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Series Review: The Georgina Kincaid Series by Richelle Mead

January 9, 2014 1 comment

Introduction:
I post series reviews after completing reading an entire series of books.  It gives me a chance to reflect on and analyze the series as a whole.  These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another.  Please be aware that series reviews necessarily contain some spoilers.

Red-headed woman in front of Seattle skylineSummary:
Georgina Kincaid loves her job managing a bookstore in Seattle.  She’s not so sure about her job as Seattle’s only succubus, but she doesn’t have much choice about that one since she sold her soul to Hell back when she was mortal in ancient Greece.  After hundreds of years of being a succubus, Georgina has started to feel guilty about stealing the life energy of good-souled men.  So she’s switched to stealing the less high-quality life energy of bad-souled men.  Her demon boss, Jerome, is none too happy about this.  Things take an even more interesting turn when famous author, Seth Mortensen, moves to Seattle and chooses Georgina’s bookstore as his base of operations.  Georgina quickly finds herself falling for him.  Her first time falling for a man since WWII.  Nobody seems to like the idea of Georgina dating Seth, except for Seth, but Georgina doesn’t have much time to wonder why as supernatural life carries on.  Everything from an incubus plot to attempts at overthrowing her demonic boss (by another demon of course) to an escaped ancient supernatural power who feeds on dreams come Georgina’s way.  Georgina starts to notice that Seattle seems to be facing more than the normal level of supernatural upheaval, and she starts to wonder why.

Woman in push-up vest against red background.Review:
A tightly told, sexy, humorous series featuring an overarching plot that ties into all of the smaller plots and lends the series as a whole a greater meaning makes this urban fantasy stand out above the rest.

The series ostensibly focuses on the bad guys of the supernatural world, not something that is seen very often in urban fantasy.  Yes, Georgina is a succubus with a guilt complex, but she is still a succubus, and she still goes out and does her succubus thing.  She is not out trying to save the world.  She’s just trying to get by day by day in the role she has chosen for herself–fighting on the bad guy side of the battle.  But Mead does not let the series fall easily into clear good versus evil.  It soon becomes evident that good guys can be on the bad guy side and bad guys on the good guy side.  In most cases, one decision or the fault of birth decides where they land.  Just because someone is a vampire doesn’t mean he can’t desire to help out his friends.  Just because someone is an angel doesn’t mean they can’t make mistakes.  And the rules aren’t always fair and sometimes incomprehensible.  This gray complexity lends a lot of interesting notes to the series that otherwise wouldn’t be there, not least of Woman standing in front of electrical storm.which is the fact that the characters are able to be three-dimensional in this world Mead has created.

The characters, even the minor ones, are indeed three-dimensional.  They sometimes make stupid choices, big mistakes, and are annoying.  But they also make tough good choices, ones that aren’t easy but still happen.  They fall in genuine love.  They accidentally hurt each other but also sacrifice themselves for each other.  They worry about having a bad hair day.  They cry.  They have great sex and bad sex.  And they come to life in the reader’s mind.

The sex scenes, a key element of an urban fantasy series about a succubus, are never repetitive.  They are tantalizing and sexy, except for a few which are aiming to show that sex can be bad.  They range from the intense love making of a couple madly in love to a fun night out having sex in public at a public sex bar.  And many positions and types of sex are covered as well.  The sex scenes walk the line between barely mentioned and extremely explicit quite well.  They are fully fleshed-out sex scenes without being extremely explicit.

Read-headed pale woman standing seductively against a purplish-red backdrop. The book title and author name are over her.The overarching plot, though, is what really made me fall in love with the series.  Georgina became a succubus in exchange for her husband and all those who knew her forgetting all about her.  She cheated on her husband, and she felt so much guilt at both the act and the pain it caused that she felt this was the best solution.  At first, she goes into being a succubus with enthusiasm but over time her feelings change.  Her hurt starts to heal, and she begins to see the good side of both humanity and life.  She is in the throes of this complex situation of wanting to be good but having already signed a contract for the bad side of the fight when Seth shows up and everything starts going haywire in the supernatural world in Seattle.  Eventually, she finds out that Seth is the reincarnation of her original husband, Kiriakos.  He lived his life thinking he must have a soul mate but never meeting her, so when he died he struck a bargain to get more chances at meeting her.  He has a limited number of reincarnations (10, I believe), that will occur in the same vicinity as his soul mate.  His soul mate is Georgina, and she has met him multiple times throughout her life as as a succubus.  This reincarnation as Seth is his last chance.  From here, the story takes a hard look at what makes people soul mates, that being soul mates doesn’t mean no mistakes will be made, that love Redheaded woman in a sexy leather top standing in front of fog.and a relationship aren’t an easy cakewalk and sacrifices and compromises must be made.  It delves into the idea of redemption, and that being a good person and having a good life aren’t just something innate in you.  It’s a beautiful love story, spanning many centuries, that takes a hard look at what makes relationships work.  It also ties in nicely with the questions established earlier about good versus evil and if being good or evil is a one-time choice or something that happens over time.  I never would have guessed that I could end up feeling so positively about a love story that begins with betrayal but that’s where Mead uses the supernatural with great skill.  The story works because the betrayal is treated so seriously.  Georgina’s betrayal of her husband (and soul mate) leads them both to centuries of pain.  It is not something that can be just brushed off.  It’s a mistake she made, yes, but just because it was a mistake doesn’t mean she can just say sorry and make it all right.  On that note, Kiriakos/Seth also made mistakes when they were first together that he also has to work through.  They both learn through time that you can’t just sit back and let the marriage happen.  You have to pay attention, invest, and work at growing together.

Woman in white and wearing a cross standing in front of a foggy sky.The fun setting, tantalizing sex scenes, three-dimensional characters, and unexpected yet beautiful overarching plot about the nature of good and evil and love and redemption makes this series a stunner in urban fantasy.  Highly recommended to urban fantasy and romance fans alike, although those who are irritated at the concept of soul mates might not enjoy it as much.

4.5 out of 5 stars

Source: PaperBackSwap, library, gift, Audible

Books in Series:
Succubus Blues, review, 4 stars
Succubus On Top, review, 4 stars
Succubus Dreams, review, 5 stars
Succubus Heat, review, 4 stars
Succubus Shadows, review, 5 stars
Succubus Revealed, review, 5 stars

Book Review: The Stars My Destination by Alfred Bester

December 6, 2013 4 comments

Man and a redheaded woman standing in close proximity. The man has red marks on his face.Summary:
In the future, men have discovered the ability to jaunte–to teleport from one location to the other.  The only catch is that you can only teleport to a place you have previously been.  This means that jauntes around the world are the domain of the wealthy who can make the journey first.  In this future of teleportation and telepaths, the rich have become a hipster elite, showing off their wealth by using outmoded and and outdated methods of transportation like cars and trains.

Foyle is one of the working poor. A hand on a spaceship that has an accident, leaving him in a closet grasping to the last straws of oxygen.  Another spaceship passes him by, after clearly seeing his flare, and he vows vengeance upon them if he ever escapes alive.  Which he does.  What follows is a tangle of intrigue across time and space.

Review:
I got this in a collection of 1950s American scifi classics from Netgalley (which I will review as a whole at a future date).  I was surprised to discover that I already had this particular book on my wishlist tagged simply as a scifi classic.  So I went in with an enthusiasm that was definitely well-met.  This book is worth reading for the world-building alone, even if the main plot and point of the novel doesn’t particularly speak to you.

The world Bester built for this book is complex and unique.  Many authors would have left the future building at the jaunting alone.  These people can teleport (and some are telepaths), what more is needed?  But Bester takes it out a step further.  Giving jaunting a limitation allows him to further expand upon how the change impacts people and culture differently based upon their wealth.  On the one hand, since jaunting is only possible if you’ve physically been to the place you want to go, it becomes a bastion of the elite who can afford to travel there first.

They would memorize jaunte stages in widening circles, limited as much by income as ability; for one thing was certain: you had to actually see a place to memorize it, which meant you first had to pay for the transportation to get you there. Even 3D photographs would not do the trick. The Grand Tour had taken on a new significance for the rich. (loc 2465)

On the other hand, the wealthy will show off that they don’t need to jaunte because they can afford outmoded means of transportation like cars and trains.

As men climbed the social ladder, they displayed their position by their refusal to jaunte. (loc 2595)

Jaunting impacts the world further with the wealthy building labyrinths so that people can’t easily jaunt within their estate and home (since you can’t jaunt someplace you can’t see).  In contrast, the working poor jaunte everywhere they possibly can to save their precious time and energy.  On top of all of this, there’s space travel and space colonization, complete with slavery to mine the outer planets.  But even the working poor who aren’t officially slaves are still essentially slaves to the wealthy elite.  It’s a nightmare of a future where a few big corporations, and thus a few families, own the majority of the wealth, power, and luxury, and are unafraid to stomp on the poor to get ever more.

It makes sense that a good plot for this world would be a poor working man out to get vengeance on the corporation that left him to die in space.  But Foyle isn’t a good guy himself.  At first, none of his quest for vengeance is noble or is about anything other than himself.  Plus, Foyle is an animal of a man.  The book clearly believes that this animal state is the fault of the corrupt imbalance of power in the world.  The wealthy elite have made many of the working poor into nothing more than scrabbling animals who will take what they can get violently when they can and live based on the more baser urges.  As Foyle gradually climbs the social ladder in his espionage, he slowly learns what it is to be human and develops a conscience.  I’m not a fan of this idea that the poor are forced into an animal-like state by the elite.  Living without luxury doesn’t make a person animal-like.  A lack of moral education contributes more than anything, and that can occur at any level of wealth.  Thus, although I appreciate the fact that this vengeance plot allows for us to see the entire world from the bottom up, I’m not a fan of how Foyle’s growth and change is presented.

Some readers may be bothered by the fact that Foyle early in the book rapes someone and then later earns redemption, including from the woman he raped.  The rape is described as part of his animal state, and he has now risen above it.  When the rape occurs in the book, it is off-screen and so subtle that I honestly missed it until later in the book when someone calls Foyle a rapist.  I appreciate that Bester does not depict the actual rape, as that would have prevented my enjoyment of the book.  I don’t like the idea of rape being something only done by someone in an “animal state” or the idea that it’s something a person can ever redeem themselves from.  I don’t think that’s the case at all.  However, this is a very minor plot point in an extremely long book.  Most of my issues with it are tied into my issues with the plot overall.  I was able to just roll my eyes and tell the characters that they are wrong.  It’s not that hard to do when most of them are presented as evil or anti-heroes to begin with.  But this plot point might bother some readers more than others.

Overall, the world building is so excellent and gets so much attention from Bester that it overshadows the more average vengeance plot with iffy morals.  Readers who enjoy immersing themselves in various possible futures will revel in the uniqueness and richness of the future presented here.  Those who believe firmly in punishment for crime as opposed to redemption may not be able to get past the plot to enjoy the setting.  Recommended to scifi fans interested in a unique future setting.

4 out of 5 stars

Source: Netgalley

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Book Review: Zoo City by Lauren Beukes

March 15, 2011 1 comment

African woman with sloth on her neck.Summary:
In the near future those who’ve committed a serious wrong for which most would feel guilty are given an animal by the spiritual world.  They are known as Zoos, and the animals attempt to guide them back to the straight and narrow as well as keeping the Undertow at bay.  Separation is painful and almost impossible.  If the animal dies, the Zoo dies.  Zinzi December of Johannesburg is one of these Zoos. Her animal is a sloth, and  her magical power is finding lost things.  Normally she sticks to everyday objects such as keys in the sewer, but when a music producer approaches her via his assistants for help in finding a missing teen Afropop star, she bends the rules.  She just may come to regret that decision.

Review:
Beukes excels at world-building, setting a vivid example of how to use showing not telling to its best, fullest extent.  I was instantly swept into this fantastical version of a nation I’ve never been to, yet somehow was able to quickly decipher which elements were pure fantasy and which based on the realities of modern South Africa.  The reader comes to understand how Zoos first showed up and why they exist without even really realizing she is acquiring this information.

Similarly, the character of Zinzi was a refreshing change from the typical urban fantasy female lead.  While she is clever and fairly fit, she is neither abnormally strong not incapable of making bad decisions.  She is a three-dimensional character with both positive and negative qualities.  She is not simply the put-upon dark heroine.  Her struggles are real and current, not simply in the past.  At first it appears that Beukes is going to fall into the completely redeemed heroine trope, but instead Zinzi still has demons to face.  She must repeatedly fall and get back up, something that rings as far more real than one epic fall followed by heroine perfection.

The one draw-back is that the plot is a bit confusing.  I had to re-read the climax to fully understand exactly what had been revealed as the big secret Zinzi was discovering.  Part of that was due to a couple of elements of the plot that seemed not to mesh well with the rest of it.  Some of the important fantasy parts of the plot should have, perhaps, had a bit more explanation.  There is a lot going on in this novel and sometimes it can be a bit overwhelming for the reader who is new not only to the fantastical elements of the tale, but to the South African cultural elements as well.  Although the plot is ultimately decipherable, it is not immediately easy to follow.

Overall this is a creative, unique piece of urban fantasy that simultaneously presents a truly flawed heroine and takes the genre into a city many modern readers are not familiar with.  I recommend it to fans of urban fantasy as well as fans of African literature.

4 out of 5 stars

Source: Gift

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