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Book Review: The Path to Peace: A Buddhist Guide to Cultivating Loving-Kindness by Ayya Khema
Learn about the Buddhist 15 Wholesome qualities and a collection of visualization-based loving-kindness meditations lovingly transcribed from talks given by Ayya Khema.
Summary:
Having escaped Nazi Germany in 1938, Ayya Khema has singularly profound perspective on creating peace, unconditional love, and compassion. She gently teaches that inner peace is not necessarily natural or innate. Instead, peace should be considered a skill that needs intentional practice—every day. Peace is the sum of many parts, namely the fifteen wholesome qualities the Buddha himself noted in the Metta Sutta, including usefulness, mildness, humility, contentment, receptivity, and others. In the first part of the book, Ayya Khema expertly guides us through each individual condition, using her trademark humor and personal narrative, to help each reader shape their own path to self-transformation. The second part of the book includes an eye-opening discussion of metta (loving-kindness) as both a morality and concentration practice, as well as ten meditation practices using visualizations.
Review:
Ayya Khema was an impactful Buddhist nun, who established a forest monastery in Australia, a training center for Sri Lankan nuns in Colombo, and a monastery and Buddhist center in Germany. Ayya Khema’s early life, escaping Nazi Germany with her Jewish family, could easily have led to bitterness. Instead she worked out of love to help others. While she wrote many books during her lifetime, this book was put together posthumously as transcripts from some of her talks.
The first part of the book is a transcript from a talk she gave on the Buddhist 15 Wholesome Qualities. I found this section to be ideal to read right before bed. Each Wholesome Quality was like reading a short devotion, and each section gave me something to think about as I fell asleep. Here is an example of the sort of discourse found in each section, from the section on the sixth Wholesome Quality – Mild:
Not looking after oneself, both mind and body is a lack of compassion, a lack of compassion for this person who is having all sorts of difficulties. And if we don’t look after ourselves, and aren’t mild towards ourselves, then it will be difficult to do this with others.
loc 324
This section also introduced to me to a new sutta I’d not heard of before – the Maha-Mangala sutta, which Ven. Khema states is popular in Asian Buddhist communities. Something I liked about how this speech is structured is while some content is there in its fullness, others are mentioned in passing, and if you’re interested you need to go look it up for yourself and study it. These aren’t talks for beginners – for instance, dukkha is never explained (it is the Buddhist term for suffering), but they helped me dive deeper into my studies in new ways.
The visualization-based loving-kindness meditations in the second part were interesting. I have seen some visualization-based loving-kindness meditations before, but I particularly liked “The Golden Light” and “Forgiveness” versions given here. This section is useful to both new and established meditators, as visualization is one of the more engaging forms of meditation for beginners, but also the different structure can introduce some variety to established meditators.
There were a few statements Ven. Khema made that I disagreed with, but that’s to be expected from any discourse. We don’t all agree on everything, that’s why it’s discourse. Nothing she said was something I found majorly disagreeable, just minor things like why people are shy, for example.
Overall, this was an interesting book of discourses from a well-respected Buddhist nun. The first part is perfect for bedtime reading, and the second part may be used either as an introduction to loving-kindness meditation or a way to introduce some variety to an already established practice.
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4 out of 5 stars
Length: 173 pages – average but on the shorter side
Source: NetGalley
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Book Review: Pray for a Brave Heart by Helen MacInnes
A 1950s spy novel written by a woman that intermixes early Iron Curtain fears and post-WWII concerns about missing Nazi loot.
Summary:
It was 1953, and nothing could shake Bill Denning’s resolve to leave the army and return to the States. Nothing, except one of the largest diamond hauls ever – which, in the wrong hands, on the wrong side of the Iron Curtain, was a potentially lethal force. In a small village in the Swiss mountains, Denning discovered that there was not only a jewelry robbery at stake. In the ruthless world of espionage and international conspiracy his adversaries were the most unlikely people – and the most dangerous.
Review:
I picked this up antiquing with the cover you see here, and a blurb that revealed that a woman was being watched by a chinless man, and nothing else. I was expecting a romantic suspense based on those two but instead this is a spy novel. I had no idea Helen MacInnes is known as the “Queen of Spy Writers.”
The book uses third person omniscient narration style, which I hadn’t read in a while. It was interesting to see how the intrigue managed to remain when perspectives shifted to essentially everyone in the scene. How could this be so, I wondered in retrospect? Well, in spite of being omniscient, we never take the perspective of the bad guys. So we only ever take the perspective of the good guys, none of whom have everything figured out. While we go inside all of the good guys’ heads, the perspectives we take the most often are Bill Denning, his friend’s wife Paula, and her friend from school days Francesca.
The narrative device works to subtly other the Communist characters. If a character is a Communist, we never enter their head. We never see their perspective. Francesca is the sole character who shows some empathy toward those with viewpoints different from her own, and the narrative is certain to punish her for that and have her see the error of her ways. It’s an interesting example both of the Red Scare era and how writing styles can be used to reenforce viewpoints.
I felt this book was low on action. A lot of the scenes are characters talking in a room together trying to puzzle out what’s going on. The last few chapters really picked up on the action, and I wished the rest of the book was action-packed like that. There’s even a couple of scenes where characters stop to read poetry or discuss Latin. On the one hand, the literary aspect was nice. I found myself checking out a book of translated German poetry from the library. But, on the other hand, I wouldn’t call that an action packed scene.
The Swiss and Berlin settings are beautifully rendered. You really feel as if you are there. I also liked the insertion of German phrases without explanation for what they mean. In books where characters are bilingual or traveling this should really be done more often. It gives more of a sense of the travel. Plus the reader can look up the phrases if they really want to.
Overall, this is a decent spy novel, if a bit slow-paced. It’s a good view into the Red Scare era. Others suggest that if you are interested in Helen MacInnes’s writing to start with one of her WWII spy novels such as Above Suspicion or Assignment in Brittany.
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3 out of 5 stars
Length: 284 pages – average but on the shorter side
Source: purchased
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Book Review: The Thorn Puller by Hiromi Itō
One of Japan’s most prominent women writers writes of a contemporary woman’s life split between caring for her much older British husband in California and her aging parents in Japan and her three daughters in both places.
Summary:
The first novel to appear in English by award-winning author Hiromi Ito explores the absurdities, complexities, and challenges experienced by a woman caring for her two families: her husband and daughters in California and her aging parents in Japan. As the narrator shuttles back and forth between these two starkly different cultures, she creates a powerful and entertaining narrative about what it means to live and die in a globalized society.
Ito has been described as a “shaman of poetry” because of her skill in allowing the voices of others to show through her. Here she enriches her semi-autobiographical novel by channeling myriad voices drawn from Japanese folklore, poetry, literature, and pop culture. The result is a generic chimera—part poetry, part prose, part epic—a unique, transnational, polyvocal mode of storytelling. One throughline is a series of memories associated with the Buddhist bodhisattva Jizo, who helps to remove the “thorns” of human suffering.
Review:
I picked this up from my library’s new books shelf, and for some reason I misunderstood and thought it was creative nonfiction. Since the main character shares the author’s first name, I stayed under this belief for quite some time, right up until the main character does something that shocked me. Then I investigated and realized it’s fiction heavily inspired by the author’s own life. I mention this to say that this reads like very modern creative nonfiction. It’s a mix of poetry, vignettes, and factual asides and doesn’t use quotation marks ever. Each chapter ends with a note of what works inspired that particular chapter. I was honestly impressed at this fictional creative nonfiction.
While each chapter vaguely goes in order of a year or two or Hiromi’s life, each also explores other parts of her life. And some weeks may be dropped in-between. The point isn’t a linear story but rather an exploration of how Hiromi deals with being in the sandwich generation with the added factor of her husband being at least 20 years older than her and so, he is aging more rapidly than she and requires more caregiving than he might otherwise. Hiromi thus deals with universal themes of caring for others while struggling to care for yourself. Of trying to give space to others to make their own decisions about their lives while worrying about them and wanting them to stick around.
Another major theme is Hiromi’s global life. She’s Japanese, living part-time in California, raising three daughters all of whom are American, one of whom is biracial (it’s unclear from the story if the older two daughters are biracial or not), living with a husband who is a British immigrant to the US who is also an older generation than her. There are so many cultural and generational differences for Hiromi to deal with. She struggles with Japanese perceptions of her husband, her husband’s perceptions of Japan, her own daughter’s difficulties to speak Japanese fluently, and more. What I found the most interesting was her husband’s misguided belief that because she was Japanese she wasn’t religious at all, only to become very angry at her when he finds out she took their daughter to visit a shrine. He thinks of this as religious. She thinks of it as simply a way of being. This thus explores the very interesting question of how much, if any, of spirituality is cultural?
Jizo and Jizo’s shrine are interwoven throughout the book. Hiromi feels a particular affinity for Jizo and so we see her memories of the shrine and also see her visiting the shrine in present time. Jizo is a Bodhisattva who is believed to help relieve suffering. Bodhisattva is a term used in two ways. It can mean anyone who is working in this life toward enlightenment. But it also can mean souls that have attained enlightenment but delays going to nirvana to help ease the suffering of others. This book takes up the latter definition, because the main character most strongly identifies with Pure Land Buddhism, which is a branch of Mahayana Buddhism that uses this definition of Bodhisattva. Although I have familiarity with Buddhism (as you can see in one of my short stories), I don’t think you have to in order to appreciate how Jizo is interwoven in the story. Hiromi is dealing with very difficult aspects of life, and when she’s struggling, she leans on a comfort from childhood – Jizo and his shrine. This is a very relatable emotional choice. It’s so relatable, in fact, that one cannot help but empathize with Hiromi when her husband struggles to understand why she feels an attachment to Jizo’s shrine when she’s dealing with her father’s aging and her mother’s slow death from a stroke. (Honestly, her husband is infuriating, even while you can see that he does indeed love Hiromi.)
As you can probably tell, this book does deal with difficult topics. Be aware that Hiromi’s mother’s stroke and its impact on her body is quite central to the story. Her father’s aging is depicted honestly, without any gentling of the more difficult aspects. Hiromi mentions in passing having had multiple miscarriages and abortions in the past. A character has a cancer scare that leads to a rather graphic scene of bleeding. Another character has a heart issue. Eating disorders are mentioned although not depicted graphically. Racism and xenophobia are both depicted on screen. Finally, and what was to me the most shocking, Hiromi engages in a violent act against her husband at one point. I thought all of these were dealt with in an even-handed and fair way except for how Hiromi treats her husband. That I felt was glossed over a bit too easily, especially for a character who believes suffering can come from a human killing spiders. Her lack of guilty feelings felt out of character to me.
Overall, this is an engaging read that merges creative nonfiction and fiction in fascinating ways and provides perspective on Japanese, American, and British cultures. For those less familiar with Japan, the translator offers an introduction to help understand what you might need to in order to enjoy the book fully. I also appreciate the translator’s note at the end that describes the translation process and how the author had some say in it.
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4 out of 5 stars
Length: 300 pages – average but on the shorter side
Source: Library
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Book Review: Deep Work: Rules for Focused Success in a Distracted World by Cal Newport
A computer science professor discusses why working distraction-free can set you apart and how he applied these techniques in his own career.
Summary:
Deep work is the ability to focus without distraction on a cognitively demanding task. Dividing this book into two parts, the author first makes the case that in almost any profession, cultivating a deep work ethic will produce massive benefits. He then presents a rigorous training regimen, presented as a series of four “rules,” for transforming your mind and habits to support this skill.
A mix of cultural criticism and actionable advice, Deep Work takes the reader on a journey through memorable stories-from Carl Jung building a stone tower in the woods to focus his mind, to a social media pioneer buying a round-trip business class ticket to Tokyo to write a book free from distraction in the air-and no-nonsense advice, such as the claim that most serious professionals should quit social media and that you should practice being bored.
Review:
A drive for traditional academic and corporate success tinges the majority of this book. But if you are able to see past it, there are some good facts and tips as well.
It’s easy to feel plagued by distraction in this world, no matter if your goals are traditional or nontraditional. Part of that is by design. Most of us at this point carry a smartphone, and they’re designed to be addictive. Even if your goal is to relax watching a movie with a loved one, you might find yourself reaching for your smartphone repeatedly throughout the movie instead of focusing on enjoying simply the movie and the moment with your loved one. Times of deep focus is what this book terms “deep work.”
A strength of this book is the discussion of the benefits of spending some time in a deep work (focus) state. It lets you master difficult things at a faster rate. It leads to greater satisfaction because when we’re unfocused we skew more toward pessimism rather than optimism. And, something I personally think should be talked about more, our worldview is based on what we pay attention to. So, we should be more mindful about what we are paying attention to. These are all good points and motivators to take the power back from addictive devices over our time. But then the author goes into a work-obsessed left field.
There is a palpable sense throughout this book that any negativity a worker may feel about their workplace is all down to the worker not focusing in the correct way. Even a simple mismatch between the worker and the work’s goals is somehow something the worker can just focus past in the author’s mind.
You don’t need a rarified job; you need instead a rarified approach to your work.
loc 1012
People deserve to do work that makes them feel good. And we are all blessed with different talents, skills, and gifts. A job might not suit one person but suit another. A job doesn’t need to be rarified to be satisfying. And a worker doesn’t need to be rarified to excel at their job. I might also question, why the pressure to excel? Why can’t we simply do our jobs well and complete the day satisfied?
Toward the end of the book, the author describes a year in which he really pushed himself as he was about to come up for tenure. He states that during this year he was “a deep work machine” (loc 2908). He literally thought about work in every spare moment – when going on walks, when raking leaves. He had at least one young child at home, and he still spent all this time engaged in deep thinking…about work. Why? Because he didn’t get an opportunity his colleagues did. He does at one point express that maybe he went a little too far, but he also discusses how much work success it brought him and seems generally pleased with the outcome. I find it interesting that he talks so much about bringing focus to his job but not about spending focused time with his child or wife, for example. In spite of the fact that the same techniques for focus he uses for work could be applied to many other aspects of our lives. But he only seems to see their use in climbing the academic crab bucket.
If we choose to see past the toxic application of focus in only career, what are the tips given in this book for developing focus? These are what stuck out to me. Schedule times of deep focus. When in your scheduled deep focus times, focus on things that are, to you, wildly important. Keep a tally of the deep focus time you have accomplished – not the tasks, but the time. Review this weekly to help yourself understand what’s interfering with your deep focus time and adapt. On the flip-side of scheduled focus times, schedule times for distraction. So, for example, pick a 30 minute window where you will browse Instagram, and that’s the only time you do it that day. To hone your skills, select a task you want to accomplish and set a timer for slightly less time to finish it than you think you will need. See if you can beat that time. This will help you focus more deeply and become faster over time.
Overall this book has some interesting explanations of why focus matters and tips on how to bring more focus into your life. But you will need to look past the lack of work/life balance present in many of the examples given, instead extracting solely what is best for your own focus goals in your own, well-balanced life.
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3 out of 5 stars
Length: 296 pages – average but on the shorter side
Source: Library
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Book Review: Broke the Bread, Spilled the Tea by Mitchell Kesller
A bisexual, Christian man explores how he came to a queer-affirming version of his faith.
Summary:
The Christian Church has long been one of the most influential institutions in society. Self-proclaimed as God’s representatives on earth, it is ironic to see how a faith of love and inclusion has been the source of wars, genocides, slavery, and oppression throughout the ages. In an era of misinformation and blind faith, maybe it’s time to take a closer look at the Bible and “judge by the fruits” of what is real and what is not. Broke the Bread, Spilled the Tea aims to explore one of Christianity’s most marginalized groups and breaks down exactly what the Bible says about queerness through a contextual, historical, and lexicological lens. Bridging the gap between identity and faith is possible when we conclude that perhaps the God preached on the Sunday pulpits isn’t the fullness of who He actually is.
From an author deep in the trenches,
I’ve broken the bread,
it’s time to spill the tea.
Review:
There’s a big divide in the various sects of Christianity about what to say and do about us queer people. Some say simply being queer is an abomination. Some say it’s ok to be queer but you must not act on it. And some are affirming churches – that say being queer is how God made us, and He loves us just the way we are. Catholicism’s response to queerness is a mixture of tradition, catechism, and what the Pope says. (It has tended to come down on it’s ok to be queer as long as you’re celibate.) Protestant sects, in contrast, make their decisions based on interpretations of the Bible. Mitchell was raised Protestant, and this is a Protestant exploration of queerness. Thus, it is largely rooted in interpretations of the Bible and focuses a large part on the clobber passages. These are 6 (or 7, depending on who you ask) passages in the Bible that non-affirming interpretations view as condemning queerness, whereas affirming churches view as not doing that. I tried to find a neutral explanation of the clobber passages but could not. So here is one from a non-affirming viewpoint. Here is one from an affirming viewpoint.
Kesller starts the book with a memoir chapter, explaining who he is, his upbringing, and how he came to his affirming viewpoint (without the fine details – those are covered later in the book). I found it particularly interesting that his perspective is of a bisexual person. I know as a bisexual person myself that often people find it difficult to understand why I couldn’t just let go of my queer identity and pass. Kesller does a great job of articulating why that wasn’t possible for him, and I found it quite relatable. Another interesting aspect of his perspective is that he immigrated to the US from Brazil as a child, so his childhood church experience wasn’t the pasty-white version of Evangelicalism you usually see on the news. In general, Kesller has a humble, relatable tone throughout the book. He’s not preachy. He’s just trying to share his own journey of how he personally came to understand the Bible and Christianity generally and the clobber passages specifically.
After the memoir section, the chapters explore the ancient church, how we got the Bible, and how God is represented in the Bible. Only then does Kesller go into the clobber passages. I like that he gives context to this exploration. Too often people dive right into Bible verses with no surrounding context whatsoever. I appreciate how Kesller tries to focus on the big picture of who Jesus is, what his message was, and what that means for Christians. I think some of his points on the clobber passages are stronger than others – and that’s coming from an affirming person. This is to say….I think some of the apologetics need some work. But that’s not really a critique because this is his own personal journey, not an apologetics book. There are other books out there if that’s what you’re looking for. (Clobber the Passages or UnClobber spring to mind.)
Interestingly, I think the greatest strength of this book is in calling out modern day Protestant churches for falling into Pharisee like behavior – being focused on religiosity rather than living lives of radical caring. The two quotes that I think really demonstrate this are these:
More often than not, we see Jesus living out a ministry of relationships rather than one of religiousness.
loc 299
The Church often tries to eliminate a symptom without treating the underlying cause.
loc 1829
I also think this book could be really useful in trying to help build a bridge between a non-affirming family member and an affirming one. It answers the question of “how can you both be happily queer and a Christian” in a gentle manner.
Overall, I appreciate Kesller’s bravery in writing this book and being so open about his own life and faith journey.
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4 out of 5 stars
Length: 157 pages – average but on the shorter side
Source: NetGalley
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Book Review: Haven by Emma Donoghue
Three monks struggle to survive on an inhospitable island off the Irish coast.
Summary:
In seventh-century Ireland, a scholar and priest called Artt has a dream telling him to leave the sinful world behind. Taking two monks—young Trian and old Cormac—he rows down the river Shannon in search of an isolated spot on which to found a monastery. Drifting out into the Atlantic, the three men find an impossibly steep, bare island inhabited by tens of thousands of birds, and claim it for God. In such a place, what will survival mean?
Review:
This is a quiet character study set on a windswept island with only one tree upon it but thousands of birds. (This is based upon a real place in Ireland.) It wrestles with how being with nature at a more intimate level than what is currently experienced by one’s peers can bring out great revelations about a person. Both good and bad. It demonstrates how a group with a leader can show great resolve through trials but also the weakness of unquestioned loyalty to a questionable leader. How do you know when it’s time to question the leader?
What I found particularly interesting was how the story itself shows the strange juxtaposition of this group going to nature but their leader not respecting nature simultaneously. While Cormac and Trian both have a respect for and understanding of nature due to their lives before they were monks, Artt as a scholar does not. He does things and asks the other monks to do things that strike them as odd. Two things in particular feel like wrongdoing to the other two monks although they struggle to articulate why. I found myself wishing that Cormac and Trian could find either Buddhism or a Christian sect that had a greater respect for nature (for example: Franciscans). They would surely have fit in better.
An example of something Artt asks along this line that isn’t particularly a spoiler. Trian, after they arrive on the island, eats some shellfish and brings some back for the others to eat. Artt tells them this food is unclean and forbidden. Trian’s thoughts later:
He wishes he still didn’t know it was forbidden; wishes he was innocent and could cram his belly with whatever dirty, delicious stuff he found.
page 161
Trian loves the birds and watching them. Artt is annoyed by the birds. He views their noisemaking as exacerbated by the devil to work against them and tells Trian that it’s not possible to pray with your eyes open. Trian internally resists this. He feels it is possible to pray with one’s eyes open. The reader is left seeing how much more spiritually Trian engages with God’s creation than Artt does. In fairness to Artt he does have a greater faith than the other two in God’s providing for them. When the other two might be willing to give up and take the boat to get supplies, Artt encourages them to wait and see what they can figure out on the island itself. He’s often correct that they hadn’t quite considered all options yet. One might say that Artt has a lot of faith in God’s creativity and perhaps too much suspicion of Satan’s creativity as well.
There is some queer content. I can’t describe what it is without spoilers. Highlight the next paragraph to see.
Trian is intersex. This is a critical plot point. Cormac and Artt are divided on how to handle Trian after finding out. I was pleased with the resolution and feel the ending is, overall, uplifting.
Overall, this is a quiet study of what happens when one person is given too much authority over other people’s spiritual development. It’s set in a gorgeous, richly imagined backdrop. I couldn’t stop thinking about it after I read it, which is why I rated it five stars.
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5 out of 5 stars
Length: 272 pages – average but on the shorter side
Source: Library
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Book Review: Through Forests of Every Color: Awakening with Koans by Joan Sutherland
Learn about Zen Buddhist koans – both their history and how to use them in your practice – in this approachable introduction from a nearly lifelong Zen practitioner.
Summary:
Renowned Zen teacher Joan Sutherland reimagines the koan tradition with allegiance to the root spirit of the koans and to their profound potential for vivifying, subverting, and sanctifying our lives. Her decades of practicing with koans and of translating them from classical Chinese imbues this text with a warm familiarity, an ease still suffused with awe.
Interlinked essays on “koans as art,” “keeping company with koans,” and “walking the koan way” intersperse with beautifully translated renditions of dozens of traditional Zen koans. Sutherland also shares innovative koans culled from Western literature, as well as teachings on how to create idiosyncratic koans or turning words from the circumstances of one’s own life.
Review:
I came into this book with some trepidation. My previous experiences with koans were frustrating, and not in a way that I felt lent itself to enlightenment. I hoped this introductory guide to koans would hep me to engage with them better. This book certainly met that goal. I now have a desire to work with koans in my own practice. Although, I won’t be jumping right into The Gateless Gate. I plan to pick up another book that moves slowly and with guidance.
Indeed, learning the history of how koans have traditionally been engaged with helped me. You wouldn’t enter koan study alone but rather with a teacher who helps you learn how to engage with them. The author does not feel this can be entirely replicated with books and encourages finding a teacher. I will carry on with books for now as finding a teacher seems an insurmountable task at the moment to me. Sutherland also discusses how traditionally there was a “right” answer to koans but in modern times there’s more consideration for alternative interpretations – as long as they hold meaning to the practitioner. So you might not make a student wrestle with a koan until they come upon “the” answer but rather until they come upon an answer that leads them further down the path toward enlightenment.
Sutherland also discusses the reputation of Zen for being rude. She points out how in the culture rudeness was basically unheard of. So the point wasn’t the rudeness. The point was startling the student out of their cultural expectations. She suggests that other methods might be best depending upon the culture you’re currently working in. This was a real “aha” moment for me. Startling as the goal is something I can understand as being an impetus to break out of your current mindset.
I also appreciated coming to understand that the goal isn’t to solve a koan immediately. Rather, the goal is to live with the koan, day in and day out. In this way your own life helps you understand the koan, and the koan helps you understand your own life. This reminded me of how I was encouraged to engage with Scripture as a child. To memorize a verse and consider it for a full week or a month to see what else may be revealed.
One thing that disappointed me in this book was the discussion of writing your own koans was sparse. It was the aspect I was looking forward to the most. In all honesty, I can’t remember any part of the book directly discussing it. I don’t believe the blurb would mention it if it wasn’t there, though, so I’m assuming it’s very fleeting. I was expecting an entire chapter, perhaps with suggested exercises.
I want to leave you with my favorite koan from the book.
Someone asked Yunmen, “What is reaching the light?
loc 185
Yunmen replied, “Forget the light, First give me the reaching.”
Overall, this is a nice introduction to koans, both how to use them in practice and their history. Recommended to anyone looking to learn more about koan.
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4 out of 5 stars
Length: 192 pages – average but on the shorter side
Source: NetGalley
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Book Review: The Trauma of Caste: A Dalit Feminist Meditation on Survivorship, Healing, and Abolition by Thenmozhi Soundararajan
Indian people are born into a specific, unchangeable caste. People of the lowest caste – Dalits – suffer discrimination and injustice. Here a Dalit feminist Buddhist author explores how Dalits can survive and heal from this trauma and allies can work toward justice.
Summary:
“Dalit” is the name that we chose for ourselves when Brahminism declared us “untouchable.” Dalit means broken. Broken by suffering. Broken by caste: the world’s oldest, longest-running dominator system…yet although “Dalit” means broken, it also means resilient.
Despite its ban more than 70 years ago, caste is thriving. Every 15 minutes, a crime is perpetrated against a Dalit person. The average age of death for Dalit women is just 39. And the wreckages of caste are replicated here in the U.S., too—erupting online with rape and death threats, showing up at work, and forcing countless Dalits to live in fear of being outed.
Dalit American activist Thenmozhi Soundararajan puts forth a call to awaken and act, not just for readers in South Asia, but all around the world. She ties Dalit oppression to fights for liberation among Black, Indigenous, Latinx, femme, and Queer communities, examining caste from a feminist, abolitionist, and Dalit Buddhist perspective—and laying bare the grief, trauma, rage, and stolen futures enacted by Brahminical social structures on the caste-oppressed.
Review:
I read and enjoyed Radical Dharma. It is a Black Buddhist exploration of systemic racial injustice against Black folks. It also uses Buddhist thought to progress toward liberation. The publisher recommended this book to readers of Radical Dharma, and I could tell from the title alone the parallels. Indian society oppresses Dalit peoples in very similar ways to how US American society oppresses Black folks. For example, they were both the source of enslaved labor in the 1800s. The author, a Dalit American woman, offers a very personal exploration of what it is to be a part of the Dalit diaspora. She also explores how her Buddhist belief system helps her navigate her trauma and advocate for societal change.
The author divides the book into four sections she calls mediations – The Existence of Caste, The Source of Caste, From Wounds to Liberation, and The End of Caste. There are also two appendixes that I found so meaningful I think they’re better thought of as part of the main book. The first explores Dalit social justice activists throughout time like B.R. Ambedkar and Phoolan Devi. The second is healing meditations for those truamatized by caste.
If you have ever heard of an “untouchable” caste this book makes it clear that this is not the name that members of this caste chooses for themselves. Many choose the name “Dalit” instead. Some choose other names, but Dalit is the most common.
Dalit means broken. Broken by suffering. Broken by caste.
loc 268
Another way of referring to those traumatized by caste is casteoppressed.
There is some controversy on exactly where caste came from. The author makes it clear she believes it came from the traditional faith of Hinduism. Caste was then weaponized by British colonizers to further divide those they colonized and make it easier to maintain dominance over them. However, the author acknowledges some people believe otherwise. I myself am not a scholar in this area. But however it began, caste is intermingled with Hinduism and Indian society across the diaspora. A person born into a lower caste is told they deserve to be at the lowest level of society because of sins they committed in a past life. That all of their suffering is their own fault, and they don’t deserve to rise out of it. The message also is that those in higher castes deserve to be there. Any suffering they put on those of lower castes is simply what those of the lower caste “deserve.” If you are at all familiar with the history of racism in the US, then it is immediately quite clear how damaging these societal beliefs are. It is also clear why they need to be overcome.
The pain and suffering for Dalit peoples is not of the past – it is now. The author offers sobering statistics (with references). They include:
- 54% of Dalit children are undernourished (loc 500)
- 83 of every 1,000 Dalit children die before their first birthday (loc 500)
- more than 67% of Dalit women have experienced sexual violence (loc 509)
- the average age of death for a Dalit woman is 39 (loc 509)
- 45% of Dalits do not know how to read and write (loc 3327)
- 48% of villages deny Dalits access to water (loc 3330)
The author explores how we can all begin to fight for freedom, justice, and equality. She talks about how important it is for oppressed people to be able to begin to imagine being free as the first step. She also speaks to allies about being aware that a move toward equality might feel like discomfort to us. She also speaks about the importance of supporting the experiences of the oppressed. Being cautious and mindful in our words and deeds is a message we all can benefit from.
An area that could have been improved on is where the author speaks about other religions in India and Dalit participation in them. While the section on Islam is well-written, making it clear how caste is not a part of Islam but can end up being enacted upon Dalit Muslims anyway, the same clarity is not brought to the section on Christianity. It makes it sound like social justice is a focus of only specifically Dalit led Christian sects. The section ignores other sects that follow similar mores and even the Bible verse Galatians 3:28 “…ye are all one in Christ Jesus.” Similarly, Judaism is skipped over, but Dalit Jewish people do exist. I wished these had been explored more. I appreciate that the author is careful to encourage and support Dalits in whatever faith they choose – including remaining Hindu. But I would have liked either a more even-handed representation of other faiths or a purely Buddhist perspective.
I empathize very much with the author’s concerns about modern-day genocides. It is absolutely correct that society at large is not taking these atrocities seriously the way we should. But the author mentions that we went to war in WWII over the Holocaust. That’s inaccurate. Nations went to war to protect their own nations. While the Holocaust was taken seriously after the fact, it’s not why nations went to war. Indeed, most nations turned away Jewish refugees at the time. What we are seeing with the general ignoring of current genocidal atrocities is sadly a repeat of how nations reacted in the past. We haven’t learned what we should have from the horrors of the Holocaust.
Overall, this is an eye-opening book about caste-based oppression throughout the South Asian diaspora. It offers healing for the casteoppressed and asks us all to become allies in the work to liberate these people. It is a meaningful introduction to this liberating labor for both casteoppressed people and allies.
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4 out of 5 stars
Length: 256 pages – average but on the shorter side
Source: NetGalley
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Book Review: Patricia Wants to Cuddle by Samantha Allen
A reality tv dating show is filming its final four – including a closeted bisexual – on an island in the Pacific Northwest, but things take a fantastical horrifying turn the night before the penultimate decision day.
Summary:
This season’s Catch is a slightly sleazy bachelor who helped fund Glamstapix, which explains why so many of the final four women are Glamstapix stars. There’s Vanessa a car model, Amanda the daughter of two lesbian moms with a fashion Glamsta, Lilah-Mae a Dallas-based Christian influencer, and Renee a Black woman nominated by her coworkers who’s pretty over being the token woman of color on the show. No one is thrilled with the rural Otters Island location in the Pacific Northwest but everyone is motivated to make it to the final two in Palm Springs. Things get heated while they film the final interactions before the Catch chooses who will come with him to Palm Springs but things take a horrifying and fantastical turn when the cameras turn off for the night.
Review:
I did not receive the blurb I gave you above. The blurb I got combined with the title led me to believe that this was going to be a reality tv dating show where one of the women contestants was into another one of the women contestants who then gets abducted by a King-Kong like female creature she has to rescue her from. I still love this idea. But this isn’t what actually happens in the book. At all. It’s not a romance. It’s a funny reality tv show book that takes a horrifying turn in the last third.
I repeat. There is no romance in this book. Unless you count old love letters between an elderly B&B owner and her now dead wife. (Not a spoiler, she’s dead from the beginning). Renee is a closeted bisexual who does have feelings for Amanda (or at least the hots for her) but those feelings are not the focus of the book. The title of the book is misleading because Patricia, the giant ape-like monster, absolutely is not out to cuddle anyone. It’s not some weird cross-species ill-fated romance like King-Kong. Patricia is out to murder. And she murders a lot of people gruesomely. If you don’t like descriptions of a monster tearing people apart, then you won’t like the direction this book goes in. Sorry if you consider that a spoiler but I think it’s essential given how the book is being marketed and how the first two-thirds of the book reads to warn you about the dark, horrific ending before you get there.
Speaking of the first two-thirds of the book, that’s what made me give it three stars. I loved the insider look at the overlap of reality tv and influencer culture. I enjoyed Renee’s scathing observations about it all. I appreciated that there was some understanding and empathy for the influencers, especially that it actually is hard work to get the glamor shots and constantly promote every aspect of your day. It’s a fun, light-hearted read. I was wondering why it was taking so long to introduce Patricia. But then when Patricia came in I understood. The last third was basically a rapid slasher, not a search and romantic rescue. So it didn’t need much room.
The following paragraph is a spoiler filled analysis of the ending. Highlight to read.
Renee is the only one that Patricia doesn’t attack. The book seems to make the point that Patricia doesn’t attack her because Renee doesn’t treat her like a monster, and Renee doesn’t do that because she herself is queer. There’s this queer woman death cult that surrounds Patricia and protects her as well, even killing people to keep her existence a secret. To me this read as that monstrous groups only act monstrously (or seem monstrous) because of how you react to them. This might have worked but Patricia literally immediately tears people limb from limb. It’s not a kind act that’s misinterpreted. She hasn’t gently carried someone away in a kidnapping because she’s lonely. She concusses Amanda when she kidnaps her and then later tears her head off when she dares to try to run out of the cave. She scales the tower Lilah-Mae and Vanessa are on and immediately tackles Vanessa unprovoked. If this is an allegory, it’s a bad one, because Patricia is, in fact, acting like a monster. I think the allegory could have worked if there were real misunderstandings involved instead of the actual gore that occurred.
Overall, this felt like two different works mashed together. The first was a funny and empathic analysis of influencer and reality tv culture. The second was a gore-filled horror slash-fest that would work as a short story. The former is more my taste, but I respect the quality of the latter. The way the two are put together, though, might struggle to find its audience. So if you like a slow burn horror led by reality tv satire, give this one a try.
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3 out of 5 stars
Length: 256 pages – average but on the shorter side
Source: Library
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Book Review: Lavender House by Lev A.C. Rosen
A 1952 noir-esque mystery — but everyone from the detective to the murder victim to most of the suspects themselves are part of the queer community.
Summary:
Andy was just fired from the San Francisco police department after he was found in a compromising situation in a gay bar’s bathroom. He’s having one last night of drinks before throwing himself into the bay when a woman shows up asking him to investigate the murder of Irene Lamontaine – the matriarch of the Lamontaine soap company. She wants Andy to do the job because it turns out Irene was a lesbian, and almost everyone in her home is queer. A secret they have to keep if they want to remain an empire.
Review:
All I noticed in the blurb I saw was that this was a queer Knives Out. I somehow missed the historical part. I loved Knives Out but I wasn’t prepared for the amount of period appropriate homophobic content in this one.
This book is authentic to its time period. It doesn’t gloss over homophobia whatsoever. We witness one brutal gay bashing (literal gay bashing) and two other characters reference their own beatings. This is a world of bribes and secrecy from society such that even the happy characters can never be fully happy. Be prepared for the realistic depiction as you go into it.
The family Lamontaine consists of Irene and her partner Pearl. They have a son Henry. I can’t remember whose biological son he is. He has a partner named Cliff. He’s legally married to a woman named Margo who has her own partner Elsie, who is bisexual and runs a queer bar. Margo’s straight mother Alice begrudgingly lives with them. They have a butleresque character who is also gay, as well as another sapphic couple who run the kitchen and garden. They all get to be themselves inside the Lamontaine house but never outside of it. Irene was found dead in the perfume library. The family and coroner rule it a fall, all with the exception of Pearl who suspects foul play. She found out about the recently outed cop and figured he could be their private investigator without risk of outing them all. The characters feel like a lot but are actually easy to keep track of.
I appreciate that there was a bisexual character. I wished that there was more diversity. There was one Filipino bar tender and a rival soap company run by a Jewish family. With all the rampant homophobia being depicted, I was honestly shocked that racism didn’t come up. It would certainly have been period appropriate to, for example, even allude to issues like redlining or racist responses to the Korean War. If one was completely unaware of history coming into this book, one could have left it thinking the only issue of tolerance and acceptance in the 1950s was sexuality. (For a queer book that does explore racism in San Francisco in the 1950s, check out Malinda Lo’s Last Night at the Telegraph Club).
Please also note that there is a scene where some rabbits are killed. I don’t think this is a spoiler as it’s alluded to on the cover. I wouldn’t have asked for the book at all on NetGalley if I’d been able to see the full cover as it’s rendered now, because I have a personal love for rabbits so that was distressing to me. One of the characters is depicted as having a drinking problem that they are told to snap out of. This is never followed up on in a way that implies the drinking problem is fine now. This isn’t how a drinking problem works. I found this to be a flawed and misleading depiction of alcoholism that was used as a plot device.
The mystery itself was kind of ho-hum. I suspected who did it from the get-go and was proven correct. The solution seemed….more than a bit obvious to me, honestly. If you’re curious, take a guess in the comments, and I’ll respond with if you’re right. Ultimately though for me I wanted this book to swing more fully into one direction or the other. Either to go full period piece and get into all the nitty gritty or move it into the present and just make it fun.
Overall, if a simply mystery set in the 1950s with a mostly queer cast facing an intolerant society appeals to you, then you should give this one a go.
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3 out of 5 stars
Length: 274 pages – average but on the shorter side
Source: NetGalley
Buy It (Amazon or Bookshop.org)