Archive
Friday Fun! (New Book Blogger/Bookstore Opportunity and Blog Tour Updates)
Hello my lovely readers!
This was honestly a very long week for me. Work has been very busy, and I had a couple of stressful personal situations come up. No worries though. All is well now. :-)
*knock on wood*
I’m glad I planned ahead and took a vacation day this week. I went for a very long walk along the Charles just taking in nature and the sounds of summer around me. Then I went home and baked muffins. By wisely taking downtime moments like this throughout the week, my stress levels weren’t quite so bad.
In any case, today I just want to let my fellow book bloggers know of a new opportunity. Little Red Reviewer and her friend Darkcargo have taken it upon themselves to start an awesome project entitled Bookstore Bookblogger Connection. This is entirely a labor of love in which they are attempting to match up book blogger reviews (currently of just scifi and fantasy) to bookstores to be add to their displays. It’s good publicity for the book bloggers, and a neat new way for bookstores to find books to recommend. See Little Red Reviewer’s announcement post here, and the official Bookstore Bookblogger Connection website here.
Finally the weekly update for the Waiting For Daybreak
Ellie Hall graciously hosted a guest post in which I explain how the tagline for the tour, “What is normal?” relates to the book.
Eva’s Sanctuary interviewed me. Among other things, you can hear many more details about my busy medical librarian job.
Eva’s Sanctuary also offered a review, stating, “This is a unique zombie tale, but well worth the read. I think you will be quite surprised.”
Last but not least, today Lily Element posted a review, suggesting it to readers, “if you want something different and enjoy zombie books.”
That’s it for this week. Happy weekends all!
Mini Movie Reviews #2
Good Hair
USA
2009
PG13
Documentary
Public Library
5 out of 5 stars
This is one documentary you need to believe the hype about. Chris Rock decided to make it after his daughter (not even five years old yet) asked him why she doesn’t have good hair. This documentary then looks at the world and culture of African-American hair. It covers everything from perms to weaves to hair shows. Chris Rock interviews famous and not famous people alike with a certain charm and intelligence that gets them to really open up. I think the scene that best demonstrates the feel of the whole movie is when Chris Rock is interviewing a white male scientist about sodium hydroxide, which is the perm that African-Americans use to straighten their hair. The scientist has just shown Chris how quickly sodium hydroxide eats through raw chicken, and Chris says, “You know black people put that on their hair.” Horrified, the scientist says, “Really?! Why would they do that?!” Chris says, “To look like white people.” Epic. Silence. The documentary is smart, because it doesn’t run around blaming white people for this whole culture among African-Americans against natural hair. It kind of blames everybody, and it does it in a witty, intelligent manner.
The Wolf Man
USA
1941
PG
Horror
Netflix
4 out of 5 stars
Another from the 100 Horror Movies To See Before You Die list I’ve been working my way through. A wayward son of a British aristocrat comes home to hopefully reestablish himself in the little town. He starts to pursue an engaged gal, but while doing so, gets bit by a wolf. Naturally, he turns into a werewolf. I think what’s the creepiest about this film is how the main character goes about pursuing the engaged girl. He starts off by watching her through a window and then hitting on her in her father’s shop in possibly the creepiest manner ever. She resists….at first. But then doesn’t. The whole film sort of feels like a judgment on both him for being a creeper and the engaged girl for being seduced by the bad boy instead of sticking with her nice, stable man. Kind of a nice change of pace from more modern films, eh? The special effects aren’t as good as some others from this same time period that I’ve watched, but they’re still fairly decent. It’s a fun change of pace if you enjoy shapeshifters. Also the “British accents” are pretty much nonexistent.
The House Of Usher
USA
1960
Not Rated
Horror
Netflix
5 out of 5 stars
When this movie started, I thought it was going to be cheesy. But I was very wrong. It turns out that this is an adaptation of a Poe story, and it is completely frightening, even with outdated special effects. Essentially, this guy wants to marry this girl, but her brother insists that the Ushers need to let the family die out. He also claims the house itself is evil. I won’t tell you what happens from there, but suffice to say the tension builds perfectly until you are on the edge of your seat for the climax. Vincent Price plays the brother and let me tell you, he is a legend for a reason. When I finished this one, I was actually nervous to go to bed. Which never happens to me.
PS There is a 2007 remake. Ignore it. Ignore it so hard.
Party Monster
USA
2003
R
Biography
Netflix
3 out of 5 stars
This is based on the true story of a murder during the 1980s ecstatic clubbing days (see what I did there?), which was written about in Disco Bloodbath
Dracula
USA
1931
Unrated
Horror
Netflix
5 out of 5 stars
This movie really doesn’t need much explanation. It’s a classic (chosen for preservation) for good reason. I have read Dracula, and I was flabbergasted at how good the adaptation was. Modern film adaptations could learn a thing or two from this production. Bela Lugosi as Dracula is still deliciously creepy, instilling chills. Two cool things to know. One, originally there was an epilogue in which the audience is told vampires are indeed real that has been forever lost so the ending does feel a bit abrupt (because it’s not actually the ending). Also, the entire movie was shot simultaneously on the same sets in Spanish (with Latin* actors).
Book Review: January First: A Child’s Descent into Madness and Her Father’s Struggle to Save Her by Michael Schofield
Edit, April 22, 2021:
In light of the recent news about the Schofield family, I have made the decision to remove my usual purchase links from this page. I am leaving the review up as it accurately reflects how I understood the memoir at the time it came out. It is not entirely clear what is going on in this family, but what is clear is that DCFS removed January and her brother from their home with their mother. Their father was no longer living with them but rather with his new wife and baby in the midwest (the baby was being born the night the children were removed). January has recently turned 18. Whether she chooses to tell her story one day or find privacy with her adulthood, I hope she finds peace.
End of Edit.
Summary:
Michael and Susan thought their daughter, January’s, high energy levels and vivid imagination were the result of her high IQ, but when she turned five her imaginary friends started to tell her to do bad things like hit her baby brother or throw herself out of windows. Soon it became apparent that her imaginary friends were actually hallucinations. What followed was a harrowing struggle to get their daughter diagnosed and treated.
Review:
It’s rare to see a memoir by a father. There are a ton of memoirs by mothers but not a lot by fathers, particularly not by fathers of daughters. Put this together with the fact that Jani (her parents’ nickname for her) has childhood-onset schizophrenia, and you have one unique book.
This is an excellently told memoir. It opens with Michael speaking about having his daughter’s diagnosis now and struggling with all the barriers toward a normal life presented not just by her illness but by the world we live in. He talks about how some people argue that it’s impossible to diagnose a child with a mental illness, let alone schizophrenia, and of course some people even suggest that Jani is possessed by demons. He gets the denial. It’s scary to see a child consumed by an illness that is completely arbitrary in choosing its victims. But he says,
Denial is not going to help Jani or any of the other mentally ill and schizophrenic children I have come to know. What they need is acceptance. What they need is for us to be telling them “your illness does not define you.” We cannot go inside their minds and “fix” them. But we can fix the world so they can live in it. (location 90)
That speaks very strongly toward the whole reason I created the Mental Illness Advocacy Reading Challenge, and I knew then that this was going to be not just a unique read, but a challenging and good one.
After the introduction, Michael tells the story in a linear fashion. He does a good job remembering how he felt in the early days. His immense pride at his daughter’s high IQ and creative mind coupled with a determination to help her succeed and be herself. It’s fascinating to see, as an outsider, how early there were warning signs that something was not quite right with Jani but that Michael and Susan (her mother) attributed to a positive cause. I think that’s typical of parents and indeed of anyone who loves someone. They were looking for the best. Believing in the best for their daughter. They may be that moderately annoying couple on the play date who just insist their daughter with inappropriate behavior is gifted, but seeing it from Michael’s perspective makes that make sense. Most people (with the exception of parents with Munchausen by Proxy Syndrome) don’t want to believe that their child is sick. So of course you exhaust every other option first.
This of course makes Jani’s move toward violent behavior at the age of five that much more heart-breaking to read. I’ve heard and read stories and documentaries of how difficult it is for parents of young adults who become schizophrenic but at least they are adults. To have this happening to your five year old is completely terrifying. How do you control a child for whom no punishments seem to work? Who is more concerned with appeasing her hallucinations than with obeying her parents?
I certainly don’t agree with all the parenting choices the Schofields made in the first five years of her life (and for the record, neither do all of the psychiatrists), but none of their choices would create schizophrenia. Being overly lenient with your kids won’t make them hallucinate and become this violent at the age of five. This is one of those occasions where you don’t always agree with the choices the memoirist made, but you’re also not right in the heat of the battle. It’s far easier to say, “oh, you should have done this,” when it’s not your child who’s being lost to a mental illness right before your eyes.
That’s the thing about this memoir. Michael is so obviously completely honest. He tells things that happened that don’t present him in the best light. He is completely forthcoming in his own shortcomings, but he reiterates over and over how much he loves his daughter and wants to keep his family together. This combination does for this memoir what a lot of memoirs don’t have: it lends a complete sense of validity to the story as a whole. Michael is so honest about the emotional struggle of it all that even though you may not like him as a person, you respect him as a father.
This level of honesty combined with his writing ability make this memoir a strong call. A call to parents of children who are other-abled (whether mentally or physically) that they are not alone. It’s also a call to the rest of us who are not one of these parents to take a moment to think how difficult it must be and go easier on the parents and the child. I know I for one might think the next time I see a kid throwing an epic tantrum, “Maybe that child has an illness” instead of “Sheesh, do a better job, parents.”
Overall, this is a well-written memoir presenting the unique perspective of a father caring for a daughter with a mental illness. It also provides one of the few accounts of childhood-onset schizophrenia. Highly recommended to parents with special needs children, as well as to anyone who enjoys memoirs and the different perspectives reading them can bring.
4 out of 5 stars
Source: Netgalley
Buy ItSee note above.
Counts For:
Book Review: Animal Rights Poetry: 25 Inspirational Animal Poems, Vol 1 by Jenny Moxham (Series, #1)
Summary:
A collection of 25 poems focusing on a variety of animal rights issues by British animal rights activist Jenny Moxham.
Review:
I picked this up because one of the blogs I follow mentioned it was on sale (for 100% off), and I figured there had to be at least one poem in there that I would find inspirational. Of course, there was.
The poems are mostly written in rhyme, a vibe that feels very similar to Mother Goose style children’s poetry. Some of them worked better than others, but it’s certainly a fine style choice. It’s easier to remember rhymes than almost any other sort of poetry.
Personally, I preferred the poems that contained solid arguments to use when debating animal rights issues. My favorite, is this one:
FOOD FOR THOUGHT
I’ve often heard it said by folk
Who relish eating meat,
“The animals were put on Earth
For human beings to eat.”Well if God made them just for us,
Explain it, if you can,
Why they arrived one hundred million
Years ahead of man(location 95)
I was less of a fan of ones addressing particular events, because I think those would be less useful in more general animal rights work. I also was surprised by how many of the poems were about Christmas. Perhaps Christmas is a meatier affair in the UK, but in a book with only 25 poems, having five about one holiday felt like a bit much.
Overall, Moxham’s talent and passion do shine through, but a more varied and longer collection would have been more enjoyable. Recommended to those with an interest in memorable phrases to use in animal rights work.
3 out of 5 stars
Source: Amazon
Book Review: The Bound Soul by Joseph Robert Lewis (Series, #3)
Summary:
The group from the first two Halcyon adventures are resting up in Marrakesh, albeit in their own separate mini-groups, when a mysterious assailant with a fiery sword shows up and manages to kill Don Lorenzo. Immediately bent upon revenge, Qhora takes Mirari and an old enemy with an interest in the famous seireiken (flaming swords) on a new airship piloted by Taziri on a chase not just to avenge the Don’s death but also to free his soul from the aetherium.
Review:
I discovered the hidden gem in the steampunk world that is Joseph Robert Lewis’s indie series The Other Earth back when he offered me the first copy in the series for review. The series consists of two trilogies and a set of companion novels. He sent me one of the trilogies for review, and I picked up the fourth book in the series (first in the second trilogy) on one of his frequent 100% off coupon code/giveaway days he has on his site (which you should definitely follow if you’re into the series and want a chance to flesh it out without buying them all at once). All of which is to say, I clearly am a fan of the series. I would certainly hope so. I can’t imagine reading a series beyond book 1 or 2 if you didn’t like it.
In any case, I’ve come to expect two things from Lewis’s writing that make me enjoy it so much: strong world-building and editing and creative stereotype-defining characters. Alas, these weren’t quite so strong in this entry. I think perhaps the book suffers from the classic third book in the trilogy problem that is seen in many many trilogies. Don’t get me wrong, I still enjoyed it. I simply found the earlier books to be better.
Part of what I enjoyed about the earlier books was the unique marriages going on, particularly Qhora and Lorenzo’s. They had just finished sorting out their differences, so killing off Enzo felt a bit like an odd choice to me. While I enjoyed the plot of the seireikens and discovering more of the East in this reimagining of the world, I wish that we hadn’t lost the unique pairing of a religious, pacifistish Caucasian man with a fiery, independent Incan woman. I know characters die, but it still took that unique aspect out of the book that I had so enjoyed. In fact, we now verged a bit too close to stereotype, what with a terrorist-style Aegyptian and a revenge-seeking Native.
Similarly, I don’t feel that Aegypt was as creatively built as the other alternate history areas of Marrakesh and Espani. Espani keeps some semblance of its Catholicism with its more conservative culture and following the “three-faced god,” but it still is creative with its vastly different climate of ice and culture that creates. In contrast, Aegypt is still a desert. It is full of undesirables and criminal culture from everywhere. People wear what appears to be the same clothing as one would expect in Egypt today, and women are still oppressed. If we’re imagining an alternate vision of Earth, why couldn’t we have a progressive Middle East? Maybe one where the women wear scarves for a practical reason (such as to keep dust out of their hair) but hold positions of power within the culture and city. That’s the sort of thing I was expecting from Lewis, so I was a bit disappointed to see such a stereotypical portrayal of the Middle East. Remember. This is an alternate history series. The whole idea is how things might be different if a few aspects of history were changed, such as weather and disease transmission. He’s not tied to reality, which leaves room for a lot more creativity than is seen in this reimagining of Egypt.
In contrast, the fantastical and scientific concepts are still strong. The idea of the seireiken–a sword made from aetherium that steals the soul of those it touches–is a great addition to the world Lewis has built. Similarly, Taziri’s new airship is yet again surprising, in spite of seeing two airships from her before. Another element of fantasy enters that I won’t reveal, because that would ruin the surprise and flair, but that I felt fit in well with the world and was a nice touch. Similarly, the fight scenes are well-written with neither too much description nor too little. Also, although more new characters are added, it never feels overwhelming or hard to keep track of them. Readers with an interest in having differently abled people represented will be pleased to know that one of these new characters is a well-written Little Person.
One other thought, I have to say that I was disappointed in this cover. Qhora does not look like a Native Incan woman to me. She struck me as Caucasian. In fact, it wasn’t until I was reading the book and realized that Turi (the eagle) only rests on Qhora’s arm that I realized this woman is supposed to be her. (Google Image Search “Incan woman” to see what I mean).
Overall then, although this book is not as impressive or thought-provoking as the first two in the series, it still tells an engaging story with lots of action. I’m hopeful that Lewis’s ability demonstrated in the first two books to see multiple possibilities for various cultures and peoples will return to its previous strength in the next books in the series.
3.5 out of 5 stars
Source: Kindle copy from author in exchange for my honest review
Previous Books in Series:
The Burning Sky
The Broken Sword
Friday Fun! (Into the Woods, Blog Tour Updates)
Hello my lovely readers!
No, I have not lost my mind. I know today is Saturday. Yesterday was just too busy to get a Friday Fun post up!
Right after work, I went to MIT where I was meeting a long-time friend (and her new significant other) for dinner followed by a local production of Stephen Sondheim’s Into the Woods. I’d seen the recorded Broadway version, but never seen it live. I was quite excited.
We had Mexican food for dinner (chips and guac ftw) then settled in for the play. The local folks did quite a good job, showing lots of enthusiasm. In particular, the women playing the Baker’s Wife and the Witch had superb singing abilities. The set design was also creative and highly functional. Most of the set changes from homes to the woods didn’t take long at all. I also, as always, enjoyed “Hello Little Girl.” Yes, I know it’s deliciously creepy, that’s the point, eh?
It was so nice to get out to see a show! I hadn’t in a long time. I also hadn’t seen my friend in forever, so it was great to catch up.
This was a quieter week in the Waiting For Daybreak
Gizmo’s Book Reviews interviewed me. Check that out to see what celebrity I’d be most distracted by if s/he walked into a restaurant I was in.
Cynthia Shepp hosted a guest post in which I talked about why I chose Boston as a setting. She also hosted a giveaway, which is now closed. Congrats to the winner!
That’s it! As I said, a quieter week, but still containing lots of variety. Both of these ladies were also an entire pleasure to work with.
In other writing/publishing news, I had a short story accepted this week! It will be out in September. Check out my publications page for more details.
Happy weekends!
Book Review: Chasing the Moon by A. Lee Martinez (Audiobook narrated by Khristine Hvam)
Summary:
Diana doesn’t have much going for her–a bad job and perpetual unwanted singledom, plus she’s been sleeping on friend’s couches since losing her apartment. So when a room in a building with a quirky landlord shows up, she grabs it instantly. Only to discover that a monster called Vom the Hungry is in her closet waiting for her to let him out, at which point he will probably eat her. In fact, the whole building is oddly connected to other dimensions full of monsters, creatures, mayhem, and madness….not to mention tentacles.
Review:
I obviously had to read this book. The cover has tentacles on it, and it’s clearly a Lovecraftverse story. These are both basically automatic must reads in Amanda-land.
The storyline is fairly straight-forward as far as the Lovecraftverse goes. There’s a place where the lines between dimensions and reality fade and threaten mere humans with madness. The monsters that Diana meets within her own apartment are fairly creative. There’s Vom the Hungry who is pretty endearing, there’s the hedgehog looking guy (whose name I can’t remember and can’t look up because: audiobook) who spawns copies of himself when he’s upset, and of course there’s the giant floating eye with tentacles who tries very hard to be prim and proper. They’re creative and funny.
The foes–the cult of the moon god–are not so creative. They’re your typical moon-loving shapeshifters, and the moon god even has three forms just like a certain other god of a religion we’re all familiar with. Compared to the creativity of the apartment and the apartment’s monsters, it just doesn’t feel like a worthy foe.
Similarly, although I liked Diana and the world she’s living in, she has basically no backstory. I have a hard time believing she’d have such an easy time mostly abandoning her friends and family from her time prior to the apartment. I can believe she’s not afraid and can handle the horrors, but it’d be nice if we got at least a toss-up to the concept of her having a family or even a mention of estrangement from them, if that’s the case. That doesn’t happen, so I was left feeling that Diana is very two-dimensional.
Given these elements, I’m sure I would have skimmed through it very quickly in print and probably missed the humor that it does contain, except that I read the audiobook. The audiobook narrated by Khristine Hvam. And she is an incredibly talented voice actor.
Every single character had their own entirely unique voice, and the voices perfectly matched the character, even an eyeless faceless omnivorous Vom the Hungry. Hvam is just….just so amazing to listen to! I kept listening more to just hear her perform than due to a true vested interest in the story. In fact, I looked up her voice actor page on Audible after just to maybe get another one of her books. She mostly narrates scifi/fantasy, unfortunately mostly YA, which we all know I don’t like. But I will be keeping my eye out for more of her adult work. She is just so amazingly talented.
So, overall then, the story itself rates 3 stars, but the narration rates 5, so my rating must average those two out. Be aware, though, that I recommend Khristine Hvam over the book, but if you are intrigued by the book and don’t mind a lack of backstory or average villains, then I recommend picking the audiobook for twice the fun.
4 out of 5 stars
Source: Audible
Book Review: Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy
Summary:
Taking a cultural and public health perspective, husband/wife writing team, Wasik and Murphy, tell the history of the rabies virus through the present.
Review:
My new library (where I work as a librarian) serves a school of public health. Working with these students has opened up a whole new world of science to me. Public health is a fascinating combination of medicine, science, culture, and communication. So when I saw this public health book on Netgalley, I knew I needed to give it a shot.
This is a completely fascinating book. Prior to reading it, my main knowledge of rabies came from that episode of Dr. Quinn Medicine Woman where her adopted son’s dog gets rabies and bites her other adopted son’s fiancee. I didn’t really understand how much of a plague it used to be, but I did know that you’re required to get your pets vaccinated for it.
I learned SO MUCH from this book! And it wasn’t a struggle to read or absorb the information either. Wasik and Murphy strike that hard to find balance in writing science for the layman. They explain complex, scientific things without so much scientific terminology as to be a struggle for the average reader but with enough so that you’ve still learned something. For instance:
With most zoonotic leaps in disease, animal contact is the spark, but urbanization is the bone-dry tinder; a newly evolved pathogen can’t spread from person to person, after all, unless people run across one another in the first place. (location 453)
There are a few passages that use more scientific terminology than that, but they only use them after explaining them. You do not have to be a scientist to be able to read, enjoy, and learn from this book.
The basic structure of the book is typical of a history book. In fact, think of it kind of as a scientific history book. It starts with the earliest accounts of rabies and moves up through time to the present. The strongest passages are: Greco-Roman history of the disease, Dark Ages history of the disease, Pasteur’s creation of a vaccination, and the modern day outbreak in Bali. These strike the perfect balance of discussing the understanding and treatment of the disease and the reflections of rabies and fear of rabies in popular culture of that time period.
For instance, in the Greco-Roman period we learn:
Pliny’s thoughts tend to involve using the animal to treat the man. His best-known cure—to “insert in the wound ashes of hairs from the tail of the dog that inflicted the bite”—lives on today in our expression “hair of the dog,” referring to a not-quite-so-dubious hangover remedy. (location 473)
Or this fascinating bit of public health history in the Pasteur section:
Pasteur’s collaborator Roux believed that Pasteur selected rabies as a subject for research as a calculated bit of stagecraft, so that his ideas about vaccination would attract maximum public interest. (location 1714)
The other sections, particularly the era after the vaccine to about the 1980s, suffer a bit from a lack of focus and direction. There’s a part where the authors try to convince us that zombies are a reflection of a latent fear of rabies. Ok? But that’s rather speculative compared to the rest of the book. There are other elements of pop culture that are nowhere near as loosely connected that they discuss, such as the actual rabies books and movies that came out in the UK when the Chunnel was put in and people were afraid that rabid animals would come over to the island nation from France. That is a tight, interesting connection. The zombie one was a bit of a stretch. I was more interested in more information on things like Old Yeller and why the authors think that even with the vaccine in the US and very little threat at the time the public still was fascinated with the idea of a rabid dog.
The book also explores other zoonotic diseases (diseases that originate in non-human animals). Although this is also technically not rabies, this connection makes a lot more sense, particularly since more started cropping up in the 20th century after rabies was beaten down by vaccination. The knowledge we have from working against rabies and promoting vaccination of it via public health initiatives could really help with things like HIV/AIDS and H1N1. This is using past public health experience to aid in future endeavors, which helps give the book a certain umph and validity for modern readers.
So, although the book struggles a bit during the early 20th century time period, the rest of it is very well put-together. It is written at the appropriate level for a popular science history book. It is easy to learn from and includes lots of fascinating tid-bits in addition to the basic rabies history and information. It also demonstrates as a kind of side-story the history of public health. I recommend it to anyone with an interest in the history of rabies, the history of vaccination, and most especially to those with an interest in public health issues.
4 out of 5 stars
Source: Netgalley
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Opinions of a Wolf 