Archive

Posts Tagged ‘bisexual’

Book Review: They Never Learn by Layne Fargo

July 13, 2021 3 comments
Picture of a digital book cover. A red-tinged foggy photo of a black gate into a university campus. The title of the book - They Never Learn - is imposed over the gate in white font.

Summary:
Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder. Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. But as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies close, Scarlett insinuates herself into the investigation and charms the woman in charge, Dr. Mina Pierce.

Meanwhile, Gorman student Carly Schiller is just trying to survive her freshman year – and her crush on her roommate, Allison. When Allison is sexually assaulted at a party, Carly becomes obsessed with making the attacker pay.

Review:
This felt like a woman-centered, queer Dexter, and I really enjoyed it.

The book seems straight-forward at first, but midway there is a plot twist that made me make the shocked Pikachu face. From there on, the plot just kept surprising me. In a good way. It’s not exactly what it seems it might be at first.

Although my own ethics don’t agree with revenge seeking, this is just the right mix of campy social commentary and revenge violence to work for me. I was able to view it as a cautionary tale of what could happen if we don’t start working to solve the academia culture that breeds violence against women. There are certain moments when the tide could have been turned if someone, anyone, had listened to the violated women. To me, this is what the takeaway from the book really is supposed to be.

For me, the queer content was delightful. There are multiple bisexual women characters. This means, instead of suffering from tokenism, bisexual characters get to come into full expressions of themselves. The word bisexual is used frequently in the book (or the short version bi). There are even multiple coming out stories present in the book.

I read this in audiobook format, and the narration of both voices was well done. It was easy to tell them apart but also not jarring to switch back and forth. I also thought both actresses did a solid job with accents.

A quick content warning that sexual assault, violence and murder are all described on-screen in this book.

Overall, the plot compelled and surprised me, and the characters were engaging with multiple different bisexual women present. A delightful addition to the thriller genre.

4 out of 5 stars

Length: 378 pages – average but on the longer side

Source: Audible

Buy It (Amazon or Bookshop.org)

Support me on Ko-fi

View my publications

Book Review: One Last Stop by Casey McQuiston (Plus Reading Group / Book Club Discussion Guide)

Digital cover of the book One Last STop. A white woman with a bigger body and red hair holds a cup of coffee outside of a train. The train is labeled Q. A medium skin-toned Chinese-American woman in torn jeans with a leather jacket and a backpack stands inside the train. The doors are open between them. Subtitle of the book is - Sometimes love stops you in your tracks.

Summary:
Twenty-four-year-old August has struggled to find her place in life. She’s now transferred to her third college, this time in Brooklyn, and she hopes it’ll stick. She finds a room in an apartment that comes with a delightful mix of found friends all also a part of the queer community, and they set her up with a job at the local diner. August thinks maybe it’s finally time to fit in and start to feel like she’s living a normal life, but then she meets a stunningly cute Chinese-American girl on the Q train. And meets here again. And again. Slowly she discovers that this girl might not be quite what she seems to be – in fact she’s a punk rock lesbian from the 1970s displaced out of time. Can August solve the case of how she got displaced and not lose her heart in the process?

Review:
I heard this described somewhere as a queer romance similar to the movie Kate & Leopold. That’s one of my favorite romantic comedies, so I was sold. I can definitely understand the comparison. They’re both set in New York and feature a love interest displaced out of their own time. While I love Kate & Leopold though, I have to admit I didn’t quite love this book.

Let’s start with what I liked. The main character, August, is bisexual and says it (more than once) with confidence. There is no biphobia expressed in this book by any of the characters she cares about. I also really appreciated seeing a bisexual main character who is a virgin and yet still declares this. An important moment of representation that one does not need to sleep with people to know one’s sexuality

August’s roommates and new friends are eclectic and fun while still feeling real. There is representation of gay and trans* folks especially. One of the roommates is Black (with Chinese adoptive parents), one is Greek-American, and one is Jewish. There’s a lot of diversity here. Part of what made them all feel real is that all of them had their own different families and issues. It wasn’t one queer story but many. I also really liked how real the local drag club felt, and I appreciated the representation of someone in recovery (the chef at the pancake restaurant).

I thought there was a lot of sizzle between August and the girl on the train – Biyu. Now at first she goes by Jane but over the course of the book she comes to ask to go by her birth name, Biyu, rather than her Americanized nickname. I want to be respectful of that. I also enjoyed the mystery of how she came to be on the train, and how August goes about solving it.

I felt pretty neutrally about the sex scenes. They were steamy without being explicit, but they weren’t anything particularly memorable for me. Some readers, I know, were turned off by the fact some of the sex happens on the train. That didn’t bother me because it makes sense for the characters. But be forewarned!

Now what I liked less. I don’t think the book handled racism and homophobia as directly or clearly as it should have. Biyu is from the 1970s and is a Chinese-American who is visibly lesbian. She literally had run-ins with the cops over wearing men’s clothes in her time period. But being jetted forward 40 years doesn’t solve the problems of homophobia and racism. I think the book acknowledges this by having Biyu have a run-in with someone who says something both racist and homophobic to her (the words are not said in the book and the incident appears off-screen). Yet August responds by saying, “most people aren’t like that anymore” (I can’t give an exact page number as this was a review copy but it occurs in Chapter 12). This does lead into a large fight between Biyu and August, which I think implies that August was wrong in what she said. However, I think August needed a bigger I was wrong moment, where she acknowledges that she did a very poor job of both being there for Biyu in that moment and of describing the complexity of how racism and homophobia are simultaneously different and yet not in modern times. I think readers also would have benefited from a nuanced discussion of how, for example, same-sex marriage is now legal and yet hate crimes against Asian-Americans and Pacific Islanders have increased dramatically in the last year, especially against Chinese-Americans (source). I think this book wanted to say something big and interesting about sexuality and queerness especially in the 1970s versus now, but in my opinion it falls short of accomplishing this.

Additionally, I know I was supposed to find the ending satisfying but it left me dissatisfied. I think for similar reasons – it’s a complex situation and the book doesn’t dig deep enough or hard enough into these complexities. Things are kept at the surface level. While it is a book in the spirit of a romcom, romcoms can say big and difficult things while not losing the romcom feel. Confessions of a Shopaholic springs to mind – it deals with the very serious issue of shopping addiction while still feeling like a very fun romcom.

Overall, this book is fun and lighthearted. It features a realistic bisexual lead and steamy, yet not explicit, f/f scenes. The queer found family is delightful. But it could have stood to have dug a bit deeper into the serious issues it brought up. They are important conversations to have that wouldn’t have messed up the lightheartedness of the romcom vibe.

4 out of 5 stars

Length: 422 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Get the Reading Group / Book Club Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, 3 read-a-like book suggestions
View a list of all my Discussion Guides.

Support me on Ko-fi

View my publications

Book Review: Take a Hint, Dani Brown by Talia Hibbert (Series, #2)

Cover of the book Take a Hint Dani Brown.

Summary:
Danika Brown, PhD student, might have a workaholic problem with her all hours of the day research, writing, and teaching. But she certainly doesn’t have a romance problem, because she keeps her sexual relationships devoid of romance. Zafir, once pro rugby player, now security guard at the university and founder of a sports charity for kids that’s still getting off the ground, knows he has feelings for Dani. When there’s a fire alarm in the building and Dani doesn’t evacuate, he can’t help going back in for her and carrying her outside. Then the video goes viral as #DrRugbae, and his niece realizes this could be the solution for his charity. Dani is game to pretending to be a couple until the viral attention goes away. But somehow slowly the pretending feels less and less like pretend.

Review:
Listen, if you are looking for a romance novel with a bisexual leading lady who actually uses the word “bisexual” to describe herself AND says it to the hero AND it’s no big deal to him AND there’s no cheating betwixt them AND the happy ever after is monogamous then stop what you are doing and pick up this book. Right now. Because honey, that perfectly describes this book. I also want to note that, Dani isn’t an aromantic convinced into romance – she’s a romantic whose heart was shattered who’s pretending she’s not into romance to keep her heart safe.

Ok, so if you’re not a bisexual reader desperate for that type of representation in a romance novel, why might you be into this book? Well, it’s hilarious. Laugh out loud funny. Dani and Zaf are equally funny and complicated. Their misunderstandings make sense. They both apologize when necessary. The set-up as to why they are fake dating is for a good cause (his charity) not something inane like tricking extended family at a wedding. They’re an inter-racial (Black and Pakistani) and inter-faith (witch and Muslim) couple. But the problems they encounter don’t really have to do with any of that. It has entirely to do with learning how to speak with and open up to one another.

I also really liked the growing opportunities for both Dani and Zaf beyond their relationship. Dani needs to learn better work/life balance. No one judges her for wanting to be successful, but she starts to learn she needs to have some downtime too. Zaf needs to learn not to entirely ditch his past and be more honest about his own grief and mental health issues that led to him starting the charity to begin with.

Sex scenes exist in this romance novel, but they are not constant (ie, don’t expect one every chapter!) The ones that do exist are explicit without turning corny. Consent is always clear but not in a natural way, not an awkward way. The sex scenes are also, dare I say it, entertaining and sweet?

While I note this is a series, you don’t have to read all three Brown sister books or necessarily read them in order. Although I will note that if you read the second book, you’ll see who Chloe ends up with (the sister from the first book). While I think all three books are well-worth the read, I admit to Dani’s story being my favorite.

5 out of 5 stars

Length: 320 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

Support me on Ko-fi

View my publications

Cross-Stitch #15: It’s not a phase; it’s every day

I completed this collection of emoji’s and the word BI cross-stitched in the Bisexual Pride flag colors way back in 2014! Thanks to being work from home for almost a year due to the pandemic, I’ve been slowly organizing and cleaning up. I thought these deserved to be archived into my collection, so I created an art installation in my home where our coffee mugs usually hang. Full credit to my spouse for the high-quality picture. I call the installation: It’s not a phase; it’s every day.

5 hooped cross-stitches are hung in a triangle pattern. The word BI is at the bottom left with cross-stitched emojis leading away from it.
It’s not a phase; it’s every day

I have not yet written up the patterns for these to distribute, but let me know with a comment if you’d be interested in me releasing them.

View all my cross-stitch

Support me on Ko-fi

View my publications

Book Review: Sun-Daughters, Sea-Daughters by Aimee Ogden

February 2, 2021 2 comments
Cover of the book

Summary:
A scifi, queer version of The Little Mermaid that wonders what happens after Ariel leaves the ocean?

In this version, Ariel is Atuale. Eric is Saareval. The sea witch is Yanja. The land folk find themselves the victim of a deadly disease that Atuale is immune to thanks to Yanja’s genetic engineering that let her switch from sea dwelling to land dwelling. She seeks out Yanja who takes her on an interplanetary trip to find help from other humanoids with more advanced technology than their own.

Coming February 23, 2021.

Review:
When I heard a queer scifi version of The Little Mermaid, I couldn’t hit the request button on NetGalley fast enough, which I point out to say, perhaps my expectations may have been a little too high.

This is a novella and so the world-building is tight not deep. In spite of this, I did feel I was able to quickly catch on to the world, but I suppose I might not feel that way if I wasn’t already a big reader of scifi. Its world isn’t that unique for scifi. Gene-edited humanoids live on various planets. There are some more fully alien species. Each planet has its own culture and problems, etc… I like that the gene-editing explains why the “sea witch” was able to move Atuale from the ocean dwelling to land dwelling. Yanja is less a sea witch and more a rogue sea scientist, which is neat.

The queer representation in this book is that Yanja was in a female body when Atuale lived in the ocean, and they were lovers. When Atuale seeks Yanja out again, Yanja is now in a male body. Saareval is male. So Atuale is bisexual and Yanja is trans. I appreciated how rapidly Atuale accepted Yanja’s new gender. There were no deadnaming issues as Yanja kept the same name throughout. I was disappointed in the representation of Atuale, though, mainly because I think one particular plot point falls into stereotypes of bisexual people. I wish a more creative approach to the plot was taken. It felt like a stereotypical and easy way through the story rather than a thoughtful one.

Personally, I struggled a bit to want to read this because I wasn’t expecting the future pandemic plot and that was just a bit too real for me right now. Perhaps other readers will find it comforting to see a pandemic being addressed in scifi, though. You know your own potential reaction the best.

I also want to offer the trigger warning that there is miscarriage in a flashback.

Overall, this novella has fun world building with a plot that looks at what happens after the happily ever after in The Little Mermaid. There is trans and bisexual representation, although the latter falls into stereotypes. Readers looking for a merger of The Little Mermaid with scifi and a scifi interplanetary approach to a pandemic are likely to enjoy this quick read.

3 out of 5 stars

Length: 112 pages – novella/short nonfiction

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Support me on Ko-fi

View my publications

Book Review: An Unkindness of Ghosts by Rivers Solomon

July 26, 2020 1 comment

Book cover depicting a Black woman's face set against a starry sky.Summary:
Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship’s leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human.

When the autopsy of Matilda‘s sovereign reveals a surprising link between his death and her mother’s suicide some quarter-century before, Aster retraces her mother’s footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she’s willing to fight for it.

Review:
I went into this book hearing it was a space opera take on the American antebellum south with queer characters, written by a Black American author. That was an apt description, but what I didn’t know was that Aster is neurodiverse, and that was the finishing touch that really sent me over the moon about this book. So let’s talk about Aster first.

Aster is clearly autistic. (I am using this language, rather than person-first based on the wishes of the overall autistic community). Being autistic is just a part of who she is at her core of her being. It’s not perceived as something to be overcome or a superpower. There are parts of her autism that are strengths and parts that are weaknesses. Her ability to learn in-depth about plants and their healing powers is a strength and her tendency to take people literally and miss the point is a weakness, but only in situations where others aren’t considerate of how she perceives the world. When they are considerate and think about how to frame what they say in a way Aster will understand, it is totally fine. I loved everything about Aster. I want more books starring people like her with the representation handles so smoothly.

Other representations that exist in the book in beautiful ways include, but are not limited to: asexual, bisexual, trans*, lesbian, and a wide variety of abilities and disabilities.

The intermingling of spaceship and Antebellum American south was heartbreaking. Imagine everything about how Starship Enterprise is largely a utopia and turn that on its head, and you have the MatildaIt’s not that systemic inequality is not already clear to me, but I do think depicting it on the confines of a spaceship heightens the awareness of it seeps throughout everything.

The mourning of a child’s murder is not one of my moods, so please do not dismiss it thus.
[location 71%]

Although I think it should be obvious from the fact this is telling a story of the Antebellum south in outerspace, I do want to give trigger warnings for rape, abuse, violence, executions, and torture (all things that of course happened in the Antebellum south and anyplace with systemic inequality).

Everything about this was simultaneously richly imagined and depicting the diverse world we really do live in. I thought this was gorgeous and hope to meet Aster again (or someone like her) in future worlds by Rivers Solomon.

5 out of 5 stars

Length: 351 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

Support me on Ko-fi

View my publications

Book Review: Run by Kody Keplinger

February 5, 2017 Leave a comment

Book Review: Run by Kody KeplingerSummary:
Bo Dickinson is a girl with a wild reputation, a deadbeat dad, and a mama who’s not exactly sober most of the time. Everyone in town knows the Dickinsons are a bad lot, but Bo doesn’t care what anyone thinks.

Agnes Atwood has never gone on a date, never even stayed out past ten, and never broken any of her parents’ overbearing rules. Rules that are meant to protect their legally blind daughter—protect her from what, Agnes isn’t quite sure.

Despite everything, Bo and Agnes become best friends. And it’s the sort of friendship that runs truer and deeper than anything else.

So when Bo shows up in the middle of the night, with police sirens wailing in the distance, desperate to get out of town, Agnes doesn’t hesitate to take off with her. But running away and not getting caught will require stealing a car, tracking down Bo’s dad, staying ahead of the authorities, and—worst of all—confronting some ugly secrets.

Review:
This book would have wound up as a Disappointing Reads Haiku except that I actually didn’t have high expectations for it going in. The description didn’t appeal to me that much, and I had a feeling I might feel lukewarm about it. So why did I read it? I heard one of the two girls was bisexual, and hurting as I am for bisexual literature (it’s hard to find just from book descriptions), I’m willing to give most of it a shot if it sounds even moderately appealing. I do like stories of unlikely friendships and representation of less than ideal parenting situations (the realistic kind, not the fantasy kind of conveniently dead parents). I also liked the representation of not just bisexuality but also someone who is legally blind. I found the writing to be clunky, though, and the ultimate plotline to be a bit puzzling, rather than moving.

Agnes is written better than Bo. The depictions of her over-protective parents, what it is to be legally blind but not 100% blind, how others treat her, particularly in her church as an angel and not as a regular person, these were all great. The author is herself legally blind, and you can really tell. I’ve read many books about blind characters by people who were not themselves blind and the depiction was nowhere near as realistic as in this book. I think it speaks a lot to why own voices literature matters.

This realism doesn’t come through in Bo though. Bo reads like a two-dimensional caricature with the quick correction that oh hey I know I’ll make her bisexual but not a slut and that makes her seem sensitively written. Bo whose family is known in the small town as the trouble-makers, the no-goods. Bo with rumors spread about her and no-good drug-addict mom. Bo who, unlike Agnes, doesn’t speak mainstream English but mostly just in the sense that she says “ain’t” a lot. Bo who’s terrified of foster care so runs when her mom is arrested again. What bothers me the most about Bo (this may be a minor spoiler) is the book seems to think it gives her a happy ending. Like everything is ok now. But it’s clearly not. Speaking as a bisexual woman who had a less than ideal living situation in rural America in her teens, nothing about Bo strikes me as realistic. She reads as fake. She sounds fake. Some of her actions themselves are realistic but there’s no soul behind them. It might not have stuck out so badly if Agnes hadn’t been so well-written or perhaps if I wasn’t able to relate to well to who Bo was supposed to be.

One of the lines that I think demonstrates this problem that I couldn’t stop re-reading is below. It should have made me happy because Bo actually says the word “bisexual.” (Very rare in literature). But I was just irritated at how fake it all sounded.

“So … you’re all right with it, then? Me being … bisexual, I guess? I ain’t never used that word before, but … you’re all right with it?” (loc 2359)

It bothers me on two levels. First, rural people don’t just decorate their sentences with ain’t’s and double negatives. There’s more nuance to the accent than that and also Agnes and her average blue collar parents would have the same accent as Bo (they don’t). Second, I’ve never in my life heard a bisexual person speak about themselves this way, and I certainly never have. The number of times Bo asks Agnes if she’s “ok with it” (this is not the first time) is unrealistic. You know as soon as you come out if someone is “ok with it” or not and you deal and react to that. You don’t just keep wondering. You know. No amount of inexperience coming out would make you not know.

If Bo had been written as powerfully as Agnes, this would be a very different review, but since that’s not the case I have to say my dislike of the representation of Bo paired with my like of the representation of Agnes left this an average read for me, and it certainly won’t be a piece of bi literature I’ll go around recommending.

3 out of 5 stars

Source: Library

Buy It

Book Review: Not Otherwise Specified by Hannah Moskowitz

January 26, 2017 Leave a comment

Book Review: Not Otherwise Specified by Hannah MoskowitzSummary:
Etta is tired of dealing with all of the labels and categories that seem so important to everyone else in her small Nebraska hometown.

Everywhere she turns, someone feels she’s too fringe for the fringe. Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself?

Review:
Etta is a character I wish I had been able to find in fiction when I was a teenager. She’s unashamedly herself, even when it hurts or it involves some floundering. She’s from a small town with dreams of the big city. She just doesn’t fit in her small town. She is so very real because she is so many intersectional elements at once. Most important to me is that she’s bisexual (and she actually SAYS the word), but she’s also female, black, and suffering from Eating Disorder Not Otherwise Specified (EDNOs), where the name of the book comes from.

What’s so great though is that, even with being all of these things, her main point of conflict actually has nothing to do with any of them. She desperately wants to live in NYC, and she sees a contest to get into a musical theater high school in NYC as just the chance to do that. She has a huge dream, and that is something any YA reader can relate to. So even if the reader happens to not relate to Etta on anything else (and honestly, who cares? kids like Etta have to reach really hard to relate to most of the literature out there so it’s about time the mainstream kids have to as well), but even if they don’t relate to her on anything else, they should be able to relate to her on this adolescent experience of The Big Dream.

I loved that Etta is allowed to be the person she is without speaking for All Bisexuals™. She very clearly presents herself as a bisexual person who is not representative of all bisexual people beyond the being attracted to more than one gender thing. I also appreciated that the complexity of the queer community is shown. Etta talks about being pushed into being an outsider by both the straights and the lesbians because both of them kind of just want her to “pick a side.” The book begins with the lesbians being angry at Etta for dating a boy. They’re acting like she was a “fake lesbian,” and this is how Etta feels about that:

And bi the way, I was never a lesbian, and I told the Dykes that all the time, but there isn’t a Banjo Bisexuals group or whatever. (location 54)

While a lot of the book eloquently deals with Etta’s sexuality, it also takes time to talk about race and racism. I lost the highlighted passage but essentially Etta is talking with a friend and discusses how hard it is to be part of so many minority groups and how she can never hide being black but she can hide being queer, and how that means she can never escape racism. On the other hand, she also points out how exhausting it can be to constantly be reminding people of her queerness. No one denies that she’s black but people keep trying to take her bisexual identity from her. It’s a non-preachy passage that introduces the complexities of intersexuality to a YA audience.

Finally, there’s the EDNOS. The best part about this is the book come in when Etta is in recovery. Most books about eating disorders come in during the downward spiral, but Etta has already gone to treatment and is working in recovery. We so often don’t get to see recovery and how messy it can be in literature, but we see it here. We get to see how mental illnesses don’t just go away, people just have strategies for staying in recovery.

There’s a ton that’s good about this book, but I must say that I did think the level of partying could sometimes be a bit over the top. While obviously not all kids are straight-edged I was a bit skeptical of the level of partying going on in Small Town USA (including high schoolers getting into a gay bar repeatedly). Perhaps what struck me as a bit less realitic, actually, was Etta’s intelligent and put-together mother who is clearly caring being somehow out of touch about the partying going on, whereas Etta’s sister is 100% aware. It wasn’t enough to truly bother me and I do think on some level some YA readers expect an unrealistic set of partying situations just for the interest level but in a book that had so much realistic about it, it just struck me as a bit out of place.

Overall, this is a great addition to contemporary YA with an out and proud main character and a timeless plot of a small town girl with big dreams. I requested it at my library to be added to the collection (and they did!), and if you can’t buy it yourself, I highly recommend you doing so as well. It bring so much different to the YA table.

4 out of 5 stars

Source: Library

Buy It

Counts For: Mental Illness Advocacy Reading Challenge #miarc
Specific Illness –> EDNOS

Announcement: I Am Open to Review Requests Now Through December 30th for Review in 2016

Image of confettiHooray!!

I am happy to announce that as of now I am open to review requests for books to be reviewed in 2016!!!

Now through December 30th, feel free to fill out the submission form if you are interested in being reviewed right here on Opinions of a Wolf at some point during 2016.

Here’s how it’s going to work:

  1. You lovely indie authors and indie publishers read my review policies to determine if your book is a good match for me.
  2. If it is, fill out the submission form.  I do NOT accept submissions via comments or emails.
  3. Between December 1st and 30th, I go over the submissions and determine which ones I will accept.  The number I accept will depend upon both the number that interest me, and the number I feel comfortable committing my time to in 2016.
  4. I send out acceptance emails to all the accepted authors/publishers anytime between December 1st and January 8th.
  5. By January 15th, accepted authors/publishers reply to this email either with a copy of the ebook or confirmation that they have sent out the print book to me.  If I do not hear back from accepted authors/publishers by January 15th, the review acceptance will be rescinded.
  6. By January 31st, I will write a post right here announcing the books I have accepted for review.  This means that if you are accepted for review, you have the potential for three instances of publicity: 1) the announcement 2) the review 3) a giveaway (if you request one AND your book receives 3 stars or more in the review).  You may view 2015’s announcement post here.  I highly recommend checking it out, as it reveals some interesting data on genres that have many versus few submissions.

I would like to note that I strongly encourage women writers and GLBTQA writers to submit to me, particularly in genres that do not normally publish works by these authors.  I was quite disappointed last year to get only 38% of my submissions from female authors.  I would like to get at least 50% of my submissions from women authors.  Although I received 14% of my submissions from authors who self-identified as GLBTQA, I would like to see this grow to at least 25%.  Please help me get the word out that I am actively seeking works by these authors.

If you are interested in the full breakdown of submissions I received last year and what was ultimately accepted, check out my 2015 accepted review copies post.

Thank you for your interest in submitting your books to Opinions of a Wolf!  I’m looking forward to reading through all of the submissions, and I can’t wait to see what review copies I’ll be reading in 2016!

Book Review: Love in the Time of Global Warming by Francesca Lia Block (Series, #1) (Audiobook narrated by Julia Whelan)

July 14, 2015 3 comments

Book Review: Love in the Time of Global Warming by Francesca Lia Block (Series, #1) (Audiobook narrated by Julia Whelan)Summary:
Pen’s life was destroyed when an Earthshaker took away her family (even their dog) and destroyed the Los Angeles she once knew.  She’s now on a quest to save them from the monstrous giants that rose up after (or with?) the Earthshaker.  Along the way she finds other teens who’ve miraculously survived, each with secrets and talents of their own.

Review:
This book left me completely torn.  I loved, oh how I loved, the representation of both bisexual (Pen) and trans (Hex, her boyfriend) teens. But the story to go with these teens failed to live up to both these wonderful characters and the beautiful title.

Let’s talk about the good first, because I don’t want it to be overshadowed by what didn’t work.  Pen is a bookish teenager who generally prefers to stay in reading the Encyclopedia or The Odyssey to going out to parties. But she still has two close friends. She’s not a loner.  She’s brave, open, loving, and sometimes makes rather short-sighted decisions.  And it is gradually revealed throughout the book that she is also bisexual.  The scenes exploring Pen’s bisexuality, and how it’s hard for her to be out about it, in spite of being completely comfortable with herself, are wonderfully done.  Pen acknowledges that even though her parents have always told her that it doesn’t matter a whit if she is straight, lesbian, bisexual, or trans, that the world at large doesn’t always think that, and that’s part of what makes being out hard for her.  The world is not always the welcoming place her family is.

The book early on establishes that Pen currently has a crush on a boy, so the reader may perhaps be surprised when she reminisces about an earlier crush on a girl, and how she first realized she liked girls too.

Thinking of how I once kissed Moira on the lips. We were drunk and dancing, and our lips just brushed for that electroshock nanosecond, and then she smiled at some boys who were watching us, laughed, and danced away from me like it was a joke.  But I’d had an epiphany, even though I hadn’t fully accepted it at the time. I wanted to kiss girls. And it was no joke. (loc 2:14:53)

Similarly, Pen struggles with self-editing her past when telling Hex about her life before the Earthshaker.  She is not sure if he’ll understand or accept the fact that she’s perfectly capable of having crushes on girls as well as boys like himself, so she edits herself when speaking to him.  She’s telling him a story about a party she didn’t go to, and the picture that her friends sent her of a boy with her friend, Moira:

I went to sleep staring at the last image wondering not what his mouth tasted like but hers. This part, this last, I don’t tell Hex, although I trust him enough to tell him anything. Don’t I? So I’m not sure why I don’t. Because I don’t want him to know I had a crush on a girl? Or because I have a crush on him. (loc 1:39:44)

It’s rare to see a book explore so eloquently what it is to be bisexual, and these feelings Pen has while not universal still explore the difficulty of coming out and being out as a bisexual person, and they were so wonderful to see in a book that I had to restrain myself from jumping up and shouting “Yes!” when they showed up on my audiobook on the bus.

Similarly, Hex, Pen’s love interest and eventual boyfriend (this is not a spoiler, when Hex shows up he may as well have a giant neon “future boyfriend” sign over his head), is a FTM transman.  Hex is just as nervous about being out to Pen and their other travel companions as Pen is about being out to him, probably more.  Being cis myself, I can’t say as definitively about the quality of FTM representation as I could about bisexuality, however, the author certainly tries to broach topics that I believe would be of interest to a trans YA reader reading this book: acceptance (or not) by family members and impact on romantic relationships with other teens.  Hex comes out to Pen as a transman only because she has fallen for him, and he wants her to know precisely who he is before anything more *ahem* romantic happens.  Pen immediately accepts him and tells him he is clearly a boy to her, and this changes nothing about how she feels about him.  They then have to navigate their sex life.  Hex, like many trans people, is uncomfortable with his body.  He would rather touch Pen than allow Pen to touch him.  Eventually, they reach an arrangement that both supports and asserts Hex’s maleness and allows Pen to give the pleasure back to him that she wants to.  I was glad to see a YA book “go there.”  I frankly haven’t seen much of that even in adult literature including a trans person.  It both addresses the “how do they….” question some YA readers would certainly have after learning about Hex and also serves a purpose in the story to demonstrate a mature, healthy, loving relationship between the two characters.

In addition to Hex and Pen, they also wind up with two male travel companions who become a couple.  The characters themselves point out at one point how odd it is that the minority before the Earthshakers is now the majority (none of them are straight AND cis).  I was glad the author acknowledged the quirk and had the characters process why that may be.  The answer they decide upon is a positive one, rather than the potentially negative one of punishment.

So now let’s talk about what didn’t work.  The plot and the setting.  The book is meant to be a magical realism style story told in a non-linear way.  This could have worked if in the end the overarching plot, when reassessed by the reader from beginning to end, made sense.  But it doesn’t.  For most of the book, Pen refers to everything in fantastical ways, such as saying “Earthshaker” for what appears to the reader to be an earthquake.  Why is she saying “Earthshaker”? Was there something different about it?  Does she just like prettying up her language? What is going on with that?  Later it is revealed that an earthquake seems to have happened when some genetically engineered giants escaped (showed up? were released?).  The whole world basically goes to shit overnight, though, and it just doesn’t seem logical that that would happen from just a few giants escaping.  Similarly, there are other fantastical creatures who are never explained.

Similarly, although it is indicated early on that this is a modern retelling of The Odyssey, it doesn’t line up well with the original.  In the original, Odysseus is trying to come home after a war and keeps getting swept into side-quests.  In this book, Pen starts out at home and then quests away from home.  It would have made more sense for Pen to be somewhere away from home (maybe on a school trip or something), have the disaster occur, and then have her have to find her way home encountering fantastical things along the way.  Starting her at home just doesn’t work.

Several elements feel like they are just thrown in because they look pretty or work with the scene even though they don’t work with the book as a whole.  For instance, butterflies appearing around people who can be trusted pops up in the middle of the book, but isn’t particularly present at the beginning or the end.  Similarly, some characters are revealed to have magical powers toward the end of the book, with no foreshadowing about that, only to have them….not use them much beyond the scene where it’s revealed.

Also, I’m sorry, but the whole some evil scientist genetically engineered giants to be his children and now the giants are out to destroy us but also the whole world inexplicably now resembles a myth just really doesn’t work.  First, it makes no sense why a scientist would even want to engineer a giant.  To be his children? Really? Why would anyone want giant children?  Second, to give the mystical elements that started this whole thing a scientific explanation but then leave the rest fantastical doesn’t work.  Either they’re all explained by science or they’re all fantastical.  I really felt the book went way downhill for me when there was suddenly a “scientific” explanation for the giants. But just the giants and nothing else.

Finally, we need to talk about the name of the book.  It’s a beautiful title but it’s really wasted on this book.  First, global warming doesn’t come into play in the book at all, so why is it mentioned in the title?  Second, it’s clearly a send-up to Love in the Time of Cholera, but it has nothing in common with that book save both having elements of magical realism in them.  It feels as if the author came up with a title that sounded pretty and couldn’t bring herself to let go of it in spite of it not fitting the book she actually wrote.

Overall, this is a short read featuring four well-rounded and written teen characters on the LGBTQ spectrum.  YA readers looking for positive representations of bisexual and trans characters, in particular, and who don’t mind some inexplicable fantasy elements will enjoy this quick read.  Readers who will easily be bothered by the title not matching the content, a mixture of magical realism and scientific explanations for things, and/or nonlinear plots that when told linearly don’t make sense should probably look elsewhere, in spite of the positive representations of underrepresented letters in the LGBTQ spectrum.

3 out of 5 stars

Source: Audible

Buy It