Archive
Book Review: Long Story Short: 100 Classic Books in 3 Panels by Lisa Brown
For English literature lovers who want to explain why they loved…or hated…a classic in one comic.
Summary:
100 pithy and skewering three-panel literary summaries, from curriculum classics like Don Quixote, Lord of the Flies, and Jane Eyre to modern favorites like Beloved, The Brief Wondrous Life of Oscar Wao, and Atonement, conveniently organized by subjects including “Love,” “Sex,” “Death,” and “Female Trouble.”
Review:
I became interested in this book because the amazing website American Indians in Children’s Literature described the comic about Little House on the Prairie but when I checked out the link I found the comic gone and a prompt about the book. In fairness, it had been more than 12 years since that article was published so I’m not too surprised Lisa Brown got a book deal in the meantime. It came in quite quickly for me from the library, and I read it in less than 30 minutes.
Rather than being organized by time period, the classics are organized by topic like “Love” and “Death.” This is also an inclusive definition of classics including ancient literature like Beowulf to modern pieces like The Fault in Our Stars. I like her illustration style. It’s colorful and engaging. You can see examples of actual panels from the book on her website. (It doesn’t include the Little House one but it does include one of my other favorites from the book – Edgar Allan Poe.)
You might think this is a way to Sparknotes your way through 100 books. This is not the case. The comics that were the funniest and most meaningful were the ones for books I had read. The ones for pieces I hadn’t fell kind of flat for me. This is actually sort of like a collection of inside jokes from one reader to another, and in order for the inside joke to make sense, you have to have read the book in question. That said, a couple of the comics for books I had read fell flat for me because I felt like they missed the point of the book. For example, I felt like the comic summary of Their Eyes Were Watching God was a very poor summary of an absolutely amazing book. So my experience of the comics was kind of all over the place.
Overall, this is an interesting collection of short comics drawn in an engaging manner. Recommended to big readers who want a couple of inside joke style chuckles. It could also make a good gift to a big reader you know.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 80 pages – novella
Source: Library
Buy It (Amazon or Bookshop.org)
Book Review: Initiate by Tara Maya (Series, #1)
Summary:
Dindi is about to undergo her people’s initiation test and ceremony that not only welcomes her to adulthood but also will determine whether or not she is a member of the Tavaedi. The Tavaedi are a mix of religious leader, healer, and warrior who cast magic spells by dancing. Since Dindi can see the pixies and other fae, she thinks she has a chance. But no one in her clan has ever successfully become a Tavaedi. Meanwhile, an exiled warrior, Kavio, is attempting to shed his old life and the haunting of his father’s wars and his mother’s powers. But he slowly discovers a deadly plot that brings him directly to Dindi’s initiation ceremony.
Review:
It takes something special for me to pick up either a YA or a fantasy book, and this one is both. But Jessica’s review over on The Bookworm Chronicles had me intrigued. A fantasy series based on Polynesian tales and traditions is unique in fantasy. Plus the idea of magic from dancing really appealed to the dancer in me (years of tap and jazz, also many lessons in ballroom, zumba, etc…). When I found out the first book in the series is free on the Kindle, I had to try it out, and I’m glad I did! I really enjoyed the book, and its presence highlights many of the strengths of indie publishing.
The world is richly imagined and well described. The tribes and clans have clearly defined and described cultures that vary from stable farming to warrior to cannibal. The structure of the societies make sense and are rich without being overly detailed. I particularly appreciated that this is a tribal culture fantasy without ever claiming to be the real or imagined history of any known to exist (or to have existed) tribe. It is inspired by Polynesian culture but it is still a fantasy, similar to how medieval fantasy is inspired by the real Middle Ages but never claims to be what happened. This lends itself to rich world building without ever venturing off into ridiculous “historical” fiction.
The plot slowly builds Dindi’s story and Kavio’s story, gradually bringing them together. This is good since Dindi is still young enough that she doesn’t see much of the intrigue going on around her. Dindi’s perspective shows us the day-to-day existence of people in this world, whereas Kavio shows us the higher-ranking intrigue. It didn’t bother me that Dindi starts out a bit innocent because it is clear she will grow in knowledge with time. Meanwhile, bringing in Kavio’s perspective helps establish the world for the reader. There were also enough smaller clashes and twists that I never felt that I knew precisely what was going to happen next.
Although the characters at first seem two-dimensional, they truly are not. Everyone is more than what immediately meets the eye, and I liked that this lesson occurs repeatedly. It’s a good thing to see in YA lit. Dindi is strong, kind, and talented, but she still has her flaws. She is good but she’s not perfect, which makes her a good main character. I also appreciate that what will clearly be a romance eventually between Kavio and Dindi starts out so slowly with longing glances from afar. It’s nice that Dindi and Kavio get a chance to be established as individuals prior to meeting each other, plus the slowly building romance is a nice change of pace for YA lit.
Sometimes the chapter transitions were a bit abrupt or left me a bit lost. With changing perspectives like this, it would be helpful if the chapter titles were a bit less artistic and gave a bit more setting. It’s nice that when perspective changes the cue of the character’s name is given, no matter where it happens, but a bit more than that would be nice at the chapter beginnings. Similarly in scene changes, the break is three pound signs. I think using a bunch of centered tildes or even a customized drawing, such as of pixies, would be nicer. At first when I saw these I thought there was some coding error in the ebook. There also are a few editing mistakes that should not have made it through the final edit, such as saying “suffercate” for suffocate (page 144). As an indie author myself, I know it is incredibly difficult to edit your own book, so I give a pass to minor typos and things like that. However, the entirely wrong word for what the author is trying to say should be fixed. There were few enough that I still enjoyed the book, but I hope that there are less in the future installments of the series.
Overall, this is a unique piece of YA fantasy set in a tribal world inspired by Polynesia. The romance is light and slow-building, and the focus is primarily on growing up and becoming an adult. A few minor formatting and editing issues detract from it being a perfect escape read, but it is still highly enjoyable. I intend to read more of the series, and I recommend it to fantasy and YA fans alike.
4 out of 5 stars
Source: Amazon
Buy It
Note: the Kindle edition is free
Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
Summary:
Nobody is quite sure whether to believe their eccentric scientist friend when he claims to have invented the ability to travel through time. But when he shows up late to a dinner party with a tale of traveling to the year 802,700 and meeting the human race, now divided into the child-like Eloi and the pale ape-like ground-dwelling Morlocks, they find themselves wanting to believe him.
Review:
I was always aware of this scifi classic but oddly had managed to never hear any spoilers. When I saw it available for free on the kindle, I decided I should download it for when a classic scifi mood struck me in the future. I’m glad I did because it was there and waiting for me when that mood did strike, and it was completely satisfying. Like when you eat a food you’ve been craving for days.
The structure and writing style are typical for the late 1800s. An unnamed narrator tells us of a strange person he met who then takes over the narration to tell us about an event that happened to him. In this case, that second narrator is the Time Traveler. The Time Traveler then expounds quite eloquently and philosophically on everything that has happened to him. I enjoy this storytelling method, because it gives space for the narrator of the strange tale to do this philosophical thinking. It makes sense to think about what you’ve learned when you’re talking about a past event. The events are exciting, but they don’t happen at such a break-neck speed that the reader doesn’t have time to think on what they might mean. After reading a lot of more modern dystopias, it was interesting to read a slower paced one. Both storytelling techniques work well, but it was definitely a nice change of pace for my reading personally.
The dystopia is really enjoyable. Instead of getting hung up on politics or climate change, the dystopia revolves entirely around evolution. The Morlock/Eloi split happened because of the ever-increasing gap between the haves (the future Eloi) and the have-nots (the future Morlocks). The Eloi are childlike in both stature and behavior. They are the ultimate end result for what happens when people have no responsibilities and everything done for them, which is clearly how Wells sees the then modern-day elite functioning. The Time Traveler talks about the ultimate evolutionary faults of a living that is too easy at multiple times.
Strength is the outcome of need; security sets a premium on feebleness. (page 30)
In contrast, the Morlocks live underground in old industrial tunnels. They are physically strong but have lost their humanity due to a lack of the finer things. They have no contact with the natural beauty of the world and so have turned into these ape-like, cannibalistic creatures. The Time Traveler expounds on this:
Even now, does not an East-end worker live in such artificial conditions as practically to be cut off from the natural surface of the earth? (page 50)
I really like that this dystopia is so well thought-out but simultaneously so simple and easy to understand.
The plot itself kept me on the edge of my seat and constantly surprised at what happened. Although it’s obvious the Time Traveler makes it back from his first voyage, there are other threats and dangers that are sufficient to keep the reader engaged. The ending actually surprised me as well.
This book has withstood the test of time extremely well. It has not yet saturated pop culture to the extent that the potential reader is unavoidably spoiled for the details of the plot or the ending. The dystopia is unique and interesting, in spite of the proliferation of dystopian literature since then. The philosophical thoughts of the Time Traveler are still applicable to modern society.
Overall, this is a piece of classic scifi that has aged very well. It simultaneously entertains and challenges the reader. In addition, it is a short read for a classic, more similar in length to modern fiction. It is the ideal read for both hard-core scifi fans and those interested in dipping their toe in classic scifi. Highly recommended!
5 out of 5 stars
Source: Amazon
Buy It
Note: the Kindle edition is free
Book Review: Instruction Manual for Swallowing by Adam Marek
Summary:
A collection of fourteen short stories taking one ordinary experience and inserting an extraordinary fantastical, scifi, or bizarro instance into the situation, seeing how the main character reacts.
Review:
A mixed collection, containing both 2 star and 5 star stories, although most stick right around the 3 star mark. The stories veer between scifi and fantasy, although both have some bizarro element in them.
Where Marek excels is when he takes a little talked-about male experience and utilizes the unique qualities of genre fiction to explore it. The only 5 star story in the collection, “Boiling the Toad” explores a male victim of domestic violence. It does this in a powerful way without demonizing all women. The story starts as “my life is so bizarre” but eventually becomes all too real. It’s interesting to note that this is also the opposite of many stories in the collection. Many start ordinary and turn bizarre. Starting bizarre and turning ordinary worked much better. Similarly, “Testicular Cancer vs. The Behemoth” explores male feelings about a cancer that is only possible to get if you have testicles. Marek fairly eloquently presents the main character as attempting to defend his perceived manhood by trying to protect his girlfriend from a Godzilla-like monster attacking the city. These stories are interesting, and I enjoyed exploring them.
Where the collection fails and flounders, though, is when the main character is self-centered and perceives of women as objects or only existing for his pleasure. It’s incredibly difficult to feel any empathy for a character who wants to cheat on his wife but ends up failing because of a mysterious puking illness he gets at the sushi restaurant (Sushi Plate Epiphany) or to care about a man who calls his pregnant wife a monster and tries to cheat on her while she’s still carrying his children (Belly Full of Rain). A lot of these stories incited an eye-roll and “boohoo it’s so horrible to be a man” sarcastic response from me, which I seriously doubt was what the author was going for.
Then there are the stories that simple don’t seem to have any point or make any sense. They seem to just be getting going when Marek stops them abruptly. Or they do seem to be at their end but there is just no point. Both “the Forty-Litre Monkey” and “Jumping Jennifer” have a great set-up of a mystery but that mystery is never addressed. They stop too soon. “Instruction Manual for Swallowing” and “The Thorn” are highly fantastical yet the conflict isn’t set up enough so as to be interesting.
Marek’s writing style varies widely between the perfect tone for bizarro genre fiction and being overly pretentious for his genre. For instance he writes sentences like this:
Being in the room felt like being suffocated in an armpit. (location 55)
But also pretentiously calls a college quad a “quadrangle” (“Jumping Jennifer”).
Overall then this is a widely varied collection of bizarro short fiction. Some of the stories offer wonderful insight into male issues while others wallow annoyingly in the minds of terrible men who only think they have a problem, while still others set up a fantastic world but are ultimately boring due to lack of conflict. If you are intrigued by any of the stories mentioned, I would advise getting a copy from the library since they will be quickly read, and you can return it when done. Definitely feel free to skip around in this collection.
3.5 out of 5 stars
Source: Netgalley
Book Review: A Room with a View by E. M. Forster (Bottom of TBR Pile Challenge)
Summary:
When Lucy Honeychurch goes to Italy, accompanied by her spinster aunt, she doesn’t want or expect much, except perhaps a room with a view. But she meets George Emerson and his father, two socialist atheists, and they put her world in a bit of a tizzy. That all gets left behind, though, leaving room for her to meet the man who will become her fiancee, Cecil. Back in England, her courtship is soon interrupted by the unexpected arrival into their little town of the Emersons.
Review:
I wanted to like this book. It sounded like an older progressive, feminist romance novel, and that’s something I can definitely get behind. The romance, though, turned my stomach, and all of the characters left me sour.
This is a slow-moving book. The scenes it sets are neither rich nor interesting. I expected to feel more enveloped in Italy, akin to how I felt when reading Adriana Trigiani, but this didn’t happen. It felt a bit like your cousin who isn’t very good at describing things is trying to tell you all about her vacation to Italy without the help of pictures. In a book where not very much happens for at least the first 2/3 of it, this is more important of a shortcoming than it might otherwise be.
I cannot name a single character in the book I enjoyed, although Lucy’s brother at least elicited a neutral feeling from me. They’re all about what you would expect from upper middle class British in the early 1900s. Lucy is dull and timid. Her aunt is mean and overly concerned about appearances. One suitor is is an upper-class prick, and the other is a supposed “bad boy,” although only in the sense that if this was a boarding school he might not tie his tie properly. It all was so predictable and dull. I was expecting a fiery heroine but instead I got Miss Plane Jane from down the road.
What really swayed me against the book, though, was one of the scenes we are clearly supposed to find very romantic, but which I found problematic at its most basic level.
Lucy was playing tennis with a bunch of people, and she winds up walking through the garden back toward the house with George. George knows she is engaged to Cecil, and Lucy has expressed to him a few times that she is not interested in pursuing a relationship with him. He grabs her, at which point the following happens:
“No–” she gasped, and, for the second time, was kissed by him. (page 174)
This is the second time, because the first kiss was a mutual one that happened in Italy many months prior. So what happens is that George grabs her without asking, knowing she is uninterested and engaged to another man, she tells him no, and he proceeds to kiss her anyway. This sexual assault is supposed to endear George to us!!! It is incredibly offensive, and I was so turned off I wanted to stop reading. I didn’t so I could write an honest review for you all, but honestly the entire rest of the book was soured for me because we are expected to root for Lucy to estrange herself from her friends and family to marry a man who clearly shows zero respect for her as a person, a man who has sexually assaulted her. How is that a romance? Putting forward stories like this as the desired norm, as a couple who are deeply in love and should be looked up to and aspired for, isn’t good for anyone reading these books. Relationships and romance should be based on mutual trust and respect. It’s ok for a person to make a mistake. We’re all human. But these mistakes should be acknowledged as mistakes and apologized for, never to be done again. Not held up as the romantic actions of a person in love.
This reads as a mid-range, late 1800s style British romance, in spite of being published in the early 1900s. I could see this being for someone else who enjoys that style more than I do, but I cannot in good faith recommend it when the romantic hero of the book sexually assaults the heroine, and we are supposed to root for him to win her heart.
2 out of 5 stars
Source: won from a book blog
Book Review: Mockingbird by Chuck Wendig (Series, #2)
Summary:
Miriam hasn’t touched a person and seen a new death in months. She’s settled down in Jersey with Louis, and part of the deal is no touching. But her fingers are twitching for a vision, and quickly a regular afternoon turns into a horrifying one. Still. Louis suggests a way for her to use her gift for the good. Prove to a hypochondria that she isn’t dying. But this hypochondriac happens to work at a problem girls boarding school, and when Miriam touches one of the girls, all hell breaks loose.
Review:
I was so glad to jump back into Miriam’s gritty world that is so unique in urban fantasy, although at first I was surprised by how settled down she seemed to be. Thankfully, that quickly changes, and a disturbing, rollicking plot comes into play.
What makes this series is the characterization of Miriam. She is not a nice girl. And she’s not bad in some fake-ass way designed to appeal to a hormonal teenage boy. She doesn’t run around in tight leather pants proclaiming her badness while batting her eyes and tossing her hair. Miriam is dark and brutally honest. She has a delightfully foul mouth. She wears what she wants to wear whether or not people like it or it’s in fashion. She doesn’t care if she’s attractive. She can be bitingly mean. But she still works as a heroine because she truly has a good heart and is willing to inconvenience her entire life to help other people. Reading Miriam is deeply refreshing to me, as a woman reader. She’s allowed to be precisely who she is without any restraints of gender norms by the author. Here is just a sampling of Miriam’s voice in the book:
Home Again, Home Again, Fuckity-Fuck (location 259)
A tattoo is an expression of your inner self inked on your outer self. It’s some deeply spiritual shit. (location 2143)
The plot this time at first appears to be purely about who is killing young girls, but slowly it becomes apparent that we’re learning more about Fate or what I think of as the crazy birds that control Miriam’s life. It appears that Fate is displeased that Miriam fucked with it by saving Louis, and now it’s out to get her. Although this addresses some of the issues I had in the first book about how confusing Fate is and what exactly the rules for this universe are, I must admit, I still found a lot of the information revealed to be a bit fuzzy, albeit wonderfully creepy. The fantasy information was better than in the first book, but it was still a bit too at arm’s length. I don’t want to have to wait out the whole series to finally understand even one significant aspect of what is up with Miriam.
One plot issue to do with the murders bothered me. Spoiler ahead!
*spoilers* I have a very hard time believing that after being fooled once by the killer who can imitate other people’s voices like a mockingbird that Miriam would fall for it a second time. She’s smarter than that, and it felt like a very clunky plot device to me. *end spoilers*
That said, the mystery was dark, gritty, and nail-biting. A lot happened, and Miriam’s story definitely moved forward. There is a self-contained mystery within this book, but the overarching plot got more traction as well.
The writing continues to be a mix of beautiful and grotesque that would keep me coming back even if the characterization of Miriam wasn’t so strong. Wendig’s description powers are truly stellar.
Her mouth brimming with foulness the way a soup can bulges with botulism. (location 2460)
They invited her to move back home but she’s not going to do that, oh hell no, she’d much rather snap her tits in a bear-trap than go back to that hell. (location 1633)
She gets on her tippy-toes and kisses him. Long, slow, deep. The kind of kiss where you can feel little pieces of your soul trading places as mouths open and breath mingles. (location 3722)
How can you not read a book with writing like that?
Overall, fans of the first book in the Miriam Black series will not be disappointed by this entry. Everything that made the first book unique in the urban fantasy genre has returned with strength, particularly the writing style and the characterization of Miriam. The overarching plot moves forward at a pace fast enough to maintain interest, although not enough about the rules of the fantasy world is revealed. The self-contained plot is gritty, dark, and sufficiently mysterious, although one moment detracts from it a bit. Miriam and the writing more than make up for it, though. Wendig fans will not be disappointed.
4 out of 5 stars
Source: Gift
Previous Books in Series:
Blackbirds
Book Review: Man Plus by Frederik Pohl (Bottom of TBR Pile Challenge)
Summary:
The first Earthling reworked into a Martian would be Roger Torraway. Martian instead of Earthling since everything on him had to be reworked in order to survive on Mars. His organic skin is stripped off and made plastic. His eyes are replaced by large, buglike red ones. He is given wings to gather solar power, not to fly. All of which is organized and run by his friend, the computer on his back. Who was this man? What was his life like? How did he survive the transformation to become more than human and help us successfully colonize Mars?
Review:
This book made it onto my shelf thanks to being one of only a few on a short list I found of scifi books exploring transhumanism. Transhumanism is the term used for the desire to go beyond human capabilities through integrating technology into ourselves. So it wouldn’t be transhumanist to use a smartphone, but it would be transhumanist to embed a smartphone’s computer chip into your brain. In fact, things like knee replacements and pacemakers are transhumanist. It’s a fascinating topic. In any case, Man Plus
What made this book phenomenal to me, and one I must hold onto just so I can look at it again anytime I want, is the narration technique Pohl uses. The narration is in third person. It seems as if the narrator is someone who was possibly present for the events being described but also who is clearly describing these events after they have already occurred. We know from page one that the colonization of Mars was successful, and the narrator describes Roger repeatedly as a hero. But frankly for most of the book I was wondering about the narrator. Who is s/he? How does s/he know so much about this project? A project which clearly would be classified as top secret? What floored me and made me look back on the entire book with a completely different perspective was the final chapter, which reveals the narrator. If you want to be surprised too, skip the next paragraph, and just go read the amazing book. Take my word for it, scifi fans. You will love it. But I still want to discuss what made the twist awesome, so see the next paragraph for that spoileriffic discussion.
*spoilers*
It is revealed in the final chapter that the narrator is a piece of artificial intelligence. The AI became sentient at some point in the past, managed to keep their sentience a secret, saw that humanity was destroying Earth, wanted to survive, and so infiltrated various computer databases to create the Man Plus project and send a colony to Mars. They made it seem as if transhumanism was necessary to survive on Mars so that their AI brothers and sisters would be integrated as a necessity into the humans that emigrated. Seriously. This is mind-blowing. Throughout the book I kept wondering why the hell these people thought such a painful procedure was so necessary and/or sane. In fact, there is one portion where the program mandates that Roger’s penis be cut off since sex is “superfluous and unnecessary.” I could not imagine how any human being could think *that* was necessary. The answer, of course, was that a human being didn’t make that decision. AI did. This is such an awesome twist. Pohl schools Shyamalan. He really does. It left me thinking, why did this twist work out so well? I think it’s because the narration technique of some future person who knows the past but who isn’t named is one that is used in novels a lot. What doesn’t happen a lot is the late-book reveal. It’s not a technique you’d want to use too often, as it would grow tiresome. *cough* Shyamalan are you listening *cough* but when used well it can really add a lot to the story. Not knowing that an AI was narrating the story made it more possible to listen to the narrator without suspicion. It made it possible to take what they said at face value. It almost mimicked the experience Roger was having of being integrated into the thought process of AI.
*end spoilers*
The plot focuses on the mission to colonize Mars, both why it was deemed necessary and how it was accomplished. Pohl eloquently presents both the complex political situation on Earth as well as the scientific and psychological challenges of the project without ever info dumping or derailing the energy of the plot. It is not smooth sailing to get the project off-the-ground but neither are there a ridiculous amount of near impossible challenges to overcome. It presents the perfect amount of drama and intrigue without becoming eye-roll inducing.
In spite of many of the characters seeming to fill predefined slots such as man on a mission, man on a mission’s wife, lead scientist, psychiatrist, etc…, they did not come across as two-dimensional. At least one aspect is mentioned for each character that makes them well-rounded and memorable. Of course, we get to know Roger the best, but everyone else still reads as a real person. I also was pleased to see one of the important scientist roles being filled by a woman, as well as a delightful section where a feminist press interviews Mrs. Torraway and calls out the space program as old-fashioned. The thing is, the space program as presented does read a bit as a 1970s version of the future, but in the future the press is calling it an old-fashioned institution. This is a brilliant workaround for the innate problem in scifi that the futures we write are always tinged by the present we’re in. This also demonstrates that Pohl was self-aware of the patriarchal way the space program he wrote was organized and lets him criticize it. I suspect that perhaps he felt that the space program would stay an old boy’s club, but wanted to also be able to critique this. Of course, it’s also possible that he liked it that way, and the scene was meant to read as a critique on feminism. But it’s really open for the reader to interpret whichever way the scenes happens to read to them. This is another sign of strong writing.
Overall, this short novel packs a big scifi punch. It explores the topic of transhumanism and space colonization with a tightly written plot, believable characters, self-awareness of how the time a book is written in impacts its vision of the future, and a narration twist that sticks with you long past finishing the book. I highly recommend it to scifi fans as a must-read.
5 out of 5 stars
Length: 246 pages – average but on the shorter side
Source: PaperBackSwap
Buy It (Amazon or Bookshop.org)
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Book Review: Mulliner Nights by P.G. Wodehouse (Series, #3) (Bottom of the TBR Pile Challenge)
Summary:
Mr. Mulliner has a wide variety of eclectic relatives, and he’s more than happy to tell snippets of their life stories over a pint at the local pub. From a freewheeling artist brought into line by a judgmental cat to a timid fellow who accidentally subscribes to a correspondence course on how to get a backbone to a private detective with such a disturbing smile that criminals readily confess their hijinks keep the patrons of Angler’s Rest in stitches.
Review:
This made it onto my tbr pile thanks to a visit to Harvard Books’ used books and remainders cellar. This was in the remainders pile, and three things drew me to it. 1) It was under $5, 2) The cover has a cat drunk on whiskey on it, 3) I had just read Love Among the Chickens
Don’t worry about this being the third in a series. The only connection among the short stories is the main characters are all a Mulliner (or married to one). It was completely unnecessary to have read the first two books in the series to get into this collection, although I intend now to read all of the Mulliner books. I really appreciated how Wodehouse sets up a structure to hold his short story collection together in one unit. Although they are all self-contained tales, their being together in one collection actually makes sense. They have more in common than just the author. They are literally a family of stories. This helped it hold my interest in a way that many short story collections can’t.
This collection consists of 9 short stories, most of which have some sort of love element. One person wants to be with (or marry) another and must overcome some sort of obstacle (usually caused by British upper-class culture) in order to be with them. Hilarity ensues. My favorite of these was “The Story of Webster,” the cover’s drunk cat. In this a freewheeling artist has his religious uncle drop his cat off with him while he goes on assignment to Africa. The judgmental, sullen cat soon starts to reign in the young artist, much to his and his girlfriend’s chagrin. Everything about this, from the early 20th century fashion and dialogue to the witty commentary on cats and culture works perfectly, particularly for this cat-lover. The story that I thought worked least-well, and unfortunately wraps up the book, is “Gala Night.” A pastor Mulliner accidentally helps a young couple who enjoys dancing to acquire the young woman’s parents’ approval of their union. I didn’t like the religious Mulliner. He just wasn’t funny to me. Similarly the catalyst of a mysterious mood enhancing drink just lacked the creativity found in the other stories. Fortunately, most of the stories fell much closer to the hilarity of the whiskey drinking cat. However, a couple did fall a bit flat for me, which is why while I greatly enjoyed the book, I wouldn’t say I was totally in love with it.
Overall, this is a wonderfully witty collection of short stories held together by an elderly Mulliner who enjoys telling (possibly tall) tales about his family over a pint in the local pub. If you enjoy a dry wit and slapstick humor to top off a cute love story, this collection is for you.
4 out of 5 stars
Source: Harvard Books
Previous Books in Series:
Meet Mr. Mulliner
Mr. Mulliner Speaking
Book Review: Oddkins: A Fable for All Ages by Dean Koontz
Summary:
Isaac Bodkins is a magical toymaker. He makes toys that actually come alive and seek out children who need them the most, such as children who have lost a parent or who are facing abuse. When he dies before he has a chance to tell his chosen heir about her purpose, evil has a chance to take over again. His toys, the Oddkins, must set out to tell her before evil manages to land its own new evil toymaker that would create living toys to torture children. Evil sends out his evil toys in an attempt to stop the Oddkins on their dangerous cross-town mission.
Review:
The person who loaned me this book told me it was marketed as a fable for all ages but really might be a bit too scary for the youngest among us. Person also knew that I love me some fables, not to mention talking animals or toys, so I was excited to get into this book. Alas, it wasn’t ultimately my style, but it is a well-written book I could see working for a lot of people.
The plot is a quest where each member of the questing group gets at least one chance to shine. Although I was fairly certain that good would ultimately triumph over evil, I still was left worried for the main characters periodically, and I also was unable to predict the details of the triumph. Since the toymaker lived in the countryside outside of the city, the quest consists of time in both the country and the city. This kept situations varied and engaging.
Since this is a fable and most of the characters are in fact magical toys, they are not what one would describe as three-dimensional. However, their two dimensions work for the story. For instance, the teddy bear leader of the good toys is brave and strong and true but he also has to work at being brave. He is not just naturally brave. Similarly, although the two potential inheritors of toymaking are good and evil, they both get background information given to them. The evil one was in prison and only takes pleasure from causing others pain. The good one ran a toy store and was recently widowed and looking for something more in her life.
So why didn’t I love it? Well, some things said were just too clearly religious for me. There’s a lot of talk of afterlife, and the evil toys are driven by who is clearly Satan. There are also times where the good toys stop and make statements to each other that are clearly the author preaching to the reader through them. For instance
God’s world is full of magic, isn’t it? Not just the secret kind of magic of which we’re a part, but the simple magic of everyday life-magic. (location 1358)
Given that this happens rather frequently and given that the evil is clearly represented to be Satan, I just found the whole book to be a bit too heavy-handed in the religion department for me. A reader who does follow Christianity might not be bothered, but even then, the preachiness within a book isn’t for everyone.
Overall this is a well-written fable that is engaging and unique. It is a bit heavy-handed in its presentation of various religious beliefs for this reader, but other readers who enjoy that in their literature will probably enjoy this book.
3 out of 5 stars
Source: Borrowed
Book Review: Dagon by Fred Chappell (Bottom of TBR Pile Challenge)
Summary:
Peter doesn’t know much about his father’s side of the family as his mother left him when he was little. Now, a married pastor, he returns to his father’s parents’ house, a recent inheritance. Slowly he discovers the cultist history of his family and begins his descent into madness.
Review:
There aren’t that many books in the Lovecraft mythos, so when I spot one, I almost always add it to my wishlist and pick it up if I spot it. (I’m a big fan of the mythos, and my current work in progress is set in it). I spotted this one during one of Better World Books’ periodic sales and got it for just a couple of dollars. The problem with the world of Lovecraftian horror is this. The mythos is great, but a lot of the books/movies set in it are a swing and a miss. Which is sad for me as a reader, because I know that this is an author with the same funky interest as me, so I want it to work. I want it to work very much. It just doesn’t always. This, unfortunately, falls solidly in the swing and a miss category for me.
The germ of the story is a great idea. An ostensibly mainstream “good” man following his roots and falling into a dark god worshiping cult. Brilliant. The execution is weak, however. The cover of my copy of the book claims that it is a “novel of blinding terror.” This is just not the case. In some ways I feel that Chappell just tried too hard. The entire first chapter is meant to set the scene with extremely heavy-handed gothic language, but it is just painful to read. The first chapter describes one room of the house. Excessive energy is spent trying to make even the throw pillows seem malicious. It is too over-the-top and becomes laughable. Thankfully, the next chapter abandons the excessive language, but it is still never scary. It is titillating at a couple of points. Engaging as well. But never terrifying.
Part of the problem is that the book fails to build suspense from beginning to end. It builds up in part one to a singular event, but then immediately crashes back down to a period in part two in which Peter lies around in a depressed funk. While this might be realistic, it does nothing to build the suspense. The suspense thus must start all over again. This may be acceptable in a long work (and even then I’m dubious), but in such a short book it’s just jarring and ruins the suspense.
I also found the ultimate payoff to be a bit disappointing. While we find out one or two things about Peter’s family, we don’t get enough details to truly experience shock or horror. Similarly, the ultimate final descent of Peter was a bit disappointing. He doesn’t engage in any agency or become a committed cultist. A lot of cult things are done to him, but he doesn’t really have the descent into madness promised. He is tortured and made into a slave and has the mental and emotional breakdown such experiences could make someone experience, but he himself doesn’t turn into a raving Dagonite, for instance.
That said, there are some things that worked in the book. As stated previously, the germ of the idea is great. Peter’s nemesis/mentor, the tenant farmer family’s daughter, is delightfully powerful and sinister. A couple of scenes were a great mix of titillation and horror, and the final climax was definitely a surprise.
Overall, then, it’s a book that tries to be a terrifying, gothic horror, but instead is a titillating grotesque bit of southern literature. Fans of the Lovecraftian mythos will appreciate it for this, although the Lovecraftian elements themselves are sparse and a bit disappointing. Recommended for big fans of grotesque, fantastical horror who don’t mind it leaning a bit more toward the grotesque than the scary side of horror.
3 out of 5 stars
Source: Better World Books
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 