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Book Review: Patricia Wants to Cuddle by Samantha Allen
A reality tv dating show is filming its final four – including a closeted bisexual – on an island in the Pacific Northwest, but things take a fantastical horrifying turn the night before the penultimate decision day.
Summary:
This season’s Catch is a slightly sleazy bachelor who helped fund Glamstapix, which explains why so many of the final four women are Glamstapix stars. There’s Vanessa a car model, Amanda the daughter of two lesbian moms with a fashion Glamsta, Lilah-Mae a Dallas-based Christian influencer, and Renee a Black woman nominated by her coworkers who’s pretty over being the token woman of color on the show. No one is thrilled with the rural Otters Island location in the Pacific Northwest but everyone is motivated to make it to the final two in Palm Springs. Things get heated while they film the final interactions before the Catch chooses who will come with him to Palm Springs but things take a horrifying and fantastical turn when the cameras turn off for the night.
Review:
I did not receive the blurb I gave you above. The blurb I got combined with the title led me to believe that this was going to be a reality tv dating show where one of the women contestants was into another one of the women contestants who then gets abducted by a King-Kong like female creature she has to rescue her from. I still love this idea. But this isn’t what actually happens in the book. At all. It’s not a romance. It’s a funny reality tv show book that takes a horrifying turn in the last third.
I repeat. There is no romance in this book. Unless you count old love letters between an elderly B&B owner and her now dead wife. (Not a spoiler, she’s dead from the beginning). Renee is a closeted bisexual who does have feelings for Amanda (or at least the hots for her) but those feelings are not the focus of the book. The title of the book is misleading because Patricia, the giant ape-like monster, absolutely is not out to cuddle anyone. It’s not some weird cross-species ill-fated romance like King-Kong. Patricia is out to murder. And she murders a lot of people gruesomely. If you don’t like descriptions of a monster tearing people apart, then you won’t like the direction this book goes in. Sorry if you consider that a spoiler but I think it’s essential given how the book is being marketed and how the first two-thirds of the book reads to warn you about the dark, horrific ending before you get there.
Speaking of the first two-thirds of the book, that’s what made me give it three stars. I loved the insider look at the overlap of reality tv and influencer culture. I enjoyed Renee’s scathing observations about it all. I appreciated that there was some understanding and empathy for the influencers, especially that it actually is hard work to get the glamor shots and constantly promote every aspect of your day. It’s a fun, light-hearted read. I was wondering why it was taking so long to introduce Patricia. But then when Patricia came in I understood. The last third was basically a rapid slasher, not a search and romantic rescue. So it didn’t need much room.
The following paragraph is a spoiler filled analysis of the ending. Highlight to read.
Renee is the only one that Patricia doesn’t attack. The book seems to make the point that Patricia doesn’t attack her because Renee doesn’t treat her like a monster, and Renee doesn’t do that because she herself is queer. There’s this queer woman death cult that surrounds Patricia and protects her as well, even killing people to keep her existence a secret. To me this read as that monstrous groups only act monstrously (or seem monstrous) because of how you react to them. This might have worked but Patricia literally immediately tears people limb from limb. It’s not a kind act that’s misinterpreted. She hasn’t gently carried someone away in a kidnapping because she’s lonely. She concusses Amanda when she kidnaps her and then later tears her head off when she dares to try to run out of the cave. She scales the tower Lilah-Mae and Vanessa are on and immediately tackles Vanessa unprovoked. If this is an allegory, it’s a bad one, because Patricia is, in fact, acting like a monster. I think the allegory could have worked if there were real misunderstandings involved instead of the actual gore that occurred.
Overall, this felt like two different works mashed together. The first was a funny and empathic analysis of influencer and reality tv culture. The second was a gore-filled horror slash-fest that would work as a short story. The former is more my taste, but I respect the quality of the latter. The way the two are put together, though, might struggle to find its audience. So if you like a slow burn horror led by reality tv satire, give this one a try.
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3 out of 5 stars
Length: 256 pages – average but on the shorter side
Source: Library
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Book Review: Nightmare at 20,000 Feet – Horror Stories by Richard Matheson
Summary:
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone and Bart Simpson saw it too. “Nightmare at 20,000 Feet” is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.
Here are more than twenty of Matheson’s most memorable tales of fear and paranoia. Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.
Review:
I picked this up because I remembered enjoying I Am Legend (although my review is only 3 stars, when I looked it up just now…) I also had familiarity with The Twilight Zone episode based on the first story in the collection. I individually rated each of the twenty stories then calculated the average to give the collection a rating.
I rated two stories 5 stars. “Mad House” (made me make shocked and thrilled faces) and “First Anniversary” (I called it timeless in my notes). The former is a very meta commentary on being a writer. The latter reminded me of Buffy in that who you’ve fallen in love with changes, only in this case it was the woman changing instead of the man.
There were quite a few stories that I found moderately engaging and enjoyed their historic vibe. Like “Disappearing Act,” whose whole idea is it’s someone’s personal notebook left in a cafe. Or “Crickets” whose idea is what if crickets’ chirps are really a form of Morse code?
But there are also two stories where, just, the entire structure idea is racist. One “The Children of Noah” involves the idea that a town’s inhabitants are all the descendants of a sea captain and his Pacific Islander bride. The racist part is that they’re dangerous BECAUSE of being part Pacific Islander. The story “Prey” is about a “Zuni” doll that’s inhabited by the spirit of a great warrior. The whole idea made me cringe. One story, “The Distributor” confused me so much that I’m still not sure what the overall point was. A character who I think is a bad guy uses the the n word and another racial slur, but it’s a little unclear to me if he was meant to be a bad guy.
There are also definitely outdated gender ideas here. The least offensive is that it’s oh so scary for teenage girls to wage war as witches in “Witch War.” The worst is “The Likeness of Julie.” Most of the story is from the perspective of a college undergrad male rapist. That’s bad enough. If you want to know how it manages to get worse, check out the spoiler paragraph below in brackets.
[The twist ending is that the college woman he rapes, Julie, in fact got inside his mind supernaturally and made him rape her. It’s the worst victim blaming I’ve seen in forever, and I honestly wanted to scrub my own brain out with soap. I’m suspicious that Matheson knew on some level how awful this story was, because the collection notes that he published it under the pseudonym of Logan Swanson in Alone by Night, which appears to have been some sort of anthology.]
So, there we have it. Some stories manage to be timeless. But definitely not all. Come into this collection prepared for a mixed bag.
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4 out of 5 stars
Length: 336 pages – average but on the longer side
Source: Purchased
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Book Review: Burn Down, Rise Up by Vincent Tirado
Summary:
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize’s cousin goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances. Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a viral worldwide game called the Echo Game. If you play it wrong, it can trap you in an echo – a parallel universe based on one of the worst times your particular region has seen.
Review:
I love a horror based around a bunch of people doing something that tempts the supernatural into coming to get them, and then being surprised when it does. (And when I say “love” I mean I will literally throw you out of my house if you say Candyman at a mirror twice). When I saw there was a sapphic version of this trope coming out, you bet I smashed the request button on NetGalley so hard.
The first hurdle any horror like this has to get over is giving us a horrifying scene right off-the-bat that’s scary even though we don’t really know what’s going on. This book does a great job at that. Charlize’s cousin, Cisco, has been missing. He comes back from being missing “wrong” and accidentally gives “something” that’s clearly supernatural to Raquel’s mom, who’s a nurse. This beautifully sets up both Charlize and Raquel to be heavily invested in what exactly is going on in their neighborhood. They used to be close friends but now they’ve drifted to acquaintances, and Raquel has the hots for Charlize. It’s just the right set-up.
The next hurdle the book has to get over is why are the Black kids sneaking out at night to play this viral game tempting the supernatural at 3am? The book takes this head-on with the characters acknowledging doing such a thing doesn’t go with their culture. Charlize and Raquel are motivated to save their family members, but what about Cisco? We learn he befriended a bunch of white theater kids who asked him to come along and do it as part of some theater kids bonding activity. I have to say, as a once upon a time theater kid myself, this sort of thing rang as very true.
So is the horror scary? Yes, largely because it’s starting to reach out into the Bronx even among those who aren’t playing the Echo Game. But I will say, I didn’t think it was terrifyingly scary. If this was a movie, I could sleep after it. Unlike The Ring, which made me terrified of being in the same room with my own television for two weeks. So I’d say it’s moderate on the scary scale. It’s definitely kind of gory, and the peril is real.
The relationships are interesting, realistic, and Raquel has just the right amount of them. She has her best friend, his brother, Charlize, Cisco, her father, and her mother. The fact that she was living with her mother and has to move in with her bachelor pad father while her mother is ill was one of my favorite parts of the book. Her dad clearly loves her and they were absolutely part of each other’s lives before, but there’s a difference between the dad who loyally pays child support who you see a few times a month and the dad you live with. I appreciated how that difference was drawn out, acknowledging the awkwardness without blaming either of them. I also liked how her dad both brought out the Latinx aspect of the story, as well as giving her a direct connection to when the Bronx burned in the 1970s. (This time period, of course, is when the echo draws from).
The Charlize/Raquel situation was cute. I liked how Raquel’s best friend, Aaron, also likes Charlize, and he just wants Raquel to be honest with him about liking her as well. I was a little bit confused about why Raquel has some internalized homophobia making it hard for her to accept that she likes Charlize. It was unclear to me if this was coming from her family (who seemed very accepting) or if it was just worrying how her peers would react or what exactly. I think a richer development of that would have helped make the scenes where Raquel works on accepting herself more powerful.
Overall, this is a fun take on the viral game tempting the supernatural trope. The setting of the Bronx and the main character’s Afro-Latinx culture are both well developed. It’s a medium scary read that will certainly appeal to YA readers.
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4 out of 5 stars
Length: 352 pages – average but on the longer side
Source: NetGalley
Buy It (Amazon or Bookshop.org)
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Book Review: The Only Good Indians by Stephen Graham Jones
Summary:
Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
Review:
This book really kept me on the edge of my seat. I never knew what was going to happen next. I kept glancing at my Libby app (I listened to the audiobook) to check how much was left, because I felt certain the only remaining plot was about to wrap up without much left to say. But then a whole new twist would occur, and I’d find myself with an entirely different situation to choose sides in.
The author is Blackfoot Native American, and so this is an own voices book about these four Blackfoot men in Montana. My father and brother lived in Montana for a few years, and I visited them there, and I found myself smiling at how rapidly and well the scenes were set in Great Falls. In spite of the surrounding fantastical element of – is there or is there not a mythical creature after these young men – everything read as authentic and real.
Something I worried about slightly going into a horror, because I always worry about this going into horror books, was about what level of violence might be seen against women. Although women are not entirely safe from the mystical creature, it felt to me like a flip-flop of what is normally seen in horror. With men being the ones more likely to fall victim than women. I couldn’t articulate exactly why I felt this way, but I felt a respect toward women in the book. This is reflected in the author’s note at the end, where he notes his deep love and respect for Native women. I especially liked the character Denorah – the daughter of one of the men who wants to make it good.
Although who and how the horror happens was a refreshing change, this is definitely a gory horror read. This mystical creature has no empathy for anyone, including dogs. This is no fault of the author. That’s what’s expected of horror. I think a few years ago I would have given this five stars, in fact. But personally I’m finding myself less able to handle gore than I once was. So keep that in mind as you go into it.
There’s also a strong connecting subplot regarding basketball. A lot of characters play it, and some important scenes happen on the court. Now, I simply am not interested in basketball. Ok, it goes beyond a lack of interest. I detest the sound of basketballs being dribbled and actively stay away from basketball courts if I can. So for me those scenes detracted from the book, because I had to pay attention to them because important plot points were occurring. But it was basketball. That said, I think a reader who loves basketball would be super into this book for this reason. It’s not a basketball book per se but it’s a book with characters who love the game and have important moments on the court.
Overall, this is a delightful addition to the horror genre that showcases all that makes own voices books so great. It brings fresh plots and perspectives, a fantastical mystical creature, but is still grounded in a realistic today. Particularly recommended to readers who don’t mind gore and love basketball.
4 out of 5 stars
Length: 336 pages – average but on the longer side
Source: Library
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Book Review: Nothing But Blackened Teeth by Cassandra Khaw
Summary:
A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company.
It’s the perfect wedding venue for a group of thrill-seeking friends.
But a night of food, drinks, and games quickly spirals into a nightmare. For lurking in the shadows is the ghost bride with a black smile and a hungry heart.
And she gets lonely down there in the dirt.
Review:
I thought this cover was deliciously creepy in a way that reminded me of The Ring, and I was ready for a quick spine-tingling thriller set in Japan. Unfortunately, for me, the cover was the only part of the book that elicited any real response from me.
Let’s start with the good. Representation is strong in this book. It’s a group of four racially diverse friends. The main character is bisexual, says the word, and isn’t demonized in the book. Since it’s common for thrillers and horror to demonize queer characters, this was nice. The writing is poetic, which is a bit unusual in horror. The idea of a bride being so into haunted houses that she wants to be married in a house where the haunting is a bride was also fun. So why didn’t it work for me?
For horror to work for me, I need to know enough about the characters to kind of care about what happens to them. This jumps so quickly into the haunted house moment with the friends that I just….never really cared about any of them. To be honest, I still kind of easily get them mixed up in my head. By the time we know any of their motivations, a lot of the thrills and gore have already happened but it’s too late for me to care about them. It wasn’t even that they were a collection of common horror tropes so I knew what was going on and could sort of care. (I’m thinking about the tropes used in Scream or The Cabin in the Woods). It seems to me that part of the goal was to subvert tropes but in order for that to work, I need to really know the characters for the tropes to be subverted and for me to still care about the characters. Tropes work because they fill in the blanks for us. The cheerleader may be ditzy but she really cares about her friends, so we know she’s really actually upset when she can’t find one of them. But if the trope has been subverted just enough that we know that the cheerleader doesn’t’ care about her friends but we also don’t know what she actually cares about then all understanding of what meaning and impact the plot has on her is lost.
Others who don’t need strong character development to get into the thrills of a horror will likely enjoy this story more than I did, particularly if the basic plot summary given above appeals to you.
2 out of 5 stars
Length: 128 pages – novella/short nonfiction
Source: NetGalley
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Book Review: The Queen of the Cicadas / La Reina de las Chicharras by V. Castro
Summary:
You’ve heard of Bloody Mary and Candyman but have you heard of La Reina de las Chicharras? The legacy says she’s a Mexican farmworker named Milagros who was brutally murdered in 1950s Texas then given new supernatural life by the Aztec goddess of death, Mictecacíhuatl. In 2018, Belinda Alvarez arrives in Texas for a friend’s wedding on the farm that inspired the legacy of La Reina de las Chicharras. But is it just a legacy or is it real?
Review:
I’m a woman of a certain age. I know that shit isn’t always right.
Chapter 9
This struck me as a Latinx, female-led version of Candyman, only, over time, La Reina de las Chicharras comes to protect the downtrodden who call her.
Milagros’s life story that leads to her becoming La Reina is told in parallel with Belinda’s discovering her story and coming into her own realizations about Mictecacíhuatl. I really resonated with the Milagros chapters but struggled to relate to Belinda. She needed more depth and roundness to seem as real as Milagros. Some additional chapter breaks could also help with the jumping perspectives. In general, though, the dual perspectives worked and the uniqueness of the storyline kept me quite engaged to find out what would happen.
In addition to the strong Latinx content, the Indigenous history of Mexico is present. Milagros’s relationship especially to the Indigenous people who were brutally colonized is drawn clearly. There is also relatively significant queer content here. Milagros is a woman who loves women. There are two important gay male characters, and Belinda exhibits fluid sexuality, although she never gives a label to this.
Two things in this book were at ethical odds with me. First, Belinda is written as a woman in addiction who then never overcomes it (or even tries to) in spite of her character arc seeming to indicate that she has been transformed in a positive way. I’m ok with a realistic depiction that not everyone finds recovery, but it bothered me that it comes across as a positive transformation when she remains in addiction. It’s relatively clear that this is a bit of a vengeance fantasy. I understand the importance and role of having a place for anger at injustice to go. But my own spiritual beliefs uphold forgiveness over vengeance, so my world view differs.
If you like urban legend style horror and want to see women in the lead, then you will likely enjoy this read. Those offended or disturbed by the idea of the universe holding multiple gods and religions simultaneously should likely look elsewhere.
4 out of 5 stars
Length: 224 pages – average but on the shorter side
Source: NetGalley
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April 2017 Reads — #historic, #mystery, #horror, #urbanfantasy
An bookstagram shot from while I was reading Moloka’i. For more check out opinionsofawolf.
I read so many books in April (7!) that I had to look back to postulate why. My husband took me on a surprise trip which means I had a bunch of airplane time, so I think that might have been part of it. In the future, when I’m doing these wrap-ups on time, I’ll know exactly why.
Anyway, April was kind of all over the place in terms of genre, as you can see from the title.
I started off the month with Moloka’i by Alan Brennert, a print book that had been languishing on my tbr shelf for a while. It’s about a Hawaiian girl who gets sent to a leper colony in the late 1800s. We follow her life in this prison forced upon her through no fault of her own. Through this book I learned that leprosy is better called Hansen’s Disease and while I knew about the exploitation of Hawaii, it was interesting to see it through this new lens. It also called into question a lot of medical and public health ethics that tend to come up with something like quarantine. A sad but powerful read.
(4 out of 5 stars, buy it)
(source: paperbackswap)
I next picked up a Harlequin romance mystery that was given to me Wanted Woman by B. J. Daniels. It involves a woman running from false charges on a motorcycle. It was interesting to see the motorcycle bad boy flipped on its head a bit but the book left me feeling kind of meh. I didn’t hate it but I had a hard time even remembering what it was about to write this.
(3 out of 5 stars, buy it)
(source: gift)
Next I picked up another historic fiction (although this time wrapped up with contemporary fiction) — Orphan Train by Christina Baker Kline. I had a phase when I was a little girl of being very into the concept of the orphan trains. For those who don’t know, orphan children from the east coast were put on trains and sent west with the idea that they’d be more able to find homes among the farmers. While some found homes and true families, others of course were only “adopted” to be cheap farmhands. This book has a modern day teenage girl in the foster system doing community service with an elderly lady who it turns out was on the orphan trains. It shows how orphan and foster children are currently and have been mishandled. I liked the beginning of this one quite a bit but found the ending to be disappointing (“cop-out” is the exact phrase I wrote in my initial thoughts.)
(3 out of 5 stars, buy it)
(source: paperbackswap)
Next I changed pace and picked up a monster horror — The Colony by A. J. Colucci. In this case the monster is ant colonies that man has tampered with to create a superweapon that of course gets accidentally unleashed on New York City. Mayhem ensues! This is another one that started out good but was ruined by the ending for me.
(3 out of 5 stars, buy it)
(source: library)
I was so excited for the fourth Miriam Black book to come out that I actually pre-ordered the kindle version. Miriam Black is an urban fantasy series by Chuck Wendig whose lead character can see people’s deaths if she touches them and also has an odd relationship with birds (mainly, that she can kind of send her soul out into a flock of them). I used to love this series. Really love. I’m not sure if I’ve changed or the series has changed. I’d have to go back and re-read the previous entries to know for sure, and I’m not much of a re-reader so I doubt that’ll happen. What I do know is I used to find Miriam gritty and real and this time in Thunderbird I found her annoying and immature. I particularly was not fond of her repeated “nic fits,” in which she brushed off responsibility for her behavior. I also didn’t like the big bad this time, finding them to be boring and unlikely foe for Miriam. I also thought the book sometimes came across as preachy. I know an author’s viewpoint will always come into a book but it shouldn’t do so in an out-of-character way, which happens a few times in this book. Even if this wasn’t the case, though, I found this book to be mostly filler getting ready for the next book in the series, and that always annoys me. So I was disappointed but I’m choosing to believe it’s just that I changed and it’s time for the series and me to part ways.
(3 out of 5 stars, buy it)
(source: purchased)
I next picked up a chick lit, which I reviewed in haiku form here.
I finished up the month with another horror, this one by Richard Matheson. Hell House isn’t what he’s best known for but I was curious about it as a classic of the haunted house genre. This book features investigators going to Belasco House to see once and for all if it’s haunted. I thought it had some frightening moments and enjoyed its stance that it took science and spirituality together to accomplish things but man did it have some stuff that just didn’t age well (and honestly was probably not too great even when it was first published in 1971). For instance, one of the horrors of the house is that a woman’s long-buried same-sex attraction is brought to the surface. This is treated with the same horror as molestation or rape in the book. This is obviously problematic. It also has a Native American character who does not have a well-rounded representation. I’d also give the trigger warning that there are grotesque sex scenes and disfigurings of religious figurines (albeit by evil characters).
(3 out of 5 stars, buy it)
(source: purchased)
My total for the month of April 2017:
- 7 books
- 7 fiction; 0 nonfiction
- 4 female authors; 3 male authors
- 3 ebooks; 3 print books; 1 audiobook
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Book Review: The Girl from the Well (Series, #1)
Summary:
A dead girl walks the streets.
She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.
And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.
Because the boy has a terrifying secret – one that would just killto get out.
Review:
The official pitch on this one is that it’s Dexter meets The Grudge but what I heard about it was it’s another version of the Japanese myth that The Ring is based on. (After reading it, I can tell you that this is true). I was absolutely batshit terrified of The Ring when I first watched it. I must admit that I read this description and expected the book to me meh compared to the movie based on the same myth. This low expectation is what kept the book from being a disappointing read for me.
I found the writing to be overwrought and trying too hard for the actual genre and plot. Like when the small town seamstress thinks she’s a haute couture fashion designer. For instance:
His mind tastes like sour wine, a dram of sake left out in the dark for too long. (location 63)
Bear in mind that this passage is about a ghost girl who murders child killers/rapists. It’s a pretty passage; it just doesn’t fit.
As far as the plot goes, while I really liked the ghost, the tattooed boy’s plot rubbed me the wrong way. His mother is deemed mentally ill, partially for trying to kill him and tattooing him when he was a child. We later find out that rather than being mentally ill she was battling literal evil spirits, one in particular who wanted to go out and wreak havoc on the world. To try to bind the spirit, she decides to sacrifice her own child to the evil spirit by using him as an anchor, basically, to bind him. So after a bunch of the book basically saying hey the kid should forgive his mother because she’s ill we find out she did this act. I feel like the book wants me to think it’s heroic, but I thought it was sick. The way I felt the book wanted me to feel and the way I actually felt about the situation made me uncomfortable with the rest of the book and struggling with who to root for. Others may feel less conflicted than me over this part of the plot.
Overall, it’s a unique plot that other readers may enjoy more than myself.
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3 out of 5 stars
Length: 267 pages – average but on the shorter side
Source: Library
Book Review: Bird Box by Josh Malerman
Summary:
Malorie thought the hardest thing she was going to have to face was dealing with her pregnancy and impending single motherhood. She thought the warnings about seeing something that makes you go crazy and become violent was just the news blowing things out of proportion, or at least just hysteria. Her sister believed in it, but not herself.
But that was all years ago, and now Malorie is alone in a house with her two children. Children who have never been outside without blindfolds on. She only leaves the house blindfolded, tapping the ground with a stick to find the well. But now it is time for her to be brave and to take a boat on the river, just she and her two children, blindfolded, in the hopes of finding salvation.
Review:
I was drawn to this book for two reasons. First, the mere thought of a mother and two young children boating down a river blindfolded had me intrigued. Second, it’s set in Michigan, which is where my husband is from, and honestly I can’t recall the last time I saw a book set in Michigan. These two elements came together to tell me this book is probably unique. So when I saw the kindle version on sale on Amazon, I snatched it up. What I found was a chilling tale that could easily fit within the Lovecraft mythos.
The order the story is told in helps build the suspense and keeps it from being a same old apocalypse and survivors’ tale. The book opens with Malorie and her two children living alone in the house. It opens post-apocalyptic. Through flashbacks we learn various things such as who used to live in the house with Malorie, why there are certain parts of the house she doesn’t like to go to, and why neither she nor the children leave the house without blindfolds on. From here, the reader is then taken forward into Malorie’s action onto the river, going down it trying to find a safe haven of other survivors that she knows used to be there years ago. It’s a nice combination of flashback and plot progression forward that keeps the suspense interesting.
It is no spoiler to say that what caused the apocalypse is something that causes people to go stark raving mad when they see it. This is included in the official book blurb. What was interesting to me was how Malerman kept this from being purely straight-forward. Some characters believe in the mysterious creatures right away, others don’t. Some think that merely believing it will cause you to go crazy makes you go crazy. Some think that some are affected and others aren’t. Some wonder if animals are affected too, and no one knows where the creatures came from or, if you don’t believe in the creatures, how the phenomenon started. The lack of clear-cut answers reflects reality. In general, with large-scale catastrophes, it’s hard to know exactly what happened or what is going on. This lack of knowing made the situation read as real, even if the exact situation is an absurd sounding one at first.
I was also struck by how well Malerman wrote a female version of experiencing the apocalypse. Malorie is both focused on surviving for herself and her baby but also distracted from the apocalypse because she is having normal hormonal reactions to pregnancy. Similarly, while some characters embrace her as a symbol of hope, others see her as a burden. Malorie was a refreshing change from the young, virile, kick-ass heroine often seen in post-apocalyptic books. She is strong, yes, but not in a kick-ass way. She is strong in a she’s doing her best to be a good mom and still survive type way. And that’s a nice thing to see in post-apocalyptic horror fiction.
The book naturally ends up pondering “madness” a lot. The creatures drive any who see them into near-caricature depictions of madness. Sometimes the person becomes violent against others. Sometimes the person turns on themselves, killing themselves or self-injuring to the extent that they die. There are a lot of questions about what the human mind can handle. There is a lot of argument in the book for agency against all odds.
It’s better to face madness with a plan than to sit still and let it take you in pieces. (loc 4034)
On the one hand, I appreciate the argument for agency and fighting for your sanity and humanity. On the other hand, I’m not sure how I feel about a metaphor where madness happens to people who just aren’t careful enough or don’t have enough of a plan. While it’s valid that a mental illness must be fought every day and some have more natural resiliency than others, there’s a tone of blame to the theme that strikes me the wrong way.
*small spoiler*
At one point, it is postulated that perhaps the only ones immune to being driven mad by the creatures are those who are already mentally ill because they are already mad. There is no science behind this thought. There is simply a character who appears to have paranoid schizophrenia who firmly believes the creatures are not actually dangerous because he has seen them and is fine. Yet he is a character who ends up instigating an incredibly violent scene. While it is true that there are violent extremes of mental illness, there are also those that are not. The book fails to bring out the subtleties and varieties of mental illness. Imagine the power that could have been from a character who had, for instance, OCD and was able to see the creatures and interact with them without harming anyone and able to understand that others cannot see them safely. Imagine if it was simply that seeing the world differently already, being abnormal, protected one from being driven truly mad by the creatures. What an interesting direction that could have taken the story.
*end spoilers*
Thus, in general, while I appreciate the more unique and interesting things the book did, such as focusing on a pregnant woman and then a young mother as the main character and telling the plot in a non-linear way, ultimately the book did not push the boundaries or the ideas far enough to truly enrapture me. Recommended to horror, Lovecraft, and post-apocalyptic fans looking for a read with a young mother as the focus.
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4 out of 5 stars
Length: 305 pages – average but on the longer side
Source: Amazon
Book Review: Porcelain: A Novelette by William Hage
Summary:
Out near the Pine Barrens in New Jersey sits the Whateley Bed & Breakfast, home of a wide collection of knick-knacks and antiques for its guests to view, including a beautifully ornate porcelain doll. However, after the Whateley’s latest guest purchases the doll as a gift, a horrifying series of nightmarish events begins to unfold.
Review:
This is the final review for the 2015 ARCs I accepted (6 total). Woo! This 8,000 word novelette was the perfect way to wrap up my year of ARCs. Bite sized, it kept me entertained for almost precisely the duration of the public transit portion of my commute.
This short horror involves a father buying a doll for his daughter, only to have the doll wind up to be evil. I don’t consider that a spoiler, because I think it’s pretty clear from the cover and the description that is what is about to go down. While some of the evil doll aspects were about what I was expecting, others were not. The scenes happened at just the right pace to hold interest, and I did find myself hoping I’d have time to finish the novelette without having to stop. I think the story is helped by reading it in one sitting, so I would advise picking it up when you know you have enough time to finish it in one go.
All of this said, while I enjoyed it and it is well-written, it just didn’t linger with me. I wound up feeling quite neutral about it. Perhaps because the novelette is so short that there’s no time to establish an emotional connection with the main character. It’s also possible that the ending just failed to wow me. That said, other readers who are more generally into short fiction than I am will probably enjoy it more than I did.
Overall, this is a well-written piece of short fiction that should be read in one sitting. Recommended to fans of short horror.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 23 pages – novella
Source: Kindle copy from author in exchange for my honest review
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 