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Book Review: The Sweet Smell of Success and Other Stories by Ernest Lehman

March 4, 2010 2 comments

Black and white image of the hood of a car.Summary:
A collection of Ernest Lehman’s noir style short fiction, including The Comedian and The Sweet Smell of Success, which was turned into a film in the 1950s.  Varying in length from flash to many pages, most of the stories address the damage caused to individuals by the overly hungry theater, movie, and television industries.  Some of the stories also look at individuals suffering from discontent in marriage.

Review:
My first entry in my reading challenge to read books I bought for university but never got around to reading.  This was assigned for my Film Noir class in conjunction with watching The Sweet Smell of Success.  I loved that class and at least enjoyed the assigned books that I read at the time.  Unfortunately, I can’t say the same for these short stories.

Lehman’s writing doesn’t just evoke the past of the 1950s, it evokes an alternate, incredibly depressing universe.  I have the feeling that was his point in writing these stories.  The entertainment industry is evil and will slowly rob you of your soul.  There’s definitely merit in that, but it can get a bit depressing and redundant to read the same theme over and over again.

I also found the dialogue jarring.  The characters do things like call other men “baby,” and I can’t help but wonder if people actually talked like that back then.  It made the stories ring a bit more fake to me than I think they should have.

Three of the stories revolve around press agent Sidney Falco and columnist J. J. Hunsecker.  While I enjoyed these short stories it felt as if someone had ripped out three chapters from a back and handed them to me out of order.  I wish Lehman had written this as a book or novella.  He clearly had an affinity for these characters, as he repeatedly came back to them to explore them, so I wonder why he never just wrote a long piece about them.

The Comedian though is where Lehman hits his stride in this style and theme.  He takes just the right amount of time to tell the story.  He subtly lets us know the background information vital to feeling something for these characters on this crucial day, and the overarching them of the story is deeper than “the entertainment industry is evil.”  Oh, it is still represented as bad, but that is not the main point of the story, which makes it stronger.  I recommend reading this short story if you can get your hands on it.

Overall, if you’re in the mood for a marathon session of dark noir, you’ll enjoy this book.  Otherwise, I’d recommend finding one of the short stories to get a taste of the 1950s version of the genre.

2.5 out of 5 stars

Source: University bookstore

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Book Review: The Andromeda Strain by Michael Crichton

February 11, 2010 1 comment

Red book coverSummary:
The US government is searching for new biological weapons by sending satellites into the edges of the atmosphere to collect bacteria strains that may exist there but not on earth.  Due to concerns of contamination on reentry, an emergency team called Wildfire is created as a contingency plan.  When a satellite crashes in the Arizona desert, grotesquely killing all but two residents of a small town, the team of scientists is put to the test in a race to protect humanity.

Review:
An up-front confession: Michael Crichton is one of my favorite authors.  I love how realistic his science is, and he writes suspense quite well.  I was therefore excited to read his first book.  Unfortunately, Andromeda Strain did not live up to these expectations.

The suspense is killed right off the bat with the narration style.  The story is told as if it is a report being written up by someone after the event.  This means that we not only know that some of humanity survives this impending doom, but that society is still held together enough to want a report.  If I’m sure that everything is going to turn out hunky dory in the end, I’m just not going to be all that concerned throughout the book.  Similarly, the characters aren’t fleshed out as well as in later books.  They are basically their careers.  Here’s the bacteriologist.  Here’s the professor.  here’s the surgeon.  They don’t come across as real, rounded people, so I completely failed to care about them at all.  This isn’t good for suspense, because if I don’t care about the characters, I’m not going to worry about them too much.

Crichton’s ability to set a scene shines through well in this book, however.  Wildfire’s underground station is vividly imagined, as is the scene at the small town in Arizona.  It was simultaneously gruesome and exciting.  Similarly, his ability to weave real science into a fake scenario is carried off flawlessly here.  The glimmers of the writing that would later appear in Jurassic Park and Prey is clear.

Speaking of the science, Andromeda Strain doesn’t age well.  An entire page is devoted to explaining binary like it’s this huge complicated thing, which it isn’t to anyone who grew up with computers.  Indeed, a lot of the book is devoted to explaining the huge computer in Wildfire’s base.  Unlike biological science, in which the basics stay the same, technology changes rapidly.  I don’t think it’s a wise choice to focus on in a scientific thriller, unless you are projecting plausible possibilities in technology in the future.  Or super awesome possible technology the government may already have.  Crichton does this really well in Prey, which is all about nanotechnology.  Science horror needs to take me into a world that is a bit more awesome than my own, not lamer.  Thankfully, Crichton figured this out in his later books.

If you’re a Michael Crichton fan, The Andromeda Strain is worth the read to see where he started.  If you’re new to him though, I’d recommend starting with some of his later books such as Jurassic Park or Prey.

2.5 out of 5 stars

Source: Bought at Violet’s Book Exchange

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Book Review: Fourth Realm Trilogy By John Twelve Hawks

October 9, 2009 6 comments

coverethetraveler_small coverthedarkriver_small coverthegoldencity_small

Summary:
John Twelve Hawks presents us with a near-future dystopia in the Fourth Realm TrilogyThe Traveler, The Dark River, and The Golden City.  In this vision of the world Earth as we know it is actually just one of six realms of parallel universes.  Travelers are the only ones who can move between these parallel universes.  Saints with visions of heaven and hell and motivating, compassionate people such as Buddha are examples of past travelers.  They seek to keep people aware of their “Light” aka soul.  An evil organization called The Brotherhood has been seeking for generations to wipe out travelers, as they believe they cause dissent.  Working against The Brotherhood are Harlequins–people raised from birth to defend travelers at all costs.  The Brotherhood thought they had succeeded and have started building a panopticon–a virtual prison in which everyone is constantly under surveillance for “their own protection.”  However, two brothers–Michael and Gabriel–are actually travelers.  Michael sides with The Brotherhood in an effort to ensnare humanity, while Gabriel teams up with Maya, a Harlequin.   The two brothers thus are pit against each other in an effort to enslave or save humanity.

Review:
The Fourth Realm Trilogy is decidedly a series with a message and an agenda.  “John Twelve Hawks” is actually a pen-name, and the publisher claims that he does try to live off the grid out of a concern about loss of freedom via invasion of privacy with new technology.  There is skepticism as to whether this is true or a marketing hype.  Regardless, whoever the author is, his main concern is definitely loss of privacy to technology, and this is abundantly evident in the trilogy.

This is a plot-driven trilogy.  It reads like an action film in the feel of The Matrix.  Further it is exciting because the world the characters live in looks exactly like our own, right down to the surveillance cameras in London.  The only difference is these parallel universes, which is a feature I enjoyed a lot.  Dystopian novels are usually either completely bound in our world or take place in an entirely different one.  This trilogy utilizes both approaches, and this kept it from feeling like an updated version of 1984.

There are many characters.  Thankfully, they are distinct enough that keeping track of them is relatively easy, but sometimes Twelve Hawks does not pay enough attention to character development.  Particularly toward the end of the trilogy, characters will suddenly make a decision or behave in a manner that comes out of nowhere and is completely out of character.  These moments are jarring and distract from the plot.

The plot itself is a good, complex one.  It takes place all over this world and journeys to every single realm.  Two plot sequences I particularly enjoyed were one in an off-the-grid commune in the south-west US and another in Japan.  Twelve Hawks must have travelled extensively, because the descriptions scream “I’ve been there. I know what it’s really like.”  There was one plot hole in The Dark River that still bothers me.  I think what probably happened is there’s an explanation for the action, but Twelve Hawks neglected to write it in.  However, the ending makes up for the plot hole as I was unable to predict it.  I absolutely love unpredictable endings that keep me page-turning right up until the end.

Another enjoyable element of the trilogy is the violence.  It is chock-full of creative deaths, and even characters who don’t die get beat up a lot–in all realms.  An example of the level of violence is a scene where three characters’ limbs are simultaneously wripped off in front of an audience.  However, most of the violence is more of the ninja type, due to the presence of the sword and martial-arts trained Harlequins.  Twelve Hawks’s strength is writing action sequences, so these are great fun to read.

A mark against the trilogy is periodic character speeches that are obviously Twelve Hawks voicing his opinion.  This a typical short-coming of dystopian novels though.  Authors with a dark vision of the future can’t seem to help proselytizing in an attempt to save it.  I don’t hold this against the novels, but other readers might find it more annoying.  There’s essentially one speech a book.

If you enjoy Quentin Tarantino movies or want a more grown-up, spiritual version of The Hunger Games, definitely give the Fourth Realm Trilogy a chance.  I doubt you’ll be disappointed.

4 out of 5 stars

Source: Bought The Traveller, borrowed The Dark River and The Golden City from the library

Buy The Traveller
Buy The Dark River
Buy The Golden City