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Audiobook Review: The 5th Wave by Rick Yancey (Series, #1) (Audiobook narrated by Brandon Espinoza and Phoebe Strole)
Summary:
When a giant spaceship showed up above Earth that wasn’t ours, Cassie and everyone else expected contact. What they didn’t expect was waves of attacks, everything from EMP to disease. Now, she’s at a refugee camp with her father and little brother wondering what the 5th wave of the attack might be. When it comes, will they even know?
Review:
I really enjoyed Rick Yancey’s other series (The Monstrumologist, series review). I must admit to being surprised that this is the series that got picked up into a movie. I didn’t find the blurb nearly as intriguing as that of The Monstrumologist. But since I liked the other series so much, I figured I’d give it a shot. While I can see why it’s taken off, I don’t find it to be as well-constructed or nearly as unique as Yancey’s other series.
The beginning of the book is very slow-paced. Cassie is off hiding in the woods on her own and through her diary where she tries to deal with what has happened the reader learns about the waves of the alien invasion. I like a diary book, but the slow pacing just really didn’t work for a book about an alien invasion.
At a certain point, this narration switches for one chapter to that of the perspective of an alien. Then it switches to the perspective of a boy from Cassie’s high school she had a crush on and his experiences with the alien invasion. Later it flips back to Cassie, only it’s now no longer her diary. Her diary just sort of gets dropped. While I can enjoy multiple narrators, I don’t think these are handled as well as they could have been. The chapter from the alien’s perspective ruins any tension or mystery that had been building around a certain event, in particular. Often switching between Cassie and Ben just feels like it’s convenient for world building and not adding very much to the plot. That said, I do like that the “star” position of this YA action is shared between a boy and a girl fairly equally.
The plot, although slow-moving, starts out strong. There is a plot twist that made me roll my eyes and that I think makes this less unique in YA literature than it started out.
Initially it appears that there will be no love triangle but there ends up being one. I can’t go into the details without some big spoilers but I will say that you make it through most of the book without a love triangle, and then there ends up being one in the last bit. It was disappointing, as I thought something more unique was being done (something akin to a crush turning into a real friendship…but that’s not what happens).
Ultimately the book ends up feeling less about aliens and more about the horrors of child soldiers and war stealing childhood. I definitely think scifi can bring a current issue such as this to people’s attention, but I also think the narration and various irritating and/or confusing plot points ultimately weakens the point. I doubt when I was a teen that such a book would have made me think about child soldiers. Instead I would have felt misled by the title and blurb and been irritated about that, distracting from the point.
All of that said, if a YA reader is looking for an apocalyptic setting featuring dual leads instead of one hero, this is a book that will fit that bill. Just be sure the reader is ok with some surprisingly slow-moving portions for a book with an action-packed blurb. However, I would suggest that a YA reader looking for something truly different check out Yancey’s other YA series: The Monstrumologist.
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3 out of 5 stars
Length: 457 pages – chunkster
Source: Audible
2013’s 5 Star Reads!
Since 2011, I’ve been dedicating a separate post from my annual reading stats post to the 5 star reads of the year. I not only thoroughly enjoyed assembling the 5 star reads posts, but I also go back to them for reference periodically. It’s just useful and fun simultaneously! Plus it has the added bonus of giving an extra signal boost to the five star reads of the year.
With no further ado, presenting Opinions of a Wolf’s 5 Star Reads for 2013!
The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future
By: Chris Guillebeau
Publication Date: 2012
Publisher: Crown Business
Genre: Nonfiction Lifestyle
Themes: independence, success, small businesses
Summary:
Guillebeau investigated what makes microbusinesses (small businesses typically run by one person) successful by conducting a multiyear study interviewing more than 100 successful microbusiness entrepreneurs. Here he presents his findings on what makes for a successful microbusiness and offers advice on how you can become a successful microbusiness entrepreneur too.
Current Thoughts:
I refer to things I learned in this book at least once a week. Guillebeau offers practical advice for the aspiring small business owner on everything from choosing an idea that will work to setting the right price to marketing. The things I’ve been able to try from the book so far have worked. This book shows what happens when a nonfiction book bases its advice on solid research.
The Curse of the Wendigo
(The Monstrumologist, #2)
By: Rick Yancey
Publication Date: 2011
Publisher: Simon & Schuster Books for Young Readers
Genre: Horror, YA
Themes: love lost, the nature of good and evil
Summary:
Will Henry, 12 year old orphan and assistant to renowned Monstrumologist, Pellinore Warthrop, is shocked to find a refined woman on Warthrop’s doorstep. She is the wife of Warthrop’s best friend who has now gone missing in rural Canada while looking for the elusive wendigo (aka werewolf). Warthrop insists that there is no such thing as a wendigo, but he agrees to go looking for his missing friend anyway, even if he believes his mission was ridiculous and an affront to monstrumology’s reputation.
Current Thoughts:
What I remember when I think about this book is the beautiful language and the dual setting of the horror. Setting the book both in rural Canada and urban New York is part of what made it feel so unique to me. A horror that travels instead of being trapped in one setting isn’t seen as often. The book is beautiful and grotesque at the same time. A rare find.
Man Plus
By: Frederik Pohl
Publication Date: 1976
Publisher: Orb Books
Genre: Scifi
Themes: transhumanism, artificial intelligence
Summary:
The first Earthling reworked into a Martian would be Roger Torraway. Martian instead of Earthling since everything on him had to be reworked in order to survive on Mars. His organic skin is stripped off and made plastic. His eyes are replaced by large, buglike red ones. He is given wings to gather solar power, not to fly. All of which is organized and run by his friend, the computer on his back. Who was this man? What was his life like? How did he survive the transformation to become more than human and help us successfully colonize Mars?
Current Thoughts:
This has a scifi plot that both explores an issue I’m interested in (transhumanism) and managed to surprise me at the end. It’s a short book that makes you think and has compelling three-dimensional characters. I’ll definitely be keeping this one and seeking out more of Pohl’s writing.
A Queer and Pleasant Danger: The True Story of a Nice Jewish Boy Who Joins the Church of Scientology, and Leaves Twelve Years Later to Become the Lovely Lady She is Today
By: Kate Bornstein
Publication Date: 2012
Publisher: Beacon Press
Genre: Memoir, GLBTQ
Themes: religious abuse, trans rights, gender, Borderline Personality Disorder
Summary:
Kate Bornstein is a playwright, gender theorist, and queer activist. She chose to write a memoir as a way to reach out to her daughter, Jessica, who is still in the Church of Scientology, and thus, must not speak to her. Her memoir talks about growing up Jewish in the 1950s, feeling like a girl inside a boy’s body. It then talks about why and how she joined Scientology (still identifying as a man, Al), climbing Scientology’s ladder, marrying, fathering Jessica, and finally getting kicked out of Scientology and becoming disillusioned. From there the memoir explains to Jessica how and why Al decided to become Kate and talks about the person behind the queer theory, trying to explain who the incredibly unique parent she has truly is.
Current Thoughts:
This memoir is engaging right from the title and stunning in the level of honesty Bornstein displays. Bornstein eloquently presents the reality of being trans, entering a leaving an abusive religion, and the complexities of gender. An incredibly readable memoir that stays with you.
Succubus Dreams
(Georgina Kincaid, #3)
By: Richelle Mead
Publication Date: 2008
Publisher: Kensington
Genre: Urban Fantasy
Themes: the grayness of good versus evil
Summary:
Seattle’s succubus, Georgina Kincaid, has a lot on her hands between dating her human author boyfriend, Seth, (and not sleeping with him to protect his life energy), adjusting to her new managerial position at the bookstore, and her usual succubus requirement of stealing good men’s life energy by sleeping with them. So the last thing she needs is another new assignment from hell, but that’s what she’s getting. Seattle is getting a second succubus, a newbie she has to mentor. When she starts having dreams about having a normal, human life and waking up with her energy drained, it all turns into almost too much for one succubus to handle.
Current Thoughts:
This series glows in my mind as a favorite that I will return to again and again. This book is where I truly began to fall in love with it. The third entry shows that urban fantasy can be more than monster of the week. It does what genre does best. Ponder real life questions in an enjoyable wrapping.
Succubus Revealed
(Georgina Kincaid, #6)
By: Richelle Mead
Publication Date: 2011
Publisher: Kensington
Genre: Urban Fantasy
Themes: soul mates, forgiveness, personal growth
Summary:
Seattle’s succubus, Georgina Kincaid, is incredibly happy to be back together with her previously ex boyfriend, Seth Mortensen. But getting back together with him came at the price of hurting his once-fiancee and having to leave her previously loved position managing the bookstore. It’s all worth it to be with Seth, though. But then a transfer notice comes in, sending her to her dream job in Las Vegas. It’d be a dream come true, except Seth can’t come with her because his sister-in-law has cancer. Georgina starts to wonder just why so many elements seem to keep coming together to try to drive her and Seth apart.
Current Thoughts:
This an amazing series finale that reveals so many aspects of the overarching plot that I wanted to go back and re-read the whole series immediately just to look for more of the overarching plot that I was oblivious to the first time around. It’s a wrap-up that is satisfying without making everything too perfect for the characters. It has a lot to say about love and redemption. And it made me cry.
Succubus Shadows
(Georgina Kincaid, #5)
By: Richelle Mead
Publication Date: 2010
Publisher: Kensington
Genre: Urban Fantasy
Themes: facing your past
Summary:
Seattle’s succubus, Georgina Kincaid, cannot believe she has been roped into helping plan her ex-boyfriend’s wedding. It’s enough to make anyone depressed. But she can’t afford to be depressed, because every time she starts to feel down, a mysterious force tries to lure her away to what must be a dangerous place. Georgina is fed up with all of these mysterious attacks on Seattle. It just doesn’t make sense. What is making them target Seattle? And seem to be maybe targeting her?
Current Thoughts:
The penultimate book in this series isn’t afraid to go dark places with tough questions. It also addresses the issue in urban fantasy that a lot of people joke about: gee that’s sure a lot happening in this one town! Mead addresses this in a tongue-in-cheek manner that also ties into the overall plot. I was amazed at how well this series incorporates both all the things that make urban fantasy fun (demons! sex! supernatural battles!) and an overarching plot that tugs at the heart strings and makes some of the bizarre things that happen make sense.
The Time Machine
By: H. G. Wells
Publication Date: 1895
Publisher: New American Library
Genre: Scifi, Classic
Themes: dystopia, time travel, evolution, class divides
Summary:
Nobody is quite sure whether to believe their eccentric scientist friend when he claims to have invented the ability to travel through time. But when he shows up late to a dinner party with a tale of traveling to the year 802,700 and meeting the human race, now divided into the child-like Eloi and the pale ape-like ground-dwelling Morlocks, they find themselves wanting to believe him.
Current Thoughts:
I’m so glad I added this scifi classic to my list of books I’ve read. I of course had heard of the general idea of the Morlocks and the Eloi, but reading about them for myself, I was easily able to see how this became a classic. It kept me on the edge of my seat, concerned for the scientist’s safety, even while exploring issues of inequitable class divides and pondering the future direction of the evolution of the human race.
Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers
By: Karyl McBride
Publication Date: 2008
Publisher: Free Press
Genre: Nonfiction Psych, Nonfiction Relationships
Themes: overcoming adversity, mother/daughter relationships, Narcissistic Personality Disorder, abuse
Summary:
A guidebook for adult women raised by a mother with Narcissistic Personality Disorder (NPD). Dr. McBride is a therapist with many years of experience treating daughters of NPD mothers and also with treating people with NPD. Additionally, she herself is the daughter of a woman with NPD. The book is divided into three sections to help the daughters of mothers with NPD to heal and take charge of their lives. The first section “Recognizing the Problem,” explains what maternal NPD looks like. The second section, “How Narcissistic Mothering Affects Your Entire Life,” explains the impact NPD mothers have on their daughters, both as children and as adults. The third section, “Ending the Legacy” is all about healing from the NPD mothering and breaking the cycle of Narcissism. Dr. McBride offers clinical examples from her practice as well as detailed, clearly explained exercises to aid with healing.
Current Thoughts:
This is one of the best books I’ve read for adult survivors of abusive childhoods. It works because it focuses narrowly on one type of relationship and one type of dysfunctional, abusive childhood to be overcome. McBride explains what happened to the adult survivor when they were a child, how that affects them now, and how to overcome it. She does this while neither excusing nor demonizing the mother’s behavior. A great book for anyone with an interest in how mothers with NPD affect their daughters.
Series Review: The Monstrumologist Series by Rick Yancey
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
A nursing home contacts a researcher. An elderly man has passed away. He identified himself to them as Will Henry, but they can’t find any record of him or living relatives. He left behind four folios, telling what he claimed to be his life story. The first folio begins when his parents die in a fire, and he is left in the care of his father’s employer, Dr. Warthrop. In the 1800s. Over 100 years ago. And Dr. Warthrop is a Monstrumologist. He specializes in the study of aberrant biology, or monsters. And Will is now his apprentice. The first thing Dr. Warthrop tells Will is that Will Henry contracted a parasite from his father. Normally deadly, he is mysteriously a safe host. The parasite will make him abnormally long-living, and any contact that is too close will make him pass it along to another.
What follows over the course of the folios is the tale of the monsters Will Henry faced alongside and because of Dr. Warthrop. The anthropophagi–headless creatures with mouths in their stomachs. The wendigo–similar to a werewolf. The Typheus Magnificum–the Holy Grail of Monstrumology that may or may not exist. And finally the Titanoboa Cerrejonensis–a giant snake. There are these monsters, yes. But there are also the questionable choices and personalities of the various Monstrumologists, and the slowly unwinding monster inside a boy who has seen too much and been loved too little.
The question left for the researcher is how can Will Henry continue along an increasingly dark path when all signs indicate he eventually happily married his childhood sweetheart? And are these ramblings true or just the fairy tale of an elderly man?
Monsters and madness encircle Will Henry, Dr. Warthrop, the researcher, and the reader as the folios slowly reveal all.
Review:
There is a lot going for this series that makes it unique and highly recommendable, particularly among its competitors in YA.
It’s horror based in the realms of science and the grotesque. Wanton blood and guts, serial killers, etc… won’t be found but it also doesn’t shy away from bits of the criminal underworld or real bodily danger. Will Henry loses a finger at one point. The monsters are real and frequently either eat people or turn people themselves into monsters. It combines to elicit horror in the reader in the tradition of Frankenstein. It’s perfect for readers who shy away from slashers or crime novels but still want a dash of terror.
In lieu of a romance, the relationship at the center of the series is between Will and his guardian, Dr. Warthrop. Yes, the series repeats the common YA trope of an orphan, thereby getting rid of the parents, but just because there are no parents doesn’t mean that there’s no guardian/young person conflict. In fact, I think that having the conflict be between Will and a, to him, incomprehensible older guardian allows for a more free exploration of the difficulties that can arise in this relationship. The fact that Dr. Warthrop is not his father means that Yancey is freer to quickly move into the mixed emotions and misunderstandings that can so easily happen in this type of relationship. Dr. Warthrop has many flaws as a guardian, but he does truly love and care for Will. Will at first feels lost and no connection with Dr. Warthrop, then he grows to love him in spite of his flaws, then he slowly starts to loathe him. Whether or not this loathing is warranted is left up to the reader to decide, and I do think that Yancey succeeds at making it a gray area that each reader will reach a different conclusion on. This relationship gets just as much, if not more, time as the monsters, and it’s one of the things that makes the series worth reading.
Yancey isn’t afraid to not just use, but embrace poetic language and literary allusions. I was truly stunned at the beauty of the language when reading the first book, and that beauty continues throughout the series. It’s like reading an old, Gothic novel, setting the perfect tone for the world building. A YA reader who perhaps hadn’t previously experienced narration like this might after reading it be inclined to seek out similar writing, thus finding some classics. And even if they don’t, it’s a wonderful change of pace for YA.
Setting the story of Will and Dr. Warthrop in the context of the mystery of the modern elderly man, his folios, and the researcher looking into them lends an extra layer to the story that increases its complexity. The researcher is just as curious as the reader to find out more. He also provides some necessary historical facts and questions the veracity of some of Will Henry’s statements. Throughout the series, the researcher is wondering if this actually happened or if it’s all just the imaginings of an elderly man. The ultimate reveal still leaves this a bit of a mystery, letting the reader decide for themselves what they would prefer to be the answer.
The strength of the monsters varies throughout the series. Some are perfectly crafted, such as the anthropophagi. Others can be a bit less frightening or too predictable to be as engaging. This definitely lends to an uneven pace of suspense in the series and could be disappointing to a reader who is more invested in monsters than in the character development.
The ending. The ending must be discussed. *spoiler warning* Will Henry in the last book has turned into a dark, lawless, desperate character. He has been changed by what he has seen. His childhood sweetheart, Lily Bates, finds him frightening and lacking in morals. He blames Dr. Warthrop for all of his issues. While Dr. Warthrop definitely is at fault for not treating Will Henry like an adult and keeping him in the loop for his schemes, Dr. Warthrop also never taught Will to be so cold, desperate, or that it’s ok to wantonly kill. Will ultimately goes on an opiate and sex binge in a prostitution house. Dr. Warthrop finds him and pulls him out, in an attempt to save him. It is then that Willl finds out that the parasites he is infected with will spread with sexual intercourse and kill his partner in a truly grotesque manner, eating them from the inside out. Will gives up on Dr. Warthrop and all relationships and proceeds to travel the world aimlessly. The researcher ultimately discovers that Will later runs into Lily with her new husband. It is then that he reveals that Lily’s husband’s name was Will Henry, and he stole it as a pseudonym for these stories. So he never married Lily. Was never happy. He is now nameless. It’s an incredibly dark ending that leaves the researcher, and the reader, reeling. It was honestly a bit too hopeless for me. It felt as if Yancey was saying Will got sucked down into the monsters in his soul and could find no escape. I prefer to have a bit more hope in the world than that, particularly after spending four books with a character and growing to care for them. *end spoilers*
While I can still appreciate what Yancey was doing and what he was going for–a truly dark book–I feel that any potential readers or gift givers should be aware that it starts dark, gets darker, and there is no light at the end of the tunnel.
There is also a bit of a dearth of female characters in the series. In the two middle books, we get brief exposures to Dr. Warthrop’s old sweetheart and Lily Bates. That’s pretty much it. I’m ok with that, since much of the time is devoted to Will Henry and Dr. Warthrop. I also understand that the time period in which it is set definitely would not have had a female monstrumologist. I think Yancey tries to make up for this by having Lily be determined to be the first female monstrumologist, but I also think he steps back from this plotline in the final book, which disappointed me a bit. Essentially, be aware that if you’re looking for a strong female presence in the plot of your series, look elsewhere.
Overall, this is a unique series that deserves to be in any YA collection. It address young adult/guardian relationships in the rich wrapping of Gothic style horror narrated with a beautiful poetic language. Its historical setting and focus on the boy and his guardian doesn’t lend itself to a strong female presence in the series, although the female characters that do exist are good ones. Its darkness increases throughout the series, so don’t come into this expecting a happy ending. I’m pleased I took the time to read the entire series, and could see reading it again. Recommended to both YA fans looking for something different and Gothic horror fans who don’t normally do YA.
4.5 out of 5 stars
Source: Gift, Audible, and Amazon
Books in Series:
The Monstrumologist, review, 5 stars
The Curse of the Wendigo, review, 5 stars
The Isle of Blood, review, 4 stars
The Final Descent, review, 4 stars
Book Review: The Final Descent by Rick Yancey (Series, #4)
Summary:
The man investigating the folios found with an elderly man who claimed to be over a hundred years old and named Will Henry has reached the final folio containing what this elderly man claimed to have been his life story. The final folio is discombobulated and poetic, and so the investigator arranges it for us to read following the style of Dante’s Inferno. And what a story it tells.
Will Henry is now a bitter, cold teenager still serving Dr. Warthrop. When a man shows up at the door claiming to have a previously thought extinct monstrous snake’s egg for sale, Will Henry takes the acquisition into his own hands. When they bring the egg to New York City for the annual meeting of Monstrumologists, Dr. Warthrop begins to question Will Henry’s loyalty, and Will Henry increasingly ignores all advice, going off on his own bloody ideas. What direction will Will Henry’s and Dr. Warthrop’s lives ultimately take?
Review:
There were hints throughout the Monstrumologist series that it was going to continually descend to a dark place. But I must admit I was slightly fooled by the idea put forth multiple times that Will Henry at least for part of his life is happily married. I thought there would be a glimmer of hope in the ending. Boy was I wrong. This is an incredibly dark book, and a series ending that surprised me. While still a strong read, it didn’t hold all the all-encompassing power and grotesque beauty I found in the first two entries in the series.
Yancey takes the poetic language found in the first three books and kicks it up a notch with the inclusion of the Dante-styled method for dividing the book into sections. Beyond that, the language itself becomes increasingly poetic. One line that is repeated a few times throughout the book is:
Time is a line. But we are circles. (page 4)
I found both the structure and the language interesting and gorgeous, and I really appreciate their inclusion in YA literature. I can imagine that many of the younger readers of the book might never have read Dante and seeing this structure in this book might spur them on to check it out. One thing that I’ve enjoyed throughout the series is that Yancey doesn’t shy away from challenging YA readers, and I’m glad to see that continued here.
The monster in this story is delightfully terrifying. An egg that hatches a snake that eats its prey from the inside out? There’s nothing not terrifying about that. Plus the monster is revealed early on, a nice change of pace from The Isle of Blood where we’re left to wonder about it for a long time. There is also a secondary, surprise monster later on that I found to be a disgustingly nice touch.
The plot is quite complex, and yet also makes sense when various aspects of it are revealed. It also manages to still be fresh, even though The Curse of the Wendigo was also set half in New York City. The plot revolves much more around Will Henry and his choices and his personality than around the monster itself, which is appropriate. Dr. Warthrop’s choices are also touched upon, but how everything has affected Will Henry is truly the focus of the plot. It’s an interesting psychiatric study, and I was left truly wondering how things could possibly have worked out differently for either Will Henry or Dr. Warthrop. There are no easy answers, and that gray area is a great setting for horror.
The book spends a lot of time wondering both what makes a monster and if madness can be avoided or escaped. The first is a question addressed earlier in the series, and I think Yancey deals with it eloquently. The second takes quite a dark turn in this book, and I was left feeling empty, hopeless, and saddened.
Madness is a wholly human malady borne in a brain too evolved—or not quite evolved enough—to bear the awful burden of its own existence. (page 170)
It’s certainly valid to view madness as an inescapable pariah for some. I suppose I just have more hope for the world than that. That’s what left me disappointed with the ending. I wanted more hope. Other readers might be less bothered by the tragic end.
Overall, this is a strong final entry in the acclaimed Monstrumologist series. The poetic language is beefed up with a Dante style structure, and the plot is complex, following the ultimate impact on Will Henry of growing up as Dr. Warthrop’s apprentice in Monstrumology. Some readers may be disappointed or overly saddened by the ending lacking a glimmer of hope but others will enjoy its incredibly dark turn. Readers of the previous three books should not miss this one.
4 out of 5 stars
Source: Amazon
Previous Books in Series:
The Monstrumologist, review
The Curse of the Wendigo, review
The Isle of Blood, review
Book Review: The Isle of Blood by Rick Yancey (Audiobook narrated by Steven Boyer) (Series, #3)
Summary:
Will Henry states that this is a story that Dr. Warthrop did not want told…and proceeds to tell it anyway. When a British man shows up with a package being delivered under duress, Dr. Warthrop is ecstatic to realize it is the nest of the Magnificum–the holy grail of monstrumology. Dr. Warthrop decides to leave Will Henry in New York while he pursues this beast. But when his monstrumologist companion returns claiming that Warthrop is dead, Will Henry and two fellow monstrumologists travel to Europe to track him–or his body–down.
Review:
Not as engaging or thought-provoking as the first two books in the series, I can only hope that this third entry is suffering from the common penultimate book malady where the book which must set everything up for the finale of the series can sometimes drag.
There are two problems in this entry that make it fail to be as engaging or thrilling as the first two books. First, Will Henry is left behind in New York for a significant portion of the novel. We are thus left with a whiny teenager bemoaning Warthrop’s choice to be responsible for once and keep him out of danger. We also are left with very little action for far too large a portion of the book. The second issue is perhaps a bit of a spoiler but suffice to say that the monster is disappointing and its disappointment is easily predicted. If we had a lot of action with a disappointing monster, that’s still engaging. If we had less excitement with a surprising, phenomenal monster, that’s still thrilling. The combination of the two, though, prevents this thriller from being as thrilling and engaging as it should be.
Of course there are other elements that still worked, which is why I kept reading it. Yancey’s writing is, as ever, beautiful to read (or listen to) and contains much depth.
“So many times we express our fear as anger…, and now I think I wasn’t angry at all, but afraid. Terribly, terribly afraid.”
The settings are unique, and the characters are strong and leap off of the pages. Will Henry becomes more fully fleshed-out in this entry as we start to see his descent into a love affair with monstrumology. We also get to see Warthrop at what he himself perceives of as his lowest point. It’s a dark bit of characterization but it works very well for the story Yancey is telling.
Overall, I was a bit disappointed, purely because the first two entries in the series were so phenomenal. The third book is still a very good book. Fans might be a bit disappointed, depending on how attached they are to the unique thriller aspect of the series, but the characters and writing still make this well worth the time. Fans will remain in eager anticipation of the final entry in the series.
4 out of 5 stars
Source: Audible
Previous Books in Series
The Monstrumologist, review
The Curse of the Wendigo, review
Book Review: The Curse of the Wendigo by Rick Yancey (Audiobook narrated by Steven Boyer) (Series, #2)
Summary:
Will Henry, 12 year old orphan and assistant to renowned Monstrumologist, Pellinore Warthrop, is shocked to find a refined woman on Warthrop’s doorstep. She is the wife of Warthrop’s best friend who has now gone missing in rural Canada while looking for the elusive wendigo (aka werewolf). Warthrop insists that there is no such thing as a wendigo, but he agrees to go looking for his missing friend anyway, even if he believes his mission was ridiculous and an affront to monstrumology’s reputation.
Review:
I can’t believe it took me this long to get to the sequel of one of my rare 5 star reads, The Monstrumologist. I gave my dad a copy of The Monstrumologist
for his birthday, and his enthusiasm for the series brought my own back to me, so I joined in with him to read through it. I had a bunch of credits stacked up on Audible, so I went with the audiobook versions. My speedy father reading in print quickly outpaced me, but that’s ok. I’m really enjoying the audiobooks, although I’m sure I will be reading the final book in the series in the fall when it comes out on my kindle. Can’t wait around for the audiobook! All of which is to say, my enthusiasm for the series remains high, if not steady, and the audiobooks are just as enjoyable as the print.
Yancey does something brave for a second book in the series. Instead of following the formula that worked so well in the first book and basically doing a monster-of-the-week-in-our-town method like Buffy and so many other urban fantasies, he changes things up. There is a monster, yes, but it is entirely different from the first one. This is a monster that might not even exist, unlike the anthropophagi in the first book who are almost immediately clearly real. Additionally, Warthrop and Will must travel away from New England to go looking for the trouble. It does not come to them. Another good plot twist is that the story does not entirely take place in Canada. It moves to New York City. Thus we get both the dangers of the wilderness and the dangers of the city in one book. These plot choices mean that what makes this series a series is the characters, not the fantastical nature of their world. By the end of the book I was thinking of the series in terms of the relationship between Will and Warthrop, not in the context of what nasty beast we might meet next. It thus does what great genre fiction should do. It looks at a real life issue and dresses it up with some genre fun. And the issues addressed here are big ones. What is love and what should we be willing to sacrifice for it? Is it more loving to stay with someone at all costs or to let them go to protect them? At what point do you give up on someone?
The horror certainly felt more grotesque this time around, although it’s possible I just wasn’t remembering the anthropophagi that well. This is a bloody book full of horrible things. Precisely what I expect out of my genre. There’s not much more to say about the horror than keep it up, Yancey. Also that this might not be for you if blood and guts and profanity are not your thing. But they *are* mine and, oh, how well they are done here.
Just as with the first book, the language Yancey uses is beautiful. It’s rich, eloquent, visual, and decadent. It’s a word-lover’s book. An example:
But love has more than one face. And the yellow eye is not the only eye. There can be no desolation without abundance. And the voice of the beast is not the only voice that rides upon the high wind….It is always there. Like the hunger that can’t be satisfied, though the tiniest sip is more satisfying than the most sumptuous of feasts.
Stunning.
The characterization here remains strong for Will and grows much stronger for Warthrop. Will grows and changes as a 12 year old in this time period in his particular situation would be expected to. With Warthrop, though, we get a much clearer backstory and motivations for his actions. In the first book we came to know Will. In this one we come to know Warthrop, although Will is not left without any development. It’s a good balance. I also enjoyed the addition of two female characters, who I thought were well-written, particularly Lily, the budding young feminist determined to be the world’s first female monstrumologist. She is truly three-dimensional in spite of her rather limited screen-time compared to Will.
The pacing doesn’t build steadily from beginning to end. It rather builds to a first climax, comes back down and builds again to a second climax. This makes sense, particularly in a werewolf book, but I must admit it felt a bit odd in the moment. It almost felt like reading two books in one until it all came together in the end. In fact, this is one of those books that gets better the more you look back on the story as a whole. Be prepared to enjoy it more in retrospect that in the first reading.
The audiobook narrator, Boyer, has a tough book to work with. There are a wide range of characters of multiple nationalities to act out (Canadian, German, French, New York, Massachusetts, etc…). Additionally, at least three different languages are spoken (English, French, and German). I’m not fluent in anything but English, but I did take German in university, and I can say that his German accent is at least passable. He also does an excellent job creating a unique voice for each character. I only rarely got lost, and that was generally due to rapid-fire conversation where each character only had a word or two. I must say, though, that he does mispronounce a few words, which detracts from Yancey’s gorgeous writing. I blame the audiobook director for this, though. S/he should have realized and corrected this. Overall, though, the mispronounced words are only in a couple of locations and do not deeply affect the reading of the book.
Overall this is an excellent follow-up to a remarkable first book in the series. It brings to the table that which made the first so powerful: YA horror with rich language set in a historic time period. But it also changes things up enough to avoid falling into the monster-of-the-week trap. The entries in the series are part of a larger story, and that can be seen. Fans of the first book should pick up the second book asap.
5 out of 5 stars
Source: Audible
Previous Books in Series
The Monstrumologist, review
Book Review: The Monstrumologist by Rick Yancey (series, #1)
Summary:
A New England town’s oldest resident dies leaving no known surviving family. His journals end up at the university where a professor loans them to a writer friend. In the first three folios, we learn of young Will Henry whose father and mother died in a terrible house fire leaving him to the care of his father’s employer–Warthrop. Warthrop is a monstrumologist. He studies monsters, and people arrive in the middle of the night for his help. One night a grave robber arrives with the body of a young girl wrapped in the horrifying embrace of an anthropophagus–a creature with no head and a mouth full of shark-like teeth in the middle of his chest. Will Henry, as the assistant apprentice monstrumologist, soon finds himself sucked into the secret horror found in his hometown.
Review:
This book was creating a lot of buzz last year, and I acquired it through the Book Blogger Holiday Swap. Clearly it took me almost a year to read it, and I’m glad I saved it up for Halloween. The chills and thrills were just right for this spooky month. I must admit, I was skeptical at first that it would live up to the hype–particularly the cover blurb praising it as Mary Shelley meets Stephen King. I am pleased to say, however, that it more than lived up to this apt comparison.
This is a combination of classic New England style horror (complete with a small town, small town values, a creepy insane asylum, cemeteries, etc…) with 19th century style lyricism present in the language.
How oft do they rescue or ruin us, through whimsy or design or a combination of both, the adults to whom we entrust our care! (page 251)
Seeing language like this in a new book being marketed as YA (a point I disagree with, but anyway) gave me chills. It was a pleasure to read for the language alone. Yancey, in particular, is quite talented at alliteration. The story itself, though, kept me guessing and was genuinely scary.
The anthropophagi are truly distressing. They are essentially land sharks who live underground and can pop up, like Mushu says in Mulan, LIKE DAISIES. You’re trotting along and all of a sudden, BAM, there’s a monster popping out of the graveyard dirt for you. Only unlike zombies there’s nothing humanoid about them, and they’re fast. The truly perfect monstrosity. It doesn’t hurt that Yancey connects them to myths and legends of the past, even quoting Shakespeare!
The characters are all well-rounded and memorable. From the way everyone calls Will Henry by only his full name to the terrified and perplexed constable to the eccentric Warthrop to the truly delightfully darkly witty Englishman who is brought in to help with the problem (“His teeth were astonishingly bright and straight for an Englishman’s. (page 266)”), everyone is lifelike. In fact I think they will probably live on in my mind forever; that is how clearly and forcefully they are drawn.
More than a delicious fright, beautiful language, and lifelike characters though, the narrator, being an older man looking back on his youth, brings to light several serious real-life questions that there aren’t any easy answers to, but it is lovely to read about within literature. You’ll be reading along, enjoying the terror and horror and wit of the main story, then stumble upon a passage like this:
Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we loved our own fabrication. Still…does the artifice of our affection make our love any less real? (page 362)
And you stop, and you close the book, and you think about it, and maybe you cry a little bit, then you get back into it to see how Will Henry does against the monsters, but that thought, that beauty, that fact that someone else on the planet has wondered the same thing as you (only put it quite a bit better) sticks with you afterward. And that is what takes good writing and characterization into the land of exquisite storytelling.
Frankly, I think everyone should read this book.
5 out of 5 stars
Source: Gift
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