 25%. Please help me get the word out that I am actively seeking works by these authors.
If you are interested in the full breakdown of submissions I received last year and what was ultimately accepted, check out my 2015 accepted review copies post.
Thank you for your interest in submitting your books to Opinions of a Wolf! I’m looking forward to reading through all of the submissions, and I can’t wait to see what review copies I’ll be reading in 2016!
Book Review: Eighty Days: Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World by Matthew Goodman
Summary:
In 1889, the world was obsessed with Jules Verne’s fictional work Around the World in 80 Days
Review:
With my interest in women’s history, I was surprised when I saw this title on Netgalley that I had never heard of this race around the world, although I had heard of Nellie Bly, due to her investigative report into Bellevue Hospital (a mental institution). I knew I had to request it, and I’m quite glad I got a review copy. Goodman tells not just the story of these two women but also immerses the reader into the newly global world of the late 1890s, both the good and the bad.
Goodman starts the book by introducing us to the two women who will race around the world. He does an excellent job using primary source materials to give us both how others saw these women and how they saw themselves. For instance, in describing Elizabeth Bisland, Goodman writes:
One of her admirers, the writer Lafcadio Hearn, whom she had befriended in New Orleans, called her “a sort of goddess” and likened her conversation to hashish, leaving him disoriented for hours afterward. Another said, about talking with her, that he felt as if he were playing with “a beautiful dangerous leopard,” which he loved for not biting him. (loc 241)
While introducing the women, Goodman also talks at length about the role of women in journalism in the late 1800s and how hard it was for them to break into real reporting. Jumping off from Bisland and Bly, describes how women were blocked from many journalism positions with excuses such as that the newsroom needed to be free to swear and not worry about a lady’s sensibilities. Women were often barred to what was deemed the ladylike journalism of the society pages. The hardest part of being a hardhitting female journalist at the time wasn’t the actual reporting but instead the reception of women in the newsroom.
The successful female journalist, McDonald suggested, should be composed of “one part nerve and two parts India rubber.” (loc 465)
Bisland and Bly and their race came at the beginning of having women journalists do some form of stunt journalism, which is how they started to break into hardhitting journalism. Editors and owners discovered that readers enjoyed reading about women in stunt situations, such as learning how to stunt ride a horse, so this was their way in. Thus, even if the reader dislikes the personalities of either or both of the racers, they come away with some level of respect for them both breaking into the business.
From here, Goodman starts following the women on their race around the world. He takes the different legs of their journeys as a jumping-off point to discuss something historically relevant to that portion of the journey. For instance, during Bly’s trip on the ocean liner to Europe, he discusses how the steamships worked, from the technical aspects of the steam to the class aspects of first class down to steerage. During Bisland’s railroad trip across the United States, he discusses the railroad barons and the building of the transcontinental railroad. Thus, the reader is getting both the story of the race and historical context. It’s a wonderful way to learn, as the historical explanations flesh out the settings around and expectations of the women, and the women lend a sense of realness to the historical situations and settings being described.
After the completion of the trip (and, no, I won’t tell you who won), Goodman explores the impact of the trip on the women’s lives and follows the rest of their lives to their deaths. This part may feel a bit long and irrelevant to some readers, however often when people become famous for doing something, no one talks about the long-lasting impact of that fame or what the rest of their lives are like. Seeing how both women reacted to the trip, their careers, and others puts them in a more complete light, giving the reader a complete picture of what the race did in their lives. This complete picture of both of their lives is something I really appreciated and that also demonstrated that one shouldn’t judge people too fast. They and their lives may turn out differently than you expect at first.
What would have made me love the book is if I had come away feeling like I could respect or look up to either woman. Unfortunately, by the time I heard the full story of both of their lives, I found them both to be so deeply flawed that I couldn’t do that. I respect them for breaking into the newspaper business, and perhaps if I was a journalist myself that would be enough to make me look up to them. But each had a fatal flaw that made this not be a book about two role models but instead a book about two women. There’s nothing wrong with that, but it does keep it from being a book I would return to over and over again.
Overall, Goodman does an excellent job using the true story of two female journalists’ race around the world in 1889 to 1890 to build a solid picture of the increasingly global world of that time. The reader will come away both with having learned an incredible true story and details about the 1800s they might not have known before, told in a delightfully compelling manner. Some readers might be a bit bothered by how flawed the two women journalists are or by the fact that the book goes on past the race to tell about the end of their lives in detail. However, these are minor things that do not distract too much from the literary qualities of this historical nonfiction. Recommended to those interested in an easy-to-read, engaging historical nonfiction book focusing in on women’s history. Particularly recommended to modern, women journalists.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
4 out of 5 stars
Length: 480 pages – chunkster
Source: Netgalley
Friday Fun! (On Health and Entitlement of Women’s Bodies)
Hello my lovely readers! Sorry for the relatively smaller amount of reviews this week. I’ve finished a few books, but didn’t have the time to write up the reviews yet. This just means next week will be full. 🙂
I have a relatively serious topic I want to talk about today. You guys know that I take health and the obesity epidemic seriously. One argument that I’ve heard a lot of unhealthy women make is that they put on a ton of weight to avoid men. They weren’t comfortable with the attention, etc… I remember thinking, when I, at the time, was overweight myself, “How bad could it really be?” Turns out…..pretty bad.
Over the last year, I’ve gone from a size 16 to a size 10. Over the last month, I’ve had more encounters with men who feel entitled to my body than I had over the entire two years I was overweight. I know correlation does not necessarily equal causation, but in some cases it does.
I’m a single lady. I date. I go places where single people hang out to try to meet new people. I do what single people in cities do. I dress attractively, because I WANT to, but also because I’ve worked damn HARD for this body, and I’m proud of my work. I’m not saying I’m Miss America, and I wouldn’t want to be, but I definitely look happy and healthy when I go out. Much more so than when I was overweight. I get hit on. I get asked on dates. This also happened when I was overweight. The difference, though, is that now when I dare to say the word no a much higher percentage of them get downright angry at me.
He’ll say something like, “Do you want to go on a date?” I say, “No, thank you.” He says, “WHY?! Think you’re too good for me?!” or “Well you shouldn’t dress that way if you don’t want attention” or “Please, you obviously need a good fucking.” (I am not exaggerating. These all have been spoken or texted or what have you to me).
Worse, though, is I’ll go on a first date. Usually dinner or drinks. I have a nice enough time, but I can tell we wouldn’t work long-term, and I want a relationship at this point in my life. He leans in for a kiss, and I turn my cheek or he asks me for a second date and I say no I don’t think it’ll work out. The reaction generally is, “You owe me, I bought you dinner!” or “How can you possibly know after only one date?!” or “Well, I thought you were ugly anyway.” (That last one, btw, makes zero sense since he ASKED ME OUT TO START WITH).
What really aggravates me about these interactions isn’t their disappointment that I said no. Obviously, that is flattering. What is bothersome is the evident sense of entitlement over MY BODY that they have. I’m pretty and single. They’re available and have a penis, ergo, I must want them or I’m a horrible woman. Since when did my body become the possession of every straight man in the greater Boston area?
Oh yeah, since I started glowing with health.
It’s draining. It’s enough to make me not want to go out some nights. It’s enough to make me want to stick my earbuds in in public and ignore everyone. Of course, I’m me, so I’m not going to do these things. I’m going to keep being my awesome self and feminist hulksmashing the douchebags (verbal smack-down, folks, not a physical one), but. If I didn’t have such a strong personality or had personal issues or WHATEVER I could totally see this being a thing that would make me stop working out, stop eating healthy, stop it all and just hide to protect myself.
Do you see where I’m going here? This misogynistic entitlement to women’s bodies is a poison to our whole society. A POISON. Every time you police a woman’s body or act entitled to her or watch it happen to a woman and not stand up for her, you are essentially watching the cook poison the food and then serve it to the dinner party without saying anything or trying to stop him. It hurts everyone, and it is not ok! It is just as bad as those cultures (that I know Americans judge) that say, “Women need to cover up because they tempt men.” Our cultural impetus is the opposite. “This woman is young and healthy and available ergo I deserve her body.”
No. You. Don’t.
I vow to say something any time I hear this attitude happening, and not just to me. I vow to encourage all women to remember that our bodies are ours and our health is about US and not about THEM. I hope you all will do the same.
Book Review: King of Paine by Larry Kahn
Summary:
Frank Paine was a Hollywood A-list leading man until he let the woman he loved deal with a BDSM scandal in the news on her own, thereby destroying her career and saving his. The guilt got to him, so he ended up leaving Hollywood and joining the FBI in an effort to bring justice to the world. His first case in the Rainbow Squad, however, involves not child rape or molestation but adult, BDSM style rape-by-proxy, and his ex-girlfriend is a suspect. Meanwhile, a former Pulitzer Prize winning journalist who’s been drowning his sorrows in alcohol finds himself swept up into the life of Angela del Rio and and discovering rumors of a place called The River.
Review:
I’m of two minds about this book. I felt the need to find out what happened in the end, but I also didn’t enjoy the meat of the story very much. It’s kind of like when you find yourself watching a marathon of The Biggest Loser and wondering why, exactly, it matters to you who gets voted off when the show get so many nutrition and exercise facts wrong and why exactly are the competitors cut off from their family anyway? Actually, it’s exactly like that.
Kahn builds suspense well. He’s clearly paid attention to just how much and how often to ramp up the violence and intrigue to keep a reader reading. I also appreciated the two separate story-lines that then intertwined. Of course, the reader knows they’re going to intertwine, but how is not immediately obvious. That was a nice touch.
Kahn also moves smoothly between real life dialogue and the chats on an online BDSM website that are a key part of the investigation. It was definitely crucial to a modern story to include the internet, and he switches between real life and the internet quite well.
That said, other crucial parts of telling a story fell flat for me. Kahn does not write women well. On looking back, it is evident that women in his story are divided into the classic dichotomy of angel or whore. There is no real room for three-dimensional characterization, making mistakes, or understandable motivations. For instance, Paine’s ex goes from calling her brother to threaten to kill him to getting back together within a week. That’s, um, fast? Similarly, although Kahn slips back and forth easily between Paine’s and Roger’s perspective, he never shows any of the women’s perspectives, even though they are the ones being raped, beaten, tricked, used, and abused. I can understand using the perspective of an FBI agent, but why couldn’t the second perspective have been Angela instead of Roger? Or why couldn’t he have made the reporter a woman? Regardless, none of the women in the story were believable, real characters.
Similarly, I was ultimately disappointed with who the perpetrator of the crime ultimately is. Without spoiling it, suffice to say the choice is stereotypical, bordering on racist. It was a choice lacking in creativity or sensitivity.
Overall, although the suspense reeled me in, the content of the story left me with a sour taste in my mouth. I suppose if you want a junk food style suspense, or if the negatives I pointed out wouldn’t bother you, you may enjoy this book. Those looking for thought-provoking, realistic suspense should look elsewhere, however.
3 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
Book Review: Wolf Hunt: The Burning Ages by Sebastian P. Breit (series, #1)
Summary:
It’s the future, and the world is in another semi-cold war between NATO and BRIC (Brazil, Russia, India, China). A NATO group of British, American, and German naval ships is being sent to Brazil on a mission, but part-way there they are all zapped back in time to 1940. With the chance to change history for the better, what will they decide to do?
Review:
I first want to point out that Breit is German and wrote this in English himself; it is not a translation. I have to say that I wonder why he made that choice as the plot certainly seems to have more of a European than an American appeal, but I am impressed at his effort to write in his second language.
The summary of the book makes the plot sound fast-paced, but in fact it is actually distressingly slow-moving. It takes about 1/3 of the book for the all-important time-traveling event to happen. I spent the whole first part of the book just waiting and wondering when it was going to happen, because once the basic politics of the world and character traits were set up, it’s just a waiting game. The naval mumbo-jumbo filling up the rest of the space just wasn’t necessary. This issue carries on throughout the book with half of the sailors spending a solid amount of their time stranded on an island, for instance. Since this is marketed as a fast-paced historical thriller, perhaps somewhat like the style of The Da Vinci Code it quite simply needs to move along faster. Intense naval specifics and codes are not necessary. Fast-moving plot is.
Breit also needs to invest in a British and American editor each, as the British and American characters say and do things that are just flat-out wrong in British and American English respectively. One that really slapped me across the face is that one of the characters is from Boston, but everyone refers to him as a “Bostoner.” People from Boston are called “Bostonians.” I have never once in my life heard anyone say “Bostoner,” and I live in Boston. Another example is at one point one of the Americans reads another American’s birthdate from off an id and says it the European way “11 September 2001,” instead of the American way “September 11th, 2001.” This is one of those instances where the author needs to have his facts straight in order for the story to be believable. Nothing makes me not believe a character is American quite like having him get a bunch of American English wrong.
Additionally, as a woman and an author, the way the female characters are handled is distressing to me. Just one example is that a bunch of the stranded female sailors are attacked on the island by some of the locals in an attempt at rape. These women who had the exact same training as their male counter-parts are apparently completely incapable of saving themselves, but instead have to be rescued by their male comrades. But it gets worse. Later when the captain of the ship is relating the event to another man, he asks if the women were alright. The captain responds by saying that the doctor said they were fine. The doctor. Apparently nobody bothered to ask these women if they were raped (HINT: I’m pretty sure women can tell if they’ve been raped or not). Plus no one seems to care that these women are clearly not going to be emotionally ok after almost getting raped, and not once do any of the female characters who were attacked say anything about it with their own voices. This is just completely inexcusable. It’s a removal of women’s voices from ourselves, and it’s insulting to a female reader.
There’s the issue of European bias expressed through the American characters. For instance, one American character expresses shame at how Americans only speak one language. First of all, the rate of bilingualism in the US is actually rising, so following the arc of the future, there should be more bilingual Americans, not less. Second, I’ve never once heard an American express woe in an all-encompassing way like that by saying something like “It’s so sad Americans aren’t bilingual.” People say, “I wish I was fluent in another language,” or “I wish I was fluent in Japanese,” but they just don’t put it that way. That whole paragraph sounded like a European using an American character as a puppet to say what Europeans think of Americans. Yeesh.
I also have problems with the German characters though. A bunch of them express the desire to stop the Holocaust not to save lives but to save the German people from harboring the shame and guilt for generations to come. Um, what? That’s your concern oh time-traveling Germans? Having been to Germany myself on a student exchange and visited Dachau, etc… I can say that I have a hard time imagining any of the kids my age at the time (15ish in the early 2000’s) focusing in on that as opposed to stopping a bad thing from happening because it’s evil and wrong. I can only imagine that generations even further along would be even more focused in on stopping a genocide as opposed to saving some broad idea of German honor. It’d be like having a time-traveling modern American decide to stop the Trail of Tears to save us from shame as opposed to doing it to save innocent Cherokees. The whole thought just makes my brain hurt.
To sum up, Breit shows ability as a writer that needs to be worked on and honed. I’d recommend either getting a good editor who can handle both British and American English or switching to writing in German. He also needs to work on tightening up his plot. Normally I’d say, nice first effort keep trying, but due to the opinions and biases and presentation of women present in this first attempt, I’m afraid I can’t say that. It’s readable, but why would you want to read it anyway?
2 out of 5 stars
Source: Ebook from author in exchange for my honest review
Book Review: Hungry For You by A. M. Harte
Summary:
A collection of zombie-themed short stories and poetry with the twist that they all have to do with romantic relationships in some way, shape, or form.
Review:
This is a solid collection of short stories and poetry that can be enjoyed one at a time or inhaled in one sitting. I went for the one sitting option.
In some stories Harte sticks to zombie tropes but in not all. The ones where she varies or surprises the reader in some way are definitely the stronger ones. She has an ability to imagine multiple different possible zombie apocalypses that are all, if not equally believable, still believable. Her dialogue is a definite strength, reading as incredibly realistic in the midst of fantastical happenings.
Where she excels though, and where I would encourage her to focus future horror writings, is when she uses the zombies and zombie apocalypse as a metaphor or an instigator for something in a relationship from women’s perspective. My three favorite stories from the collection–“Dead Man’s Rose,” “Seven Birds,” and “Alive”–all feature this element. In “Dead Man’s Rose,” the zombie is a metaphor for an abusive lover who refuses to grant the woman her freedom. In “Seven Birds” the surprise of the zombie apocalypse coincides nicely with an unexpected break-up (I particularly enjoyed that female character’s reaction to both). In “Alive” the female character must deal both with the zombie apocalypse and the emotional fall-out after a one-night stand with a co-worker. These are all three things modern women face in relationships and getting to see them take place in a world infested with zombies (one of my favorite kinds) was such a welcome change! Too often, especially in zombie movies, we see the apocalypse from a man’s perspective and not from a woman’s. I found myself saying to Harte in my head, “Ignore the male perspective and switch to just writing from the female perspective, because you do it so well!” For instance, it’s not every day in a female zombie fiction fan’s life that you come across a resonant passage like this:
When I am lonely for boys what I miss is their bodies. The smell of their skin, its saltiness. The rough whisper of stubble against my cheek. The strong firm hands, the way they rest on the curve of my back. (location 1206)
Never have I come across a passage in zombie fiction that so struck at the heart of what it is to be a modern straight woman, and to have that followed up by oh no zombies was just awesome.
There are a few shortcomings though. A couple of the stories simply felt too short, and a couple of them–“A Prayer to Garlic” and “Arkady, Kain, & Zombies”–just didn’t make much sense to me. I think the former would have benefited from being a bit longer with more explanation, whereas the latter actually felt too long and had a couple of plot holes that I couldn’t wrap my mind around. This collection is periodically more British than at other times. One short story revolves around tea to an extent that I’m afraid a Boston gal like myself just couldn’t quite relate to. I know that those more British stories will definitely appeal to the type who love Doctor Who for instance, though. I also really wish it included a table of contents. That would be super-helpful in revisiting those stories readers would like to revisit.
Overall this book is definitely worth the add to any zombie fan’s collection, but particularly to female zombie fans. It’s different and fun simultaneously.
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4 out of 5 stars
Length: 122 pages – novella
Source: Smashwords copy from the author in exchange for my honest review
Buy It (Amazon. Not available on Bookshop.org)
Imminent Arrivals and TBR
Since I didn’t quite manage to finish my current read on the bus this morning (I literally had to stop in the middle of the climax. I HATE IT WHEN THAT HAPPENS), I thought I’d do something a little bit different today. As you all know, I use PaperBackSwap for acquiring a lot of my books. It lets you sort your wishlist by estimated time to fulfillment, so I thought I’d share with you guys the books that are estimated to be mine shortly.
First up, I’ve been waiting for this book forever: The Forest of Hands and Teeth
Next is The Group
Third is yet another post-apocalyptic book: Life As We Knew It
Ok, so I also have books in my TBR pile, so I’m going to show you guys 3 random books from there. If there’s one you sorely want reviewed soon, tell me now!
I stumbled upon The Integral Trees 
A pretty recent arrival, I Am Not A Serial Killer by Dan Wells features an untrustworthy narrator with sociopathic tendencies who spends the book trying to convince us and himself that he’s not a serial killer. Kind of reminds me of Dexter
Finally, there’s Undead and Unwed 
That’s it! Please tell me what you think, my lovely readers!
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 