Archive

Posts Tagged ‘lgbt’

Reminder: I Will Be Accepting Review Requests November 1st through December 31st for Review in 2015

October 25, 2014 Leave a comment

Just a quick reminder that Opinions of a Wolf will be OPEN to review requests November 1st through December 31st.  All requests accepted will be reviewed during 2015 right here on this blog.

On November 1st a post will go live with full details on how exactly the review request process will work this year.  There are two big changes for the review process this year.

  1. All requests will be submitted via a submission form. I will NOT be accepting requests via email or comments on the blog.
  2. I will only be accepting a maximum of 6 books for 2015.

I read and review review request books from indie authors only.  Indie authors are defined (by me) as self-published or backed by a small, independent publishing house.  These reviews are a two-pronged labor of love for me.  First, as an indie author myself, I know many reviewers do not accept indie books.  So I want to give you a place to send your books.  Second, as a reader, I also want to do a service to the reading community by providing only 100% honest reviews of these books.  If I say an indie book is good, they know they can trust it, since I’m not afraid of giving a negative review to an indie author.  The value of your book being reviewed here is that everyone will know the review was honest from someone who reads a lot of indie work.  Even a negative review proves that it’s not just your family and friends reviewing your work.  Please remember that I am a real person trying to do a helpful thing for the community for free and engage with me from a place with that in mind.

I would also like to note that I strongly encourage women writers and GLBTQA writers to submit to me, particularly in genres that do not normally publish works by these authors.  I was quite disappointed last year to get very few women or GLBTQA authors submitting.  Please help me get the word out that I am actively seeking works by these authors.

You may see the full list of genres I am open to reviewing here.  This list will also be on the submission form.

Remember: Don’t submit before November 1st and don’t submit in any way except using the submission form I will provide.

Good luck!

Book Review: The Drowning Girl by Caitlin R. Kiernan (Audiobook narrated by Suzy Jackson)

A woman submerged in water with her eyes closed. The image has a blue tint.Summary:
India Morgan Phelps, Imp to her friends, is sure that there were two different Eva Cannings who came into her life and changed her world.  And one of them was a mermaid (or perhaps a siren?) and the other was a werewolf.  But Imp’s ex-girlfriend, Abalyn, insists that no, there was only ever one Eva Canning, and she definitely wasn’t a mermaid or a werewolf.  Dr. Ogilvy wants Imp to figure out for herself what actually happened. But that’s awfully hard when you have schizophrenia.

Review:
I’d heard that this book was a chilling mystery featuring GLBTQ characters and mental illness.  When I discovered it on Audible with an appealing-sounding narrator, I knew what I was listening to next.  This book is an engaging mystery that also eloquently captures the experience of having a mental illness that makes you question yourself and what you know while simultaneously giving a realistic glance into the queer community.

Imp is an unreliable first person narrator, and she fully admits this from the beginning.  She calls herself a madwoman who was the daughter of a madwoman who was a daughter of a madwoman too.  Mental illness runs in her family.  She states that she will try not to lie, but it’s hard to know for sure when she’s lying.  This is due to her schizophrenia.  Imp is writing down the story of what she remembers happening in journal style on her typewriter because she is trying to figure out the mystery of what exactly happened for herself.  The reader is just along for this ride.  And it’s a haunting, terrifying ride.  Not because of what Imp remembers happening with Eva Canning but because of being inside the mind of a person suffering from such a difficult mental illness.  Experiencing what it is to not be able to trust your own memories, to not be sure what is real and is not real, is simultaneously terrifying and heart-breaking.

Imp’s schizophrenia, plus some comorbid anxiety and OCD, and how she experiences and deals with them, lead to some stunningly beautiful passages.  This is particularly well seen in one portion of the book where she is more symptomatic than usual (for reasons which are spoilers, so I will leave them out):

All our thoughts are mustard seeds. Oh many days now. Many days. Many days of mustard seeds, India Phelps, daughter of madwomen, granddaughter, who doesn’t want to say a word and ergo can’t stop talking.  Here is a sad sad tale, woebegone story of the girl who stopped for the two strangers who would not could not could not would not stop for me. She. She who is me. And I creep around the edges of my own life. Afraid to screw off the mayonnaise lid and spill the mustard seeds. (Part 2, loc 55:35)

The thing that’s great about the writing in the book is that it shows both the beauty and pain of mental illness.  Imp’s brain is simultaneously beautiful for its artistic abilities and insight and a horrible burden in the ways that her mental illness tortures her and makes it difficult for her to live a “normal” life.  This is something many people with mental illness experience but find it hard to express.  It’s why many people with mental illness struggle with drug adherence.  They like the ability to function in day-to-day society and pass as normal but they miss being who they are in their own minds.  Kiernan eloquently demonstrates this struggle and shows the beauty and pain of mental illness.

Dr. Ogilvy and the pills she prescribes are my beeswax and the ropes that hold me fast to the main mast, just as my insanity has always been my siren. (Part 1, loc 4:08:48)

There is a lot of GLBTQ representation in the book, largely because Kiernan is clearly not just writing in a token queer character.  Imp is a lesbian, and her world is the world of a real-to-life lesbian.  She is not the only lesbian surrounded by straight people.  People who are part of the queer community, in multiple different aspects, are a part of Imp’s life.  Her girlfriend for part of the book is Abalyn, who is transwoman and has slept with both men and women both before and after her transition.  She never identifies her sexuality in the book, but she states she now prefers women because the men tend to not be as interested in her now that she has had bottom surgery.  The conversation where she talks about this with Imp is so realistic that I was stunned.  I’m not sure I’ve ever seen a conversation about both transitioning and the complicated aspects of dating for trans people that was this realistic outside of a memoir.  Eva Canning is bisexual.  It’s difficult to talk about Eva Canning in-depth without spoilers, so, suffice to say, Eva is out as bisexual and she is also promiscuous.  However, her promiscuity is not presented in a biphobic way.  Bisexual people exist on the full spectrum from abstinent to monogamous to poly to promiscuous.  What makes writing a bisexual character as promiscuous biphobic is whether the promiscuity is presented as the direct result of being bi, and Kiernan definitely does not write Eva this way.  Kiernan handles all of the queer characters in a realistic way that supports their three-dimensionality, as well as prevents any GLBTQphobia.

The plot is a difficult one to follow, largely due to Imp’s schizophrenia and her attempts at figuring out exactly what happened.  The convoluted plot works to both develop Imp’s character and bring out the mystery in the first two-thirds of the book.  The final third, though, takes an odd turn.  Imp is trying to figure out what she herself believes actually happened, and it becomes clear that what she ultimately believes happened will be a mix of reality and her schizophrenic visions.  That’s not just acceptable, it’s beautiful.  However, it’s hard to follow what exactly Imp chooses to believe.  I started to lose the thread of what Imp believes happens right around the chapter where multiple long siren songs are recounted.  It doesn’t feel like Imp is slowly figuring things out for herself and has made a story that gives her some stability in her life.  Instead it feels like she is still too symptomatic to truly function.  I never expected clear answers to the mystery but I did at least expect that it would be clear what Imp herself believes happened.  The lack of this removed the gut-wrenching power found in the first two-thirds of the book.

The audiobook narration by Suzy Jackson is truly stellar.  There are parts of Imp’s journal that must truly have been exceedingly difficult to turn into audio form, but Jackson makes them easy to understand in audio form and also keeps the flow of the story going.  Her voice is perfect for Imp.  She is not infantilized nor aged beyond her years.  She sounds like the 20-something woman she is.  I’m honestly not sure the story would have the same power reading it in print.  Hearing Imp’s voice through Jackson was so incredibly moving.

Overall, this book takes the traditional mystery and changes it from something external to something internal.  The mystery of what really happened exists due to Imp’s schizophrenia, which makes it a unique read for any mystery fan.  Further, Imp’s mental illness is presented eloquently through her beautiful first-person narration, and multiple GLBTQ characters are present and written realistically.  Recommended to mystery fans looking for something different, those seeking to understand what it is like to have a mental illness, and those looking to read a powerful book featuring GLBTQ characters whose queerness is just an aspect of who they are and not the entire point of the story.

4 out of 5 stars

Source: Audible

Buy It

Counts For:
mia2014badge

Book Review: Commencement by J. Courtney Sullivan (Bottom of TBR Pile Challenge)

Blue cover with four diplomas on it.  The cover contains the title and author's name in purple.Summary:
Celia, Bree, Sally, and April wound up on the same small hall their first year at Smith College.  Celia is from a traditional Irish Catholic Massachusetts family, although she doesn’t consider herself to be Catholic.  Bree arrives at college from the south with an engagement ring on her hand.  Sally arrives full of mourning and despair over the recent loss of her mother to breast cancer, and April arrives as the only work-study student on their floor.  Paying her own way through school and with a whole slew of issues and causes to fight for.  Their friendship is traced from the first weeks at Smith through their late 20s.

Review:
I picked this book up because it was compared favorably to Mary McCarthy’s The Group (review), calling it a modern version of that story telling the tale of a group of friends from a women’s college.  It certainly revisits the concept, however, The Group was actually more progressive both in its writing and presentation of the issues.  Commencement is a fun piece of chick lit but it misses the mark in offering any real insight or commentary on the world through the eyes of four women.

What the book does well is evoking the feeling of both being in undergrad and the years immediately after graduation.  Sullivan tells the story non-linearly, having the women getting back together for a wedding a few years after college.  This lets them reminisce to early years of college and also present current life situations and hopes for the future.  After the wedding, the story moves forward to cover the next year.  The plot structure was good and kept the story moving at a good pace.  It feels homey and familiar to read a book about four women going through the early stages of adulthood.  It was hard to put down, and the storytelling and dialogue, particularly for the first half of the book, read like a fun beach read.  However, there are a few issues that prevent the book from being the intelligent women’s literature it set out to be.

First, given that the premise of the book is that four very different women become unlikely friends thanks to being on the same hall of a progressive women’s college, the group of women isn’t actually that diverse.  They are all white, three of the four are from wealthy or upper-middle-class backgrounds (only one must take out loans and work to pay for school), none are differently abled (no physical disabilities or mental illnesses), and not a single one is a happy GLBTQ person.  Given that The Group (published in 1963) managed to have an out (eventually) lesbian, a happy plus-sized woman, and a socialist, one would expect a drastic increase in diversity in a book considered to be an update on a similar idea.  Women’s colleges in the 1930s when The Group is set were extremely white and abled, but the same cannot be said for them now.  Creating a group of women so similar to each other that at least two of them periodically blur together when reading the book is a let-down to the modern reader.

The book has a real GLBTQ problem.  One of the characters has two relationships.  One is with a man and one with a woman.  She is happy in both and attracted to both.  She takes issue with being called a lesbian, since she states she definitely fantasizes about men and enjoys thinking about them as well.  Yet, in spite of the character clearly having both physical and romantic attractions to both men and women, the word bisexual is not used once in the entire book.  The character herself never ventures to think she might be bi, and no one else suggests it to her.  She struggles with “being a lesbian” and “being out as a lesbian” because she doesn’t think she is a lesbian.  The other characters either say she’s in denial in the closet due to homophobia or that she really is straight and she needs to leave her girlfriend.  It is clear reading the book that the character struggles with having the label of lesbian forced upon her when she is clearly actually bisexual.  This is why she is uncomfortable with the label.  But this huge GLBTQ issue is never properly addressed, swept under the rug under the idea that she’s “really a lesbian” and is just suffering from internalized homophobia.  The bi erasure in this book is huge and feels purposeful since the character’s bisexual feelings are routinely discussed but the option of being non-monosexual never is.  It’s disappointing in a book that is supposed to be progressive and talking about modern young women’s issues to have the opportunity to discuss the issues of being bisexual and instead have the character’s bisexuality erased.

The second half of the book makes some really odd plot choices, showing a highly abusive relationship between one of the characters and her boss.  It probably is meant to show the clash between second and third wave feminism, but it feels awkward and a bit unrealistic.  Similarly, the book ends abruptly, leaving the reader hanging and wondering what is going to happen to these characters and their friendship.  Abrupt endings are good when they are appropriate to the book and mean something, but this ending feels out of place in the book, jarring, and like a disservice to the reader.

Overall, this is a fast-paced book that is a quick, candy-like read.  However, it is held back by having the group of women in the core friendship be too similar.  Opportunities to explore diverse, interesting characters are missed and bisexual erasure is a steady presence in the book.  The ending’s abruptness and lack of closure may disappoint some readers.  Recommended to those looking for a quick beach read who won’t mind a lack of depth or abrupt ending.  For those looking for the stronger, original story of a group of friends from a women’s college, pick up The Group instead.

3 out of 5 stars

Source: PaperBackSwap

Buy It

Book Review: The Golden Torc by Julian May (Series, #2)

Image of a silver torc against a gold and black backgroundSummary:
The group of people who traveled from the future to the Pliocene past for a willful exile were split into two by the alien race, the Tanu, who, surprisingly, inhabits Earth.  Half were sent to slave labor, while the others were deemed talented at mind powers, given necklace-like torcs to enhance those powers, and sent to the capital city of Muriah.  In the first book, we followed the daring escape of the group sent into slavery.  They then discovered that the Tanu share the Earth with the Firvulag–an alien race from their home planet that has many similarities to their own.  They also organized an attack on the industrial city of Finiah.  This book at first follows the adventures of the other group, the one sent to the capital city of Muriah.  Through them we discover the inner workings of the Tanu, the intersections of humans and aliens, and the impact of the human/Firvulag attack on Finiah.  When the time for the Great Combat between the Tanu/human subjects and the Firvulag arrives, the survivors of the escaped slave group end up coming back into contact with the group of humans in Muriah. With dire consequences.

Review:
I really enjoyed the first book in this series, finding it to be a delightful mash-up of scifi and fantasy.  When I discovered my library had the next book in the series, I picked it up as quickly as possible.  This entry feels more fantastical than the first, although science definitely still factors in.  It is richer in action and intrigue and perhaps a bit less focused on character development.

This is a difficult book to sum up, since so very much happens.  It’s an action-packed chunkster, providing the reader with information and new settings without ever feeling like an info-dump.  The medieval-like flare of the Tanu and the goblin/fairie/shapeshifter qualities of the Firvulag are stronger in this entry, and it is delightful.  Creating a medieval world of aliens on ancient Earth is probably the most brilliant part of the book, followed closely by the idea of torcs enhancing the brain’s abilities.  May has created and weaved a complex, fascinating world that manages to also be easy enough to follow and understand.  The sense of the medieval-style court is strong from the clothing, buildings, and organization of society.  She doesn’t feel the need to willy-nilly invent lots of new words, which I really appreciated.

The intrigue is so complex that it is almost impossible to summarize, and yet it was easy to follow while reading it.  Surprises lurk around every corner, and May is definitely not afraid to kill her darlings, following both William Faulkner’s and Stephen King’s writing advice.  A lot happens in the book, the characters are tested, and enough change happens that I am excited there are still two more books, as opposed to wondering how the author could possibly tell more story.  In spite of the action, sometimes the book did feel overly long, with long descriptions of vegetation and scenery far away from where most of the action was taking place.

The book is full of characters but every single one of them manages to come across as a unique person, even the ones who are not on-screen long enough to be fully three-dimensional.  The cast continues to be diverse, similarly to the first book, with a variety of races, ages, and sexual preferences represented.  I was surprised by the addition of a transwoman character.  She is treated with a mix of acceptance and transphobia.  I think, certainly for the 1980s when this was published, it is overall a progressive presentation of her.  She is a doctor who is well-respected in Tanu society.  However, she also is presented as a bit crazy (not because of being trans but in addition to being trans), and it is stated by one character that she runs the fertility clinic because it is the one part of being a woman that will always be out of her grasp.  I am glad at her inclusion in the story but readers should be aware that some aspects of the writing of her and how other characters interact with her could be considered problematic or triggering.  I would be interested to hear a transperson’s analysis of her character.

Overall, this entry in the series ramps up the action and more thoroughly investigates the world of the Pliocene Exile.  Readers disappointed by the lack of information on the half of the group heading to the capital city in the first book will be pleased that their story is told in this one.  Characters are added, including a transwoman doctor, and all continue to feel completely individual and easily decipherable, in spite of the growing cast list.  The fast action pace sometimes is interrupted by lengthy descriptions of settings far away from the action, but overall the chunkster of the book moves along at a good pace and remains engaging.  Recommended to fans of fantasy who want a touch of science in their stories and who are interested in the idea of medieval aliens.

4 out of 5 stars

Source: Library

Buy It

Previous Books in Series:
The Many-Colored Land, review