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Book Review: Smokin’ Six Shooter by B.J. Daniels (Series, #4)
Summary:
Dulcie Hughes comes to Montana from the big city of Chicago when she mysteriously inherits property. She immediately runs into Russell Corbett, a local rancher who isn’t too keen on some city woman sniffing around the old Beaumont property. Dulcie doesn’t want to be distracted from uncovering the years’ old mystery at the Beaumont property, but Russell just can’t let himself let her investigate on her own.
Review:
A friend gave this book to me as an extra she had from the publisher. I kept it around because who isn’t in the mood for some light romance sometimes? Plus, there are definitely Harlequins that strike my fancy. This….wasn’t really one of them.
Here’s the main problem with the book. The title and the cover are incredibly misleading for what you’re actually going to get, and that’s a pet peeve of mine. As a friend of mine (who also read it) said to me, “There’s no six shooter in the book.” It sure sounds like it’s a big plot point doesn’t it? But….there’s no six shooter. There are guns, yes. But not six shooters. The cover and title make it sound like the hearthrob is some sort of sharpshooting cowboy, but he’s…neither. He’s a modern day rancher. Who drives a combine. Oh and he and his father hire a rainmaker to try to make it rain because the ranchers need rain. Sorry but none of that strikes my sexy bone the way that a sharpshooter would. WHICH IS WHAT I THOUGHT I WAS GETTING.
Let’s ignore for a moment that I would have self-selected out of this book if the title, cover, and the actual blurb (not the one I wrote above) had been accurate. What about the actual book? Well, the mystery is good…ish. It had lots of twists and turns, and the final chapter just had one too many. I read the last chapter out loud to my husband, and he said it felt like an episode of “All My Circuits” (the over-the-top robot soap opera on Futurama). Which is true. That said, I certainly didn’t figure out the mystery. Because it was so ridiculous. But there’s an entertainment factor in that that I appreciate. However, if over-the-top twists and turns are not your style, you’ll be disappointed by the last chapter of the book.
The romance and sex was sorely missing. Our heroine gets one incredibly quick (and I don’t just mean quick to read, I mean a quickie) sex scene, and that’s it. I don’t know about you, but I don’t pick up Harlequins for the story. I do expect a lot out of the sex scenes though, and this one felt like a throwaway. A “oh do I really have to write one? Fine, but it will be ludicrous and quick.” I kept reading thinking that surely this was just a teaser and there’d be a nice long steamy scene in here somewhere. But no.
So, Harlequin readers who don’t mind the love interest being a combine-driving modern day rancher who does not have a six shooter with most of the focus of the book being on its over-the-top mystery with just a touch of a romance scene will enjoy this book. The quality of the writing is fine, so long as this is the type of story the reader is after, they won’t be disappointed. Just don’t be misled by the title….or the cover….or the blurb. And maybe grab some popcorn for the last chapter.
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3 out of 5 stars
Length: 224 pages – average but on the shorter side
Source: Gift
Counts For:
Bottom of TBR Pile Challenge
Previous Books in Series:
Shotgun Bride
Hunting Down The Horseman
Big Sky Dynasty
Book Review: Late Eclipses by Seanan McGuire (Series, #4)
Summary:
One of Toby’s oldest friends is in dire trouble. Lily of the Tea Gardens is slowly fading away, and no one knows what’s causing it. On top of that, one of Toby’s worst nemeses whose name is feared throughout Fae, Oleander, is back. Are the two related or is something else going on? And can Toby save the day without losing herself?
Review:
I picked this book up expecting it to be another mystery of the week entry in the series, but what I found was a surprising development in the overarching plot that kept my heart in my throat but also left me dubious about the possible directions the next book could take.
The plot starts out similarly to the previous entry in the series. Someone close to Toby is in danger. In this case, it’s Lily, and she’s sick, slowly fading out of existence. Over the course of the book, others close to Toby end up sick as well, as it soon becomes clear (this is really not a spoiler, it’s revealed early on) that someone is poisoning them. When Oleander showed up, I nearly groaned at how obvious it felt that she is the one to blame for all of this. But it’s not quite that straight-forward, and there’s also a sub-plot of Toby possibly going crazy….which changelings are known to do in this world. The book then isn’t just about Toby trying to solve the mystery, it’s also about her trying to determine if her blood has doomed her to sink into insanity. This gives the plot enough depth to keep it interesting.
Long-standing characters receive more depth of character development and new ones are added. Toby cotinues to have the wit that keeps the book upbeat even when things are grim. One quote in particular I think would work pretty well as a fitspo positive argument:
I promised myself that if I lived, I’d start working out. Better cranky and alive than cheerful and dead. (loc 1815)
As for the plot twist, I can’t talk about it much without spoilers. The spoiler free review would be that I am concerned the big overarching plot twist moves things a bit too far into one hero to save us land, which isn’t a fantasy plot I personally usually enjoy. For the spoiler version of this, see the next paragraph.
*spoilers*
It is revealed that Toby is not the type of Fae she thought, she is rather a very rare type of Fae. This type of Fae is capable of changing the make-up of their own blood. She can thus morph into more Fae, changeling, or human as she desires. It also turns out her mother is from the first born, which makes her kind of Fae royalty. My issue with this is one of the things I like so much about the series is that Toby lacks the magical powers to the extent the Fae have. She also doesn’t fit into the human world. But she fights for her right to be in the world she chooses to live in, and her value in the Fae world is due to how hard she tries and her brains, not her blood. This plot development feels like it’s making it all about her blood. Her power is due to whose daughter she is, not who she herself is. That’s just not a message I’m as fond of.
*end spoilers*
Overall, this is an action-packed entry in the series that visits another mystery with enough different sub-plots and twists to keep it interesting. Fans of the series will be surprised by the big overarching plot development toward the end of the book and will be eager to pick up the next one to see where this plot development goes.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
4 out of 5 stars
Length: 372 pages – average but on the longer side
Source: Library
Previous Books in Series:
Rosemary and Rue, review
A Local Habitation, review
An Artificial Night, review
Book Review: The Shade of the Moon by Susan Beth Pfeffer (Series, #4)
Summary:
Jon Evans has spent the last two years living in an enclave as a slip — someone who received a VIP pass to get into an enclave that was originally intended for someone else. His stepmother and half brother live there as well, while his mother and older sister, Miranda, and her husband, Alex, live just outside of the enclave, working and serving it while living in filth. Jon isn’t like the rest of them. He can barely remember a time before the apocalypse of the moon being hit out of orbit. The enclave and its ways seem increasingly normal, even if he is haunted by the memories of what happened in the years between the apocalypse and the arrival at the enclave.
Review:
I was a bit startled to see that this book featured yet another new perspective, particularly after the return to Miranda’s diary in the third book. I was expecting a turn back to Alex, but instead we get Miranda’s little brother Jon’s perspective. I can understand the reasoning for this shift. Jon is the only young person from the original group living in the enclave. He is a bit of an antihero throughout most of the book, providing a unique look at the privileged elite in this post-apocalyptic society but one that could be alienating to some readers.
Whereas the first two books focused on the actual apocalypse and the third on the immediate aftermath, this book looks at the new society emerging from that wasteland, and it’s not good. It’s quite dystopian. Not everyone who enjoys apocalyptic and post-apocalyptic worlds also enjoy dystopian ones, so this is a bit of a risky move for a series, although it makes logical sense for the plot to progress this way. The dystopia that Pfeffer imagines is interesting. The elite have built up enclaves and use those who are not elite to work supporting them, basically killing themselves slowly mining coal and growing food while the elite stay safe and educated in the enclaves. It allows for a look at social class taken to the extreme while still seeming realistic within the world Pfeffer has created.
Jon also is a realistic character. He’s a bit spoiled rotten, after all, his brother, sister, and mother all routinely gave him extra food while they starved when the apocalypse first occurred. He’s the result of all the coddling they gave the youngest in an effort to keep him alive and healthiest. That said, some readers will be turned off by Jon. He’s unequivocally a jerk throughout at least half of the book before he eventually snaps out of it. While I personally enjoy a good antihero every now and then, not all readers will like visiting one, particularly after the more heroic presence of Miranda and Alex in the first two books.
There is one aspect of Jon’s character that really bothers me, and it has nothing to do with his snobbishness and antihero nature early on in the book.
*spoilers*
He lets on early on in the book that something bad happened to Alex’s sister Julie. He at one point misleads a female character to believe that he raped Julie to drive her away from him. This is done to protect her, and the reader is led to believe through this scene that Jon obviously didn’t rape Julie. Yet when we find out what actually happened, it’s not quite so crystal clear. Jon basically was making out with Julie and not stopping when she asked him to the first time. She then runs out into the storm and is killed in the tornado. Jon states that of course he would have stopped, he was just slow about it and reluctant because he didn’t think Julie’s protests were real. He thought she wanted him but wasn’t letting herself want him because of her religion. This is clearly many levels of fucked up. The reader is supposed to just believe Jon that he would have stopped because he says so? The reader is supposed to believe that Julie 100% over-reacted because Jon claims she did? It’s a squicky scene to read about, partially because it comes across as that the reader is supposed to absolve Jon from any guilt since he clearly didn’t rape Julie. He’s also upsetting because no one in the book treats this like the serious issue it is. Everyone just kind of shrugs and goes oh Julie over-reacted and goes on their merry way. Even if Jon really was about to stop when Julie ran out, he clearly needs to be spoken to about listening to your partner immediately, about seeking out enthusiastic consent, and about not victim blaming. Particularly given that this is a YA book and what an important issue this is, the way it’s glossed over left a really sour taste in my mouth.
*end spoilers*
I’m not against the presence of an antihero, including in a YA book, but I do think that Jon’s worse qualities could have been handled with a bit more deftness. His presence instead dances around the edges of certain issues, rather than drawing them out for examination within the context of a fun dystopia.
The plot gets a bit nuts, and one character in particularly has an ending that is rather anticlimactic. However, the plot does eventually move everyone into a new area of the dystopia that is quite fascinating and sets the series up well for another book that will hopefully be free of Jon’s perspective, if Pfeffer does decide to write one.
Overall, readers of the beginning of the series will enjoy seeing what ultimately happens to Miranda and Alex, although they may be frustrated to have to do it through Jon’s eyes. Jon is an antihero who may irritate some readers, and his presence brings up some issues that are then glossed over, rather than dealt with. Recommended to readers who really want to see more of Miranda and Alex who don’t mind spending some time with an antihero.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
2 out of 5 stars
Length: 304 pages – average but on the longer side
Source: Library
Buy It (Amazon or Bookshop.org)
Previous Books in Series:
Life As We Knew It
The Dead and The Gone
This World We Live In
Book Review: Succubus Heat by Richelle Mead (Series, #4) (Audiobook narrated by Elisabeth Rodgers)
Summary:
Georgina Kincaid, Seattle’s best succubus, has been a foul mood ever since her break-up with author mortal, Seth Mortensen. Her demon boss, Jerome, has had enough of it and decides to outsource her to Vancouver for a job investigating a group of Canadian Satanists who are drawing the wrong type of attention to Hell. But when Jerome is kidnapped and all the Seattle area hellions lose their powers at the same time as the Satanists do a stunt in Seattle, Georgina starts to wonder if the Satanist group are more than just an annoyance. Maybe they’re part of some bigger plot. Oh, and also, she can now have sex with mortals without stealing any of their life force. Very interesting indeed.
Review:
A tight, intricate plot that links back to the previous books, steamy sex scenes, and an ever-expanding cast of diversely entertaining characters make this entry in the Georgina Kincaid series a delight.
Georgina’s whinyness after her break-up with Seth could get on the reader’s nerves if it wasn’t for the fact that her own friends and colleagues eventually call her out on it. Georgina is a well-rounded character with flaws, and being bad at break-ups is one of them. This book sees her go through the stages of a break-up in an interesting way, from rebounding to whining to anger to finally trying to come to terms with it and remain friends with Seth. The fact that Georgina then gets the ability to have sex with Seth without stealing his life force is a serious temptation. How she and Seth respond might rub some readers the wrong way, but Mead presents it in a very I understand how this could happen way. What happens makes sense within the context both of the story and of who Georgina and Seth are as characters. How they go on to deal with the consequences is also realistic. People don’t get away with things without consequences in Mead’s world, but they also aren’t perfect. Mead strikes the balance well.
The plot is complex and yet is a different problem from the previous books. Taking away powers and having the most powerful demon in Seattle gives the characters an interesting problem to address. Additionally, having Georgina travel to close-by Canada provides some great scenery changes, as well as some good laughs at the expense of the inept Satanist group.
The sex scenes range from brief one-offs with random men for feeding to unfulfilling sex with her bad-hearted rebound boyfriend to guilt-inducing passionate love-making with Seth. Some of the sex scenes are steamy, others a bit dull, and others heart-wrenching. It’s a realistic variety, although the reader does have to wait a while for the most passionate scenes.
One thing that bothered me a bit is that Georgina gets slut-shamed some for one of her brief hook-up choices. Yes, she makes the choice out of her heartbreak, but it’s her body her choice, and I don’t like that even a succubus, apparently, can get slut shamed. I also have to admit that I had figured out the final plot twist long before it happened, so although the plot is a bit complex, the big bad is predictable.
The overarching plot of the whole series, however, continues to grow in unexpected ways. I finished the book intrigued to continue on immediately to the next entry.
The audiobook narrator brings Georgina to life quite willingly, although she does pronounce a couple words, such as “panang,” rather oddly. However, she brings a perfect flow to the story. She also reads the sex scenes beautifully.
Overall, this is an engaging and rewarding entry in the series. Fans will welcome the new plot, variety of sex scenes, and growth of the overarching series plot.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Succubus Blues
Succubus On Top
Succubus Dreams
Counts For:
Book Review: A Case of Conscience by James Blish (Series, #4)
Summary:
A new inhabited planet, Lithia, has been discovered, and an exploratory Earth crew of four is sent to determine how Earth will respond to the planet. Ruiz-Sanchez is a scientist and a member of this crew, but he’s also a Jesuit priest. Although he admires and respects the reptilian-humanoid inhabitants of Lithia, he soon decides that the socialist, perfectly co-existing society must be an illusion of Satan, so he advises against maintaining ties with the planet. The vote of the crew is a tie, however, so the UN must ultimately decide the fate. While they are awaiting the decision, Ruiz-Sanchez and the others must raise and guardian a Lithian child who is sent as a present to Earth. Soon, Ruiz-Sanchez starts having fears about just who the child might be.
Review:
This is the third book from the collection of 1950s American scifi classics from Netgalley, which I will review as a whole at a future date. I was surprised that a book that is fourth in its series was included in the collection. Upon investigation, I discovered that this series isn’t surrounding a certain set of events or characters but instead is multiple books around a similar theme. The theme for the series is each book deals with some aspect of the price of knowledge. So each book works as a standalone as well. There is also some disagreement as to precisely what book is what number in the series. I have chosen to use the number used by GoodReads. I had previously read a scifi book with a Jesuit priest scientist visiting a newly found planet (The Sparrow
Ruiz-Sanchez is a rather two-dimensional character who quickly turns into a bumbling priest trope. Very little attention is paid to his credentials as a scientist within the story, so instead of coming to know Ruiz-Sanchez the scientist, the man, and the priest, we only know him in his priest role. This prevents a connection or even a basic understanding of his rather bizarre concerns. Whereas in The Sparrow
The plot is fascinating, although it does jump around a lot. Essentially there’s the part on Lithia, which primarily consists of discourse between the scientists. Then there’s the development of the Lithian child into an adult who doesn’t fit anywhere, since he lacked the social training on Lithia and also is a reptilian humanoid on planet Earth. He then starts to incite rebellion among the youth. Meanwhile, Ruiz-Sanchez is told by the Pope that he committed an act of heresy and he must re-win favor by stopping the Anti-Christ aka the Lithian on Earth. All of the settings are fascinating, and the plot is certainly fast-paced. However, the plot is so far-fetched that it is difficult to properly suspend disbelief for it.
The settings are the strength of the book. Lithia is well-imagined, with uniqueness from Earth in everything from technology to how the Lithians handle child-rearing. The tech involves trees since they lack minerals, and the child-rearing is non-existent. The Lithians are simply birthed then allowed to develop on the planet, similar to turtles on Earth. Earth’s setting is interestingly imagined as well. The fear of nuclear weapons has driven humans to live underground for generations with only the elite living above ground, and the UN working hard to keep it that way. It’s a fun mix of alternate alien civilization and dystopia.
Essentially, the book has interesting world-building and what could be a promising plot that get derailed by two-dimensional characters and too many bizarre plot-twists and occurrences. It’s certainly an interesting read, particularly if you are interested in immersing yourself in this odd world Blish has created. However, readers should not expect to connect with the characters on an emotional level and should be prepared for a bizarre plot.
3 out of 5 stars
Source: Netgalley
Previous Books in Series:
Doctor Mirabilis
Black Easter
The Day After Judgement
The Devil’s Day
Book Review: The Final Descent by Rick Yancey (Series, #4)
Summary:
The man investigating the folios found with an elderly man who claimed to be over a hundred years old and named Will Henry has reached the final folio containing what this elderly man claimed to have been his life story. The final folio is discombobulated and poetic, and so the investigator arranges it for us to read following the style of Dante’s Inferno. And what a story it tells.
Will Henry is now a bitter, cold teenager still serving Dr. Warthrop. When a man shows up at the door claiming to have a previously thought extinct monstrous snake’s egg for sale, Will Henry takes the acquisition into his own hands. When they bring the egg to New York City for the annual meeting of Monstrumologists, Dr. Warthrop begins to question Will Henry’s loyalty, and Will Henry increasingly ignores all advice, going off on his own bloody ideas. What direction will Will Henry’s and Dr. Warthrop’s lives ultimately take?
Review:
There were hints throughout the Monstrumologist series that it was going to continually descend to a dark place. But I must admit I was slightly fooled by the idea put forth multiple times that Will Henry at least for part of his life is happily married. I thought there would be a glimmer of hope in the ending. Boy was I wrong. This is an incredibly dark book, and a series ending that surprised me. While still a strong read, it didn’t hold all the all-encompassing power and grotesque beauty I found in the first two entries in the series.
Yancey takes the poetic language found in the first three books and kicks it up a notch with the inclusion of the Dante-styled method for dividing the book into sections. Beyond that, the language itself becomes increasingly poetic. One line that is repeated a few times throughout the book is:
Time is a line. But we are circles. (page 4)
I found both the structure and the language interesting and gorgeous, and I really appreciate their inclusion in YA literature. I can imagine that many of the younger readers of the book might never have read Dante and seeing this structure in this book might spur them on to check it out. One thing that I’ve enjoyed throughout the series is that Yancey doesn’t shy away from challenging YA readers, and I’m glad to see that continued here.
The monster in this story is delightfully terrifying. An egg that hatches a snake that eats its prey from the inside out? There’s nothing not terrifying about that. Plus the monster is revealed early on, a nice change of pace from The Isle of Blood
The plot is quite complex, and yet also makes sense when various aspects of it are revealed. It also manages to still be fresh, even though The Curse of the Wendigo
The book spends a lot of time wondering both what makes a monster and if madness can be avoided or escaped. The first is a question addressed earlier in the series, and I think Yancey deals with it eloquently. The second takes quite a dark turn in this book, and I was left feeling empty, hopeless, and saddened.
Madness is a wholly human malady borne in a brain too evolved—or not quite evolved enough—to bear the awful burden of its own existence. (page 170)
It’s certainly valid to view madness as an inescapable pariah for some. I suppose I just have more hope for the world than that. That’s what left me disappointed with the ending. I wanted more hope. Other readers might be less bothered by the tragic end.
Overall, this is a strong final entry in the acclaimed Monstrumologist series. The poetic language is beefed up with a Dante style structure, and the plot is complex, following the ultimate impact on Will Henry of growing up as Dr. Warthrop’s apprentice in Monstrumology. Some readers may be disappointed or overly saddened by the ending lacking a glimmer of hope but others will enjoy its incredibly dark turn. Readers of the previous three books should not miss this one.
4 out of 5 stars
Source: Amazon
Previous Books in Series:
The Monstrumologist
The Curse of the Wendigo
The Isle of Blood
Book Review: The Book of Lost Fragrances by M. J. Rose (Series, #4)
Summary:
Jac ran away from her family’s traditional perfumerie in Paris to pursue a career in mythology in her mother’s homeland of the USA. This move was spurred on by her mother’s suicide, and Jac’s own subsequent loss of touch with reality. Years of therapy later, all is well, but when Jac’s brother and current manager of the perfumerie goes missing, Jac must face up to her demons at home, as well as scenes in her own mind. Are they delusions or past life memories?
Review:
I requested this on NetGalley without realizing it was part of a series, but it is evident each entry in the series is about different people whose lives intertwine in a minor way. Thus, I was able to read this book without feeling that sense of disorientation that happens when you jump into the middle of a series. I’m glad too, because I found the story an intriguingly different plot-line for a thriller.
Essentially, there are some pottery pieces that Robbie discovers in his home that may or may not have once held a scent that allows whoever smells it to remember their past lives. A past life therapist wants these pottery pieces, Robbie wants to give them to the Dalia Lama, and the Chinese government wants to keep them out of the Dalai Lama’s hand in their on-going quest against Tibet. It’s a good big world plot, but the overall focus is mostly on Jac, which is how I tend to prefer thrillers. And Jac is a great character. She is strong, intelligent, a caring sister. She had a rough childhood, but still has her head on straight. Her struggle with whether or not she had past lives ends up not being as important as the reader might at first think, which I also appreciated. Jac’s character development is about accepting herself for who she is and not making selfish choices. It is not at all the romance I thought at first it was going to be, and that is a good thing.
Rose evokes the settings of Paris and NYC with equal aptitude. I must say I found myself craving an afternoon at the museum and some creperies when I was done with the book. The perfumerie business and house are equally beautiful and easy to picture, but also the tunnels underneath Paris are evoked well. Setting and characterization are strong points of Rose’s.
I did periodically feel the book moved too slow in the beginning. Also, I was disappointed that people who were evil now were evil in past lives and the good were always good. Similarly, only one person had a past life as a different gender. I get it that Rose’s point is that one needs to know one’s past lives in order to fix your mistakes that you make over and over, but I think it’s a bit short-sighted to think that if reincarnation did exist it would be that simplistic. Also, personally, I just don’t believe in soul mates, so having that as a strong theme in the book was rather eye-roll inducing.
Overall, this is a fun worldwide thriller with educated people at the center of it that includes thought-provoking themes like self-improvement and self-acceptance. Fans of the modern, globe-spanning thriller will enjoy it, as well as anyone who has a love of Paris.
4 out of 5 stars
Source: NetGalley
Previous Books In Series:
The Reincarnationist
The Memorist
The Hypnotist
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 