Hello my lovely readers! I hope you all had nice weeks. I discovered at my potluck that all of my friends are *amazing* cooks! We should do this potluck thing more often.
This week I returned to meeting with a trainer. In January it will be exactly one year since I started focusing on my fitness, and I’m rather determined to meet a few goals before then. I figured a trainer would help. He’s also nice and tough on me, which I enjoy. I am a bit distraught to discover that I’m still having issues holding a plank for a minute. I make it. But just barely. Needless to say, that’s one of my big goals for the next two months.
We got our first snow of the year last night, and it wasn’t just snow, it was THUNDERSNOW. That’s what we call it when there’s thunder and lightning with snow instead of rain. I loooove winter, and I was happy to see snow this morning, although I must admit that I hope this winter isn’t incredibly long like the one in the Little House books.
I got a lot of library loot last night. I’m thinking of having my own mini read-a-thon at some point next week, especially since I’m no longer working at the restaurant. I’m picking up my final check today and handing in my uniform. I’m happy to have my evenings back to myself, though I will miss the extra money, heh. In any case, let me know if you’d be at all into a mini read-a-thon at some point in the next week.
BAND is a monthly discussion group of book bloggers who love nonfiction! If you’d like to join us, check out our tumblr page.
This month Ash of English Major’s Junk Food asks us: What are your favorite nonfiction anthologies?
It’s funny; I haven’t read a nonfiction anthology in a while, but I immediately thought of one book that sits proudly on one of my livingroom bookshelves at home that I return to relatively frequently to read bits and pieces from—Written by Herself: Autobiographies of American Women: An Anthology.
Time to toot my own horn a bit here, I was the recipient of the Smith College Book Award in high school, and this was the book they chose to send me. As a young feminist growing up in a rural, traditional area, this book rocked my world. So many strong, intelligent women of all races and ethnicities from many time periods overcoming obstacles to achieve amazing things. Any time I had a rough day in high school or college, I would turn to this book and read a section of it. Um, plus it has a Smith College Book Award bookplate with my name on it, which is just bad-ass. Alas, they were unable to convince me to go to a women’s college. I wanted boys around. ;-) But hopefully the alumni association of Smith will still be pleased to know that this book helped one young girl become a stronger woman.
I’m glad Ash brought up this topic, because it made me think about one of my more unique favorite books, but also realize that it’s been a while since I read a nonfiction anthology. I’ll have to think on a topic that interests me and hunt one down at the library!
Check out the nonfiction books I’ve reviewed and discussed since the August discussion:
- The Last Manchu: The Autobiography of Henry Pu Yi, Last Emperor of China(review)
- A Stolen Life: A Memoir(review)
- Labor of Love, Labor of Sorrow: Black Women , Work, and the Family, from Slavery to the Present (review)
- Coming of Age in Mississippi (review)
- Lean, Long & Strong: The 6-Week Strength-Training, Fat-Burning Program for Women(review)
A New England town’s oldest resident dies leaving no known surviving family. His journals end up at the university where a professor loans them to a writer friend. In the first three folios, we learn of young Will Henry whose father and mother died in a terrible house fire leaving him to the care of his father’s employer–Warthrop. Warthrop is a monstrumologist. He studies monsters, and people arrive in the middle of the night for his help. One night a grave robber arrives with the body of a young girl wrapped in the horrifying embrace of an anthropophagus–a creature with no head and a mouth full of shark-like teeth in the middle of his chest. Will Henry, as the assistant apprentice monstrumologist, soon finds himself sucked into the secret horror found in his hometown.
This book was creating a lot of buzz last year, and I acquired it through the Book Blogger Holiday Swap. Clearly it took me almost a year to read it, and I’m glad I saved it up for Halloween. The chills and thrills were just right for this spooky month. I must admit, I was skeptical at first that it would live up to the hype–particularly the cover blurb praising it as Mary Shelley meets Stephen King. I am pleased to say, however, that it more than lived up to this apt comparison.
This is a combination of classic New England style horror (complete with a small town, small town values, a creepy insane asylum, cemeteries, etc…) with 19th century style lyricism present in the language.
How oft do they rescue or ruin us, through whimsy or design or a combination of both, the adults to whom we entrust our care! (page 251)
Seeing language like this in a new book being marketed as YA (a point I disagree with, but anyway) gave me chills. It was a pleasure to read for the language alone. Yancey, in particular, is quite talented at alliteration. The story itself, though, kept me guessing and was genuinely scary.
The anthropophagi are truly distressing. They are essentially land sharks who live underground and can pop up, like Mushu says in Mulan, LIKE DAISIES. You’re trotting along and all of a sudden, BAM, there’s a monster popping out of the graveyard dirt for you. Only unlike zombies there’s nothing humanoid about them, and they’re fast. The truly perfect monstrosity. It doesn’t hurt that Yancey connects them to myths and legends of the past, even quoting Shakespeare!
The characters are all well-rounded and memorable. From the way everyone calls Will Henry by only his full name to the terrified and perplexed constable to the eccentric Warthrop to the truly delightfully darkly witty Englishman who is brought in to help with the problem (“His teeth were astonishingly bright and straight for an Englishman’s. (page 266)”), everyone is lifelike. In fact I think they will probably live on in my mind forever; that is how clearly and forcefully they are drawn.
More than a delicious fright, beautiful language, and lifelike characters though, the narrator, being an older man looking back on his youth, brings to light several serious real-life questions that there aren’t any easy answers to, but it is lovely to read about within literature. You’ll be reading along, enjoying the terror and horror and wit of the main story, then stumble upon a passage like this:
Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we loved our own fabrication. Still…does the artifice of our affection make our love any less real? (page 362)
And you stop, and you close the book, and you think about it, and maybe you cry a little bit, then you get back into it to see how Will Henry does against the monsters, but that thought, that beauty, that fact that someone else on the planet has wondered the same thing as you (only put it quite a bit better) sticks with you afterward. And that is what takes good writing and characterization into the land of exquisite storytelling.
Frankly, I think everyone should read this book.
5 out of 5 stars
Anne Moody in her memoir recounts growing up in the Jim Crow law south, as well as her involvement in the Civil Rights movement as a young adult. She was one of the women at the famous Woolworth’s lunch counter sit-in. Here we get to see her first-hand thoughts and memories of the struggle growing up surrounded by institutionalized racism, as well as the difficulties in fighting it.
This project I am co-hosting with Amy truly seems to be flying by! We are already on our fourth read. I was excited that it was my turn to host the discussion, because memoirs are one of my favorite genres (as my followers know). Plus this is a memoir set just before and during the Civil Rights era, which is a time period I must say I don’t know as much about as I should. History classes in the US have a tendency to run out of time in the semester right around the end of WWII.
Throughout the book there is personal, anecdotal evidence of the statistics we read about in Labor of Love, Labor of Sorrow. The harsh life as sharecroppers produces anxiety and stress in the family structure. Anne is left alone all day with an uncle who is only eight years old to watch her and who treats her badly because he resents being stuck with this responsibility. Similarly, early in her life, Anne’s father and mother divorce. The strain on the family of poverty is abundantly clear.
Similarly what we read about black women taking nowhere near enough time off of work to recover after pregnancy and birth is evident in Anne’s observations of her own mother:
She didn’t stop workin until a week before the baby was born, and she was out of work only three weeks. She went right back to the cafe. (page 26)
Although Anne’s mother tried to stay out of serving in white homes as a maid, before long she ended up taking on that kind of work. She and her children would generally live in a two-room shanty out back. At first Anne didn’t notice the difference in privilege, until her mother brought home food for her children:
Sometimes Mama would bring us the white family’s leftovers. It was the best food I had ever eaten. That was when I discovered that white folks ate different from us. (page 29)
Anne was clearly an intelligent child and picked up on the subtle situations going on around her. Early on she remembers wondering about race and what makes someone white versus black, when there were some “high yellow” black people she knew who could easily pass for white.
Now I was more confused than before. If it wasn’t the straight hair and the white skin that made you white, then what was it? (page 35)
In fact, this issue of levels of color in black communities impacted Anne’s early life a great deal. Her mother’s second significant relationship was with a man from a “high yellow” family who didn’t want him with her because she was “too dark.” Anne’s mother put up with Raymond trying to decide between her and another “high yellow” woman that his family did approve of for years. Later when he does choose her, she must put up with the snobbery of his family who refused to even speak to her. Anne cannot understand how black people can be so cruel to each other when the white people in Mississippi are cruel to them all. It is evident that the racism and oppression of the South caused those oppressed to seek out others to oppress, and the easiest way to do so was to be prejudiced against those with a darker skin tone. Anne is right that it’s sad and confusing, but it also seems to be a natural result of such an oppressive system. It’s like we learned from The Book of Night Women: misery begets misery.
Before she is even in middle school, Anne has her first job working for a white woman. She sweeps her porches in exchange for milk and a quarter. This is when she starts contributing to the family economy. It’s interesting how Anne never expresses any resentment about needing to contribute to keeping the family going at a young age. She does not view it as her parents’ fault. It is just the way it is, and she’ll do what it takes to help her family.
This is the part of the book where we truly see through the eyes of “the help.” There are families that Anne works for her treat her like an equal, have her eat dinner with them, and encourage her to go to college. Then there is the family that is an active member of “the guild” (aka the KKK) where Anne is constantly in terror that they are going to try to frame her for a false wrong-doing. Anne shows many signs of constant stress during this time, both in her body (headaches and losing weight) and in her mind (feeling trapped). Being stuck working for someone who you know is going around organizing the murder of people of your own skin tone purely for their skin tone must have been horribly traumatizing.
It is in high school when the activity of the KKK in her hometown ramps up that Anne starts to develop her fighting spirit that will carry her out of white people’s homes and into the Civil Rights movement. She is angry and fed up with the system, with white people, but with black people too.
But I also hated Negroes. I hated them for not standing up and doing something about the murders. In fact, I think I had a stronger resentment toward Negroes for letting the whites kill them than toward the whites. Anyway, it was at this stage in my life that I began to look upon Negro men as cowards. (page 136)
Anne’s passion for doing what is right in the face of terrible danger and pain is remarkable and admirable. She would rather die fighting the system than live under the system. She does not seem to realize it, but this is an unusual level of strength and courage. It takes people like her to make change happen. People like her become the leaders that get people to act in spite of their fear. I understand her frustration, but her lack of understanding of other black people’s viewpoints can be a bit frustrating at times.
Her passion though does lead her to one of the historic black colleges, eventually, Tougaloo College. Tougaloo was at the center of a lot of the Civil Rights movement in the south, and I found this part of the book totally fascinating. It is here that Anne makes her first white friend, a fellow Civil Rights activist. It is here that her famous sit-in at Woolworth’s is organized.
But something happened to me as I got more and more involved in the Movement. It no longer seemed important to prove anything. I had found something outside myself that gave meaning to my life. (page 288)
Anne used her jobs in white people’s homes to get herself to college where she joined in the Civil Rights movement. It is a truly inspirational tale. One can’t help but wonder if the KKK household she worked in became aware of her significant achievements. The woman who once washed their dishes and ironed their clothes entered into history books. How anyone can find kitschy stories like The Help inspirational when there are real ones like Anne Moody’s is beyond me.
I was a bit surprised at the semi-dark ending, so I did a bit of googling and discovered that this book was first published in 1968, far before the drastic improvement in race relations in the United States. Moody at the time had no idea how things were going to turn out. It’s understandable she was feeling a bit down-trodden and wondering if anything good would ever happen.
I also learned through googling that this memoir ends before her involvement in the Black Power movement. There are rumblings that she will join with them, though, because she starts stating that peaceful protest will get them nowhere when they are constantly met with violence. I wish there was a follow-up memoir, but there is not, and Anne Moody has refused all media interview requests ever since the publication of this one. I suppose I will simply have to read one of the many famous Black Power books to satisfy my curiosity.
Source: Public Library
- How do you think poverty and racism impacted Anne’s mother’s two significant relationships with men?
- Do you think those working in KKK households were at a greater physical risk than those working in regular white households?
- Anne’s employer has her tutor her son in Algebra, because he is failing. This would suggest that on some level the woman realized that black people are not inferior to white people. Why do you think she was than so insistent on the dominance of white people and a member of the KKK?
- What are your thoughts on the various southern whites in Anne’s life who actively helped her and protested and/or fought racism? What do you think made them act against a system that they were raised in when others like them were defending it?
- Anne ends the book waffling between peaceful protests and violent movement. Which do you think ultimately would lead to a better end result?
Hello my lovely readers! Those of you who follow me on twitter know that this week turned into a doom week from hell for me after my cheerfulness last weekend.
I really need to learn to stop tempting the fates thusly, DAMMIT.
It’s not that any one horrible thing happened; it was just one of those weeks. First off, I’ve been seeing a guy for a couple of months who I was really liking, but I wound up having to break up with him on Tuesday. Let’s just say, he wasn’t treating me the way I deserve to be treated, and I’m older and wiser and don’t put up with that shit anymore. But still! It’s sucky. It’s sucky to be backed into a corner and have to do something that sucks. It’s sucky to think you’ve met someone who might be right for you, and it turns out they’re not. It’s just sucky. It’s also sucky to have that happen and currently be working on a paranormal romance novella then discover that you’ve written the last 3,000 words without the male love interest showing up because you’re just not into that right now and have to write just short stories all week. That sucks too.
Second, I somehow wound up working both of my jobs three days in a row, which means that I’ve been gone from home from 7:30am to 11pm. Not. Fun. I need to learn how to say no to the part-time job sometimes. It is, after all, part-time. At the very least I need to never do three days in a row again.
Suffice to say all this stress and emotions (damn them) added together to lead to me walking home from work in the rain. Crying. I was a walking, eye-roll inducing scene from an overly dramatic movie. Only I ended my walk with whiskey and whining to @bitchylibrarian on gchat.
It’s ok though. Really, it is. One huge thing I’ve been working on in my 20s is accepting reality for what it is. Which leads me to why I ordered Zen Flesh Zen Bones from the library this week.
The day that I was preparing myself to accept the fact that, yes, dude I was seeing wasn’t treating me right and I needed to stand up to that shit, I saw this excerpt from the book on tumblr:
Twenty monks and one nun, who was named Eshun, were practicing meditation with a certain Zen master.
Eshun was very pretty even though her head was shaved and her dress plain. Several monks secretly fell in love with her. One of them wrote her a love letter, insisting upon a private meeting.
Eshun did not reply. The following day the master gave a lecture to the group and when it was over, Eshun arose. Addressing the one who had written her, she said: “If you really love me so much, come and embrace me now.”
That’s all there is to it, isn’t it? If someone really cares for you, everyone will know. It won’t be in secret, and it won’t be something hidden. If you really love me so much, come and embrace me now. Here. In front of everyone. And you know what? That’s what all my lovely friends do, which is why they stay my friends. They tweet me encouragement when I have a shitty week. They tell jokes to try to get me to laugh. They text me to check in. They are just generally awesome, and that’s the kind of people we should want to have in our life. People who ease the stress of living, not people who add to it. And I’m pleased to say that tomorrow I get to see at least some of them for an awesome fall potluck I’m hosting. I can’t wait! Although I will miss those who can’t make it.
As my yoga instructor says:
Shanti Shanti Shanti Namaste
Or as myself and Regretsy like to put it:
Ig Perrish and Merrin Williams were the perfect couple. Their love was the love that everyone wants but very few people get. But one horrible night Merrin is raped and murdered, and Ig is the prime suspect. They’d just had a lover’s quarrel. Ig was never found guilty, but he was never cleared either. Now a year later Ig wakes up to discover horns coming out of the top of his head. Horns that make everyone who sees them tell him their deepest and darkest desires and secrets.
For those who don’t know, Joe Hill is Stephen King’s son (writing under a pen name, but everyone knows who he is at this point, so I’m not sure what’s up with the pen name still). It is clear Hill wants his work to be considered on its own merit with no connections to his father, but as a King fan, I couldn’t help but compare a wee bit as I read. I will say this, Hill’s writing is strong. This is not the case of a celebrity’s kid with mediocre talent making it. Hill is definitely talented, and I am interested to see how his writing continues to grow and change. That said; this book didn’t quite work for me.
Hill’s writing on the sentence level is gorgeous. He evokes true New Hampshire small town life in exquisite detail and sensuousness. Every page was a pleasure to read. The story overall, though, started out strong and ended weak. It went from a suspense with delicious twists and turns and a supernatural element to a mushy love story and love lasting and staying together after death yadda yadda. I can take mushiness periodically, but it felt jarring within the context of this book. This was originally a book about revenge and righting a wrong. Then the ending came along and felt like….well, like something Nicholas Sparks would write if he was high on crack.
The characterization of Ig, Terry (his brother), and Lee (his best friend) is strong. These men are three-dimensional and flawed. They are real. Merrin is another story. She seems like an enigma that is impossible to understand. Is she sweet and innocent or a bit cruel? It feels impossible to get a read on her. I’m sure that was part of the point. Every man in the story had their own vision of who Merrin is, but Merrin is never granted her own agency and personality by these same men. Although it seems that this was the point, as a woman, I felt a bit let-down by the lack of insight into Merrin. I kept hoping for something, but nothing came along. Interestingly, I found the minor female character of Glenna to be much more well-rounded and real than Merrin. Again, maybe that was the point, but it didn’t really work for me.
It’s hard to categorize this book. It’s definitely not the horror book I was imagining. I’d call it literary paranormal suspense. It’s a classic tragedy wrapped in mystery and the paranormal. It didn’t work for me, because, well, classic love tragedies tend not to. However, I could see some people loving it. Perhaps people who loved The Notebook and paranormal romance equally well.
3 out of 5 stars
Hello my lovely readers! I hope you’re all enjoying the new genres that have found their way to my blog since the start of the Real Help Reading Project a couple of months ago. I’ve been alternating between books for the project from the library and books from my tbr shelf at home, and I’ve certainly been enjoying the variety. African-American and African lit (outside of scifi) always felt a bit inaccessible to me. Perhaps it’s that it tends to be in its own special interest section in libraries and bookstores? Or maybe that it was never really included in regular English classes but instead in special interest classes? I’m not totally sure, but I do know that I needed the kick in the butt to realize just how accessible it actually is. In retrospect it seems silly that I never picked one of these books up. Reading is so universally accessible, and I’ve read stories set in pretty much every racial, cultural, and class surroundings. Who knows really why I’d never ventured into black lit before, but I’m really glad I have now.
In light of this, I’ve planned out a new reading project for myself to embark on with the start of 2012. No, it does not have to do with black lit. I’m not telling you what it is! But I have already started assembling a list of possible titles to pull from and am stoked for it. You’re just going to have to wait until the end of December wrap-up/announcements bonanza that happen on book blogs to find out what it is.
My life has now adjusted to having a second job and has reached a nice rhythm. I am busy almost every minute of the day between job 1, job 2, commute, gym, friends, reading, writing, drawing, etc…. I only barely make time to watch my two favorite tv shows every week (Parks and Rec and Big Bang Theory). Periodically I play catch-up on The Biggest Loser and America’s Next Top Model when I’m cooking dinner. Other than that, though, I feel a sense of enrichment in my life that I haven’t felt since being completely immersed in learning culture in undergrad. It’s a good thing. :-) I love it that I can get home totally exhausted and still prefer to read a civil rights era memoir over watching the latest crap on tv. I’ve reconnected to what’s important–people, self-improvement, learning–and let go of the other things. When I compare now to a year ago, I can see marked improvement. So, yeah, being 25 is hard. Being in your 20s in an economic depression is hard. But I’ve got good people, good food, good books, and my health. That’s what’s important.