Book Review: The Gilda Stories by Jewelle Gómez

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Summary:
A young Black girl escapes slavery in the 1850s United States. When she grows up, she is made into a vampire with her consent. We see her immortal life and her perspective of the US through an imagined 2050.

Review:
The author herself stated in a recent article that she wrote this because she wanted “to see a lesbian of color embark on the adventure of eternal life.” This was something that was hard to find in 1991 when it first came out, and is only a little easier to find even now. There’s more of a twist to this, though, than a Black lesbian vampire.

How vampires work in this story is perhaps the most unique take I’ve read. They usually glamor their sources of blood while they are asleep. They come into their dreams and see something they wish for and leave something behind to help. An example is one time a teenager is hoping to do well on a test, so Gilda clarifies some of his mathematics homework for him. They also don’t use their teeth to draw blood but rather make a slice with a fingernail and then heal the wound magically without a trace. Most fascinatingly, these vampires must always keep their “home earth” close to themselves, or they will lose their powers. They must take large pallets of dirt from their home and sew it into their blankets, clothes, and shoes. One complain I have is that it was unclear to me if this dirt was from where they grew up or from where they were turned. It seems sometimes it’s one and sometimes the other. They also are weakened by all water, not just holy water.

Each of the chapter is set in a different year and place in Gilda’s life. It reads almost like a series of interconnected short stories more than a novel. I was reticent to ever stop in he middle of a chapter. I felt compelled to read each in its entirety in one sitting. This blipping in and out of Gilda’s life helps give the reader a sense of the jarringness of immortality. We just get to know a human, and then they’re gone. But that’s how it is for Gilda too.

This is not an erotic book. Gilda’s maker and another vampire named Bird (who also helps make her) are a couple when we first meet them. Gilda repeatedly becomes infatuated with women, both human and vampire, throughout the book. But we only rarely see any sexual interactions. I’m including even kissing here. The book is less about the sexuality and more about the community formed by queer people, often necessarily in the shadows. The often unrequited yearning. Gilda also has a vampiric encounter with a man that some readers view as sexual. I didn’t read it that way myself. I viewed it as a purely vampiric encounter. But you might feel differently.

Gilda’s perspective as a Black woman is ever-present, as it should be. She is othered by white society even when they don’t sense her vampire nature because of her blackness. But she also finds belonging in a variety of Black communities ranging from rural activists to singing nightclubs. Gilda also later in the book is left wondering how humans can feel such atrocities as slavery are so far in the past when for her it was a blink of an eye. An artful way of getting the reader to question how much time and distance is really between us and our history.

Overall, this is a unique take on vampire lore that centers a Black lesbian. It delivers both fantastic historic fiction and Afrofuturism in the same read. An engaging read for lovers of either.

If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codesThank you for your support!

4 out of 5 stars

Length: 252 pages – average but on the shorter side

Source: Library

Buy It (Amazon or Bookshop.org)

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