Audiobook Review: The 5th Wave by Rick Yancey (Series, #1) (Audiobook narrated by Brandon Espinoza and Phoebe Strole)
When a giant spaceship showed up above Earth that wasn’t ours, Cassie and everyone else expected contact. What they didn’t expect was waves of attacks, everything from EMP to disease. Now, she’s at a refugee camp with her father and little brother wondering what the 5th wave of the attack might be. When it comes, will they even know?
I really enjoyed Rick Yancey’s other series (The Monstrumologist, series review). I must admit to being surprised that this is the series that got picked up into a movie. I didn’t find the blurb nearly as intriguing as that of The Monstrumologist. But since I liked the other series so much, I figured I’d give it a shot. While I can see why it’s taken off, I don’t find it to be as well-constructed or nearly as unique as Yancey’s other series.
The beginning of the book is very slow-paced. Cassie is off hiding in the woods on her own and through her diary where she tries to deal with what has happened the reader learns about the waves of the alien invasion. I like a diary book, but the slow pacing just really didn’t work for a book about an alien invasion.
At a certain point, this narration switches for one chapter to that of the perspective of an alien. Then it switches to the perspective of a boy from Cassie’s high school she had a crush on and his experiences with the alien invasion. Later it flips back to Cassie, only it’s now no longer her diary. Her diary just sort of gets dropped. While I can enjoy multiple narrators, I don’t think these are handled as well as they could have been. The chapter from the alien’s perspective ruins any tension or mystery that had been building around a certain event, in particular. Often switching between Cassie and Ben just feels like it’s convenient for world building and not adding very much to the plot. That said, I do like that the “star” position of this YA action is shared between a boy and a girl fairly equally.
The plot, although slow-moving, starts out strong. There is a plot twist that made me roll my eyes and that I think makes this less unique in YA literature than it started out.
Initially it appears that there will be no love triangle but there ends up being one. I can’t go into the details without some big spoilers but I will say that you make it through most of the book without a love triangle, and then there ends up being one in the last bit. It was disappointing, as I thought something more unique was being done (something akin to a crush turning into a real friendship…but that’s not what happens).
Ultimately the book ends up feeling less about aliens and more about the horrors of child soldiers and war stealing childhood. I definitely think scifi can bring a current issue such as this to people’s attention, but I also think the narration and various irritating and/or confusing plot points ultimately weakens the point. I doubt when I was a teen that such a book would have made me think about child soldiers. Instead I would have felt misled by the title and blurb and been irritated about that, distracting from the point.
All of that said, if a YA reader is looking for an apocalyptic setting featuring dual leads instead of one hero, this is a book that will fit that bill. Just be sure the reader is ok with some surprisingly slow-moving portions for a book with an action-packed blurb. However, I would suggest that a YA reader looking for something truly different check out Yancey’s other YA series: The Monstrumologist.
3 out of 5 stars
Miriam Black is an early 20-something drifter with bleach blonde hair and a surprising ability to hold her own in a fight. She also knows when and precisely how you’re going to die. Only if you touch her skin-on-skin though. And it’s because of this skill that Miriam became a drifter. You try dealing with seeing that every time you touch someone. But when a kind trucker gives her a lift and in her vision of his death she hears him speak her name, her entire crazy life takes an even crazier turn.
This is one of those books that is very difficult to categorize. I want to call it urban fantasy, but it doesn’t have much supernatural about it, except for the ability to see deaths. The world isn’t swimming in vampires or werewolves of goblins. I also want to call it a thriller what with the whole try to stop the trucker from dying bit but it’s so much more than chills and whodunit (or in this case, who will do it). Its dark, gritty style reminds me of Palahniuk, so I suppose what might come the closest would be a Palahniuk-esque urban fantasy lite thriller. What I think sums it up best, though, is a quote from Miriam herself:
It starts with my mother….Boys get fucked up by their fathers, right? That’s why so many tales are really Daddy Issue stories at their core, because men run the world, and men get to tell their stories first. If women told most of the stories, though, then all the best stories would be about Mommy Problems. (location 1656)
So, yes, it is all of those things, but it’s also a Mommy Problems story, and that is just a really nice change of pace. Mommy Problems wrapped in violence and questioning of fate.
The tone of the entire book is spot on for the type of story it’s telling. Dark and raw with a definite dead-pan, tongue-in-cheek style sense of humor. For instance, each chapter has an actual title, and these give you a hint of what is to come within that chapter, yet you will still somehow manage to be surprised. The story is broken up by an interview with Miriam at some other point in time, and how this comes into play with the rest of the storyline is incredibly well-handled. It’s some of the best story structuring I’ve seen in a while, and it’s also a breath of fresh air.
Miriam is also delightful because she is unapologetically ribald and violent. This is so rare to find in heroines.
We’re not talking zombie sex; he didn’t come lurching out of the grave dirt to fill my living body with his undead baby batter. (location 2195)
As a female reader who loves this style, it was just delightful to read something featuring a character of this style who is also a woman. It’s hard to find them, and I like that Wendig went there.
While I enjoyed the plot structure, tone, and characters, the extreme focus on fate was a bit iffy to me. There were passages discussing fate that just fell flat for me. I’m also not sure of how I feel about the resolution. However, I’m also well aware that this is the beginning of a series, so perhaps it’s just that the overarching world rules are still a bit too unclear for me to really appreciate precisely what it is that Miriam is dealing with. This is definitely the first book in the series in that while some plot lines are resolved, the main one is not. If I’d had the second book to jump right into I would have. I certainly hope that the series ultimately addresses the fate question in a satisfactory way, but at this point it is still unclear if it will.
Overall, this is a dark, gritty tale that literally takes urban fantasy on a hitchhiking trip down the American highway. Readers who enjoy a ribald sense of humor and violence will quickly latch on to this new series. Particularly recommended to readers looking for strong, realistic female leads.
4 out of 5 stars