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Book Review: The Queen of the Cicadas / La Reina de las Chicharras by V. Castro

June 22, 2021 2 comments
Digital cover of the book The Queen of the Cicadas / La Reina de las Chicarras. A red silhouette of a woman is against a blue background. A quote reads "Dark, atmospheric, sexy, and dangerous, her fiction bringers readers her unfiltered Latinx essence and a unique pulpy flavor. Her work matters. Read it."   Gabino Iglesias, author of Coyote Songs.

Summary:
You’ve heard of Bloody Mary and Candyman but have you heard of La Reina de las Chicharras? The legacy says she’s a Mexican farmworker named Milagros who was brutally murdered in 1950s Texas then given new supernatural life by the Aztec goddess of death, Mictecacíhuatl. In 2018, Belinda Alvarez arrives in Texas for a friend’s wedding on the farm that inspired the legacy of La Reina de las Chicharras. But is it just a legacy or is it real?

Review:

I’m a woman of a certain age. I know that shit isn’t always right.

Chapter 9

This struck me as a Latinx, female-led version of Candyman, only, over time, La Reina de las Chicharras comes to protect the downtrodden who call her.

Milagros’s life story that leads to her becoming La Reina is told in parallel with Belinda’s discovering her story and coming into her own realizations about Mictecacíhuatl. I really resonated with the Milagros chapters but struggled to relate to Belinda. She needed more depth and roundness to seem as real as Milagros. Some additional chapter breaks could also help with the jumping perspectives. In general, though, the dual perspectives worked and the uniqueness of the storyline kept me quite engaged to find out what would happen.

In addition to the strong Latinx content, the Indigenous history of Mexico is present. Milagros’s relationship especially to the Indigenous people who were brutally colonized is drawn clearly. There is also relatively significant queer content here. Milagros is a woman who loves women. There are two important gay male characters, and Belinda exhibits fluid sexuality, although she never gives a label to this.

Two things in this book were at ethical odds with me. First, Belinda is written as a woman in addiction who then never overcomes it (or even tries to) in spite of her character arc seeming to indicate that she has been transformed in a positive way. I’m ok with a realistic depiction that not everyone finds recovery, but it bothered me that it comes across as a positive transformation when she remains in addiction. It’s relatively clear that this is a bit of a vengeance fantasy. I understand the importance and role of having a place for anger at injustice to go. But my own spiritual beliefs uphold forgiveness over vengeance, so my world view differs.

If you like urban legend style horror and want to see women in the lead, then you will likely enjoy this read. Those offended or disturbed by the idea of the universe holding multiple gods and religions simultaneously should likely look elsewhere.

4 out of 5 stars

Length: 224 pages – average but on the shorter side

Source: NetGalley

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