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Book Review: Long Story Short: 100 Classic Books in 3 Panels by Lisa Brown
For English literature lovers who want to explain why they loved…or hated…a classic in one comic.
Summary:
100 pithy and skewering three-panel literary summaries, from curriculum classics like Don Quixote, Lord of the Flies, and Jane Eyre to modern favorites like Beloved, The Brief Wondrous Life of Oscar Wao, and Atonement, conveniently organized by subjects including “Love,” “Sex,” “Death,” and “Female Trouble.”
Review:
I became interested in this book because the amazing website American Indians in Children’s Literature described the comic about Little House on the Prairie but when I checked out the link I found the comic gone and a prompt about the book. In fairness, it had been more than 12 years since that article was published so I’m not too surprised Lisa Brown got a book deal in the meantime. It came in quite quickly for me from the library, and I read it in less than 30 minutes.
Rather than being organized by time period, the classics are organized by topic like “Love” and “Death.” This is also an inclusive definition of classics including ancient literature like Beowulf to modern pieces like The Fault in Our Stars. I like her illustration style. It’s colorful and engaging. You can see examples of actual panels from the book on her website. (It doesn’t include the Little House one but it does include one of my other favorites from the book – Edgar Allan Poe.)
You might think this is a way to Sparknotes your way through 100 books. This is not the case. The comics that were the funniest and most meaningful were the ones for books I had read. The ones for pieces I hadn’t fell kind of flat for me. This is actually sort of like a collection of inside jokes from one reader to another, and in order for the inside joke to make sense, you have to have read the book in question. That said, a couple of the comics for books I had read fell flat for me because I felt like they missed the point of the book. For example, I felt like the comic summary of Their Eyes Were Watching God was a very poor summary of an absolutely amazing book. So my experience of the comics was kind of all over the place.
Overall, this is an interesting collection of short comics drawn in an engaging manner. Recommended to big readers who want a couple of inside joke style chuckles. It could also make a good gift to a big reader you know.
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3 out of 5 stars
Length: 80 pages – novella
Source: Library
Buy It (Amazon or Bookshop.org)
Publication Announcement: Short Story in Crack the Spine Literary Magazine
Hello my lovely readers!
Just a quick post to let you all know that my literary short story “Closest Thing to Heaven” published today in issue 40 of Crack the Spine literary magazine.
Here’s the blurb:
Mama’s sleeping, and it’s super-hot out, so Brother says he’ll take me to the swimmin holler.
I do hope you all will check it out!
Book Review: The Last Werewolf by Glen Duncan
Summary:
Jacob Marlowe finds out he’s the last werewolf living and has just been informed by the WOCOP that they plan to kill him during the next full moon. That’s just fine with him. He’s been living for almost 200 years and is just plain tired of it. So he plans to let the WOCOP’s tails follow him and just let the death happen. The fates don’t quite see it that way, though, and nothing quite goes according to Jake’s plans.
Review:
Think of this as what would have happened if Anne Rice chose to write about werewolves instead of vampires. The Last Werewolf reads very much like Interview with a Vampire only with the characteristics of werewolves instead of vampires of course. By this I mean that the sentences and story structure are incredibly literary while addressing the highly genre topic of werewolves.
Unlike vampires, werewolves must eat a human during each full moon or they become ill. Animals are no substitute. They cannot take a bite and leave the victim alive. No, they must completely ravish the victim. This is no weak True Blood style werepanther or werewolf that can simply shift at will and avoid killing people. Jake is affected by The Hunger and must eat and kill to stay alive. The rest of the month when he’s not in wolf form he has to come to terms with his actions. The crux and root of the dilemma at the heart of the story is this:
We’re the worst thing because for us the worst thing is the best thing. And it’s only the best thing for us if it’s the worst thing for someone else. (page 197)
It’s quite the moral conundrum and is addressed eloquently in the story.
There is also of course Jake’s suicidal mentality. He wants to die, but he doesn’t want to be the one to do it. He’s completely over life. Life is boring and pointless. There are absolutely some beautifully depressing passages about the emptiness of life that both perfectly depict depression and remind me a bit of the Romantic period of poetry. Think of Lord Byron. That type of thing. Beautifully suicidal. That may bother some readers. To me, it’s often a part of great literature. This overwhelming sadness and feelings of helplessness. They’re common human emotions and lend a great force to the narrative.
Now, I was sent this for review due to how much I enjoyed American Psycho in January, so I was expecting it to be graphically violent and sexual and have the two mixed-up. It is all of those things but–dare I say it–it wasn’t quite violent enough for me. I was expecting something shocking, due to the American Psycho connection, but I can see a lot of people reading this and not being put-off by the amount of violence. Compared to your average R rated action flick, it’s really not that bad. On the other hand, a lot of people are profoundly disturbed by the violence in American Psycho. There’s absolutely nothing wrong with the level of violence in this book, and I think Duncan was probably smart in that, since it will have a wider appeal. What can I say. I was looking forward to something incredibly gross and twisted and instead got a lot of beautiful prose with the occasional murder. It was a happy surprise, absolutely. I just want to make it abundantly clear to potential readers that if you can handle an R rated horror movie, you can definitely handle the violence in this book, so don’t be turned off!
So the prose is beautiful and the topics addressed and discussed are important or at least interesting, so why am I not raving? The ending left me disappointed. It felt rather cliche and expected, and I didn’t like what became the focus in the end. There are so many other ways the ending could have gone that would have been amazing and powerful, but instead I finished this book and basically said, “AGH not this shit again.” *mini-spoiler* It includes pregnancy and babies, and ya’ll know how I feel about that. *end mini-spoiler*
Overall this is a literary take on a genre theme. It is violent and sexual, but not disturbingly so. Recommended to fans of Anne Rice.
4 out of 5 stars
Source: ARC from the publisher in exchange for my honest review