Every year, I wrap up the old year and start the new one here on the blog with a look back at my reading stats. You can see my stats for the years 2009, 2010, 2011, 2012, 2013, 2014,and 2015 by clicking on the years.
Total books read: 59
Average books read per month: 4.92
Month most read: August with 7
Month least read: July with 3.
Longest book read: House of Leaves by Mark Z. Danielewski with 705 pages.
Fiction: 49 (83.1%)
Nonfiction: 10 (16.9%)
Series: 24 (40.7%)
Standalone: 35 (59.3%)
With my new commitment to read only things I enjoy, this reflects a lot of me reading the first book in a series and then choosing not to continue because I didn’t enjoy it quite enough, so there was more room for standalones this year.
–print: 8 (13.6%) (Down quite a bit from last year.)
–ebook: 42 (71.2%)
–graphic novel: 0 (0%) (I’ve honestly lost most interest in graphic novels.)
–audiobook: 9 (15.3 %) (Almost the same as last year. My final audiobook of the year that I am still on is dragging, hence the slowdown.)
I’ve always read slightly more female than male authors but this is a vast majority this year, as opposed to 2015’s 57.7% female authors. I think this is a reflection of my commitments to read what interests me and stop being ashamed of it, particularly chick lit. This meant more female authors. Interestingly, my ratings of books by women show that I like them significantly better.
Ratings of Female Authors:
Ratings of Male Authors:
Not a single one of my 5 star reads was by a male author.
This went down, largely because I only accepted 6 ARCs this year. You’ll note that I still read indie books that were not ARCs. I do struggle to find indies, though, since my reading list is often influenced by other book bloggers, and I find that many of them don’t seek out indie reads quite the way I do. That means it can be harder for me to find the indie reads.
I thought glancing at this that I did poorly reading pre-2000s books but the goal I set for myself last year was for 20 to 25% of my reads to be pre-2000s, and I actually surpassed that with 27% of my total reads being pre-2000. I still felt like it was a bit low, though, so for 2017 I’ll aim for 30%. I’ll keep going up til I hit the sweet spot.
I read slightly fewer adult books this year, with more YA and also a new venture into NA. I’m happy with this distribution.
–Scifi: 12 (20.3%)
The subgenre I read the most of in scifi was outer space (50%).
–Contemporary: 9 (15.3%)
–Fantasy: 7 (11.9%)
The subgenre I read the most of in fantasy was urban fantasy (71.4%).
–GLBTQ: 7 (11.9%)
–Chick Lit: 6 (10.2%)
–Mystery: 6 (10.2%)
The subgenre I read the most of in mystery was an even split between cozy and traditional.
–Thriller: 6 (10.2%)
–Nonfiction – self-help / psych: 4 (6.8%)
–Romance: 4 (6.8%)
–Nonfiction – history: 3 (5.1%)
–Historic Fiction: 2 (3.4%)
–Horror: 2 (3.4%)
–Nonfiction – biography: 2 (3.4%)
–Alternate history: 1 (1.7%)
–Nonfiction – lifestyle: 1 (1.7%)
–Nonfiction – memoir: 1 (1.7%)
My top two genres are scifi and contemporary, followed by a tie between fantasy and GLBTQ lit for third place.
A marked improvement over last year with 4% more 5 star reads. The rest of the star ratings remained similar distributions to before, but I generally felt a larger enjoyment of my reading. I think more 5 star reads helped with that.
General Thoughts on the Stats
You can see my new focus on reading what I enjoy rather than making reading a chore most reflected in the genres I read, the number of ARCs read, and surprisingly in the gender of the author. I did not set any intentions on what gender of author to read and yet seeking out books I was fairly certain I would enjoy led me to more women authors. I think that’s interesting.
I was also surprised by the strong presence of contemporary fiction this year. I didn’t used to perceive of myself as someone who found contemporary lit to be escapist, but apparently it works for me now. While I still have a dominant showing in scifi and fantasy (32%) this is far down from the 50% last year. This shows that venturing into new or returning to old well-loved genres left less room for scifi and fantasy but I still visited them and enjoyed it.
I am quite happy with how my stats look this year. The only thing sticking out to me as a goal for 2017 is the format of books. I am out of room on my print book shelf at home, and I can see why with only 8 of my reads being in print. While I prefer reading on my kindle paperwhite (for convenience), there are still books you can only get in print. These are what are taking up my shelves. I’d like to read 1 a month to continue to allow myself to pick up the not available digitally books as I see them.
I hope you all had a good reading year and found my reviews helpful in your pursuit of good books. Sending best wishes for everyone’s 2017!
Evie Nicholson is in love . . . with the past. An antiques appraiser in a London shop, Evie spins fanciful attachments to Victorian picture frames, French champagne glasses, satin evening gloves, and tattered teddy bears—regardless of their monetary value.
As a favor to friends of Fraser’s family, Evie jumps at the chance to appraise a Scottish castle full of artifacts and heirlooms. What could be more thrilling than roaming the halls of Kettlesheer and uncovering the McAndrews’ family treasures—and dusty secrets?
But crossing paths with moody heir Robert McAndrew has Evie assessing what she wants the most . . . and at an upcoming candlelight gala, a traditional dance will set her heart reeling.
I thought what better Christmas gift to give my readers than a review of a 5 star read! This is one of those books that was so exactly what I look for in the genre that there’s very little to say beyond well done. But I’ll try.
In chick lit I look for a few things. Romance I can root for (no rooting for a marriage to break up, for instance), a smart sense of humor, a realistic setting with a touch of magic, no hating on women in general or other women in particular, and writing that makes me feel as if I am there. This book hits all of those marks.
I was worried at first that I’d be getting a squicky story of Evie trying to steal her sister’s boyfriend, but that’s not what happens at all. Evie’s crush on her sister’s boyfriend is indicative of her tendency to crush on men she knows she can’t have, and it being her sister’s boyfriend is what it takes for her to realize that’s what’s happening. It was the thing that worried me the most but ended up working out the best.
The book is full of wit and smart humor that made me feel like I was relaxing in a warm tub with gentle music. It’s the kind of wit that made me at ease and entertained.
I love the fact that the plot revolves around a woman going somewhere for her career, and romance coming out of that. Evie has her own life, and a significant amount of the plot is actually about her career.
Another part of the plot is the Scottish reel that is danced at the special ball the family that owns the castle hosts. I was expecting to find reading the passages about the dancing to be either glossed over too much or boring, but in fact those passages were so well-written that I actually went and looked up the specific reels on YouTube because I felt like I just had to see them. I was pleasantly surprised to find that they looked precisely like I’d imagined them based on the author’s descriptions. It was the icing on the cake of the book.
Overall, if you’re looking for a modern chick lit whose plot revolves around far more than the romance and that features well-rounded women helping each other out rather than tearing each other down, I highly recommend this read. Maybe it’s something to pick up if Santa gave you a gift card that’s burning a hole in your pocket.
5 out of 5 stars
Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.
Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti’s stellar travel will bring her within their deadly reach.
If Binti hopes to survive the legacy of a war not of her making, she will need both the gifts of her people and the wisdom enshrined within the University, itself – but first she has to make it there, alive.
A scifi novella I heard about in the context of bringing some much-needed new energy to the genre. It’s not that there’s never been scifi starring a black woman, but there hasn’t been a lot of it. What I found most intriguing about the novella, though, was the main character seeking to pursue her scientific interests without losing her ties to her culture. I think this is a struggle that many first-generation college students feel, and I liked seeing it represented so eloquently in literature.
The young black woman going to university isn’t devoid of her own character and culture. The characterization isn’t just like every other scifi main character ever whose skin just happens to be darker. No, Binti is much more than her skin tone. She’s a whole backstory of a tribal culture that is simultaneously rich in scientific knowledge. (A great concept, beautifully executed). Being the first to leave is scary, and she clings to what she knows of home while also being unafraid to reach out and learn new things.
Without spoiling things, her culture and her diversity ends up being a key factor that aids in the war with the Meduse in a creative way that had me smiling. So there’s a lot to like about the novella.
I didn’t 100% love it, though. Much as I got a good sense of Binti, I didn’t get a good one of the secondary characters around her. This made it so that when the bad things start happening later in the novella, it was hard to care about them. Obviously novellas are limited by length, but I do think the secondary characters could have been more fleshed out like Binti to make the action scenes have the emotional impact on the reader that they do on her.
All in all, though, as a woman with curly hair that has been called “tentacle-like” I loved having a scifi read with tentacle-like hair playing such a central role. I’m excited to read the next entry in the series.
4 out of 5 stars
Everyone in the broken-down town of Chelsea, Massachussetts, has a story too worn to repeat—from the girls who play the pass-out game just to feel like they’re somewhere else, to the packs of aimless teenage boys, to the old women from far away who left everything behind. But there’s one story they all still tell: the oldest and saddest but most hopeful story, the one about the girl who will be able to take their twisted world and straighten it out. The girl who will bring the magic.
Could Sophie Swankowski be that girl? With her tangled hair and grubby clothes, her weird habits and her visions of a filthy, swearing mermaid who comes to her when she’s unconscious, Sophie could be the one to uncover the power flowing beneath Chelsea’s potholed streets and sludge-filled rivers, and the one to fight the evil that flows there, too. Sophie might discover her destiny, and maybe even in time to save them all.
I feel like if you’re a queer person in New England, you’ve heard of this book. A magical realism read featuring queer characters and a diverse cast set not in Boston but in the nearby town of Chelsea. Its art is gorgeous, and I’ve spotted print versions of it in every single local bookstore. The locals are proud of this book, that’s for sure. With everything I’d heard and the pictures I’d seen when flipping through print copies, I was expecting something a bit different from what I got. Maybe more queer content? Maybe magical rules based in the here rather than in the “old world”? Regardless, I enjoyed it. It just wasn’t what I was expecting.
First, let’s talk about my favorite thing which was how much the author evokes the reality of the place of run-down New England towns in spite (or because of?) the magical content. My skin prickled when I read about Sophie and her best friend going to Revere Beach in the summer. It was just so damn accurate. I had a similar sensation when she talked about the feeling of being in a town that was once booming and now is struggling. There’s no doubt about it, the New England towns that were once booming from manufacturing and are now struggling simply feel dirty, and the author really evokes that. (I should know; I grew up in one). Oddly enough, this magical realism book brings out the feeling of small town struggling New England life more than a lot of realistic fiction I’ve read. If you want to know what it feels like to grow up in one of those towns, read this book.
Second, there’s the magical content. I was expecting something steeped in the local as well, but instead the magic was based entirely in countries parents and grandparents emigrated from. There’s nothing bad about that, it just wasn’t what I was expecting from a book so steeped in place. I also must admit that I found the whole vibe of “magic can only come from other places” to be a bit disappointing. America may be a young nation, but we have our own magic. I’d have liked to have seen a mix of both, rather than the magic be exlusively the domain of immigration.
Third, there’s the queer content. I think I was expecting it to take a more central role, particularly since this is ya (and was talked about a lot in the LGBTQ book reading community) but actually I found it to be more like how the local PCP just so happens to be Asian-American. It’s a thing some people just happen to be and not much is made of that. That’s not a bad thing, again, it just wasn’t what I was expecting.
Overall, this is a fun read steeped in local flavor that I recommend to anyone seeking a fantastical twist on struggling New England town life. That said, the second book in the series promises a journey to Europe, and personally what I liked best about this book was the local flavor, so I don’t think I’ll be continuing along.
4 out of 5 stars
Twenty-one-year-old front girl Emmylou knows that getting her band noticed in the ‘90s indie rock scene will be no easy task. She definitely knows better than to break the number one rule of the band: Don’t sleep with your bandmates! But after she ends up having the best sex of her life with her guitarist, Travis, she finds following that rule is a lot harder than it sounds.
When the band gets the gig of their dreams, making it big seems just within reach. But Emmy’s inability to keep her hands off Travis threatens everything they’ve worked for. Can Emmy find a way to break the rules and not blow the chance of a lifetime?
It took me a moment to get past the fact that 90s now count as historic fiction. *pours one out for the 90s* But then again Fresh Off the Boat is set entirely in the 90s, much like That 70s Show, so it appears the time has come. I was not a “new adult” (refers to those post high school but pre having your shit together) in the 90s (I was solidly a kid coveting a tamagotchi) but I vaguely knew about all the fads the older kids were into like….flannel and grunge. This book oozes that, and the characters get to have the problems that arise from not having a cell phone or YouTube to promo your band. That was fun.
For those who don’t know, New Adult means to expect more sex. And oh man. The sex scenes in this book. There are a lot of them. They are explicit. I like that sort of thing, and even though I rolled my eyes occasionally at some of their more interesting bedroom pursuits (like “tattooing” with permanent marker), I still thought they were hot, well-written, within character, and, most importantly, made sense within the plot.
What I think could make people love or hate this book is the main character, Emmy. She narrates it in the first person and she is, well, she’s a 21-year-old. She makes problems where there shouldn’t be any problems. She gets all up in her head. She thinks in black and white. She is, basically, young and acts and talks like a young person. Yeah, sometimes it’s infuriating to see her fucking her own life up, but that’s realistic, especially for a character who’s supposed to be a passionate artistic type in a band. I was able to appreciate her for who she is and have faith that she’d grow and get past her issues, but I do think that not everyone would be able to see past that and enjoy it in the same way.
The series will follow other people involved in the indie rock scene, and so we’ve already met them in this book as secondary characters. I’m excited to see what hot shenanigans they get up to and hear a new voice’s take on everything going on for the various bands.
Recommended to those who want to take a visit to the 90s through the eyes of a passionate new adult.
4 out of 5 stars
Esther of the Singing Hands is Perach’s Sweetheart, a young and beautiful musician with a Girl Next Door image. When her violin is stolen after a concert in the capital city, she doesn’t expect the queen herself to show up, intent upon solving the mystery. But Queen Shulamit — lesbian, intellectual, and mother of the six-month-old crown princess — loves to play detective. With the help of her legendary bodyguard Rivka and her dragon, and with the support of her partner Aviva the Chef, Shulamit turns her mind toward the solution — which she quickly begins to suspect involves the use of illegal magic that could threaten the safety of her citizens.
When this was submitted to me as a possible review copy for 2016, I was immediately intrigued by a queer fantasy cozy. Often LGBTQ books can land too much in the “issues” genre or the romance genre. This is a place where indie books excel. Traditional publishing can be a bit hesitant to offer up any other genre with queer people at the center, but indie books know that there is a demand for this. LGBTQ people read all genres, why shouldn’t our books represent that? After I read this book I wanted to advertise it from the rooftops for precisely that audience — LGBTQ people who just want to see themselves represented in their favorite genre of literature.
If you’ve ever wanted a cozy fantasy series where the main characters just so happen to be queer, this is the series for you. And don’t worry about reading out of order if you happen to start with this one. In traditional cozy fashion, each tale is perfectly capable of standing on its own, and you can read them in whatever order you like.
The one thing I would say for cozy readers is while most of this book is traditionally cozy (not too violent of a mystery, a lovely town you’d love to visit) the sex in it is more explicit than what is traditionally found in a cozy. Rather than fading to black we get some light (very light) sex scenes. I enjoyed these scenes but readers who don’t expect that in a cozy should be aware.
In addition to there being multiple queer characters, not to just one, (lesbian, bisexual, gender nonconforming, trans), feminism is also a natural part of the read. Women are in positions of power without giving up their femininity or other life choices, such as having a baby. Sometimes Shulamit, the queen, can verge into a bit preachy, but I felt that was acceptable since she is a queen, after all, and rulers have a tendency to be preachy.
In addition to the diverse cast with a strong female presence, this fantasy land is centered around Judaism and what I believe to be a Middle Eastern inspired area. It’s a non-medieval Europe fantasy, and we all know how hard those are to find. While I am not Jewish myself, I have close friends who are, and I know how hard it can be for them at times to feel that their culture isn’t represented in fictional universes. I think having a kingdom that is undoubtedly Jewish would be something many of them would enjoy. A fantasy world where shops need to close up by sunset on Friday, for instance.
The mystery was probably my favorite part of the book. I truly wasn’t 100% certain who’d done it throughout the book, and I thought that it was both a crime of serious nature with an important time frame for solving it without being bloody.
While I enjoyed visiting the world Glassman has imagined what I thought most while reading this was how much I wanted to help get it out to the audience whose hearts would thrill to see themselves represented in the genres they enjoy most. If you’re a queer and/or Jewish reader who wants representation in fantasy and/or cozies, you must try out this series.
4 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
This giveaway is now over. Congrats to our winner!
There were 3 entries, 1 via twitter and 2 via comments. Twitter entries were collected into the sheet first, followed by blog comments, in order. Random.org selected entry 2 as the winner, and the second entry on the sheet was dialmformara. Congrats!
Thanks to the generosity of the author, one lucky Opinions of a Wolf reader can win a copy of this ebook.
How to Enter:
- Leave a comment on this post stating what genre you would like to see more representation in of LGBTQ or other minority groups.
- Copy/paste the following and tweet it from your public twitter. Retweets do not count:
Enter to win A HARVEST OF RIPE FIGS by @ShiraGlassman, hosted by @McNeilAuthor http://buff.ly/2g09G9V #ff #cozy #giveaway #fantasy
- Repost the Instagram giveaway announcement and tag my Instagram.
- Tag three of your friends on the Instagram giveaway announcement.
Each options gets you one entry. Multiple tweets/Instagram posts do not count as multiple entries.
Who Can Enter: International
Contest Ends: December 11th at midnight
Disclaimer: The winner will have their book sent to them by the author. The blogger is not responsible for sending the book. Void where prohibited by law.