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Book Review: Sun-Daughters, Sea-Daughters by Aimee Ogden
Summary:
A scifi, queer version of The Little Mermaid that wonders what happens after Ariel leaves the ocean?
In this version, Ariel is Atuale. Eric is Saareval. The sea witch is Yanja. The land folk find themselves the victim of a deadly disease that Atuale is immune to thanks to Yanja’s genetic engineering that let her switch from sea dwelling to land dwelling. She seeks out Yanja who takes her on an interplanetary trip to find help from other humanoids with more advanced technology than their own.
Coming February 23, 2021.
Review:
When I heard a queer scifi version of The Little Mermaid, I couldn’t hit the request button on NetGalley fast enough, which I point out to say, perhaps my expectations may have been a little too high.
This is a novella and so the world-building is tight not deep. In spite of this, I did feel I was able to quickly catch on to the world, but I suppose I might not feel that way if I wasn’t already a big reader of scifi. Its world isn’t that unique for scifi. Gene-edited humanoids live on various planets. There are some more fully alien species. Each planet has its own culture and problems, etc… I like that the gene-editing explains why the “sea witch” was able to move Atuale from the ocean dwelling to land dwelling. Yanja is less a sea witch and more a rogue sea scientist, which is neat.
The queer representation in this book is that Yanja was in a female body when Atuale lived in the ocean, and they were lovers. When Atuale seeks Yanja out again, Yanja is now in a male body. Saareval is male. So Atuale is bisexual and Yanja is trans. I appreciated how rapidly Atuale accepted Yanja’s new gender. There were no deadnaming issues as Yanja kept the same name throughout. I was disappointed in the representation of Atuale, though, mainly because I think one particular plot point falls into stereotypes of bisexual people. I wish a more creative approach to the plot was taken. It felt like a stereotypical and easy way through the story rather than a thoughtful one.
Personally, I struggled a bit to want to read this because I wasn’t expecting the future pandemic plot and that was just a bit too real for me right now. Perhaps other readers will find it comforting to see a pandemic being addressed in scifi, though. You know your own potential reaction the best.
I also want to offer the trigger warning that there is miscarriage in a flashback.
Overall, this novella has fun world building with a plot that looks at what happens after the happily ever after in The Little Mermaid. There is trans and bisexual representation, although the latter falls into stereotypes. Readers looking for a merger of The Little Mermaid with scifi and a scifi interplanetary approach to a pandemic are likely to enjoy this quick read.
3 out of 5 stars
Length: 112 pages – novella/short nonfiction
Source: NetGalley
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Book Review: Oryx and Crake by Margaret Atwood
Summary:
Snowman used to be Jimmy. Jimmy was a word person in a science person world. He couldn’t splice genes to make rakunks or even to make new types of plants. He could sell them to the public who lived outside of the safe Compounds though. Jimmy was with Oryx, although he had to share her with Crake. Now, Snowman must take care of the Crakers with their rainbow of colors, naturally insect-repellant skin, and complex mating rituals. Snowman is alone except for the Crakers. Everyone else died in the bloody pandemic. Or did they?
Review:
This is a companion novel to Year of the Flood (review), although Oryx and Crake was published first. Companion novel means they’re set in the same time-span in the same universe and some characters may briefly cross over, but you don’t necessarily need to read them in a particular order or even read all of them.
Atwood is one of my favorite authors, so I have no idea how to react to the fact that I didn’t like this book. I didn’t hate it, but I didn’t like it. It was a bit of a struggle to get through. As usual, Atwood sets scenes beautifully, but I felt no emotion driving the story. I believe Oryx and Crake suffers from the fact that love triangle of Oryx, Crake, and Jimmy is only hinted at throughout the book, only to be revealed in such a manner that it rings false. Jimmy seems to surf through life on a wave of ennui, until Oryx shows up and cheers him up, but how does she do it? We just don’t ever really find out, because our narrator is Snowman–the version of Jimmy who’s lost his mind. Perhaps Atwood was trying to show a culture that had reached a point where people just couldn’t be truly happy. That’s a good thing to show, but it makes for a boring narrator.
What I really wanted to know about was what made Crake do the things he did. He’s clearly either a mad-man or a genius, but we never get to find out much about him at all. I wish he had been the narrator. To see inside his mind would have been amazing. I could have even overlooked the fact that he’s not a woman.
That’s the other thing that bugged me about this book. Atwood usually writes with female main characters, but in this instance, men were the main players. That kind of pisses me off. Was she unable to imagine a woman doing something so evil? A woman being so stupid? That’s just as sexist as women never being the hero. I would have enjoyed the book so much more if Jimmy and Crake were women (heck, Oryx could have stayed a woman too. That would have been an interesting change).
When you compare this to Year of the Flood, it’s evident that what Oryx and Crake lacks is the emotions driving the bigger picture. It’s a well-imagined and creative big picture, which is what makes the book still readable. I’m sure some people would like it, but don’t come into it expecting Atwood’s more typical emotion-driven story. You won’t find it.
3 out of 5 stars
Source: PaperBackSwap
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