Workaholic attorney Samantha Sweeting has just done the unthinkable. She’s made a mistake so huge, it’ll wreck any chance of a partnership.
Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she’s mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they’ve hired a lawyer–and Samantha has no idea how to work the oven. She can’t sew on a button, bake a potato, or get the #@%# ironing board to open. How she takes a deep breath and begins to cope–and finds love–is a story as delicious as the bread she learns to bake.
But will her old life ever catch up with her? And if it does…will she want it back?
Long-time readers of this blog will know that I’m a Sophie Kinsella fan, so it should come as no surprise that I liked this book. But let me say I love love loved this book. It’s my favorite Kinsella book I’ve read so far. It was funny but also a beautiful love story and also great commentary on life and priorities. It gave me the warm fuzzies, you guys.
I think one of the things I like best about Kinsella books is how they present all of women’s life options as totally valid ones, even if the heroine herself doesn’t realize that at first. What matters most is the heroine doing what makes her happy, and often the drama comes from the heroine forcing herself to be something she’s not or align herself with life values she doesn’t have. In any case, this book walks a great line of neither demonizing career women nor women who stay at home. It also doesn’t present doing a high-powered, high-education track as better than doing a traditionally blue collar job like housekeeping or cooking. Yes, at first Samantha thinks one of them is better and looks down on the other, but ultimately she realizes the pluses and minuses of both types of jobs, and I really like seeing that in chick lit. A lot. I also really enjoyed seeing the struggle Samantha has between part of herself wanting the high-powered career and part wanting the quiet life at home. I think that’s a feeling many modern women can relate to.
The romance is also quite sweet. The early on playing between Samantha and her man and how that progresses made me feel like I was cozied up in a just the right temperature bath. But I also really liked that the book shows that compromise in a relationship is necessary. Both of them have to adjust their perceptions to fit the new reality of each other and both are willing to make compromises and meet in the middle.
Of course it’s also funny. What’s not funny about a lawyer trying to keep house when she doesn’t know anything about cleaning or cooking? At some point though the humor transitions into scenes that I can only describe as warm and glowing. That focus in on what really matters in life.
I was entertained. My life goals and ambitions were strengthened and validated. And I (maybe) (ok, definitely) cried happy-ever-after tears at the end of the book. I suppose if you’re a reader who doesn’t understand people who want to work a job they at least moderately enjoy and live life at a reasonable pace with lots of time with those they love then you might not enjoy this book. But I’d also say you need to read it and take a hard look at Samantha’s life before and after her lessons.
5 out of 5 stars
When a rabbit low on the totem pole has a bad premonition, he and some friends run from their warren just before man intrudes wreaking havoc on their once-home. What follows is an adventure of evading predators and foes and looking for a new home.
Let me preface my review by saying that I know a lot of people either: A) love this book or B) find this book to be very traumatic. My experience was neither of these. The fact that this was not my experience does not negate yours. But neither does your love or traumatizing by this book mean that I felt the same way about it.
One of the risks of reading a book that is widely-known and loved (or remembered as traumatic) is that you have a pre-existing notion of just what that experience might mean for you. I came at this book with some trepidation and excitement because I absolutely love bunnies and I also love semi-realistic depictions of wild animals. Those that are accurate about scientific information but also personify them somewhat. I wound up being greatly disappointed because it gave me neither a world of bunnies to get lost in nor an experience of great trauma and drama. What I wanted was a highly emotional experience, and instead I got a bit of boredom and my main emotion being disappointment.
Let me start with what I think was well done. Adams clearly paid a lot of attention to the real science of how wild bunnies live and function, and I appreciated that. I also like the allusions to mythology. But there’s lots of reviews that talk about why they love this book, so let’s get down to why I didn’t.
1) I found it to be way too wordy.
I want cuteness and bunnies and plot not overly long descriptions of fields. This is a really thick book (my copy was 479 pages) and just…not that much actually happens. I don’t like to feel like a book is wasting my time, and I felt that a lot with this one. You could argue that it just felt long because I didn’t emotionally connect to it, but I think part of my lack of emotional connection was because of the lengthy descriptive passages.
2) I was expecting a great mythos of a story, and what I got was WWII with bunnies.
I love WWII. Do not get me wrong. I did an entire course for my History BA in just WWII. But I don’t think bunnies particularly pair well with WWII. A large overarching mythos? Sure. Basically the Battle of the Bulge with rabbits? Not so much. I don’t want my bunnies acting like British colonels and their optimistic soldiers, and I certainly don’t want an evil bunny who is basically Hitler coming into the story. (I mean…who makes the enemy another bunny who is basically Hitler? ? What? Why??)
3)It just isn’t all that tragic (sorry guys).
I thought that basically the bunnies fight to survive all book and then all die at the end. Of the core group of rabbits, only ONE dies. There are many epic battles but just no true peril except for the warren that the rabbits leave at the beginning of the book. They are, true, pretty brutally killed by the farmer, but the problem is we never had a chance to get to know them, and we hear the story of the killing from someone who saw it. We don’t see it first-hand. It’s all very distanced and just not that tragic. This would obviously bother me less if I wasn’t expecting a tragedy from everyone saying how sad Watership Down is. But honestly to this day I don’t get why everyone is so sad. The rabbits get a new warren. They successfully find female bunnies and make more bunnies. One main character dies. That is it. I just. What. Why does this traumatize you people?
So, if you are a person who doesn’t mind WWII told through rabbits, quite long passages of description, and will welcome a tale lacking in great tragedies, you might have a better experience with the book than I did. Lord knows many people the world-over have loved it. But for those who come to it expecting to find a great tragedy or a fast-moving tale or warm and cuddly rabbits be warned that it’s not what you’ve heard about it.
3 out of 5 stars
Bottom of TBR Pile Challenge
Lilith Grey has spent her entire life living below ground–among the lucky descendants of the humans who escaped there before catching the virus that turned the rest of humanity into monsters from fairy tales. But one day Lilith and her friend Emma get temporary vaccines and go above ground to a tourist theater to view these vampires and shapeshifters in person. When everything goes horribly wrong, Lilith finds herself whisked away from the carnage on the back of a werewolf. Can she ever get back below ground?
I was hesitant to accept a YA book for review, since the genre is not one I tend to enjoy. But I had previously read and thoroughly enjoyed a book by this indie author, so I decided to give it a go. Her other work, Hungry For You, is a collection of zombie themed short stories that manages to put a fresh twist on that genre, so I was hoping for more of that unique glint in her YA work as well. This, her first full-length novel, is more unique than what is currently saturating the market, but I did not feel that it lived up to the expectations I had based on her short story collection.
The basic concept is intriguing. Many post-apocalyptic stories feature humans living in bomb shelters or other similar underground enclosures but not for the reasons put forth in this novel. This unique twist is what I’ve come to expect from Harte’s writing, and it definitely was the part of the story that kept me reading. Seeing how the mutated humans lived above ground versus how the non-mutated lived below ground was intriguing and interesting. I wish more time had been spent building this world and less on the emotions of the main character (not to mention her friend, Emma, and the werewolf, Silver). The scifi explanations for the fantastical creatures was also engaging, but again not enough time was spent on it. Similarly, while the typical werewolves and vampires exist among the infected above ground, there are also the more unique such as the ewtes who mutated to live in the water but can walk on the ground with water tanks. Actually, I could have easily spent an entire book among the ewtes. They were far more interesting than our stereotypical main character Lilith. The world and minor characters are what kept me reading….not the plot or main characters.
The initial plot set-up is painfully stereotypical. Clueless teenage girls wind up in danger. Two men save them. One is an angst-ridden werewolf. The other is a mysterious, handsome intelligent fella. The girls protest they can care for themselves but the reader can see they can’t really. The main teenage girl feels inexplicably pulled to the werewolf angst man. The werewolf angst man feels drawn to the teenage girl and angsts about it. And on we go. The last few pages of plot, thankfully, didn’t take the typical turn, but honestly the pay-off was incredibly minor compared to the rest of the stereotypical YA plot. Even just making it a teenage boy from below ground saved by a female werewolf would have been a change enough to make me more interested. I also was disappointed to see no depth or examination of the human condition here, which I saw in Harte’s previous work. I was excited to see what depth she could bring to YA but she didn’t even bring an empowered female main character to the genre. Quite disappointing.
Ignoring my own quips with the plot and main characters, the book simply does not read like a solid first entry in a series. It gives the reader mere tastes of what we want to know from a first book in a series, like who the DEI are and why everyone is afraid of them, while lingering on things like how the main character craves the werewolf. That is fine if it was a paranormal romance, but it feels more like it is meant to be a post-apocalyptic/dystopian style novel. A clearer world needs to be established and characters more fully fleshed-out if they are to hold up a whole series. There has to be a clear world and a three-dimensional main character set up before the danger if the reader is to feel any connection or caring at all. As it is, I mostly just wanted to wander off and follow the ewtes.
Overall, then, this is definitely a book for YA fans only. It’s the basic plot from YA with a twist set in a unique future world that was fun to visit. YA fans will have to try it out for themselves to determine how much they will enjoy that visit.
3 out of 5 stars
Source: Kindle copy received from author in exchange for my honest review
Giveaway! The author is running a giveaway along with her month long blog tour. Check out the rafflecopter for details!
In an alternate future as envisioned in the 1930s, Flora Poste loses both her parents and finds herself living on 100 pounds a year. In lieu of getting a job and an apartment in London as suggested by her friend Mrs. Smiling, she decides to live with relatives in order to tidy things up about them. She decides upon her farming cousins the Starkadders who are all under the whims of Great Aunt Ada Doom who saw something nasty in the woodshed when she was a child. Flora may have bit off more than she can chew between crazy Aunt Judith, cousin Seth who has more sultry appeal than he can handle, cousin Elfine who flits about the fields and writes poetry, hell-fire preaching Uncle Amos, and sundry other cousins, not to mention the sad bull in the barn.
Between the general more British style of writing and the accents of some of the relatives, it took me a bit to get into this book. Once I did though, I found myself lost in the delightful world Gibbons created and wishing the etiquette books Flora religiously uses as her references for life actually existed.
Reading of what was a near future for Gibbons, but actually an alternate past sometime in the 1940s or 1950s for modern readers gave the book a deliciously steampunk quality. People talk on videophones but they still must run to town to use a pay phone. Almost everyone seems to have their own airplane that are used for jaunts to London and Paris. On the other hand, the clothes and hairstyle call to mind the roaring 20s as do the social mores. This is an alternate history that saw no conservative backlash and yet one that also maintained marriage, beautiful clothing, and fancy parties as the norm. How could you not want to visit this world?
Each character is well-drawn and easily decipherable from each other, which is a significant achievement given the relatively short length of the book. Pretty much every character has some flaw, but they aren’t demonized for it. They simply learn to deal with their shortcomings either by embracing them and making them work for them or re-routing their energies into more worthwhile pursuits. I can’t recall the last time I saw a bunch of characters with so many short-comings and yet portrayed in such a sympathetic light.
What made me love the book the most though, I must admit, was the main character of Flora Poste. For the first time I loved a main character who is pretty much the exact opposite of my own personality. She is calm, even-minded, focused, and gentle, whereas I, I must admit, am much more like one of the Starkadders who she seeks to help. The Starkadders are the dramatic, emotional type, and Flora, while sympathetic to actual underlying issues, won’t put up with any overdramatizing. She doesn’t expect them to change the essence of who they are; she just expects them to tidy up a bit and be a bit more reasonable about everything. The whole concept of being reasonable about things is such a new idea to the Starkadders that it leads to some truly hilarious scenes.
Of course Flora is not without her own faults, which is good. Otherwise, the book would read as quite judgmental on the poetic types. Flora can be too quick to get herself in over her head and she can be a bit quick to judge people she’s just met, but these are just her own flaws and she does her best and really that’s all any person can ever really do.
Overall, I absolutely loved this book. It’s a world that is a pure delight to get lost in, and I foresee myself returning to it again and again as a comfort read. I highly recommend it to everyone. Between the character building, the steampunky feel, and the humorous slapstick scenes, there’s something for everyone to enjoy.
5 out of 5 stars