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Posts Tagged ‘sapphic’

Book Review: Paper Is White by Hilary Zaid

September 29, 2022 Leave a comment
Image of a digital book cover. The words "Paper Is White" are imposed over a picture of a pile of papers.

Summary:
Oral historian Ellen and her girlfriend decide to get married in 1990s San Francisco. As they beat an early path to marriage equality, a Holocaust survivor draws Ellen into a secret. How much do you need to share to be true to the one you love? 

Review:
This is a rich exploration of two things simultaneously. What it meant to be in a same-sex relationship in the 1990s before marriage equality. And what it means to be Jewish in the shadow of the Holocaust.

There is a sad beauty in how Ellen and Francine find a way to experience the joy of being brides even in the face of rejection and homophobia from many sides. The fact that their wedding can’t be legally recognized. How that is most people’s first reaction. Their parents struggle with accepting and loving them as they are. There’s a real ache to how their parents come down on, essentially, well a lesbian daughter is better than no daughter at all. As a child of the 90s, I recall how that was often viewed as the pinnacle of acceptance from a parent. How sad that was. How well-represented here. But there are still scenes of delightfully bride moments, like Ellen struggling to get the shoes she wants. Or the rabbi who agrees to marry them getting serious about how marriage is about sticking through the hard things too.

I am not Jewish myself, but I did attend a historically Jewish university, and one of my closest friends is Jewish. (She had an interfaith same-sex wedding). So I do have some familiarity with Judaism, while still acknowledging my position as an outsider. From my perspective, this book does a great job depicting the struggle to be Jewish in a way that works for you while under the shadow of the Holocaust. The weight of responsibility many Jewish people feel to carry Judaism forward while also being true to themself.

Something that shows how this can be a struggle is how Ellen and Francine attend a meeting with well-meaning Reform rabbis. They say they want to help same-sex couples have marriages. But Ellen and Francine notice how they keep talking about commitment and not marriages or weddings. They then meet with a different rabbi at the suggestion of a friend. They’re surprised to discover he is part Chinese. And he is more than happy to give them a Jewish wedding. He is non-traditionally Jewish but still Jewish. This is an aha moment for Ellen. Over the course of the book, she comes to talk more about how the Judaism she’s living isn’t what her ancestors would have imagined, but it is still Judaism.

Ellen’s grandmother was someone she had a special relationship with. At the start of the book, her grandmother has been dead for years. Her grandmother was not a Holocaust survivor, as she was an American Jewish person. But Ellen in some way seeks to bond with her grandmother through her work interviewing Holocaust survivors. I won’t spoil the surprise in the book. But I will say that how Ellen comes to terms with her relationship with her grandmother is eloquently handled.

Overall, this is a book that manages a delicate balance. It’s realistic about what it was to be a Jewish lesbian in the 1990s while also depicting both queer and Jewish joy. I highly recommend it.

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5 out of 5 stars

Length: 318 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

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Book Review: In the Event of Love by Courtney Kae

Image of a digital book cover. This is a cartoon style drawing Pine trees make up the background. On the left is a blond white woman in a pink coat, torn jeans, and knee high boots with a cowboy hat. On the right is a brunette woman in a red flannel shirt, khakis, and work boots, holding an axe on a stump. There's a Christmas wreath behind her.

Summary:
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn’t headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .

Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel’s sexy new lumberjane muscles acquired from running her family tree farm.

When Morgan discovers that the Reeds’ struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town’s livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?

Review:
This is a thoroughly queer holiday romance for your holiday needs. It has the returning to my small town from the big city to try to save a small business trope. It also has the second chance love trope.

The two main characters in this sapphic romance are BOTH (!) bisexual (and say the word), which I don’t think I’ve ever seen before in a romance. There’s a secondary male character who I think is bisexual, although it’s possible he’s gay and has dated women in the past (no one ever says which). There’s another secondary gay character, and a trans woman of color. The owner of the business Morgan works for is a woman of color. A tertiary character is a woman of color married to a Jewish man. Chrismukkah happens briefly. There’s also a pine tree decorated for a mix of Hanukkah and Kwanzaa.

The sex scenes are steamy and on-screen (all f/f), and there were at least three? Maybe more? I lost count. There’s also one ahem, self-love scene, which I honestly skimmed over because that’s not something I’m personally into reading. I appreciate that it did move the plot forward and wasn’t pointless though. (The character essentially clears her head in this way and then is able to solve a problem she’s been puzzling over).

The one thing I didn’t like was how alcohol is handled in this book. Rachel (the love interest)’s dad has alcoholism. That’s absolutely fine to include. In fact, it’s generally something I’m happy to see. But the representation of this struck false. The main thing that really bothered me is how Rachel interacts with alcohol herself. The book establishes that she’s traumatized by her dad’s alcoholism. It tore the family apart in high school. He’s been in and out of rehab that her and her brother pay for. Her mom left the family after Rachel (the youngest) graduated high school. Rachel routinely drops by her dad’s apartment (that she and her brother pay for) to check for signs of alcohol. YET she STILL drinks regularly. Not occasionally. Regularly. Most people I know who’ve seen this much of the negative impacts of alcohol won’t even allow it in their homes, let alone go out drinking themselves regularly.

Plus, there’s the whole instigation event to Morgan coming back to Fern Falls. (I don’t consider this a spoiler because it happens in chapter one). She gets wasted out at a bar and accidentally kisses the fiancé of someone whose wedding she’s organizing. He’s “in disguise” because he has a hoody on, but we all know she’d have recognized him if she wasn’t drunk. Anyway, everyone knows about this because the news wrote it up. We know Rachel knows about it. She still goes for Morgan. No way. No adult child of an alcoholic would set themselves up like that. I overlooked it because it’s a cheesy romance, but this is not a realistic depiction of an adult child of an alcoholic who’s actively engaged in their recovery. Adult children of alcoholics tend to fall either into the camps of also alcoholics themselves or sober. Rachel falls into neither. I feel weird complaining about realism in a holiday romance novel, but this is real life for a lot of us, and I disliked it being used as a plot device poorly. Alcoholism is serious, and Rachel wouldn’t be casually getting drunk with some love interest who’s only home because she became a hashtag while doing something drunk. In fact, I think this was a missed opportunity for some real bonding. They could have been at a town event and both noticed they were drinking hot chocolate. Rachel reveals the stuff about her dad. Morgan reveals she’s decided to dial it way back with the alcohol after possibly losing her career on that night out. Instant believable bond. But no….they just share spiked drinks.

All of that said, I still gave it four stars because this is a fun holiday romance. It’s not supposed to be that serious! And the bisexual rep is so uncommon and needed. I just wish the alcoholism/adult children of alcoholics rep was just as well done.

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4 out of 5 stars

Length: 320 pages – average but on the longer side

Source: NetGalley

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Book Review: The Unbroken by C.L. Clark (series, #1)

Image of a digital book cover. A Black woman with short hair and muscular arms stands in a keyhole doorway with her arms extended holding each side of it. Sand swirls around her, and she has a weapon on her hip.

Summary:
Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought.

Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet’s edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne.

Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren’t for sale.

Review:
I don’t read high fantasy very often, but when I do, I need it to be different and unique. When I heard about a military high fantasy with a Black woman lead, a sapphic subplot, and based roughly on North Africa, I knew I needed to read it.

This book took a little while to get up to speed. There’s a lot to introduce, and. it is a chunkster to be fair. By about the 25% mark, I felt like the plot was really moving, and I was glad I hung in there. The basic plot is that Balladaire colonized Qazāl. Balladaire forbids religion. Qazāl is religious. Balladaire abducted children from Qazāl and trained them to be soldiers. They fought on behalf of Balladaire in other regions they were colonizing, and now they’ve been sent back to Qazāl to put down the rebellion. These soldiers are called the Sands. Touraine is a Sand. Luca is in her 20s and is supposed to be the queen, but her uncle is holding onto the throne until he deems her ready to take it on. Luca has a permanent injury to her leg that necessitates her walking with a cane (that has a secret sword in it). Luca is determined to prove her ability to rule via her overseeing of Qazāl.

I think for a lot of readers Touraine will be the big appeal of the book. She’s a muscular, badass soldier who is unapologetically lesbian. And she’s not the only wlw in the book. There’s a rebel couple who are married women. There’s also a minor Balladairan teenager who has a romance with a Qazāli girl. Then there’s Luca, who’s bisexual. There’s also a character partway through who is very cool and is nonbinary. My only question about this character was how, exactly, when Touraine met them, she knew their pronouns without being told. Just because I thought that would be interesting world building.

The Qazāli are varying shades of Brown and Black. The Balladairans are mostly pasty white except for a few who grew up in Qazāl and manage to have tans. The Balladairans speak a language that’s basically French, and the Qazāl’s language, names, and food all seem to be drawn from Arabic culture. The author has stated North Africa as inspiration for this tale of colonization and rebellion. I think it does a good job of exploring colonization and race without ever verging into preachy or beating you over the head with it.

So the big romance (if you can call it that?) of the book is Luca and Touraine. The author describes it as enemies-to-still-enemeis-but-horny-about-it. That said, don’t go into this book expecting on-screen sexy times. For any characters. There’s a lot of longing but nothing on-screen.

This is a violent book. It has to be as it’s military high fantasy. Please keep that in mind. There are scenes including torture, battle, and various types of warfare.

Speaking of battles, this brings me to the other interesting aspect of the book. A key part of the Qazāli religion is the use of magic. And the magic is real. Everyone acknowledges this, even the Balladairans. Luca wants to use magic without being religious. She thinks it will help her take her throne. I myself was quite fascinated by this aspect of the plot, especially when a third and a fourth culture are brought into the mix later in the book. If you like some magic in your fantasy, you’ll get it here.

The one last thing I’ll say is I think this author is quite talented at metaphor and simile descriptors. I highlighted quite a few throughout the book. I was inspired by them. Like this one:

her eyes glittered with life, sharp as a dagger beneath the ribs.

page 206

Swoon!

Overall, if you’re looking for a fresh take on high fantasy with some military mixed in and almost entirely woman leads, this read won’t disappoint.

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4 out of 5 stars

Length: 528 pages – chunkster

Source: Library

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Book Review: Flung Out of Space: Inspired by the Indecent Adventures of Patricia Highsmith by Grace Ellis and Hannah Templer

Digital image of a graphic novel cover. A woman with chin-length hair stands in front of a window with a cat beside her. She wears a button-up shirt and pants with a belt. She's smoking a cigarette. A train is visible in the foreground. A city skyline is visible through the window.

Summary:
Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia HighsmithVeteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature.

This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice.
    
Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

Review:
I found this thanks to the Bitches on Comics podcast and was pleasantly surprised that my library had a copy. I have not myself yet read The Price of Salt. Although I have watched Strangers on a Train and loved it. I was shocked to discover the same author who wrote that classic piece of noir also wrote the first published lesbian book with a happy ending.

I love the content note at the beginning of this graphic novel. It’s too long to post here, but the authors eloquently describe the difficult task of loving literature written by a deeply flawed person. They also warn about what to expect in the book. Most of what they depict is Highsmith’s well-known anti-Semitism (using no slurs).

The art in this book is gorgeous. I especially love the pages where Highsmith is writing at her typewriter and scenes of what she’s writing are depicted around her. I love noir, and these images are just…well they’re so beautiful, I would frame them and hang them up in my home.

Something that was interesting to me was how Highsmith got her start writing in comics but loathed them and didn’t want her name put on them. I was tickled by the fact this handling of her life was itself a comic.

As a writer myself, I found the scenes about her struggles to get her first book deal (Strangers on a Train) quite relatable. Not surprising given that authors wrote this too.

Two things held this back from five stars for me. The first is a scene where a ring is thrown into a pond, and a duck is gazing at it. I was so distressed at the idea of the cute duck eating it, I couldn’t enjoy the scene. The second, and what others might find more important, was that, from what I’ve read since about Highsmith, she preferred the company of men but was only sexually attracted to women. In my reading of the comic, she seemed to loathe men and like the company of women. This is extra odd because she’s even been called a misogynist. Maybe the authors of this graphic novel have a different interpretation of her after reading all the primary sources. I’d have liked a note about that from them, if so.

Overall, this is a quick read with gorgeous art that eloquently explores a flawed human being who impacted both mainstream and queer 20th century literature.

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4 out of 5 stars

Length: 208 pages – average but on the shorter side

Source: Library

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Book Review: Stage Dreams by Melanie Gillman

Image of a digital book cover. A colored pencil drawing of a Latina woman in a cowboy hat, jeans, and boots riding a light brown horse. Behind her is a white woman with blond hair in a green dress. A hawk flies above them. A Western vista is behind them.

Summary:
In this rollicking queer western adventure, acclaimed cartoonist Melanie Gillman (Stonewall Award Honor Book As the Crow Flies) puts readers in the saddle alongside Flor and Grace, a Latina outlaw and a trans runaway, as they team up to thwart a Confederate plot in the New Mexico Territory. When Flor—also known as the notorious Ghost Hawk—robs the stagecoach that Grace has used to escape her Georgia home, the first thing on her mind is ransom. But when the two get to talking about Flor’s plan to crash a Confederate gala and steal some crucial documents, Grace convinces Flor to let her join the heist.

Review:
This is a graphic novel for readers who love Westerns but are tired of them erasing BIPOC and queer people. In this read you get all the fun of a Western but it’s peopled with both BIPOC and queer people.

The book starts with a stagecoach robbery by Flor (a Latina woman) and her pet hawk. She kidnaps a white damsel (Grace) who turns out to be a young trans woman on the run both to avoid her family’s wish for her to serve in the Confederate army and to seek out performing on the stage. Grace convinces Flor to let her help in a plot to spy on some Confederate documents.

Since this is a short book, there aren’t a ton of characters. It’s mostly the other folks on the stagecoach with Grace (all deliciously hateable), the tailor who helps them get ready for the Confederate gala, and the Confederate gala attendees. This doesn’t leave a ton of room for additional BIPOC in the story, but the tailor is Luis who is Black and completely supportive of Grace.

The book does an artful job of establishing that Grace is trans without ever using the word or deadnaming her. I had been concerned that Grace’s visible depiction might fall into the cringer category of visibly “man in a dress” like in the old movies when male characters dress as women to escape something. This absolutely does not happen with Grace. She simply looks like a larger woman. (Larger than Flor, close in size to the men in the stagecoach). There are also multiple times when the existence of other trans people are established. Luis says Grace isn’t the only larger woman he’s designed for. Flor discusses other women like Grace performing on stage out west.

I enjoyed Flor but wanted a little more backstory on her. What made her start robbing stagecoaches? How did she get the pet hawk? How does she know Luis? I get it she’s a more close-lipped character, but Luis could have dropped a few tidbits about the two of them, and I get the vibe from Grace that she might be the type to be able to lure information out of people with her charm.

The spying plot worked and fit into the small amount of space allotted. I liked that it gave Grace and Flor a reason to team up and showed them as active rather than passive. I did wish for a little more detail in these scenes, though. Specifically, when someone recognizes Grace, what is their relationship to her?

I love the art and thought it worked great for a Western story. Only when I looked it up later did I discover Gillman does everything by hand with colored pencils. Truly amazing and translated into a book that was beautiful to read.

Overall, this was a fun, beautifully drawn, sapphic read with a lot of diversity that establishes trans people as existing in history. It just left me wishing for more – more background and for Flor and Grace’s adventures to continue.

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4 out of 5 stars

Length: 104 pages – novella

Source: Library

Buy It (Amazon or Bookshop.org)

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Book Review: On a Grey Thread by Elsa Gidlow

Image of a digital book cover.Red and pink roses rest against a green background. A black band across the middle has the title in white on it.

Summary:
Published in 1923, this poetry collection was the first in North American history to openly express lesbian desire. Both personal and political, Gidlow’s poems express the poet’s complex feelings as a young woman whose political ideology and sexual identity ran counter to the traditional values of her time.

Review:
For Pride Month, I wanted to push myself a little by reading from a genre I read less often – poetry. I’ve also been striving to connect more with queer history, so I thought this groundbreaking collection was a great match.

The poems are collected into four sections – Youth, Grain and Grapes, Inner Chamber, and In Passing. If you are here for women loving women content…skip to the Inner Chamber section. Although, I am glad I read them all in order, because I do feel like they told a subtle overarching story.

The first poem in the collection beautifully explores the meaning of life and what makes us who we are via beads on a grey thread. Other poems consider the beauty of nature and sadness/loneliness (in a way that reminded me of 90s emo culture). In fact, I think what struck me the most when reading these was just how of the moment and today they felt, in spite of being written almost 100 years ago.

Since the entire collection is out of copyright, let me close my review by sharing my favorite in its entirety.

“Episode”

I have robbed the garrulous streets,
Thieved a fair girl from their blight,
I have stolen her for a sacrifice
That I shall make to this mysteried night.

I have brought her, laughing,
To my quietly sinister garden.
For what will be done there
I ask no man’s pardon.

I brush the rouge from her cheeks,
Clean the black kohl from the rims
Of her eyes; loose her hair;
Uncover the glimmering, shy limbs.

I break wild roses, scatter them over her.
The thorns between us sing like love’s pain.
Her flesh, bitter and salt to my tongue,
I taste with endless kisses and taste again.

At dawn I leave her
Asleep in my wakening garden
(For what was done there
I ask no man’s pardon.)

I hope this review entices you to read some (more) classic queer poetry.

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4 out of 5 stars

Length: 73 pages – novella

Source: Archive.org

Buy It (Amazon or Bookshop.org)

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Book Review: Solo Dance by Li Kotomi, translated by Arthur Reiji Morris

Digital book cover. A bird drawn in a red outline has black legs that turn into thorny branches coming out of it. The book's title is written along two sides. The background is light purple with dark purple thorny branches on it.

Summary:
Cho Norie, twenty-seven and originally from Taiwan, is working an office job in Tokyo. While her colleagues worry about the economy, life-insurance policies, marriage, and children, she is forced to keep her unconventional life hidden—including her sexuality and the violent attack that prompted her move to Japan. There is also her unusual fascination with death: she knows from personal experience how devastating death can be, but for her it is also creative fuel. Solo Dance depicts the painful coming of age of a queer person in Taiwan and corporate Japan. This striking debut is an intimate and powerful account of a search for hope after trauma.

Review:
This is a gut-wrenchingly beautiful read that I couldn’t put down.

The story starts with Cho in Japan. We learn what led to her emigration from Taiwan through a combination of flashbacks and her rereading her own college journal entries. Cho is a writer who has been obsessed with death from a young age. But she also went through a devastating trauma. The PTSD from that event destroyed her budding relationship with another young woman and haunts her to this day.

I think it’s important for anyone considering this book to know coming into it what the devastating trauma was. It’s central to the book and can be quite triggering for some. Cho was raped by a stranger who specifically targeted her due to her same-sex relationship. Although Cho does encounter kind and understanding people who validate how wounded she is from this experience, there are others who expect her to just get over it. Worse, some people blame her for it. She feels shame for what has happened to her. While this is realistic, it is painful to read about.

So this book is about many complex things. It’s about how Cho was obsessed with death from a young age. Why is that? Is it ok to feel that kind of emo way? It’s also about the systemic exclusion of queer and trans people. Cho also travels the world and sees how queerness and Pride and love exist in many countries. While she wants a sense of belonging, just what is the right way to belong is a question left for the reader. Ultimately, though, this is a book about trauma and healing from trauma. How trauma isolates a person, even when other people try, imperfectly, to reach out.

It’s easy as a queer westerner to get caught up in what queerness means in the west. It’s important to dive into what queerness means and looks like in other cultures in order to better grasp how we might create a community that’s more inclusive of all types of origins and experiences.

Although this novella is challenging, it’s also beautiful. If you feel ready to engage with the realistic trauma depicted in it, I encourage you to pick up a copy.

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4 out of 5 stars

Length: 149 pages – novella

Source: NetGalley

Buy It (Amazon. This book is not available yet on Bookshop.org)

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Book Review: Burn Down, Rise Up by Vincent Tirado

Image of a digital book cover. A Black teenager with braids holds a bat in front of a train car. Burn Down, Rise Up is written in electric letters over her.

Summary:
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize’s cousin goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances. Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a viral worldwide game called the Echo Game. If you play it wrong, it can trap you in an echo – a parallel universe based on one of the worst times your particular region has seen.

Review:
I love a horror based around a bunch of people doing something that tempts the supernatural into coming to get them, and then being surprised when it does. (And when I say “love” I mean I will literally throw you out of my house if you say Candyman at a mirror twice). When I saw there was a sapphic version of this trope coming out, you bet I smashed the request button on NetGalley so hard.

The first hurdle any horror like this has to get over is giving us a horrifying scene right off-the-bat that’s scary even though we don’t really know what’s going on. This book does a great job at that. Charlize’s cousin, Cisco, has been missing. He comes back from being missing “wrong” and accidentally gives “something” that’s clearly supernatural to Raquel’s mom, who’s a nurse. This beautifully sets up both Charlize and Raquel to be heavily invested in what exactly is going on in their neighborhood. They used to be close friends but now they’ve drifted to acquaintances, and Raquel has the hots for Charlize. It’s just the right set-up.

The next hurdle the book has to get over is why are the Black kids sneaking out at night to play this viral game tempting the supernatural at 3am? The book takes this head-on with the characters acknowledging doing such a thing doesn’t go with their culture. Charlize and Raquel are motivated to save their family members, but what about Cisco? We learn he befriended a bunch of white theater kids who asked him to come along and do it as part of some theater kids bonding activity. I have to say, as a once upon a time theater kid myself, this sort of thing rang as very true.

So is the horror scary? Yes, largely because it’s starting to reach out into the Bronx even among those who aren’t playing the Echo Game. But I will say, I didn’t think it was terrifyingly scary. If this was a movie, I could sleep after it. Unlike The Ring, which made me terrified of being in the same room with my own television for two weeks. So I’d say it’s moderate on the scary scale. It’s definitely kind of gory, and the peril is real.

The relationships are interesting, realistic, and Raquel has just the right amount of them. She has her best friend, his brother, Charlize, Cisco, her father, and her mother. The fact that she was living with her mother and has to move in with her bachelor pad father while her mother is ill was one of my favorite parts of the book. Her dad clearly loves her and they were absolutely part of each other’s lives before, but there’s a difference between the dad who loyally pays child support who you see a few times a month and the dad you live with. I appreciated how that difference was drawn out, acknowledging the awkwardness without blaming either of them. I also liked how her dad both brought out the Latinx aspect of the story, as well as giving her a direct connection to when the Bronx burned in the 1970s. (This time period, of course, is when the echo draws from).

The Charlize/Raquel situation was cute. I liked how Raquel’s best friend, Aaron, also likes Charlize, and he just wants Raquel to be honest with him about liking her as well. I was a little bit confused about why Raquel has some internalized homophobia making it hard for her to accept that she likes Charlize. It was unclear to me if this was coming from her family (who seemed very accepting) or if it was just worrying how her peers would react or what exactly. I think a richer development of that would have helped make the scenes where Raquel works on accepting herself more powerful.

Overall, this is a fun take on the viral game tempting the supernatural trope. The setting of the Bronx and the main character’s Afro-Latinx culture are both well developed. It’s a medium scary read that will certainly appeal to YA readers.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

4 out of 5 stars

Length: 352 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Get the Reading Group / Book Club Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions
View a list of all my Discussion Guides.

Publication Announcement: Short Story “The University of Late-Night Moans”

Digital cover of an anthology. A Black person in a gold dress with an ethereal crown stands in front of a pink and purple background.
Cover art by Craig Hale.

I am thrilled to announce that I have a short story coming up in issue 3 of Decoded Pride: A science fiction, fantasy, and horror story-a-day anthology for Pride month!

This is a really cool project. The editors worked hard to select and curate a collection of flash fiction, short stories, longer fiction, and comics by queer and trans authors with queer and trans themes to celebrate Pride month. Have you been frustrated with how corporate Pride has become? Are you a more introverted queer person? Then this is the ideal way to celebrate Pride this year!

The way it works is you pay the $14.99 subscription fee, and then you have access to the website where all the creative works drop each day. In the late summer or early fall, you’ll be sent a color PDF of all the stories plus interviews with all 30 authors (yes, including me!) You can subscribe at any point throughout the month and get retroactive access to the previous stories. After the month is over, you can still purchase the PDF. As a thank you for being one of my supporters, now through June 30th you can get $2 off your purchase with the discount code FrienzNFam at check-out.

My short story will published on Thursday, June 9th. It’s a sapphic fantasy romance. That means expect something supernatural. Expect women loving women. And I promise you a happy ever after. Also, expect some 90s nostalgia.

Here’s the blurb:

It’s 1998, and Leonora’s friend Virginia is helping her investigate the moans coming from the cemetery across the train tracks from her dorm.

Please be sure to check out my Publications Page for my other work.

Book Review: Getting Clean with Stevie Green by Swan Huntley

February 22, 2022 Leave a comment
A digital book cover. There is a blue background with a cartoon drawing of a white woman holding a stack of four pillows in front of her face.

Summary:
At thirty-seven, Stevie Green has had it with binge drinking and sleeping with strange men. She’s confused about her sexuality and her purpose in life. When her mother asks her to return to her hometown of La Jolla to help her move into a new house, she’s desperate enough to say yes. The move goes so well that Stevie decides to start her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past that Stevie can’t seem to outrun.

Who was responsible for the high school scandal that caused her life to take a nosedive twenty years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-best friend, Chris, so mystifying? If she’s done drinking, then why can’t she seem to declutter the mini wine bottles from her car?

Review:
I smashed the request button on NetGalley when I read this description. A mixture of quit lit (literature about addiction and recovery) and decluttering? Sign me up! And it did not disappoint. In fact, it surprised me with delightful queer content I wasn’t expecting.

It’s important to know that Stevie’s ex-best friend Chris is a woman. Chris also came out in high school as a lesbian around the time of the scandal that so traumatized Stevie. Stevie has also slept with women, although only the men are mentioned in the description. The only hang-ups about Stevie’s sexuality seen in her circle of family, friends, and even lovers, come from Stevie herself. This is a great example of how addiction can freeze someone’s self-awareness and self-acceptance. Stevie began drinking in high school, and it’s a trueism in recovery circles that you freeze at the age of development you were at when you began drinking until you stop. Then you can begin maturing again. So is it a bit frustrating that Stevie is 37 and kind of acting like a teenager? Yes. But is it realistic? Also yes.

When we meet Stevie she is newly sober and running her decluttering business. I loved the depiction of how Type A Stevie is about her days and routines. This is so accurate to early recovery. One of my favorite parts is how she starts every day by standing in a Wonder Woman pose and saying affirmations to herself repeatedly.

How had I become a woman who chanted affirmations to herself while doing this ridiculous pose? Because it was supposed to make me feel better. I would have done anything to feel better.

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Early recovery really is this incredible moment of being willing to do anything to feel better, and this is wonderfully depicted here.

The scenes with Stevie decluttering with her clients also shine. I’m a fan of decluttering YouTube videos and tv shows, and these gave me the same thrill as watching those. I loved seeing the variety of types of clutter the clients had, their personalities, and how Stevie interacted with them. She also quickly ends up working with her sister, Bonnie, who is also going through it after her boyfriend of 15 years left her for a younger woman. Bonnie and Stevie have great sisterly chemistry, and her addition to the business helps keep the pace moving forward.

Ultimately, it’s only when Stevie fully faces both her past and her father’s death that she can really begin to heal and move on. I thought this requirement hit her in the right way and with the right force. The pacing of this book really was quite good. And while there’s always the concern when reading queer lit that there will be a tragic ending, don’t worry, readers, there’s a happy ever after for Stevie. This is truly a lighthearted queer romance that also tackles the serious topic of recovery. It was like eating a salted caramel ice cream – sweet with just the right amount of savory.

4 out of 5 stars

Length: 304 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Get the Reading Group / Book Club Discussion Guide
A beautifully graphic designed 2 page PDF that contains: 1 icebreaker, 9 discussion questions arranged from least to most challenging, 1 wrap-up question, and 3 read-a-like book suggestions
View a list of all my Discussion Guides.

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