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Book Review: Love on the Menu by Mimi Deb

Image of a digital book cover. A takeaway bag and containers with a note with a heart on it sits in front of a bright pink background.

A London romcom whose meet-cute is a get your life together list accidentally dropped in a take-out bag leading to notes being passed back and forth.

Summary:
Gia thrives on risks. Ben plays it safe.

She crossed continents to chase her London dream; he works the same job in the same restaurant, night after night.

Then fate steps in. When Gia’s takeout is delivered, her embarrassing list of New Year’s resolutions accidentally makes its way to Ben’s restaurant, stuck to the bottom of a delivery backpack.

With each delivery Gia orders, Ben slips in a note of his own and eagerly awaits her reply. One by one, these notes transform their lives in unexpected ways, and an unlikely love story is written.

Review:
The only thing I can say without spoilers was I loved the meet-cute idea but ultimately disliked both halves of the pairing. The rest of this review will contain spoilers.

I didn’t know when I requested this book that Ben, the love interest, is in long-term recovery (5 years plus) from alcohol. As a sober person myself, when I realized this about the love interest, I was ecstatic to see that representation. It’s what kept me hanging on after a shaky opening that I’ll talk about in a moment. But ultimately the representation left me disappointed. Plus I wound up not liking Ben. So let’s get into it.

First, the opening chapter. Gia gets drunk at a work event and accidentally kisses her boss while dancing. How, you ask? I’m still confused by it. She was doing the Single Ladies dance, they were dancing back-to-back, and when she jumped to turn 180 degrees, her lips landed on her boss’s. I do not think this would actually be possible to do without either bonking noses or hitting teeth together.

Now I need to explain a bit about the plot to talk about what didn’t work for me. So, after this, she convinces herself she’s about to lose her job and writes the get your life together list Ben ultimately finds. When she returns to work after the holidays, she becomes convinced that her boss is out to get her, thanks partially to her work-friend, Jay’s warnings. They are both immigrants. She immigrated from India, and he from China. He explains that the boss can’t legally fire her for such a thing in Britain but she can set her up to fail by giving her too much responsibility then a warning then a firing. When she does suddenly get more responsibility at work, she becomes convinced this is what is happening. Meanwhile she keeps ordering delivery from a local Indian takeaway that reminds her of home, plus she’s getting to exchange cute notes with one of the employees, Ben, through them. He coaches youth football on the weekends and has a large and loving family. Ben becomes enamored with Gia. Eventually they get a chance to meet when she needs a caterer for a big important work event.

Gia repeatedly drinks too much throughout the book. I was ok with this at first because I thought maybe she would have an ah-hah moment and cut back (or stop entirely). But she doesn’t. She thinks maybe she should. She puts it on her list. (Heartbreakingly the list at the ends says: “Don’t Drink. Drink less. Drink responsibly.”) But then she doesn’t actually do it. She even continues binging up through her marathon run. Her mother at one point in the last chapter says to her boss that Gia drinks too much. The boss agrees. And Gia blows it off. In the last chapter! There’s nothing I can root for with a person in long-term recovery getting together with someone with an active alcohol problem that’s bad enough that their family and boss have noticed and yet they won’t acknowledge it.

There is a giant reason I don’t think Ben is right for Gia either. Essentially, when Ben was in the throes of his addiction, he made some choices that led to an immigrant getting fired from his brother’s company. Instead of standing up for the guy and taking responsibility for what happened that night, Ben let him be fired and then took his job (only to quit it a few weeks later). Everyone makes mistakes, and I’m ok with a hero being imperfect. But later – five years later – when this comes up, he says, “Why didn’t he just get another job?” and “Why do you make looking for a job sound like a marathon?” This was a very heartless thing to say. It’s even more heartless given that Ben knows that Gia is also an immigrant whose ability to stay in London is tied to her employment which she at that moment feels is precarious. Ben never actually apologizes for this. He reads Gia a letter in which he talks about how wonderful she is, but he never apologizes for how flippantly he regarded the immigrant work situation.

These two people don’t belong together, and that is what left me feeling sour at the end. I don’t see a HEA or even a HFN but the first few seconds of a train wreck.

So, while the meet-cute was adorable, and I loved seeing diversity both in race and mental health in this book, I ultimately felt that the two leads did not belong together, although with some different plot directions, they could have been. Ben could have made a real apology and done something to try to make up for his lack of compassion for immigrants. Gia could have realized she had a problem with alcohol and taken Ben up on the offer to hook her up with a sponsor. If these two conditions were met, there could have been a very cute one year later they get together with a new meet-cute epilogue. But instead the book just swept the important issues under the rug with a Beyonce song at the end.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

3 out of 5 stars

Length: 416 pages – average but on the longer side

Source: NetGalley

Buy It (Amazon or Bookshop.org)

Book Review: Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick

Image of a digital book cover. A black-and-white photo of Elvis on a train getting ready to eat.

Considered by many to be book one of the quintessential Elvis biography duology.

Summary:
Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.

This volume tracks the first twenty-four years of Elvis’ life, covering his childhood, the stunning first recordings at Sun Records (“That’s All Right,” “Mystery Train”), and the early RCA hits (“Heartbreak Hotel,” “Hound Dog,” “Don’t Be Cruel”). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.

Review:
If you know you’d be into an in-depth Elvis biography, I can tell you that this one is widely acknowledged as the best starting place for its depth of research and attempt to present a neutral viewpoint – neither one of a fan nor one of a naysayer. It’s out to find the middle-ground, and the the truth does often lie somewhere in the middle.

If you think you wouldn’t be into an Elvis biography, there’s more to this book than Elvis. It’s also the story of the American music industry in the 1950s. I learned so much about how music was made and marketed at that time, and how rock n roll changed it. It wasn’t just about the sound but about how the music was actually sold. For example, I didn’t realize how at the tie going on near-constant tour to small music venues was considered the best way to market yourself. The chapters about how Elvis’s manager, the Colonel, got him onto television and how television really started to change the music industry were fascinating. It was like an echo of TikTok in some ways. I also really enjoyed learning about Sun Records – the small, independent label that gave both Elvis and Johnny Cash their starts.

I’d previously heard a lot of the very bad things about the Colonel. It made me wonder how Elvis fell for using him as his manager to begin with. This book really brought to light the why. The Colonel may have taken a much larger percent (25%) than was usual (10%), but he also had a great business mind and really got things done. It was the Colonel who got Elvis on television and in the movies. I’d always thought the Colonel pushed Elvis into the movies but this book showed from its extensive interviews that Elvis himself was quite interested in being like James Dean. The relationship, at least at the beginning, was a lot more give and take than I’d thought. Another example is that it’s clear from the interviews that Elvis was ok with letting the Colonel be “the bad guy.” He didn’t protest or get in the way when the Colonel did something that those around him thought was squidgy. In fact, it seems like he was kind of ok with letting the Colonel be the scapegoat.

I knew from previously reading The Gospel Side of Elvis that Elvis loved gospel music and considered it his first music love. I hadn’t realized, though, how almost indifferent he felt about the music he did play. He was professional about it, but he didn’t love it the way he loved gospel. From my understanding of the book he seemed to pursue the music he thought would be the most likely to lead to success, not the one he was passionate about. It always makes me a little sad to hear of someone making a choice based on potential success than passion, although I do understand why people do that. How different things would have been if he’d pursued gospel though, huh?

This book was a little slow-going for me because I kept stopping to listen to the songs mentioned or watch the television appearances as they came up. I think that enhanced the book, and if you have the chance to read the digital book with the audio/video enhancements, I would.

Overall, this book delivers what it promises – an in-depth look at Elvis based on extensive research and interviews. But it also goes further, illuminating America’s music scene in the 1950s, and how it changed, putting us on the trajectory to the modern music scene.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

4 out of 5 stars

Length: 560 pages – chunkster

Source: Library

Buy It (Amazon or Bookshop.org)

Publication Announcement: Space Fantasy: “Legends as Told by the Laborers of the Forest Solar System Logging Corp. – An Oral History Project”

Image of a journal logo. The silhouette of a crow holds two old-fashioned skeleton keys in his beak. The moon is behind him. The name of the journal is below the crow. Crow & Cross Keys.

I am thrilled to announce the publication of my space fantasy short story in Crow & Cross Keys literary journal.

This literary journal is 100% free, so please give it a click and a perusal!

Here’s a blurb about my piece.

Oral history interview with an anonymous retired logger (Interviewee #15) for the Forest Solar System Logging Corp. Interview conducted by Tess Dalgleish on stardate 99938 on Planet Minnesota. Topic of the interview is the legend of Paul Bunyan. This version includes Babe the Big Blue Ox.

Please be sure to check out my Publications Page for my other work.

Publication Announcement: Novelette – Bloemetje: a speculative retelling of Hans Christian Andersen’s Thumbelina fairy tale

Image of a digital book cover. The silhouette of a small girl stands in a field of tulips. She's gazing up at the sky. The sky is showing a sunset in rich shades from yellow to orange. Silhouettes of hills may be seen in the distance. Above the sunset are three planets in the sky of varying sizes. The title of the book is in white cursive against the sky. There is a green border around the image.

I am thrilled to announce the publication of my new novelette Bloemetje: a speculative retelling of Hans Christian Andersen’s Thumbelina fairy tale!!!

One miniature girl leads her human and fairy people to decolonize Venus in this speculative, queer-inclusive reimagining of Thumbelina.

A Dutch company known as The Bedrijf commences colonizing Venus via the construction of a dome filled with plants that convert its natural air into something breathable by humans. Since all workers are granted permission to bear a child, a woman and her spouse join the crew. But the woman soon discovers she is plagued with infertility. When her spouse illegally brings home a tulip from the garden, they discover a miniature baby inside who they name Bloemetje – little bloom. As the baby grows in mere days into a teenager, pushing her boundaries, she illuminates the true horrors of colonization and leads them all on a journey to decolonize. 

This retelling takes the original Thumbelina’s focus on marriage and flips it on its head, granting the miniature girl a strong voice of her own and questioning her removal from the fairy world. Exploring themes of childlessness, adoption, being childfree by choice, colonization, decolonization, negative impacts of capitalism, and what LGBTQIA+ inclusive societies can look like, this novelette comes in 17 bite-sized episodes perfect for reading in the small snippets of time available to modern individuals and families.

Early readers called this “transporting” and “intriguing.” The “journey is beautiful,” and the ending is “deeply satisfying.” “A great escape read that also made me think, and it’s both quick and engrossing.”

*A portion of proceeds will be donated to the Massachusetts Center for Native American Awareness, a Native American-led 501(c)(3) nonprofit.

The ebook is available for pre-order now and will be delivered on May 18th. If you want to sneak in a little earlier, you can order the paperback or hardcover versions and get them delivered at your usual Amazon shipping speed.

If you would like to read a sneak peek of the first episode (chapter), sign up for my newsletter. I will be sending that sneak peek out on Monday, May 15th.

Pre-orders really matter for books, so please do consider pre-ordering if you know you want to purchase a copy. I also sincerely appreciate you passing the link on to anyone you know who might be interested in the book. Word of mouth is vital for indie authors.

Thank you for your support!