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Book Review: Botanicaust by Tam Linsey (Series, #1)
Summary:
When the world is devastated by GMO plants over-running the land and destroying cropland, humanity splits into multiple factions. There’s the people who firmly believe in transforming people so that they can photosynthesize food from the sun–and have green skin. There’s the cannibals, who have returned to a hunter/gatherer way and eat humans when necessary. Unbeknownst to the green folk, there’s a holdout of Old Order Amish. They’ve changed from how they were in the past but still hold onto many of their ways. In particular, they have decided that taking green skin is the Mark of the Beast, and will not go for it.
Tula is a scientist among the green folk who is tasked with assisting cannibal children who are kidnapped and converted. Levi is an Amish who leaves the compound against orders, seeking yet another group of scientists who are supposed to live in a mountain and may have the cure to his dying son’s Cystic Fibrosis. When Levi is swept up in a green raid of cannibal land, his and Tula’s worlds collide with unimaginable consequences.
Review:
I picked this up because the cover of a green-skinned woman in a desert appealed to me, and then the description seemed like an interesting post-apocalyptic future. This is certainly and interesting and unique read for any fans of post-apocalyptic or dystopian literature.
The future is imaginative with many different groups and reactions to the botanicaust (the destruction of plant matter that is considered this world’s apocalypse). As someone who has studied the Amish, I appreciated how the author imagined how the Old Order would handle such a crisis and address it for the future. Allowing people into the compound if they are willing to convert seems logical, and showing that the Old Order did accept some technological innovation also makes sense. Similarly, the green scientists who seek to photosynthesize everyone and don’t seem to care too much if the cannibals want to be photosynthesized or not make logical sense. The scientists believe this is the solution in a world without enough food, and hey haven’t bothered to do any cross-cultural studying to see if there is any rhyme or reason or value to the cannibal lifestyle. This again is a logical position for a group of scientists to hold. The other group of scientists who live in the mountain and have managed to find the solution to not aging are a great contrast to the groups of greens. Whereas the greens do sometimes do evil but don’t intend to, they only intend to be helping (with the exception of one bad guy character), the mountain dwellers have been turned inhumane by their abnormally long lives. These three groups set up a nice contrast of pros and cons of scientific solutions and advancement. At what point do we stop being human and at what point are we being too stubborn in resisting scientific advancement? How do we maintain ethics among all of this? The exploration of these groups and these questions was my favorite part of the book.
The plot is complex and fast-paced, visiting many areas of the land and groups of people. I wasn’t particularly a fan of the romance, but I can see where others would find that it adds to the book. I just wasn’t particularly a fan of the pairing that was established, but for no reason other than it seemed a bit illogical to me. Then again, romance is not always logical.
The one thing that really bothered me in the book was the representation of Down Syndrome and the language used to refer to it and those who have it. The mountain scientists have children, but as a result of tampering with their own genetics, all of their children have Down Syndrome. First, I don’t like that this makes it appear as if Down Syndrome is a punishment to the evil scientists who went too far with science. Down Syndrome is a condition some people are born with. It is not a condition as the result of anything a parent did, such as fetal alcohol syndrome. Second, all of the characters with Down Syndrome are presented as large, bumbling oafs with hearts of gold. There is just as much variety to the personalities and abilities of those with Down Syndrome as there are in those of us without Down Syndrome. Finally, the author persists in referring to these characters as:
a Down’s Syndrome woman (loc 2794)
or of course, “a Down’s Syndrome man.” First, the preferred term for Down Syndrome is Down Syndrome, not Down’s Syndrome. This is a mistake that is easy to make, though (I have made it myself), and I am willing to give the author a pass for that. The more upsetting element in the way she refers to these characters though is that she always lists the condition first and then the person, not the other way around. It is always preferred, in any illness or condition, to list the person first and the illness or condition second. For instance, a woman with cancer, not a cancerous woman. A man with PTSD, not a PTSD man. A child with Down Syndrome, not a Down Syndrome child. I cringed every single time this happened, and it happens a lot in the section of the book that takes place in the mountain. Given that this is an indie book, and it is thus quite easy to make editing changes and fixes, I would hope that the author would go through and fix this simple aspect of language. It would be a show of good faith to the entire community of people who have Down Syndrome, as well as their families. For more on the preferred language when referring to Down Syndrome and people who have Down Syndrome, please check out this excellent guide, written by the National Down Syndrome Society.
It’s a real bummer to me that the language about Down Syndrome and presentation of these characters isn’t better, because if it was, this would have been a five star read for me.
Overall, this is an interesting and unique post-apocalyptic future with an action-packed plot. Those who are sensitive to the language used to refer to Down Syndrome and representation of people with Down Syndrome may wish to avoid it, due to an unfortunate section where characters with Down Syndrome are referred to improperly and written a bit two-dimensionally.
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4 out of 5 stars
Length: 348 pages – average but on the longer side
Source: Amazon
ETA:
The author has written a thoughtful and kind comment on this post. You may view it by going below. To sum up, she cannot make edits to those book, due to it also having an audiobook version. However, she has promised to edit for these issues in future books containing characters with Down Syndrome. This genuine and thoughtful response is much more than the community of those with Down Syndrome and their families and loved ones often get, and it is very much appreciated.
Book Review: Dark Victory by William Shatner, Judith Reeves-Stevens, and Garfield Reeves-Stevens (Series, #2) (Audiobook narrated by William Shatner)
Summary:
Our universe has been invaded by the inhabitants of the Mirror Universe–a parallel universe that is a dark, twisted version of our own. Now, Captain Kirk, with the captains and crews of The Next Generation and Voyager must battle evil versions of themselves, led by the evil version of Kirk — Tiberius Kirk. What nightmares does Tiberius have planned for the Federation?
Review:
Back in December, my fiancé and I road-tripped to Michigan to visit his family. It’s about a 13 hour drive, and I had Audible credits, so I suggested we pick out a book. We both love Star Trek so we investigated what Star Trek options are available. This one jumped out at us for the obvious reason that it’s narrated by William Shatner himself! Other reviewers complained about sound effects, but that just made us more excited, so we downloaded it, oblivious to the fact that it’s the second book in a series. This book reads like a radio program version of a Star Trek movie featuring a crazy mash-up of the Original Series, Next Generation, and Voyager.
The action starts right away, which was admittedly a bit confusing, since we hadn’t read the first book. It starts with Tiberius and his crew escaping into our own universe, and Kirk and his trying to battle them. Also, Kirk’s hands are mysteriously mangled from something that happened in the first book. Ultimately, we were able to catch up with the plot and follow it somewhat. Kirk is in love with a woman who is pregnant with his baby. Tiberius seems intent on getting to some orbs that the Federation wants to protect. Kirk wants to stop him, but the Federation and some spy branch of theirs are trying to keep him from engaging in the fight anymore. They even go so far as to lie to him and tell him that Tiberius is dead. It’s a complex, twisting plot that makes some sense when listening to it, although summarizing it is nigh on impossible. Suffice to say, that if you enjoy the concept of the mirror universe and the characters from three series all interacting together, you’ll probably enjoy this plot. Plus, there’s also Kirk’s wedding in this book, and that is just not to be missed. (There are horses! And red leather outfits!)
What really made the book for me was the audiobook presentation of it. It is presented like a radio program, complete with amazing sound effects. The communicator actually beeps! There are impact noises from shots at the Enterprise! There are even whinnies from the horses. If you’re a more serious Star Trek fan, you might be irritated by the relative kitsch of this book and its reading, but if you enjoy Star Trek for its periodic utter ridiculous, then you’ll enjoy the way this audiobook is presented.
Shatner’s narration is sometimes good but often hilariously bad. His voice for women is unnaturally high and soft, making me giggle each time, and mysteriously, he uses the same voice for Captain Picard as for women. Listening to him narrate anyone who is not Captain Kirk is a bit like watching Captain Kirk “fight” in the Original Series. I enjoyed it for its ridiculousness, not for its quality.
Overall, if you’re a Star Trek fan who doesn’t take the show too seriously, you’ll enjoy this radio program like audiobook with a plot mashing up everything from a mirror universe to somehow placing Captains Kirk, Picard, and Janeway on the same ship.
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4 out of 5 stars
Length: 303 pages – average but on the longer side
Source: Audible
Previous Books in Series:
Spectre
Book Review: The Haunting of Hill House by Shirley Jackson (Audiobook narrated by Bernadette Dunne)
Summary:
Dr. Montague is a scholar of the occult, and he invites three other people to stay with him in Hill House, which is notorious for being haunted. There’s jovial Theodora, timid Eleanor, and the future heir of the house, Luke. What starts as a light-hearted adventure quickly turns sinister in this horror classic.
Review:
I actually started reading this audiobook way back in September for the Readers Imbibing Peril challenge. It’s only 7.5 hours long, so I thought it’d be a quick read. I think the fact that it wasn’t demonstrates quite well how not drawn into the story I was. This is a classic haunted house tale that perhaps might not work for the modern reader, depending on how much horror they generally imbibe.
This is going to be a quick review because I honestly don’t have too much to say about the book. Four people arrive at a house. Things appear normal, except one of them, Eleanor, clearly is a bit more emotionally unstable than the rest. She is, for instance, shocked that anyone is interested in her or asks her questions. She also has trouble with her own identity, such as knowing for sure what she likes to eat. Odd things start to happen in the house, and because Eleanor is odd, the others aren’t sure if it’s the house doing them or Eleanor herself. Eleanor becomes overly attached to Theodora. Drama ensues.
None of the house horror scenes really got to me, because frankly I’ve seen worse in plenty of other horror I read. I do love the genre. The parts that actually disturbed me were when the others in the household were inexplicably cruel to Eleanor. That dynamic of an odd woman randomly tossed in with strangers who proceed to be mean to her in a highschoolish way held my interest more than the house did. People and their cruelty are so much more frightening than a haunted house. I understand that the book is sort of leaving it up to the reader to wonder if the house or the people really drive Eleanor crazy, but frankly I think the ending removes all question on this point.
Similarly, there are definitely some undertones in the Theodora/Eleanor relationship that indicates they might possibly have had a fling early on and then Theodora abruptly distances herself from Eleanor when she gets too clingy. None of this is said outright, however it is heavily implied that Theodora’s roommate back home is her lover who she had a quarrel with, and she and Eleanor establish a close bond early on in the book. The problem is this all stays subtext and is never brought out in the open of the book. I get it that this book was published in 1959 so it probably had to stay subtext and was most likely shocking to a reader in the 50s. But to me, a modern reader, it felt like the book kept almost getting interesting and then backing off from it. The combination of the former issue and this one meant that I was left feeling unengaged and uninterested. Basically, I feel that the book didn’t go quite far enough to be shocking, horrifying, or titillating.
The audiobook narration by Bernadette Dunne was excellent as always, and the main reason I kept listening rather than just picking up a copy of the book and speed reading it. I love listening to her voice.
Overall, this classic was boundary pushing when it was first published but it might not come across that way to a modern reader. Readers who read a lot of modern horror might find this book a bit too tame for their tastes. Those interested in the early works of the genre will still enjoy the read, as will modern readers looking for horror lite. Readers looking for the rumored LGBTQIA+ content in this book will most likely be disappointed by the subtlety of it, although those interested in early representation in literature will still find it interesting.
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3 out of 5 stars
Length: 182 pages – average but on the shorter side
Source: Audible
Book Review: Enormity by Nick Milligan
Summary:
When Australian astronaut, Jack, crashlands on a planet during a mission and is the only survivor, he fears the worst. What he finds is a planet surprisingly similar to Earth–even speaking English–only with a culture of peace and non-violence. Seeking to survive as a homeless person, he starts busking with a guitar he finds, playing Earth songs. Before he knows it, he’s discovered and becomes a rock star, introducing the planet to Earth’s greatest rock songs, while claiming to have written them himself. But rock star is an awfully high profile for someone who is technically an alien.
Review:
This was my final accepted ARC from 2014, and I think it’s a fitting review for the last day of 2014 here on Opinions of a Wolf. This was an interesting read that kept me moderately entertained, although it wasn’t the rollicking good time I was initially expecting.
The book jumps right in to Jack as already a rock star on Heaven (the alien planet) and tells of his arrival and how he became famous through a series of flashbacks. This nonlinear storytelling works well with the plot. Starting with semi-familiar rock star territory, the book slowly reveals what is different about this planet, as well as about Jack.
It is evident that this was originally a three part series, as the plot consists of three distinct parts that, while connected, keep the book from having an overarching gradual build-up of suspense. Jack has three distinct episodes of action, and that lends the book and up and down quality that feels a bit odd in one novel. I actually think I might have enjoyed the book more if it was kept as a trilogy with each part’s plot fleshed out a bit and the overarching conflict made more evident. An overarching conflict does exist, but it is so subtle that the opportunity to build suspense is mostly missed.
Personally, Jack didn’t work for me as a main character. While I don’t mind viewing the world through a bad guy’s eyes, I usually enjoy that most when I get a lot of depth and insight into who that person is. Jack holds everyone, including the reader, at arm’s length, so I both saw the world through his objectifying eyes and couldn’t really get to know him at all. That said, I can definitely see some readers enjoying Jack and his viewpoint. He lends the unique ability to let people see the world both through a rock star’s eyes and through an astronaut’s. A reader who is into both famous people’s biographies/autobiographies and scifi would probably really enjoy him.
Similarly, the humor in the book just didn’t strike my funny bone. I could recognize when it’s supposed to be humorous, but I wasn’t actually amused. I know other people would find it funny, though. Readers expecting a Douglas Adams style humor would be disappointed. Those who enjoy something like Knocked Up would most likely appreciate and enjoy the humor.
There are certain passages that sometimes struck me as a sour note among the rest of the writing. Perhaps these are passages that would be humorous to other readers, but to me just felt odd and out of place in the rest of the writing. Most of the writing at the sentence level worked for me. It was just the right tone for the story it was telling. But periodically there are passages such as the one below that made me gnash my teeth:
Natalie is a rare beauty. A creature of potent sexuality. Someone you would step over your dying mother to penetrate. (loc 8803)
I take a seat in McCarthy’s desk chair. It’s comfortable. Luxurious in the way a set of stainless steel steak knives might feel to a psychopath. It’s beautiful and firm and smells nice, but in the wrong hands this chair could be used for evil. (loc 6821)
Again, perhaps this is humor that just didn’t work for me. I’m not certain. If you like the concept of the rest of the book, there are only a few of these passages that are easy to pass over. If you enjoy them and find them humorous, then you will most likely enjoy the book as a whole as well.
Overall, this is a piece of scifi with the interesting idea of turning an Earth astronaut into a rock star on another parallel planet. Potential readers should be aware that the book was originally told in three parts, and that is evident in the book. They should also be aware that the main character is both a self-centered rock star and a self-centered astronaut, while this viewpoint may work for some, it will not work for others. Recommended to those who enjoy both celebrity autobiographies/biographies and scifi who can overlook some bizarro coincidences.
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3 out of 5 stars
Length: 470 pages – chunkster
Source: Kindle copy from author in exchange for my honest review
Book Review: The Keep by F. Paul Wilson (Series, #1) (Bottom of TBR Pile Challenge)
Summary:
Captain Klaus Woermann isn’t a fan of the Nazis or the SS and doesn’t exactly keep this a secret. But he’s also a hero from the First World War, so the Nazi regime deals with him by sending he and a small troop to Romania to guard a pass the Russians could possibly use. They set up to guard the place in a building known as the keep. It should be a quiet assignment, but when the German soldiers start being killed one a night by having their throats ripped out, the SS is sent to investigate.
SS Major Kaempffer wishes to solve this mystery as soon as possible so he may start his new promotion of running the extermination camp for Romania. He is sure he can solve this mystery quickly.
Professor Cuza and his daughter Magda are Romanian Jews who have already been pushed out of their work in academia. They also just so happen to be the only experts on the keep. When the SS sends for them, they are sure it is the beginning of the end. But what is more evil? The mysterious entity killing the Germans or the Nazis?
Review:
It’s hard not to pick up a book that basically advertises itself as a vampire killing Nazis and the only ones who can stop the vampires are a Jewish professor and his daughter. I mean, really, what an idea! Most of the book executes this idea with intrigue and finesse, although the end leaves a bit to be desired.
The characterization of the Germans is handled well. They are a good mix of morally ethical people who are caught up in a regime following orders and see no way out (the army men) and evil men who enjoy inflicting pain upon others and are taking advantage of the regime to be governmentally sanctioned bullies, rapists, and murderers. Having both present keeps the book from simply demonizing all Germans and yet recognizes the evil of Nazism and those who used it to their advantage.
Similarly, Magda and her father Professor Cuza are well-rounded. Professor Cuza is a man of his time, using his daughter’s help academically but not giving her any credit for it. He also is in chronic pain and acts like it, rather than acting like a saint. Magda is torn between loyalty to her sickly father and desires to live out her own life as she so chooses. They are people with fully developed lives prior to the rise of the Nazis, and they are presented as just people, not saints.
In contrast, the man who arrives to fight the evil entity, Glaeken, is a bit of a two-dimensional deus ex machina, although he is a sexy deus ex machina. Very little is known of him or his motivations. He comes across as doing what is needed for the plot in the moment rather than as a fully developed person. The same could easily be said of the villagers who live near the keep.
The basic conflict of the plot is whether or not to side with the supernatural power that seems to be willing to work against the Nazis. Thus, what is worse? The manmade evil of the Nazis or a supernatural evil? Can you ever use a supernatural evil for good? It’s an interesting conflict right up until the end where a reveal is made that makes everything about the question far too simple. Up until that point it is quite thought-provoking, however.
The plot smoothly places all of these diverse people in the same space. The supernatural entity is frightening, as are the Nazis. These are all well-done.
One thing that was frustrating to me as a modern woman reader was the sheer number of times Magda is almost raped or threatened with rape, and how she only escapes from rape thanks to anything but herself. In one instance, the Nazi simply runs out of time because the train is about to move out. In another, she is saved by a man. In a third, she is saved by supernatural devices. While it is true that rape is a danger in war zones, it would be nice if this was not such a frequently used conflict/plot point for this character. Once would have been sufficient to get the point across. As it is, the situation starts to lose its power as a plot point.
The ending is a combination of a deus ex machina and a plot twist that is a bit unsatisfying. There also isn’t enough resolution, and it appears that the next books in the series do not pick up again with these same characters, so it is doubtful there is more resolution down the road. It is a disappointing ending that takes a turn that is nowhere near as powerful and interesting as the rest of the book.
Overall, this is an interesting fantastical take on a historic time period. The ending could possibly be disappointing and not resolve enough for the reader and some readers will be frustrated with the depiction of the sole female character. However, it is still a unique read that is recommended to historic fiction fans and WWII buffs that don’t mind having some supernatural aspects added to their history.
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4 out of 5 stars
Length: 403 pages – average but on the longer side
Source: PaperBackSwap
Book Review: This World We Live In by Susan Beth Pfeffer (Series, #3)
Summary:
Miranda and her mother and brothers have barely survived the long winter that came right after the moon was knocked out of orbit by an asteroid, bringing an apocalypse. She’s been wondering for months what happened to her father and his pregnant new wife. She’s thrilled when they show up on the doorstep when her newborn half brother, but she’s not so sure about the three extra people they’ve brought with them — an adult man and a teenage boy and his little sister.
Review:
The third book in this series reverts back to the Miranda’s journal format of the first. While I appreciate bringing the diverse characters from the first two books in the series together, the use of Miranda’s journal exclusively in telling the story renders the tale a bit less interesting and strong than it could have been.
It should come as no surprise that a YA series featuring a girl in the first book and a boy in the second will bring the two together in the third. I must admit that although when I finished the first book I was very eager to read more about Miranda, when I finished the second I was intrigued at the idea of a series that saw the same apocalypse lived out in different places by different people throughout. That said, getting to know the extensive background of the love interest is appreciated and different but it is a bit jarring to go back to Miranda’s diary after getting to know Alex so thoroughly in the second book. The book could have been much more powerful if Miranda’s journals were interspersed with chapters from Alex’s perspective. Getting this perspective would have helped make their love seem more real, as opposed to just convenient. (Alex is the only teenage boy Miranda has seen in a year). Additionally, in spite of Miranda falling for Alex so fast, he mostly comes across as cold and overly religious in this book, whereas in his own book he was much more empathetic. Certainly the need for survival will make him come across stern, and we know that Alex has a tendency to say important things in Spanish, which Miranda cannot understand. Both of these facts means it would have worked much better to have alternating perspectives, rather than just Miranda’s.
The plot, with the exception of the instant love between Alex and Miranda, is good. It brings everyone into one place in a way that seems natural. The addition of new characters also breathes new life into Miranda’s situation. Plus, Pfeffer does a good job of forcing the family out of their stasis in the home, something that both makes logical sense (these people were not preppers, they are not equipped to stay in their home forever in the apocalypse) and also keeps the plot interesting (one can only read about people holed up in a house for so long). The plot developments also make more sense, scientifically, than in the previous books.
Religion is handled less smoothly here than in the previous two books. Everyone but Miranda’s mother and Miranda has church on Sunday (Protestant or Catholic), and Miranda doesn’t have enough of a reaction to or thoughts about this. She doesn’t really think about faith or spirituality. Church is just something some other people do. This is unrealistic. A teen who has just gone through a disaster and sees her father suddenly take up faith would definitely at the very least have some questions. Given that Alex has a very strong faith and they are interested in each other, one would think they would have some conversations about religion that go beyond whether or not they can have sex before they get married, yet they don’t. The first two books sets a great stage to talk about faith in its many forms, as well as lack of faith, yet the book backs away from actually tackling this issue. If it had, it would have offered something truly thought-provoking in the read. Instead it’s a post-apocalyptic survivor romance. Not a bad thing but not what I was expecting based on the first two books.
Overall, this is an interesting next entry in the series that brings Miranda and Alex back to the readers and moves the plot forward. However, it dances around the issue of faith vs. lack of faith brought up in the first two books, eliminates Alex’s voice from the story, and suffers from some instant romance. Those already invested in the series will still enjoy seeing what happens to Alex and Miranda, although skimming for plot points is recommended.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 261 pages – average but on the shorter side
Source: Library
Previous Books in Series:
Life As We Knew It, review
The Dead and The Gone, review










