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Book Review: Superior Women by Alice Adams (Bottom of TBR Pile Challenge)

Image of a white woman's back with a mirror off to one side.Summary:
When Californian Megan Greene runs has a steamy affair in the summer of 1943 with a Harvard student visiting the west coast for the summer, she decides to follow him back to the east coast and attend Radcliffe.  There she meets four other women, three of whom it might be more accurate to call frenemies than friends.  Their lives and destinies repeatedly intertwine throughout the tumultuous changes of mid-20th century America.

Review:
I kept my eye out for this book when it was named as a read-a-like to my 2011 5 star read The Group (review) by Mary McCarthy.  So when I saw it on a Better World Books sale list, I ordered a copy.  I can see why this was named as a read-a-like.  Both books view a historical time period through a group of women who attended a women’s college together.  What McCarthy wrote stunningly and with subtlety, though, Adams wrote in a barely above-average fashion.

The book covers 1940s to 1980s America, yet as the decades move on, less and less is said.  The 1940s are expressed clearly with exquisite detail, and I was excited to see what would happen with the 1950s and the 1960s.  But the 1950s slowed down, the 1960s were barely touched upon, the 1970s were jumped over almost entirely, and the 1980s were the final chapter of the book.  The pacing was all off.  I wanted to know these women in as much detail in the latter decades as in the first.  Instead of feeling like I knew them more and more intimately, they increasingly became strangers to me.

One thing that I think really works against the book is it is neither an ensemble nor a one character piece.  Most of the book is told about Megan, but not all of it.  We get snippets of the other characters, meaning perspectives that Megan is not privy to, but not enough to ever truly know them.  Since most of the book is about Megan, these bits away from her feel sort of like the story is robbing us of more time with the main character we are interested in.  Similarly, reading the blurb and the title, I thought this was going to be an ensemble book, which is not what we get either.  I wanted to know much more about two of the characters in particular, Peg, who comes out as a lesbian at some point in the 1960s, and Cathy, who has an affair with a priest.  These two stories are wonderfully intriguing, particularly Peg’s since her love of her life is met on a mission to register black voters in the American south, and her love interest is a Latina woman.  There is so much meat to that storyline, and yet it is barely touched upon while we instead listen to Megan hem and haw about her job, and Lavinia try to figure out how best to cheat on her husband.  The balance of telling this ensemble piece was just entirely off.

Similarly, while big issues and events of mid-20th century America were briefly touched upon, the book never really presented a truly personal look at any of them.  For instance, Megan has a friend who is bashed in a drive-by gay bashing but we never get to see Megan emotionally deal with this stark reality.  She hears about it, calls him, and moves on.  Similarly, as previously mentioned, Peg comes out as a lesbian, and we see a snippet of her depression caused by living the lie of being straight, but we never get to understand the emotions or impetus behind her bravely coming out and living in a visible, inter-racial lesbian relationship in the south.  It is disappointing because we get a taste of really encountering these historical issues, but we never actually get to.

In spite of all these problems, I still enjoyed reading the book well enough.  The plot, while frustrating, does progress forward in an interesting fashion.  The characters, although frequently two-dimensional, are bright and vivid.  I came away with the perspective I always have with historical fiction about women’s history.  That I am grateful I was born in a different time, because we women have much more opportunities available to us now.  So I appreciated my visit to that time period but it was a bit disappointing.

Overall, if you are a huge fan of historical fiction about women’s issues, this is an interesting book to add to your repertoire.  It is a good comparison to others that did it differently or better, and it is still fun to visit those time periods.  If this type of literature is not generally your cup of tea, though, I would suggest you instead read stronger competitors in that genre, such as The Group.

3.5 out of 5 stars

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Book Review: Finding Bluefield by Elan Barnehama

September 20, 2012 Leave a comment

Picture of two women together with a brown border.Summary:
It’s the 1960s, and Barbara thinks she has enough on her hands handling medical residency as a woman.  She doesn’t need the complications of dating women on top of that…or the risk to her profession of rumors that she’s a lesbian.  But when she meets local cook, Nicky, all these cautions go out the window.  Soon they’re a couple, and Nicky is determined to have a baby for them to raise together.

Review:
I read this book because my previous read from this indie publisher (Bold Strokes Books) was such a unique, well-written piece of GLBTQ lit, and I was excited to get more.  Unfortunately, the quality of this book does not come close to that of Lemon Reef.  Admittedly, Lemon Reef is by an entirely different author, but one does expect similar quality levels from the same publisher.  That was, unfortunately, not the case this time.

The plot is moderately common in lesbian fiction.  Girl meets girl. Couple wants a baby. Girl gets pregnant. Can they raise the baby and keep the relationship going.  With the added backdrop of prejudice and changing rights from the 1960s through the 1980s, it had the potential to be more unique and add an interesting twist, particularly since Nicky is supposed to be involved in the Civil Rights movement.  Unfortunately, none of this really pans out.  There are tantalizing teases of something more or something unique such as when Nicky gives a ride to a black man trying to escape from mob “justice” in the small town or when Barbara cheats on Nicky in New York City, but none of these ideas are brought to fruition.  In fact, the whole book feels more like a moderately fleshed-out plot outline for a future book.  Like, here are the key points, and I’ll flesh them out later.  Only this is the finished book.  There will be no more fleshing out of the plot.  It’s frustrating to read because just when you think something is about to happen, the idea gets dropped and you skip ahead a few years.

Similarly, the characters are never fully realized.  They are extremely two-dimensional, even the two main characters.  I actually found myself mixing Barbara and Nicky up repeatedly, which is intensely problematic.  They are two separate people, and their relationship is the focus of the novel, yet even after the entire book they are mostly unclear to me, except that Nicky has green eyes.  They simply don’t feel like real people to the reader at all, which is a problem in general but even more so when the book is trying to both be character-driven and address rights issues.

A book needs at least a compelling plot or engaging characters to be readable and both to be great.  This book has neither.  I can see potential in the plot and sentence structures for good writing, but the author needs to work on both expanding into greater plot detail as well as on improving characterization.

2 out of 5 stars

Source: Netgalley

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