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Book Review: Good Girls Don’t Die by Christina Henry

Image of a book cover. A page has a tear in the middle of it. The title of the book is in red font reading Good Girls Don't Die

Three different women find themselves living out scenarios that seem weirdly like the plots of popular books – only real people start being murdered.

Summary:
Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…

Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong…

Maggie just wants to be home with her daughter, but she’s in a dangerous situation and she doesn’t know who put her there or why. She’ll have to fight with everything she has to survive…

Three women. Three stories. Only one way out. This captivating novel will keep readers guessing until the very end.

Review:
I loved the idea for this book. Waking up and finding yourself living in the plot of your favorite type of story but then it turns all too real and sinister? Amazing! But the execution of the idea didn’t work out for me.

Each of the three women’s plots shows a real understanding of each genre they’re representing – cozy mystery, horror, and YA dystopia. There is some diversity in the book, although it doesn’t show up until the third scenario. Celia is white, and the cozy mystery town she’s in seems to be entirely other white people. Allie is white and so are the other four college students she goes to the cabin with. Maggie is Latina, and she allies herself with a Black woman. It does make sense for the cozy mystery town to be lacking in diversity, especially if Celia had commented on it. This also would have allowed for some meta commenting on lack of diversity in cozies (although that has been improving in recent years.) Allie’s story felt the most cookie-cutter to me – right down to Allie having large breasts and hating them because men like them. There is such a surge of interest right now in Black horror and Indigenous horror stories, that this would have been a wonderful opportunity to explore that genre and bring some more diversity into the overall story.

Although the cover promised twists and surprises, I wasn’t surprised once by the plot in the book. I knew exactly where it was going from the first chapter. The only thing I didn’t know was how it was going to wrap everything up and, honestly, the ending was the most disappointing part of the book to me. While I’m sure some readers will enjoy it and find it cathartic, I found it to be too simple and little heavy-handed. (Speaking of heavy-handed, while I’m totally fine with a book having a message and even characters speaking that message out loud, the same message happens multiple times in this book in a way that I found to be a bit much.)

As someone who works in addiction and recovery, I found the depiction of a character’s ex who is addicted to cocaine to be very two-dimensional and insensitive to those who struggle with addiction. It is of course very difficult to be the family member of someone who struggles with addiction. But even a passing mention of “I know not everyone who uses cocaine ends up abusing their wife” or “I wish he would get clean so his daughter could know the real him” or “drugs didn’t make him an asshole – he just was one all along” would have been nice. 

In a nutshell, this was an absolutely wonderful idea for a book with engagingly written scenes. But it fell apart for me in the overarching plot. Also, given the overall messaging of the book, it was a bit glaring that it didn’t have a more diverse set of three stories within the story. Recommended for genre readers who like the idea of seeing someone forced to live out a genre plot.

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3 out of 5 stars

Length: 320 pages – average but on the longer side

Source: Library

Buy It (Amazon or Bookshop.org)