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Book Review: The Good Sister by Sally Hepworth

Cover of the book "The Good Sister."

Summary:
Fern and Rose are fraternal twins. Rose is smart, driven, and Fern’s protector. Fern doesn’t understand the world and so Rose has protected her, ever since they were small. For example, Fern didn’t understand that they spent every day in the library one year when they were little because they were homeless. Just one example of the many ways their mother failed them. In fact, Fern even became a librarian, she remembered that year so fondly. It’s a good thing she has Rose. When Rose struggles with infertility with her husband, Fern hatches a plan to repay Rose for being such a good sister. She’ll get pregnant and give the baby to her. But of course, not everything goes according to plan.

Review:
Sally Hepworth writes psychological thrillers starring casts of women in Australia. Sometimes they feature larger casts of women and other times it’s a couple of women pitted against each other. This is mostly the latter category.

I had my suspicions about the mystery early but thought that must not be it because it was so simplistic. I am sorry to report – it was indeed it. Some psychological thrillers lean a bit too heavily on the trope of – one person in this world is “crazy!” and did unpredictable “crazy!” things and there is no helping them because they are just so “crazy!” so let’s lock them up. I’m not a big fan of this trope for two reasons: 1) people are more complex than that 2) it’s a bit of a cheat to the reader because then things can happen that are unpredictable and make no sense. However, I get it that it’s a trope in psychological thrillers and am usually willing to give it a bit of a pass. In this case, however, the reader is told this character probably has Narcissistic Personality Disorder or Borderline Personality Disorder. There’s a character who has told their therapist all about them, and that therapist hypothesizes that this character might have one of these two illnesses. Everyone else in the book just accepts this and moves on. I am not saying people with these personality disorders never do bad things or hurt others, but the same can be said of all types of people. Plus, the character’s actions aren’t made out to be about them as a person but rather a symptom of their illness. It reminds me of how Schizophrenia used to be treated in literature. This character doesn’t even get the decency of having the state investigate their mental health or a clear diagnosis. It both unnecessarily maligns two of the most maligned types of mental illnesses and creates an entirely two-dimensional character.

Then there’s the representation of Autism. From the beginning, it’s clear that Fern is Autistic (I am not using person-first language as many in the Autistic community prefer claiming the word as a part of who they are, rather than as an illness), but she is depicted in such a stereotypical way that it hurt to read. For example, constantly bringing up how she doesn’t like to look people in the eyes and belaboring the point at random times when she might make eye contact. Her sensory episodes felt as if they were written by someone outside of her body rather than by her – problematic since it was written in the first person. The whole first half of the book has a lot of anti-Autistic sentiment, including wondering whether or not Fern could actually be capable of raising a baby. Are these reversed at the end of the book? Somewhat. But to me the damage is done by wondering about it in the first half.

So why am I still giving this book three stars? I have to admit that it was a page turner – I had to know what happened to Fern and the baby growing inside her. I couldn’t stop reading until I knew. The energy of must-find-out that is needed in a thriller was there, even if I was disappointed by the characterization, representation, and ultimately found the solution to be a bit flat.

3 out of 5 stars

Length: 320 pages – average but on the shorter side

Source: NetGalley

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Book Review: Winter Counts by David Heska Wanbli Weiden

Cover of the book "Winter Counts."

Summary:
Virgil Wounded Horse does his best to find his way making a life and a living on the Rosebud Indian Reservation (the Lakota people) in South Dakota – newly sober from alcohol, the legal guardian of his teenage nephew, and working as a hired vigilante. When heroin finds its way onto the reservation and directly impacts his nephew, he finds himself working to stop the threat of the cartels to his people alongside his ex-girlfriend.

Review:
This is simultaneously a wholesome and gritty thriller. Wholesome in that Virgil’s commitment to his sobriety, his family, and his people is full of honor and family values in the face of so many challenges. Gritty in that there are colorful depictions of violence as Virgil does his vigilante work and pursues the cartel. In a way it reminds me of Breaking Bad in the early seasons – someone doing something outside of the law for his family – only it’s outside of the law to stop the drugs, not to make them.

There was a lot I enjoyed here. The different setting and voice for this gritty mystery kept me engaged in a genre I’ve read a lot in. The mystery is solid. I had my suspicions but I didn’t have everything figured out before the end. So, yes, it’s not quite as simple as an outside cartel but it’s not a super obvious answer either. I also really like how the ex-girlfriend becomes such a key part of the story. Virgil listens to and respects her, even when he doesn’t immediately agree with her, which was so refreshing to read. I similarly like that we come into Virgil’s life after he’s already sober. This allows the book to explore him putting his life back together as a sober person and dealing with some really tough shit – demonstrating that things don’t get easy automatically just because you’re sober. I appreciated very much how thoughtfully the author shared his Lakota culture with the readers while simultaneously respecting what aspects of it need to stay private and sacred. As a person who has the Sioux Chef book, I appreciated so much the inclusion of Indigenous cuisine via an Indigenous chef and food truck coming to the reservation.

While I wouldn’t call the depictions and discussions of violence gratuitous as they are necessary to the plot, they are graphic. I thought it never went further than it needed to. However, it is important for potential readers to know they are there. There are discussions of off-scene cartel vengeance and rape of women and underaged girls. There are on-scene descriptions of fist-fights and gun fights.

Those who like grittier thrillers and either want a unique setting in the genre or want a mystery investigator who is sober will enjoy this read. I hope we’ll see more of Virgil in the future.

4 out of 5 stars

Length: 336 pages – average but on the shorter side

Source: Library

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Book Review: The Girl from Widow Hills by Megan Miranda

November 12, 2020 Leave a comment
Cover of the book The Girl from Widow Hills

Summary:
Olivia just wants to live a quiet, simple life as an administrator at a new rural hospital in the American south. She changed her name to leave behind her childhood notoriety as the little girl who was swept away by flood water when she was sleepwalking and was found days later in a drainage pipe. But when she resumes sleepwalking again and literally stumbles over a dead body outside her home, her past starts to come back to haunt her.

Review:
Those of us who grew up in the 90s were consistently regaled with the stories of the little girl Jessica who fell down a well and underwent a dramatic televised rescue in the 80s. I feel like this must be inspired by that story but with a lot of “what-if” questions tossed in. (Jessica herself has lived a very quiet life since the hullaballoo).

Olivia (the woman formerly known as Arden) is likeable yet has realistic flaws. She’s a well-rounded, real character. I especially enjoyed how she decides (early in the book) to buy a home away from the cookie cutter housing built for the hospital workers. The elderly man who sold it to her is also her neighbor, and they have an adorable relationship where they mutually care for one another. Her relationships with her coworkers at the hospital are also a realistic depiction of how she’s sort of part of the club of health care workers but not exactly one, as a staff in administration.

But what about the plot? I really enjoy how right away Olivia is an unreliable narrator to herself through no fault of her own – her sleepwalking. It’s easy to understand why she’s loathe to admit to the circumstances of how she finds the body on her land, and she also has some intense and legitimate questions about how much she can trust herself.

I can’t say too much about why I like this book so much without giving the twists away. However, suffice to say I found the twists interesting. The plot before the twists makes sense with the twist but also didn’t point so directly to it that I guessed it. While the twists solve the mystery, they also leave us with a main character who is still herself – flawed and yet likeable.

Recommended to thriller fans who like a flawed main character and would enjoy an adult (fictional) take on a little girl whose rescue gripped America.

5 out of 5 stars

Length: 325 pages – average but on the shorter side

Source: Library

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Book Review: The Shape of Night by Tess Gerritsen

March 29, 2020 3 comments

First, a note….

I hope all of my readers are as safe and well as possible in these difficult times we are living in. A few people have asked me what I recommend reading to get through things. My advice is what my advice always is – read what most entertains you. Read what distracts you. Feel no guilt for what you enjoy reading. Read whatever it is you most enjoy. I think now more than ever it’s important for all of us to get a respite from the world around us and visit another world, whether that’s fiction or nonfiction, romance or thrills. In the spirit of this, I’m just going to keep reviewing the books I’ve most enjoyed recently.

43808355Summary:
Ava is writing a cookbook of what Maine fisherman communities ate during the 1800s. She’s hit a bit of a writer’s block, so she rents a summer home on the coast of Maine for inspiration – and maybe to run away from the tragedy that is haunting her. But when she arrives at the home in Maine she starts to think it might actually be haunted. She also discovers the previous renter mysteriously disappeared.

Review:
I love house-sitting or house-renting thrillers. There is something decidedly spooky about short-term rentals, and I love how this type of thriller just goes there. It reminded me of the Victoria Holt books I would borrow from my grandmother in middle school only set in modern day Maine.

What I wasn’t expecting from this book or its summary was its deft handling of alcohol addiction. Ava’s alcohol addiction isn’t her entire personality – far from it. She is very well-rounded. We get to know her incredible talent at both cooking and researching then recreating historic recipes. She is intelligent and caring. She loves her sister. But she has definitely made a giant mistake that is haunting her, and I would argue it’s a mistake that was rooted in her alcohol problem although before it became as serious as it is in Maine.

There are no easy answers in this book – not for the “ghost” of Captain Brodie. Not for the disappearances. Not for how small towns handle things. Not for Ava straightening her life back up. The lack of neat ends makes it all feel more real which really works for a book with a creepy ghost.

There were many aspects of this book that kept me staying up too late reading it: the mystery, Ava’s addiction, the ambience, is there really a ghost, what happened in Ava’s past. I also just liked visiting the house and waterfront, which was well described and realistic. It had just the right amount of twists and turns and well-rounded characters.

5 out of 5 stars

Source: Library

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Book Review: The Kind Worth Killing by Peter Swanson

October 23, 2016 Leave a comment

Book Review: The Kind Worth Killing by Peter SwansonSummary:
On a night flight from London to Boston, Ted Severson meets the mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing intimate details about themselves. Ted talks about his marriage and his wife Miranda, who he’s sure is cheating on him. But their game turns dark when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.”

Review:
You know from that description that this is going to be a thriller. I was fairly certain it would be in the vein of Gone Girl, and it certainly was.

This book takes you on a delightful rollercoaster of emotions. It’s hard to determine precisely who to root for because they’re all just so darn despicable. In a way, you’re kind of glad that they’re taking things into their own hands amongst themselves because then society won’t be burdened by dealing with it ourselves. On the other hand, there’s certainly an aspect of “look how off the rails things get when we let just any individual decide who deserves what.” That said it’s never heavy-handed. It has more of a delightful sneaky glance into disastrous lives ala a murdery Lifetime movie.

The plot is kept moving forward and twisty and full of surprises partially through alternate viewpoints (more than two). This is a technique I really enjoy when done well, and it was done quite well here. The transitions felt smooth and natural. Never cheap.

I also must say as a New England local that the author got both the logistics and the vibe of multiple New England locations right, everywhere from the ritziest Boston neighborhoods to central Massachusetts towns to rural Maine. If you want a true sense of the area and can handle some murder, definitely pick this up.

I’m not sure how I feel about how the book ended, which is what kept me from loving it. I knew where it was going by about two-thirds of the way through, and I just don’t think it was as smooth as the rest of the book. That said, I do think it ended at the right point in time (with the particular plot it was telling). It left me perfectly satisfied, unlike quite a few thrillers lately.

If you’re still looking for a quick Halloween read, pick this one up. It’ll keep you up and on the edge of your seat waiting to see who comes out on top.

4 out of 5 stars

Source: Library

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Book Review: Try Not to Breathe by Holly Sedon

Book Review: Try Not to Breathe by Holly SeddonSummary:
Amy Stevenson was the biggest news story of 1995. Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.

Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.

Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.

The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.

In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy

Review:
I devoured this book so quickly that I forgot to mark it read in GoodReads for a few weeks. It’s a thrilling read on a lot of levels. Amy’s questionably vegetative state would give anyone chills, as would how she wound up there. Even before full details of the attack are known, everyone knows it was pretty gruesome. Alex’s “functional” alcoholism also sends chills down the spine. She’s lost almost everything,  but she still drinks enormous amounts of alcohol every day. The juxtaposition of the two women is what makes the psychological thriller so thrilling. They’re both being held paralyzed in a state by an illness and any one of us could fall to either of those states.

I know the average reader is probably most interested in the mystery aspect of the thriller–the whodunit. I will say in short that it’s a well-done mystery. I had my suspicions but exactly how things ultimately went down was still enough of a surprise that I was delighted, and I thought the resolution was well-done. What I was much more fascinated by though was Alex.

A “trouble-making journalist” or a detective who drinks too much is the norm of thrillers and noir but usually that is played up as something slightly dangerous but also sexy. Here there is nothing sexy about Alex’s alcoholism. She wets the bed every night. It at first seems this is because she drinks at least one glass of water per glass of alcohol to stave off hangovers but later it’s clear it’s from her body shutting down from her alcoholism. Alex is a great example of a “functional” alcoholic. She’s holding down a job (sort of, her alcoholism stole her dream career from her), she runs every day, she’s capable of looking into this mystery of Amy. But slowly other things are revealed that makes it ever clearer that no, she’s not homeless, but she is far from functional, unless by functional you simply mean she can sort of exist in human society. She is nowhere near what she could be because of the alcohol, and she’s lost almost everything (career, husband, and more). I really liked that the reader is both compelled to respect Alex’s smarts and tenacity as a reporter but also to feel empathy and horror at how much alcoholism is stealing from her. Even if the reader doesn’t have an interest in addictions, it still makes Alex a well-rounded character. She is more than just that smart journalist. There are whole worlds going on in her own life outside of her investigation.

Overall, if you’re looking for a thriller with a twisting plot that also turns some thriller/noir conventions on their head (not least of which the fact that both leads are women), then you should pick this book up.

4 out of 5 stars

Source: Library

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Counts For:
Mental Illness Advocacy (MIA) Reading Challenge
Specific illness –> Addictive Disorders

Trigger Warning/Content Note:
Contains discussions of rape and sexual assault.

Book Review: Beside Myself by Ann Morgan

August 24, 2016 1 comment

Book Review: Beside Myself by Ann MorganSummary:
When Helen agrees to swap places with her identical twin sister Ellie at the age of six, she thinks it’ll be a short fun game. But then Ellie refuses to swap back.  Forced into her new identity, Helen develops a host of behavioral problems, delinquency and chronic instability. With their lives diverging sharply, one twin headed for stardom and the other locked in a spiral of addiction and mental illness, how will the deception ever be uncovered?

Review:
This book is an amazing depiction of gaslighting. Gaslighting is an insidious form of abuse where the abuser insists to the abused that reality is not in fact reality, and the abused is crazy. (For more about gaslighting, see this great information from the National Domestic Violence Hotline). This book makes gaslighting completely real and understandable for anyone, whether they’ve gone through it themselves or not. It’s easy to see immediately how poor Helen gets slowly tortured and driven mad by everyone denying to her that she is who she says she is. The author takes care not to demonize Ellie though, since it’s abundantly clear part of why Ellie doesn’t want to switch back is because their mother has pre-decided which twin will be the good twin and which the bad, and she consequently treats Helen far better than she treats Ellie. Why wouldn’t she not want to switch back?

How this childhood trauma has wounded Helen becomes more clear over the course of the book. But it’s not just a plain recounting of they switched places then Helen went crazy. The book opens with Helen trying to rebuild her life from addiction and Ellie being in a coma from a car accident. Ellie’s husband reaches out to Helen in the hopes that hearing from her twin will bring her out of it, and slowly long-held secrets reveal themselves.

I thought the whole way through the book that it was slowly building to a certain ending. Then something else came at me out of left field and I was left breathless and aching for Helen. That’s not to say it’s a tragic ending, but it is a shocking one. One that left me with a very different “bad guy” than I thought I had the whole book.

It’s a stellar read, and one of those books that I wish I was able to read for the first time again. It’s that good. Recommended to lovers of psychological thrillers and/or twin swap afficionados.

5 out of 5 stars

Source: Library

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Book Review: Dark Places by Gillian Flynn (Audiobook narrated by Rebecca Lowman, Cassandra Campbell, Mark Deakins, and Robertson Dean)

Book Review: Dark Places by Gillian Flynn (Audiobook narrated by Rebecca Lowman, Cassandra Campbell, Mark Deakins, and Robertson Dean)Summary:
Libby Day testified that her brother murdered her mother and sisters as part of a Satanic cult ritual when she was just 7 years old. Twenty-five years later, running out of money, she agrees to help a group known as The Kill Club investigate the murder. Their members disagree on how actually killed her mother and sisters, and with her connections they think she can help them crack the case. Libby is sure her brother Ben did it, but money is money, and it sure beats a regular job.

Review:
This is my third Gillian Flynn novel, and I must admit it was the one I liked least. I was actually suspicious it was a first novel, as it had that feel–a lot of what works in her other novels is present but it’s less well-executed. However, it actually was published after Sharp Objects (review), so who knows what happened here. Regardless, while I found the mystery intriguing and I definitely listened to the audiobook every chance I got, the plot is not as tightly told nor is the central mystery as believable as it is in her other works.

What worked the best for me was Libby, a childhood survivor of a gruesome murder, as some sort of modern day noiresque private investigator. A woman PI with a personal connection to the murders was just delicious to read. I’d love to see more of that in literature. I also liked seeing a thriller that included a queer person (her aunt is a lesbian) without that being used as a way of othering someone strange or being attached to a perpetrator. Her aunt is a bystander in every sense of the word. She is never a suspect, she provides Libby with a home environment after the murders, and her sexual orientation is just a part of who she is, not a plot point. I also liked the changing perspectives among Libby present, Libby past, her mother, and her brother. I thought it added to the mystery since seeing these other perspectives did not immediately reveal precisely what was going on. I also thought it made it harder to judge her mother than it might be if the reader hadn’t had her perspective.

However, this was the first time that I was both sure who the perpetrator was quite early in a Flynn novel and also that I was disappointed by who the murderer is. I thought there was nothing creative or exciting about it, and honestly it kind of bugged me a little bit. There is also one trope that shows up here that bothered me. It could be a bit spoilery (not too bad) so skip the next paragraph if you’re concerned about that.

*spoilers*
Libby at the end of the book ends up in a scenario that is very similar to the first murders that she survived. It’s basically a trauma survivor finding that all their fears were right by improbably having almost the same scenario happen a second time. I think it was supposed to be scary, but it just irritated me.
*end spoilers*

I also must say that I felt the whole Satanic scare thing was very dated. Yes, I get it that was a huge thing in the 80s and this is a story about murders that happened 25 years ago but something about it just made the whole book feel dated to me. I couldn’t get into it partly because I was certain that the book would ultimately reveal Satanism had nothing to do with it, since that’s just the way that plot point always goes. I suppose you could sum up most of my issues with this book as the plot was too predictable to be much fun.

Overall, if you’re a big Gillian Flynn fan and just want to experience some thrills, this book will provide some of them with the dash of strong female characters you’ve come to expect. However, do expect to be a bit disappointed by a more predictable plot and twist that isn’t all that twisty.

3 out of 5 stars

Source: Audible

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Book Review: Gone Girl by Gillian Flynn

October 18, 2014 8 comments

A woman's hair is barely visible on the left-hand side of a book cover.  The book's title and author are in red against a black background.Summary:
On Nick and Amy Dunne’s fifth wedding anniversary, Nick comes home from working at the bar he co-owns with his sister to find his wife gone. The door is wide open, furniture is overturned, and the police say there is evidence that blood was cleaned up from the floor of the kitchen.  Eyes slowly start to turn toward Nick as the cause of her disappearance, while Nick slowly starts to wonder just how well he really knows his wife.

Review:
I’d been wanting to read this since it first came out, but when the previews for the movie came out, I knew I also wanted to see the movie, and I just had to read the book first. Because one should always read the book first.  A friend head me talking about it and offered to loan me her copy, and I flew through the book in just a couple of days.  Even though I had guessed whodunit before I even started to read it, I was still swept up in a heart-racing read.

There have been many reviews of Gone Girl, so I am going to try to focus my review in on why I personally loved it, and also address a couple of the controversies about the book.  Any spoilers will be marked and covered toward the end of the review.  Please note that this review is entirely about the book and does not address the movie at all.

The tone of the book sucked me in from the beginning.  How the book alternates between Nick’s current life and Amy’s diary of the early years of their relationship clearly showed that the relationship started out strong and fell apart, and I wanted to see how something so romantic could have gone so awry.  Amy’s diary entries simultaneously sound feminine and realistic.  She swears to the same extent that my friends and I do, and I loved seeing that in romantic, feminine diary entries. Nick’s portions, in contrast, perfectly demonstrated the measured response to a disappearance that could easily happen if a relationship was on the rocks a bit at the time.  Nick’s reactions felt very realistic to me, and I appreciated it.

Even though I predicted the whodunit, I still found the end of the book to be thrilling, as exactly how it happened was not something I was able to predict.

If you don’t want any spoilers and just want to know why you should read the book, let me just say that anyone who has been in a long-term relationship will find the complex relationship between Nick and Amy frightening and chilling and will be left giving their partner side-eye periodically throughout the book.  If you like the idea of a book that makes you freaked out at the thought of how truly awry a relationship can go, then you will enjoy this thriller.

On to the spoilers.

*spoilers*
This book has been accused of misogyny for three reasons.  Nick’s internal dialogue, the character of Amy, and the fact that Amy falsely accuses an ex-boyfriend of rape.  I did not find this book to be misogynistic at all, and I will now address each of these points.

Nick clearly struggles with how he relates to women due to the fact that his dad is a misogynistic bastard.  It is realistic for a good person to struggle with bad internal dialogue due to hearing such dialogue from a parent.  This is a very real thing that happens, and that people go to therapy for.  The very fact that Nick fights against this internal dialogue shows that he knows that it’s wrong and is trying to win out over it.  Just because one character has misogynistic internal dialogue does not make an entire book misogynistic nor does it make that character misogynistic.  It just makes the book realistic.  In fact, I find the fact that Nick ultimately defeats his internal misogynistic dialogue by realizing that it’s ok to hate women who are actually horrible but not all women to be really progressive.  Some women are horrible people. Nick learns to turn his internal “women are bitches” dialogue into “Amy is a bitch,” and I think that’s awesome.  Now, this point is related to the next point, the character of Amy.

There is at least one strain of feminism that thinks that it’s anti-woman to ever portray any women as bad or evil.  There is also the strain of feminism that just says men and women are equal and should be treated equally.  I am a member of the latter portion.  It is equally harmful to never want to admit to women’s capability for evil as it is to say all women are bad or all women are childlike or etc… There are bad women in the world. There are evil women in the world.  Women are not automatically nurturing, women are not automatically good at mothering, women are not automatically goddesses.  Women are capable of the entire spectrum of evil to good, just like men are.  It is unrealistic to act like women are incapable of evil, when we in fact are.  This is why I find the portrayal of Amy as a narcissistic sociopath to be awesome.  Because there are women just like her out there in the world.  I was continually reminded of one I have known personally while I was reading the depiction of Amy.  The patriarchy hurts men and women, and one way that it does so is with the assumption that women are incapable of evil.  Nick and Amy’s other victims are unable to get people to believe them about Amy because Amy is able to externally project the virginal good girl image that the patriarchy expects of her.  They don’t expect her to be evil. She appears to be a card-carrying, patriarchy-approved cool girl, therefore she is not evil and Nick and the others are delusional.  It’s an eloquent depiction of how the patriarchy can hurt men, and I think that a lot of people are misinterpreting that a misogynistic slant.

Finally, the false rape accusation.  Yes, it is extremely unlikely to happen. (An analysis in 2010 of 10 years of rape allegations found that 5.9% were able to proven to be false and 35.3% were proven to be true. The remaining 58.8% fell into a gray area of not being proven either way. Source)  However, this means that false allegations of rape do indeed happen. 5.9% is not zero, and this isn’t even taking into account the gray cases that couldn’t be proven either way.  Just because we have a problem with rape in this country and with rape culture does not mean that every accusation of rape is actually true.  Just as not all men are rapists, not all women are truth-tellers.  And let’s not forget that men can be raped, and women can be falsely accused of rape as well.  Amy’s false rape accusation also fits well within her character development.  As a teenager, she falsely accused a friend of stalking her. Then she accuses this man she dated in her 20s of raping her. Then she frames her husband for her murder.  It’s a clear downward spiral, and the false rape accusation, complete with faking restraint marks on her arm, is a realistic warm-up to her insane attempt at framing her husband for her own murder.  It fits within the character. It is not a malicious, useless, throwaway plot point.  It fits who Amy is, and real life statistics support that it could indeed happen.

All of these aspects of Amy and Nick and Amy’s relationship are part of what made me love the book.  I am tired in thrillers of so often seeing only men as the sociopathic evil.  I have known women to be sociopaths in real life and in the news, and I like seeing that represented in a thriller.  I also appreciate the fact that Nick is by no stretch of the imagination an innocent golden boy.  He has some nasty internal thoughts, and he was cheating on Amy.  And yet I was still able to feel sympathy for the cheating bastard because he gets so twisted up in Amy’s web.  It takes some really talented writing to get me to sympathize with a cheater at all, so well done, Gillian Flynn.

Finally, some people really don’t like the end of the book.  They wanted Amy to get caught or someone to die or something.  I thought the ending of the book was the most chilling of all.  Nick is unable to find out a way to escape Amy, so he rationalizes out their relationship to himself (she makes me try harder to be a better person or face her wrath), and ultimately chooses to stay in the incredibly abusive relationship for the sake of their child when he finds out she was pregnant.  It is realistic that Nick is concerned that if he divorces her he won’t be able to prove anything, she may falsely accuse him of things, and he won’t end up able to see his child.  This is something people on both ends of divorced worry about, and Nick has proof that Amy is unafraid to fake major crimes just to get even with him.  It is so much more chilling to think of Nick being trapped in this toxic relationship, justifying it to himself along the way, in an attempt to protect their child.  Bone. Chilling.  Because it could, can, and does happen.

Overall, the book is an excellent depiction of how the patriarchy hurts men as well as women, depicts a chilling female sociopath, and manages to be thrilling even if you are able to predict the twist.

*end spoilers*

Recommended to thriller fans looking for something different but don’t be surprised if you end up giving your significant other funny looks or asking them reassurance seeking questions for a few days.

5 out of 5 stars

Source: Borrowed

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Counts For:
Banner for the RIP IX challenge.

Book Review: Still Missing by Chevy Stevens

September 19, 2014 7 comments

A woman's jawline and neck are viewed through a shattered glass.Summary:
Annie O’Sullivan extremely forcefully declares in her first therapy session that she doesn’t want her therapist to talk back to her; she just wants her to listen.  And so, through multiple sessions, she slowly finds a safe space to recount her horrible abduction from an open house she was running as an up-and-rising realtor, her year spent as the prisoner of her abductor, and of her struggles both to deal with her PTSD now that she’s free again and to deal with the investigation into her abduction.

Review:
I was intrigued by the concept of this book.  Yes, it’s another abduction story, but wrapping it in the therapy sessions after she escapes was an idea I had not seen before.  So when I saw this on sale for the kindle, I snatched it up.  I’m glad I did, because this is a surprisingly edge-of-your-seat thriller.

Stevens deals with the potential issue of back-and-forth with the therapist by having Annie say in her first session that in order to feel safe talking about what happened to her, she needs the therapist to say very little back to her.  It is acknowledged that the therapist says some things to Annie, but it appears that she waits to talk until the end of the session when Annie is done talking.  What the therapist says isn’t recorded but Annie does sometimes respond to what she suggested in later sessions.  This set-up has the potential to be clunky, but Stevens handled it quite eloquently.  It always reads smoothly.

The plot itself starts out as a basic abducted/escaped one, with most of the thriller aspects of the first half of the book coming from slowly finding out everything that happened to Annie when she was abducted.  The second half is where the plot really blew me away, though.  The investigation into her kidnapping turns extremely exciting and terrifying.  I don’t want to give too much away.  Suffice to say that I wasn’t expecting most of the thrills to come from the investigation after the kidnapping and yet they did.

Annie is well-developed. Her PTSD is written with a deep understanding of it.  For instance, she both needs human connection and is (understandably) terrified of it, so she pushes people away.  Stevens shows Annie’s PTSD in every way, from how she talks to her therapist to how she behaves now to subtle comparisons to how she used to be before she was traumatized.

Other characters are well-rounded enough to seem like real people, including her abductor, yet it also never seems like Annie is describing them with more information than she would logically have.

I do want to take just a moment to let potential readers know that there are graphic, realistic descriptions of rape.  Similarly, the end of the book may be triggering for some.  I cannot say why without revealing what happens but suffice to say that if triggers are an issue for you in your recovery from trauma, you may want to wait until you are further along in your recovery and feel strong enough to handle potentially upsetting realistic descriptions of trauma.

Overall, this is a strong thriller with a creative story-telling structure.  Those who enjoy abduction themed thrillers will find this one unique enough to keep them on the edge of their seat.  Those with an interest in PTSD depicted in literature will find this one quite realistic and appreciate the inclusion of therapy sessions in the presentation.

5 out of 5 stars

Source: Amazon

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