Something evil is haunting the small town of Tarker Mills, Maine. Every month another person is found dead, brutally ripped apart. Can they solve what is haunting their town before the terror consumes them all?
I picked this up in a used book basement because I’m generally trying to read most everything Stephen King has written, and this particular print book was beautifully illustrated. Each chapter (or month…or murder) had at least one full-color illustration, and that just spoke to me. The story itself wound up being rather ho-hum to me, but part of that may be due to the fact that I’m rather hard to shock these days.
My favorite part of the book is that it opens with a note from King stating that astute readers will notice that the full moon couldn’t possibly have fallen on all of the big holidays he has it fall on, but that he’s taken artistic license to make it do so. The passage reads like it has a wink at the end, and I like that King assertively addresses what could bother some readers or be a controversy and acknowledges that his facts are wrong, but he did it for artistic reasons. Personally, I’m not a fan of books that take artistic licenses, but if you’re going to, this is the way to do it. Acknowledge it (don’t hide from it) and move on.
This feels like an early Stephen King book. The usual small town New England stock characters are there, but they’re not fully fleshed-out. There’s even a spunky kid in a wheelchair who reminds me of an earlier version of Susannah from The Dark Tower series (the book about Susannah was first published in 2004). The stock, rather two-dimensional characters work in this book, since the storytelling approach is basically one of folklore. We don’t need to know much more about these characters than we see on the surface, and that’s fine.
Each chapter is a different month in the year, and they sort of feel like connected short stories. By the last half of the year, the reader starts to know what’s going on, and the “short stories” become even more connected.
Fans of an underdog hero will enjoy who ends up battling the werewolf plaguing the town, as will those who enjoy seeing the trope of a trusted citizen being someone who should not be trusted. (That’s as much as I can say without being too spoilery).
This all sounds rather positive, so why did I feel ho-hum about it? The tension building didn’t work for me. Nothing that happened really scared me. The character in the wheelchair feels like a less bad-ass version of Susannah, and what I would want would be Susannah. This is perhaps unfair of me to say, since Susannah came about further down the line, but I do think it points to how King’s writing improved with time (as does everyone’s). I also just found the villain to be rather expected and cliche, although I’m sure it wasn’t when the book first came out. In general, this book just doesn’t feel like it aged particularly well, especially when compared to other older King books.
Overall, if a reader is looking for a quick, beautifully illustrated folklore style retelling of a werewolf story, they will enjoy this book. Those looking for high levels of tension or gore or in-depth character development will want to give it a pass.
3 out of 5 stars
Source: Brookline Booksmith, used books basement
Hello my lovely readers! Once Upon a Time IX, the reading challenge I signed up for running between March 21st and June 21st focusing on reading books that fit into the categories of fantasy, folklore, fairy tales, or mythology is now over (it has been for 5 days, actually….), so it’s time to post my wrap-up!
I signed up for the level called “The Journey” reading at least one book in any of the categories named above, but I had a personal goal aiming for three books. I wound up reading a whopping NINE BOOKS. Particularly given that I used to think I didn’t like fantasy, I’m kind of blown away.
My completed reads for the challenge, in the order I read them:
- A Local Habitation by Seanan McGuire, 4 stars, review
- An Artificial Night by Seanan McGuire, 4 stars, review
- The Years of Rice and Salt by Kim Stanley Robinson, 4 stars, review
- Maplecroft by Cherie Priest, 4 stars, review
- Fables: Legends in Exile, Vol. 1 by Bill Willingham, 3 stars, review
- Cycle of the Werewolf by Stephen King, 3 stars,
not yet reviewed, review
- Love in the Time of Global Warming by Lia Francesca Block, 3 stars, not yet reviewed
- Everlasting: Da Eb’Bulastin by Rasheedah Prioleau, 4 stars, not yet reviewed
- Fated by S. G. Browne, 3 stars, not yet reviewed
Unfortunately, as you can tell, I fell a bit behind actually reviewing the books during the challenge. Ah well. This just means you can expect to see more fantasy reviews coming up now through July!
Have you enjoyed the influx of fantasy on my blog? Did you participate in the challenge too?
The month of June in the United States is Pride Month, celebrating LGBTQ people, culture, and history. In Boston, the culmination of Pride is this weekend, with the Pride Parade and block parties. I wanted to contribute to my local celebration with a little something on my own blog–obviously a reading list! There are a lot of good reading lists out there for LGBTQ reads, so I wanted to do something a little different. First, I wanted to feature one of the letters not featured very much — the B for bisexual. Second, I wanted to to highlight both that bisexual people are everywhere and the issue of bi invisibility (more info on that term and issue here) by featuring books that have bisexual characters but that don’t mention that in their blurbs. You’d be amazed how hard it can be to just find books with bisexual characters. It’s usually downplayed or not named. So, here is my list, in alphabetical order, with a mention as to which character is bi and whether the book ever actually uses the term “bisexual.”
- Bad Glass
by Richard E. Gropp
Genre: Fantasy, Horror, Lovecraftian
Something strange is happening in Spokane, and the US military has taken control of the city, closing it and its happenings to the press. Dean sees this as the perfect opportunity to break into photography before he graduates from college and is forced into giving up on his artistic dreams to work a regular 9 to 5 job. So he sneaks into Spokane, where he meets an intriguing young woman and her rag-tag household of survivors, and quickly starts to see the inexplicable things that are going on inside the city.
Who’s bi? Dean, the main character, is bi. He at first appears to be straight but later it is revealed he also sometimes is interested in men.
My Full Review
- The Drowning Girl
by Caitlin R. Kiernan
Genre: Fantasy, Psychological
India Morgan Phelps, Imp to her friends, is sure that there were two different Eva Canning who came into her life and changed her world. And one of them was a mermaid (or perhaps a siren?) and the other was a werewolf. But Imp’s ex-girlfriend, Abalyn, insists that no, there was only ever one Eva Canning, and she definitely wasn’t a mermaid or a werewolf. Dr. Ogilvy wants Imp to figure out for herself what actually happened. But that’s awfully hard when you have schizophrenia.
Who’s bi? Eva Canning (both iterations of her). Also, Abalyn, a transwoman who is also Imp’s girlfriend at one point. She states that she likes both men and women but currently prefers women because men in her experience tend to negatively react to her now that she has had bottom surgery.
My Full Review
- Doctor Sleep
by Stephen King
Genre: Fantasy, Thriller
Danny Torrance didn’t die in the Overlook Hotel but what happened there haunts him to this day. Not as much as the shining does though. His special mental powers that allow him to see the supernatural and read thoughts lead to him seeing some pretty nasty things, even after escaping the Overlook. He soon turns to drinking to escape the terror. But drinking solves nothing and just makes things worse. When he sees his childhood imaginary friend, Tony, in a small New Hampshire town, he turns to AA to try to turn his life around and learn to live with the shining.Abra is a middle school girl nearby in New Hampshire with a powerful shine. She sees the murder of a little boy by a band of folks calling themselves the True Knot. They travel in campers and mobile homes, seeking out those who have the shine to kill them for it and inhale it. They call it steam. They’re not human. And they’re coming after Abra. Abra calls out to the only person she knows with a shine too, the man she’s talked to before by writing on his blackboard. Dan.
Who’s bi? Rose, the main antagonist. What makes her the antagonist or the “big bad” has absolutely nothing to do with her sexuality. She’s just an antagonist who happens to be bi.
My Full Review
- Love in the Time of Global Warming
by Francesca Lia Block
Genre: Fantasy, YA
Her life by the sea in ruins, Pen has lost everything in the Earth Shaker that all but destroyed the city of Los Angeles. She sets out into the wasteland to search for her family, her journey guided by a tattered copy of Homer’s Odyssey. Soon she begins to realize her own abilities and strength as she faces false promises of safety, the cloned giants who feast on humans, and a madman who wishes her dead. On her voyage, Pen learns to tell stories that reflect her strange visions, while she and her fellow survivors navigate the dangers that lie in wait.
Who’s bi? Pen, the main character. She has a crush on one of her best female friends in the time before the disaster, and then later falls for a transman. There is one particularly beautiful scene where she talks about being afraid of telling her friends that she likes girls the way she likes boys.
My Full Review not yet posted
- The Miriam Black Series
by Chuck Wendig
Genre: Fantasy/Urban Fantasy
Miriam Black is an early 20-something drifter with bleach blonde hair and a surprising ability to hold her own in a fight. She also knows when and precisely how you’re going to die. Only if you touch her skin-on-skin though. And it’s because of this skill that Miriam became a drifter. You try dealing with seeing that every time you touch someone. But when a kind trucker gives her a lift and in her vision of his death she hears him speak her name, her entire crazy life takes an even crazier turn.
Who’s bi? Miriam, the kick-ass main character. Miriam uses no labels for herself whatsoever (she would probably hate even being called a brunette, to a certain extent), so she also refuses to label her sexuality. However, she also states she enjoys being with all genders. It’s interesting to note that the first time Miriam’s sexuality comes up is not until the third book in the series, and only because she (minor spoiler warning) breaks up with her boyfriend. A great example of how bisexual people’s sexuality can be erased when they’re in a monogamous relationship.
My Full Review of the first book in the series
Book Review: Fables, Vol. 1: Legends in Exile by Bill Willingham et al. (Series, #1) (Graphic Novel)
All the characters from the fairy tales we know actually lived in that folklore world but were forced out into exile in modern-day New York thanks to an enemy known only as The Adversary. Snow White, right-hand to the ruler of Fabletown, seeks to keep everyone in line. But that gets more difficult when her own sister, Rose Red, is murdered. A reformed Big Bad Wolf, now their sheriff, promises to help her track down his killer.
Being a long-time fan of The 10th Kingdom, a story about the characters of folklore existing in a parallel universe to our own that some modern-day Americans accidentally visit, I was intrigued by this idea of a similar story in reverse. Instead of being engaging and a fun escape, though, my experience with it is best summed-up as meh. It’s a cool idea that is saddled to a ho-hum plot and flat characters, thereby rendering it a mediocre read.
The basic idea is some unseen Adversary has driven the fairy tale folk out of their land and into exile in our own. In our land, they’ve all agreed to give everyone a clean slate to start over. So far so good. From here though things go from interesting and semi-unique to basically a noir plot we’ve all read before wrapped up in 2-dimensional fairy tale characters. Big Bad Wolf is the hard-boiled detective. Snow White is his lady assistant. A noir version of a fairy tale could have been good, but instead the flattest elements of both genres are mashed together, rather than the best of each. What you end up with is a wolf without his fangs or a hard-boiled detective without his cigarettes and womanizing ways. The grit is just removed leaving an overly-sanitized world.
I do enjoy a mystery plot but I also expect them to keep me guessing. I knew the solution long before the end, and I’m guessing most other readers would too.
The art is mostly good, although the depiction of the talking pig gave me goosebumps in a bad way. He doesn’t really fit in to the feel of the rest of the art. However, the art is colorful and easy to follow, and made reading the story go quickly.
Overall, if a reader loves fairy tales and graphic novels and likes the idea of seeing fairy tale characters in modern-day New York, they will probably enjoy this book. Readers looking for an in-depth exploration of a fairy tale character or to see them more well-rounded in a non-fairy tale setting will be disappointed. Similarly, readers looking for a tough mystery to solve will want to look elsewhere.
3 out of 5 stars
Source: I remember I bought it at a comic book store, but I don’t remember which one.
“Lizzie Borden took an axe; gave her mother forty whacks….”
Any New Englander knows the nursery rhyme based on the true crime story of Mr. and Mrs. Borden who were murdered with an axe in 1892. In spite of being tried and acquitted for the murders, their daughter (in the case of Mrs. Borden, step-daughter), was widely believed to actually be responsible for the murders. In this book, she definitely was, but maybe not for the reasons you might think.
A darkness is trying to take over Fall River, Massachusetts, and Lizzie and her ailing sister Emma are all that might stand between the town and oblivion, with Lizzie’s parents being the first casualties in the battle.
I grew up chanting the nursery rhyme about Lizzie Borden the first half of which is quoted above (this perhaps says an awful lot about New Englanders, but I digress), and I also love tales from the Lovecraft universe, which also originated in New England. When I heard about this book that mashed up the two, I put it on my wishlist. Lo and behold, my future sister-in-law, who had never even seen my wishlist, bought it for me for Christmas last year. I thought this would be the perfect read for the fantasy challenge, and although it was a bit different than what I was expecting, I still enjoyed the mix of Lovecraft and women’s history that Priest has woven and am eagerly anticipating reading the sequel.
The story is told through a combination of first person accounts from Lizzie, Emma, and Nance, diary-style entries by their neighbor doctor, letters, police and fire reports, and first person ramblings of a professor from Miskatonic University (another Lovecraft element). Some readers may be put off by the combination of first person perspectives, but I’ve always enjoyed this style, particularly when it includes things like letters and police reports. I felt that it was one of the strengths of the book, and I also particularly enjoyed getting to see both Emma’s and Lizzie’s perspectives, as well as that of Lizzie’s lover, Nance.
The Lovecraft mash-up basically is that some sort of Dark One in the deep is out to turn everyone on the seacoast either into worshippers or victims or literally turn them into monstrous ones who live in the deep. Emma and Lizzie’s parents were among the first to begin succumbing to this infection and that is why Lizzie had to kill them. Lizzie and Emma now are conducting research, trying to figure out how to prevent the Dark One from actually rising up. This is all extremely Lovecraftian, including the fact that some of these developments don’t make a ton of sense, but things just don’t make sense in the dark fantasy world of Lovecraft, so I was ok with that. Readers new to the world of Lovecraft might be a bit more frustrated by how inexplicable most things to do with the Dark Ones and the deep are, however.
I particularly enjoyed how Priest explores how societal and cultural norms of 1890s New England affects women’s lives. Emma could be a scientist now that women are being accepted into colleges, but she chooses to instead write her scientific papers under a male pseudonym because she believes she would never garner respect otherwise. Lizzie and Nance are in love and must hide it, although Lizzie often feels why should she bother when she is already disgraced after the trial. The clashes between Lizzie and Emma regarding both her affair with Nance and the fact that Lizzie believes in trying out magical and fantastical defenses against the Dark One whereas Emma believes purely in science are interesting reading. They are two very different people who are thrust together both by virtue of being siblings and by the fact that as women in the 1890s their lives are limited.
On the other hand, in spite of liking the characters of the neighbor doctor and the Miskatonic professor and enjoying the exploration of Lizzie’s and Emma’s relationship and getting to see some of Emma’s character, I couldn’t help but feel that Lizzie didn’t get a chance to be enough in this book. Lizzie Borden is such a looming large figure in local history, even on the book cover she presents as a bad-ass in a period skirt holding a bloody axe. In contrast in the book she spends a lot of time dealing with her annoying sister. Similarly, I’m not a fan of the fact that Lizzie does very little of rescuing herself in this book, which is, I believe, if the historic Lizzie really did kill her parents, what she actually did in real life. To me Lizzie has always been a woman who said fucking enough and took an axe and dealt violently and finally with her problems. Whereas in the book, she starts off off-screen that way (we don’t actually see her kill her parents) and she sort of tapers off. Much as I enjoyed seeing her messed up relationship with Emma, I couldn’t help but feel it would have ended more powerfully if she’d said fucking enough and whacked Emma through the skull for being such an insufferable bitch and in the way all the time. This was my main issue with the book.
My second, more minor, issue is that I felt the plot takes too long to build up to actual horrifying events and/or murders. The first murders, as I mentioned before, happened off-screen. The beginning of the book then is a build-up of a lot of tension with not much actual gore or murder occurring. I should mention that I was watching “The Lizzie Borden Chronicles” on tv at the same time as I was reading this book. In that show, Lizzie kills at least one person an episode. Now, some of that gets over the top, but it does get the idea of the pacing one would expect from this type of story right. More mayhem. More murder. More danger. More often.
On a positive note, the scenes between Lizzie and Nance are beautifully done, and while I was frustrated to see Lizzie turn a bit into a lovesick fool, I was very glad it was happening with Nance. Their relationship and dynamic jumped off the page and really brightened up the book for me.
The set-up at the end of the book for the sequel is well-done, although I’m uncertain how the series can proceed forward so far removed from the actual historical event, I am excited to read it and see what happens.
Overall, this Lovecraft fantastical take on the Lizzie Borden of history and what led to the murders of her parents hits just the right note for Lovecraft fans. Readers who are new to the dark fantasy world of Lovecraft may be a bit surprised by the slow burn of the horror and how much of it winds up not making much sense, but those readers who can embrace this style of dark fantasy will enjoy it. Those looking for a bad-ass Lizzie should be aware that this Lizzie only acts when absolutely necessary and then with restraint, and they should perhaps tune into the made for tv movie Lizzie Borden Took An Ax instead. Recommended to fans of Lovecraft who are interested in getting some local history woven in to the New England settings they are familiar with from the Lovecraft universe.
4 out of 5 stars
Hello my lovely readers!
I hope you enjoyed the variety of genres reviewed here in May.
The book of the month for June will be:
A Queer and Pleasant Danger: The True Story of a Nice Jewish Boy Who Joins the Church of Scientology and Leaves Twelve Years Later to Become the Lovely Lady She is Today by Kate Bornstein
First reviewed in June 2013
“I strongly recommend this book to everyone, really, but especially anyone with an interest in GLBTQ history/theory/studies or an interest in the first few decades of Scientology.”
How was my reading, reviewing, and writing this month?
May books read: 5 (2 nonfiction, 3 fantasy)
May reviews: 5
Other May posts: 1 response to current events
Most popular post in May written in May: On Josh and Anna Duggar and the Fundamentalist Christian Culture of Forgiving Molesters and Abusers
Most popular post in May written at any time: Book Review: The Time Machine by H. G. Wells (Bottom of TBR Pile Challenge)
May writing: This was a rough writing month for me. It was an incredibly busy month, including a business trip that meant I wound up working twelve days in a row. I also this month really felt the stress of planning my wedding more so than other months. So that meant a lot of evenings (when I usually write) I was too stressed out to get into the zone. I hope that this month I can handle my stress better so I can get back into the groove. I would like to finish the first draft of my current project by the end of June.
Coming up in June: I have three fantasy reads for Once Upon a Time IX to post reviews for. I also have a review of a nonfiction book I got through NetGalley to post. I also participated in the book blogger interview swap for Juneterviews over on Book Bloggers International, so be keeping an eye out for a link to that.
Happy June and happy reading!