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Archive for July, 2023

Book Review: Pixels of You by Ananth Hirsh, Yuko Ota, J.R. Doyle

Image of a digital book cover. An Indian young woman holds a camera. Reflected in the lens is a white young woman.

Two interns, one human and one AI, dislike each other so naturally they’re forced to work together on a new project.

Summary:
In a near future, augmentation and AI changed everything and nothing. Indira is a human girl who has been cybernetically augmented after a tragic accident, and Fawn is one of the first human-presenting AI. They have the same internship at a gallery, but neither thinks much of the other’s photography. But after a huge public blowout, their mentor gives them an ultimatum. Work together on a project or leave her gallery forever. Grudgingly, the two begin to collaborate, and what comes out of it is astounding and revealing for both of them.

Review:
This forced proximity sapphic romance idea featuring a human and an AI is such a good one. The near-future world it is set in is fascinating. But both the relationship and the world weren’t explored enough for me.

AI in art is a really big issue right now. While it is also beginning to show up in written art, it has become a large issue much more quickly in graphic arts. So I was of course intrigued by a graphic novel exploring AI in a near future where a human artist is an intern side-by-side with an AI artist. But the book doesn’t really dig into the nitty gritty of whether what the AI produces can count as art or not. Even though the summary says that human-presenting AI like Fawn is new, no one seems particularly taken aback by Fawn. The most controversy she faces is other AI being jealous of her human-like skin. Given that Fawn is a photographer using solely her AI eye, there is a huge opportunity for exploration of what makes art, art. Yet this isn’t really explored at all. Similarly, Indira has a robotic eye to replace one she lost in an accident. It causes her chronic pain, but how having a robotic eye impacts her art as a photographer also isn’t really explored.

While I easily believed the forced proximity romance plot of Fawn and Indira if they were both human, I struggled to believe its rapidity given that Fawn is AI and Indira’s own background to her accident. (Which is a spoiler, but suffice to say one would imagine it would predispose her to negative feelings about AI.) I’m not saying these feelings couldn’t be overcome and the romance couldn’t happen, but it needed more time to develop. With regards to the spice of the romance, there’s some kissing and nothing more explicit than that.

The art in this graphic novel is beautiful. It has nice contrast that makes it easy to follow and suits the storyline.

Overall this is a pretty read and a fun world to visit, although it may leave you wishing for more.

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3 out of 5 stars

Length: 172 pages – average but on the shorter side

Source: Library

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Book Review: Jaws by Peter Benchley

Image of a book cover. A woman swims in the ocean, and a shark is coming up toward her from under the water. JAWS is written in caps lock across the top.

Get ready for shark week with this 1970s classic!

Summary:
A great white shark starts terrorizing a coastal town just as the money-making summer season begins. The classic, blockbuster thriller of man-eating terror that inspired the Steven Spielberg movie and made millions of beachgoers afraid to go into the water. Experience the thrill of helpless horror again—or for the first time!

Review:
As a New England girl born and raised, I can’t tell you how many times I’ve watched Jaws the movie. Everything about it is just so *chef’s kiss* perfectly small New England beach town. (The movie is set on Long Island, New York, but was filmed on Martha’s Vineyard, Massachusetts, and, let me tell you, everything about it reads New England to me.) Plus, my cat absolutely adores watching Jaws. She’s obsessed with that shark. With summer rolling around once again, I decided it was high time I read the book. The book is almost always better than the movie, right? Well, in this case, that almost really comes into play. (Spoilers ahead for both the movie and the book. If you haven’t seen this classic yet, please go watch it then come back to the book review.)

The book starts off strong with a close omniscient perspective of the shark getting ready to eat the drunk lady swimming in the ocean. The book could easily sway into anthropomorphizing territory, imagining the viciousness of the shark. But it consistently describes a creature whose instinct is to feed. What, exactly, made it come in to Amity and stick around is a mystery that is never solved. This first scene is one of the strongest in the book. But I have to admit I was hearing the absolutely classic movie soundtrack in my head while I was reading it, and we all know how essential that is at building suspense. So I’m not sure it’s safe to say I felt engaged purely because of the book.

But it didn’t take too long for the book to showcase itself as…worse than the movie. When we meet Sheriff Brody, he mentions a problem they had the previous summer where a Black gardener sexually assaulted six white women, none of whom would press charges. The only point of this from a narrative perspective is to demonstrate how the police department will keep things under wraps in order to protect the summer season. But it’s a hatefully racist way to establish this, narratively. Even if I charitably imagine that this is supposed to be pointing out the racial divide in Amity that is later even clearer in the book, there are better ways to do that than to play into this horribly racist myth of the serial Black assaulter of white women.

There are two other plot points in the book that weren’t in the movie at all. First, there’s that Brody’s wife cheats on him with Hooper because she feels some weird Feminine Mystique style ennui about her life as a housewife at a lower social class than she was before she got married. (We only see the sex in flashbacks she has about it and how strange and scary Hooper was). There is a large scene where she has lunch with Hooper first and talks about her sexual fantasies. Kind of slows down the pace of the suspense from the shark attacks.

The other additional plot point is that the mayor of the town is mixed up with the mafia because he had to take out a loan from a loan shark (har har) to pay his wife’s cancer treatment medical bills. (What on earth do other countries with nationalized health care do to justify characters taking out unwise loans? This is such a common plot device…but I digress.) The mafia wants the beaches to be kept open. This is a big motivator for why the mayor keeps insisting on it. But I don’t think this motivator is necessary. The economic pressure and need of a tourist town to keep their main tourist attraction open is more than enough motivation. Anyone who has any familiarity with a town that depends on seasonal tourism gets that. Spielberg was right to cut this from the movie. This also brings about a scene I found much more disturbing than any shark attack, which is that the mafia kills Brody’s son’s cat in front of his son, and then Brody takes the dead cat and throws it in the mayor’s face.

The final act where Quint, the old-time fisherman, takes Brody and Hooper out on his boat to hunt the shark is overall pretty good. There’s some nice tension between the three of them, and Quint really has to eat his words about the shark not being intelligent. It does not end with the 70s style bang of the movie. But I kind of liked the simplicity of the ending, leaving Brody to swim to shore and deal with the aftermath on his own without any reader audience.

I’ve seen some lists of the differences between the book and the movie with mistakes and inaccuracies on them, so I do want to clear up a couple of things. Brody is afraid of the water in the book. This is well-established; I’m not sure how people missed that. Mrs. Kintner does slap Brody in the book when she confronts him about the shark killing her son.

The version of the book I read also had an introduction by the author where we find out that he was, basically, a “summer person” himself – from a wealthy family and a legacy graduate of Harvard (his father also went to Harvard). His father was a novelist, and because of that connection, Benchley got an agent before he even had a book written. By Benchley’s own recollection, he sold the idea for Jaws and then they told him he needed to write the book, and the screenplay was sold before the book was even written. He took a first shot at the script, and Spielberg told him to throw out a lot of the stuff that I mentioned in my review as things I didn’t like. Moral of the story being privileged dude sold an admittedly solid idea based on the idea alone to someone else who directed it into it being a classic.

Overall, it was interesting to read the book behind the movie, but I also now have the perfect answer for the next time someone asks me, “When is the movie ever better than the book?”

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3 out of 5 stars

Length: 320 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)

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Book Review: Zero Days by Ruth Ware

Image of a digital book cover. Pixels in gray, black, and white come together to form the title of the book and the author's name.

A new widow puts her professional penetration testing skills to work to discover who really killed her husband when she realizes she’s being framed for the crime.

Summary:
Hired by companies to break into buildings and hack security systems, Jack and her husband, Gabe, are the best penetration specialists in the business. But after a routine assignment goes horribly wrong, Jack arrives home to find her husband dead. To add to her horror, the police are closing in on their suspect—her.

Suddenly on the run and quickly running out of options, Jack must decide who she can trust as she circles closer to the real killer in this unputdownable and heart-pounding mystery.

Review:
Ruth Ware, often called the modern day Agatha Christie, drops a new thriller just in time for summer. This one features the fascinating world of penetration testers. What is a penetration tester, you ask? Someone companies hire to test their security. You may have heard of an “ethical hacker.” This is the same thing. Although, in the case of the book, the testing of security systems includes their physical systems. The title even alludes to a cybersecurity thing.

Jack, a talented reformed pickpocket, does the physical security testing, and Gabe, her husband, does the ethical hacking. The book opens with them working on a job, which provides delightful action sequences before the inciting incident of his murder. When she comes home and finds him dead, she gets sucked into a wave of grief that makes her oblivious to the warning signs she’s being framed. These are clear to the reader, and to her sister as well, which was a nice touch. Soon, Jack is on the run, with the dual goal of clearing her name and identifying her husband’s killer to bring him/them to justice.

The pacing of this thriller is solid. I was engrossed and wanted to find out what happened. Making Jack a penetration tester gives valid reasons for her skills at evading the police while also investigating the murder. She’s also easy to like and root for. The scenes of her evading the pervasive panopticon in London reminded me of a favorite book of mine, The Traveler (review). Those were among my favorite.

Two plot choices annoyed me. They’re spoilers, so consider yourself warned.

Gabe’s best friend kissing Jack felt out of character for both of them. I think it was supposed to be a clue to the reader not to trust him, but I already didn’t trust him. It was obvious from Jack saying that her sister didn’t use emojis like that on the phone that he set up for the two of them that this meant it was him on the phone. It was unnecessary and made it difficult for me to get over and like Jack again. I know sometimes grieving widows reach out in this way, and it’s not my place to judge, but it felt like a plot device more than a character choice. The other thing I disliked was that Jack is surprise pregnant at the end. Jack was suicidally depressed before she found out she was pregnant as she felt totally alone without her husband. (Even though her sister was very much involved the whole time, even getting arrested to help her.) In any case, the pregnancy being what it takes to snap Jack out of depression because now she has someone to live for really rubbed me the wrong way. Why couldn’t Jack have figured out that she should live and live well because that’s what we’re meant to do to the best of our abilities? Also, children don’t replace the spouse who passed away. That person is still gone. I get it that people feel like a legacy lives on in children, but to just snap out of suicidally depressed grief over a pregnancy doesn’t mean she properly processed her grief in any way, shape, or form. She’s now just living for the child in the way that she, apparently, was just living for Gabe before.

Overall, this is a fun, quick thriller perfect for a summer read.

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4 out of 5 stars

Length: 368 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)