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Book Review: The Jungle by Upton Sinclair
Summary:
In the early 1900s Jurgis and his soon-to-be family by marriage decide to immigrate to the US from Lithuania. Having heard from an old friend that Chicago’s Packingtown is where a working man can easily make his way in the world, this is where they head. Soon the family find themselves deep in the horror that is the regulated in name only meat packing plants. Dominated by a society that circulates entirely around greed and wealth for the few at the expense of the many, the family and individuals within it slowly fall apart. But is there a light at the end of the tunnel?
Review:
My high school English teacher strongly recommended to me that I read this book, claiming that I would love it, and I only just now got around to it. I’m glad that her recommendation stuck in my head, though, because this book is flat-out amazing. It may be the best piece of social justice writing I have ever come across.
Of course that wouldn’t be the case if Sinclair’s abilities to craft a piece of fiction with enthralling characters were not up to par. Fortunately, they are. Jurgis and his family are well-rounded. Scenes are set vividly, and time passes at just the right rate. I would be amiss not to mention that Sinclair suffers from some of the racism rampant during his time-period. African-Americans are presented in a very racist light, as are most Irish-Americans. It surprises me that someone so passionate about social justice could simultaneously be racist, but I suppose we are all have our faults. Fortunately the racism makes up a very small portion of the book that is relatively easy to skim over if that sort of thing in historical classics bothers you.
The primary issues Sinclair addresses in the book are: meat eating, the plight of the working class, greed, and socialism.
Although when it was first published The Jungle created an outcry for better regulation of meat production, in fact the book is strongly against the eating of animals at all.
And then again, it has been proven that meat is unnecessary as a food; and meat is obviously more difficult to produce than vegetable food, less pleasant to prepare and handle, and more likely to be unclean. (Locations 5353-5355)
This strongly vegetarian viewpoint is strengthened by a lengthy scene early in the book in which Jurgis and his family take a tour of a packing plant for the first time and witness the slaughter. The family, and indeed everyone on the tour, are distraught and emotional witnessing the taking of so many lives and hearing the pigs squeal in pain and fear. It is here that Sinclair makes a point about what impact slaughterhouses have on the humanity of the workers, for while the visitors are distraught at the scene, it is soon seen that for the workers
Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats.(Locations 536-540)
Thus it can be seen that not only is meat eating cruel, inefficient, and unhealthy, but it also dehumanizes those who must participate in the process.
Of course a much more prevalent theme in the book is the plight of the working class of which Jurgis and his family are a part. This can be a difficult book to read at times for it shows how solidly these people are trounced upon by society and greed, no matter how hard they try. First Sinclair establishes how the constant worry over money and survival affects the working class:
Such were the cruel terms upon which their life was possible, that they might never have nor expect a single instant’s respite from worry, a single instant in which they were not haunted by the thought of money. (Locations 1585-1586)
Then Sinclair demonstrates how this rough and tumble, cog in the machine existence slowly wears away the humanity of those fated to suffer from it:
She was part of the machine she tended, and every faculty that was not needed for the machine was doomed to be crushed out of existence. (Page 79)
Society, with all its powers, had declared itself his foe. And every hour his soul grew blacker, every hour he dreamed new dreams of vengeance, of defiance, of raging, frenzied hate. (Page 94)
Sinclair then shows how these dehumanized people are essentially in a prison and are slaves to the greed of others:
There is one kind of prison where the man is behind bars, and everything that he desires is outside; and there is another kind where the things are behind the bars, and the man is outside. (Page 164)
I find that all the fair and noble impulses of humanity, the dreams of poets and the agonies of martyrs, are shackled and bound in the service of organized and predatory Greed! (Page 176)
Now that Sinclair has shown through one family how the current system enslaves and dehumanizes the workers, he has a solid stage to argue against the collection of wealth in the hands of the few, in other words, to argue for socialism.
The power of concentrated wealth could never be controlled, but could only be destroyed. (Page 186)
In America every one had laughed at the mere idea of Socialism then—in America all men were free. As if political liberty made wage slavery any the more tolerable! (Page 183)
By putting faces via the characters of Jurgis and family to the plight of the workers suffering at the hands of greed and the imbalance of wealth, Sinclair sets the stage for the most eloquent argument in favor of socialism I have ever read.
This book profoundly demonstrates how fiction can work for a cause and humanize, familiarize, and bring to home the faces and reality behind the issues of the day. I highly recommend this powerful work to all.
5 out of 5 stars
Source: Amazon
Book Review: The Birth House by Ami McKay
Summary:
Dora Rare is rare indeed. She is the first female born to the Rare family Scots Bay, Canada in generations. Her dark hair and brownish skin reflecting the family’s Micmac heritage make her stick out like a sore thumb in the area. However, Scots Bay’s midwife, Miss B., has always taken a shining to Dorrie, and she trains her in the ways of midwifery. The early 1900s are a tough time for midwives and women, though. Soon the area is threatened by World War I and male obstetricians, not to mention all the obstacles rural women have always had to face from violent, drunk husbands to too many children.
Review:
This book was quite honestly painful to read, for it lays out so clearly what it is that makes being a woman difficult in society. Although some things in modern day have improved, for instance we western women have the right to birth control, in other ways things have remained painfully the same. There are still areas of the world where men have more control over women’s bodies than they do. It is often still expected for women to be pure when men are not. Women often feel that they must put up with the wrongdoings of their husband simply to keep the home and family life that they so desperately desire, and on and on.
The book itself is told as a mix of third person narrative and Dora’s journal with clippings from the various newspapers. This style suits the story well, as we are allowed to see Dora from both outside and inside her own head. The characters are fairly well-rounded, although the motivations of those who are not Dora are not always the clearest or the most sympathetic, but as most things are from her perspective, that is understandable.
Of particular interest to me, especially with my knowledge of psychology, was the portions of the book dealing with how women are often accused of being insane simply for reacting to the injustices foisted upon them. I discussed this topic at length in multiple women’s studies and feminism classes. The idea that the just rage of the trodden upon is often depicted by the rulers as insanity. This is beautifully depicted in this book for Dora, struggling against many injustices and feeling rightfully irritated and angry, is informed by a male doctor that she is suffering from hysteria–a peculiarly female ailment resulting from female organs. Her anger and fighting back is thus tagged with a name that let’s others dismiss it as an illness, rather than a just reaction. McKay eloquently depicts this entire issue without being too heavy-handed.
I was also surprised and delighted to see a portion of the story take place in Boston during the women’s suffrage movement in the United States. I’m assuming McKay must have visited my city, for she perfectly describes the North End from the buildings to the atmosphere of walking those streets. This accuracy allowed me to travel back in time to a period of injustices in my own city, not to mention the molasses flood. It was indeed a delight to read of Boston from a women’s rights perspective for once instead of always reading of the Irish mafia.
The main point of the book comes across throughout it in a gentle way. The idea that we must continue to struggle and give but not give up or the oppressors will win.
Never let someone take what’s rightfully yours. You can give all you want in life, but don’t give up. (page 337)
It is simultaneously encouraging, uplifting, and depressing to realize that women throughout time have struggled with similar issues. Yet things are gradually improving, and thus we must not give up for the sake of future generations of women.
This book beautifully depicts the history of women’s rights in the early 1900s. It is a painfully beautiful read that I recommend all women, as well as men sympathetic to the cause, read.
4 out of 5 stars
Source: PaperBackSwap
Book Review: I Kill Giants by Joe Kelly (Graphic Novel)
Summary:
Barbara is a middle school student with one intense focus–she must learn how to kill giants before it is too late. She doesn’t fit in much at school or have many friends, but she doesn’t really care, because she needs to be ready for the giant. The giant is connected to a secret at home, you see, and this secret takes over her life too much to care about all those silly things the other girls talk about.
Review:
I picked up this graphic novel because it was getting tons of buzz as being an excellent graphic novel. I also wanted to know what this big secret was in Barbara’s life. Does the graphic novel address something that isn’t discussed much in polite society but is still an issue for many middle schoolers out there? I was dying to know! Unfortunately, I found myself incredibly disappointed with this graphic novel. I can’t discuss why without spoiling what the giant is, so if you don’t want to be spoiled, skip this review.
I was expecting the giant Barbara is facing at home to be something like abuse or incest. Instead, it turns out Barbara’s mother is dying of cancer. Um. Ok. I’m sorry, a big scary giant doesn’t seem to be quite the right metaphor for a dying parent. What makes this little girl think she can fight death? I guess I just don’t get it.
Additionally, I just really didn’t like Barbara. I honestly get tired of graphic novel writers always making the main character a geek. This little girl–shocker–plays D&D. She is cruel to her classmates. She judges them. She’s even mean to the one girl who for some unearthly reason shows an interest in Barbara and what she likes to do. She, quite frankly, rubs me the wrong way, and I don’t think she’s supposed to.
Then there’s the art. I also didn’t like that, especially how he drew Barbara. Why does she have bunny ears? What’s up with that? The drawing style never feels artistic. Not once did I find myself sucked into the pictures to get further into Barbara’s world. They felt more like badly-done newspaper comic strips than a graphic novel.
Overall, I’m disappointed that I even bothered with this book. It’s one of those few instances when if I’d known the spoiler ahead of time, I’d have saved myself some time. I can’t even imagine handing this over to a middle schooler dealing with a terminally ill relative, because I don’t think it particularly presents healthy coping mechanisms or solutions to unhealthy ones. Why this book is so popular remains a mystery to me.
2 out of 5 stars
Source: Amazon
Book Review: His Father’s Son by Bentley Little
Summary:
Steven’s life in California is so typical it borders on boring. He writes for AlumniMedia. He’s engaged to a librarian named Sherry. He goes out for happy hour every Friday night with his three buddies. Then one day his mother calls him and informs him his father tried to kill her. His father has had strokes and dementia, but in a moment of absolute clarity in the VA hospital, his father whispers to Steven, “I killed her.” Thus begins Steven’s tailspin into a world of darkness and ever-changing morality.
Review:
I believe this book succeeds in serving its purpose–it’s a page-turner with chills. If someone asked me for a simple thriller for the beach, I’d have no qualms handing this over. I cannot rid myself of the vibe though that the idea of this book could have led to a thriller of excellent quality instead of beach read quality, and that is a bit disappointing.
The set-up is excellent. Here we have an ordinary guy with some issues with his parents, but he still tries to live up to his family obligations. Then his father has an episode that makes mortality something Steve is no longer able to ignore. Steve then starts this quest that could easily be read as a metaphor for adults dealing with the increased fragility of their parents. However, about two-thirds of the way through, the plot takes an unexpected twist that then essentially nose-dives off a cliff into a scenario that is jarring and rather insulting to the reader. The book is not at all about what it at first appeared to be, and honestly, the original concept was much more intriguing than the final answer. The resolution is cliche, whereas the original set-up was not.
Other than the plot, Little sets scenes fairly well. It is easy to envision both the simpler scenes as well as the more complex scenes of violence. His writing style is not particularly memorable though. I didn’t once feel the need to write down a quote or dog-ear a page.
One of the more interesting elements of the book is that Steven is a writer, and his short stories pepper the book to give you an idea of his mental state at the time. I honestly enjoyed the short stories more than the actual book itself. I could easily see myself reading a collection of Little short stories in the future.
Overall, this is an enjoyable, if forgettable, thriller ideally suited to summer beach reading. I recommend it to fans of thrillers looking for an easy read.
3.5 out of 5 stars
Source: PaperBackSwap
Book Review: The Vampire Lestat by Anne Rice (Series, #2)
Summary:
Lestat, the maker of Louis and Claudia, takes center stage here to tell his own origin story, as well as explain why he has chosen to come out as a vampire rock star in the 1980s. Starting with his beginnings as a rural member of the ruling class prior to the French Revolution, we discover the origins of the Vampire Theater, as well as the origins of vampires themselves.
Review:
The Vampire Lestat is an excellent example of an incredibly well-executed character study. Although we learn things about vampires and their origins, the real crux of the story is who Lestat is. Why he acts the way he acts. How his innate personality affects his life and the lives of those around him. We see how over the course of time he may adapt to new ages and customs, but he is still Lestat. What makes him who he is does not change in spite of all his experiences. This doesn’t mean he doesn’t learn anything, but instead it simply means he is who he is. It is a remarkable example of how people are simply who they are.
Lestat is much more sympathetic a character than Louis. Whereas Louis mostly sits around pouting about what happens to him, Lestat is a fighter.
I never despair! Others do that, not me. I go on fighting no matter what happens. Always. (page 199)
He’s more than a fighter though; he’s also desperate for love. He did not choose to become a vampire. It happened to him, and now he is conflicted as to how to find love when he is essentially a monster.
You sense…my bitterness that I’m evil, that I don’t deserve to be loved and yet I need love hungrily. (page 355)
What truly makes Lestat Lestat though is his impulsivity. Lestat just does things because they feel like something he absolutely must do. He does not concern himself with consequences; he simply acts. This makes those vampires who love him simultaneously frustrated and amazed. They love him for his lack of restraint, but they also worry for him and themselves.
Beyond the great example of studying a character at length, though, Rice’s writing is simply beautiful to read. There as an elegance and a flow to it that pairs up perfectly with the story of a centuries old rock star vampire. I actually read about three pages aloud on skype to a friend simply to revel in how beautiful the language is. For example:
Laughter. That insane music. That din, that dissonance, that never ending shrill articulation of the meaninglessness. (page 358)
This is the type of writing that is a pleasure to read. It feels like treating yourself to a glass of fine wine for your brain. I highly recommend it to all. You do not have to be a fan of vampires to appreciate the language and rich character study it contains.
5 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Interview with the Vampire, review
Book Review: Rage by Jackie Morse Kessler (Series, #2)
Summary:
Melissa Miller is your typical 16 year old–mom, dad, annoying sister, a jerk of an ex-boyfriend–with one small difference. She deals with her emotions by cutting herself. She keeps a razor in a locked box in her closet and pulls it out when she gets overwhelmed. One night she accidentally cuts too deep, and Death shows up with an option. Either die now or become one of the Horsemen of the Apocalypse–War. Missy chooses the latter option, and as she gets to know the other Horsemen and her job as War, she starts to realize she needs to face the rage inside her.
Review:
Speaking as someone who knows a lot about mental illness, self-injury is one of the illnesses that people who don’t have it have the most difficulty understanding. It seems bizarre to those who don’t self-injure, even as for the self-injurer those moments of cutting or burning or whatever chosen method are the best coping mechanism they can come up with. It’s not easy for those who don’t self-injure to understand, which is why I am so impressed at how well Morse Kessler has grasped the inner workings of the self-injurer in order to write such a well-rounded, sympathetic character as Missy.
Missy is simultaneously relatable as a typical teenager, for instance she gets horribly embarrassed at a party one night, but she also has this deep, dark, misunderstood secret. Gradually other teens find out and are either concerned or lash out at her due to their fear and lack of understanding, but Missy feels that she can’t confide in even the sympathetic ones. In perhaps one of the most powerful passages, the reader gets to see exactly why Missy cuts, while she simultaneously explains why she can’t explain it to her sister.
She could tell her that she turned to the blade because she wanted to live and sometimes pain was the only thing that kept her alive. She could tell her that she was terrified of things she couldn’t even begin to name, that friends could be fickle and lovers could be false. She could try to explain all of that and more, and maybe her sister would understand. But trust was as fragile and cutting as a crystal sword. (page 100)
That is perhaps the most clear, succinct explanation of self-injury I’ve seen outside of nonfiction clinical books. Missy’s reasons for cutting are clear, even as it becomes more and more evident to the reader that this coping mechanism is not truly addressing Missy’s real problems.
Of course, the fantasy element comes to play here again, and it works perhaps even better this time around. Giving the fantasy personas for Missy to talk to and express herself to gives her a safe space to think out her emotions instead of cutting them out. There are also a few cameos from Famine, which is fun to see after reading the first book. The fantasy also works here because it helps give the book a distance that makes it less triggering. There are intense emotional moments, but then Death shows up with a humorous quip to lighten the situation. It addresses the real problems without getting bogged down in over-emotionality.
This book will give self-injuring teens a way to see themselves reflected in literature and accepted and loved for who they are. It will give them a chance to maybe address their own emotions and issues. Similarly, non-self-injuring teens will hopefully become more empathetic to their peers who struggle with it. It’s a book that is simultaneously enlightening but not preachy. I highly recommend it to teens and those who work in mental health or with teenagers.
5 out of 5 stars
Source: Amazon
Previous Books in Series:
Hunger, review
Counts For:
Book Review: White Fang by Jack London
Summary:
White Fang is born in the wild 1/4 dog and 3/4 wolf. He soon finds himself back in the realm of man when his mother returns to the Indian camp she had left. Thus begins the struggle between White Fang’s desire for the companionship of the human gods and the call of the wild inside him.
Review:
This companion novel to The Call of the Wild flips the original story on its head. Instead of it being a dog feeling the call of the wild, we have a wolf feeling the call of the companionship of man, in spite of mistreatment. The story doesn’t quite work as well when reversed in that way, though.
Both White Fang and Buck suffer mistreatment at the hands of men that is incredibly painful for an animal lover to read about. Whereas this served to make it understandable why Buck leaves for the wild, though, it makes it difficult to understand why White Fang doesn’t do the same. Yes, eventually he meets a master who loves him and cares for him, but for years prior that is not the case. Perhaps London is attempting to demonstrate the intense loyalty of dogs to their masters whether or not they deserve it. It is true that animal rights workers see this sort of situation over and over again, yet White Fang is mostly wolf. It is difficult to believe his wild nature would not take over at some point, particularly when being mistreated. If this story was told of a dog and not a wolf, it would make more sense.
That said, London’s strength at delving into the animal world without personifying them to be more human than they are is still incredibly strong here. The animals are not personified but they are humanized. By that I mean, their personalities and instincts are clear and understandable. It is difficult to imagine anyone reading this book then proceeding to abuse an animal. They are truly remarkable creatures, London excels at demonstrating this.
Overall, this book is not as amazing as The Call of the Wild but it is well-worth the read for more time spent seeing animals through Jack London’s eyes. Recommended.
4 out of 5 stars
Length: 208 pages – average but on the shorter side
Source: Purchased
Buy It (Amazon or Bookshop.org)
Companion Book:
The Call of the Wild, review
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Book Review: Fragment by Warren Fahy (Series, #1)
Summary:
When the floating reality tv show SeaLife receives a distress beacon coming from a remote island, it looks like their ratings are going to improve. Henders Island has not been visited since the 1700s, and the scientists aboard the Trident are excited at the possible new species they could find. Unfortunately, the species aren’t as benign as they thought.
Review:
This was recommended to me by a couple of friends who know I’m a huge Michael Crichton fan as a Crichton-esque reading experience. I can definitely say that this falls solidly in the hard, plausible scifi genre that has been so empty since Crichton’s passing.
Fahy takes the concept of an island splitting off from the rest of civilization and evolving separately and runs with it. The creatures he comes up with are fantastic and frightening yet simultaneously plausible, which is part of what makes the thrills so thrilling. Similar to Crichton, there are long passages of science explained at a level easily understandable by anyone with a high school diploma. Also, there are passages that at first seem unimportant but later are revealed to be connected and important.
The characterization is strong enough for a thriller of this sort, although that of the main characters could be a bit stronger. Everyone is easy to tell apart, however, and their motivations are clear, something that can be difficult to pull off at the fast pace of a thriller. In future writings, I do hope that Fahy’s main characters will be a bit more well-rounded, however.
The pacing is a bit bumpy with some passages that remove the previously built-up suspense. Although this was necessary to explain the science, it does seem that it could have been worked in more smoothly. The last quarter of the book, however, is paced perfectly with no interruptions and just the right amount of suspense.
One of the highlights of the book is definitely the inclusion of the reality tv show. It lends it a current real vibe. Things are recorded as they happen. The world sort of knows what’s going on, but not quite. The military has to get involved. Everything reads as very plausible and realistically connected to how the modern world actually works. Plus the scenes involving the reality tv producers are just good comic relief.
I absolutely plan on reading Fahy’s future works, and definitely recommend this to fans of Crichton style scifi.
4 out of 5 stars
Source: PaperBackSwap
Movie Review: Them! (1954)
Summary:
When a small southwestern town sees a spate of sugar theft mixed with mysterious deaths, a scientist and his daughter are brought in to investigate. They soon discover that a new breed of giant ants have mutated from local nuclear testing and must fight against the odds to preserve the human dominance of earth.
Review:
I watch classic horror movies more for the lols than anything, but every once in a while, one manages to actually stand the test of time and still scare me.
Anyone who knows much about ants knows that they actually are rather awful creatures. They’re vicious, disturbingly strong for their size, and single-minded to the point of obsession. That’s the perfect recipe for a formidable opponent if they were any larger. Combine this with the very real threat of nuclear mutation, and you have the recipe for an ideal horror film.
Something the classic movies did better than today is establish a strong plot-line. The action is not constant. It is interspersed with scenes in which the characters attempt to figure out what is going on and determine what to do about it. This ups the tension for the inevitable “battle the monster” scenes that eventually play out.
Of course a strong idea and plot can still be undermined by outdated special effects. These effects, however, have truly stood the test of time. The ants look frightening, not comical. The scenes are shot in such a way that it all appears to be fairly real, particularly for the decade. When the sound effect given to the ants–a sort of high-pitched squealing–is added in, it becomes quite easy to suspend disbelief.
If you enjoy a good creature feature as well as an old movie periodically, you won’t regret your time spent watching Them!
5 out of 5 stars
Source: Netflix
Book Review: The Land of Painted Caves by Jean M. Auel (Series, #6)
Summary:
All of Ayla’s unique life situations–from being adopted by the Clan to living in a valley by herself to her long Journey with Jondalar–have been combining to make her into a great, powerful woman. In this final entry in the Earth’s Children series we witness her transformation from Ayla to Zelandoni shaman of the Zelandonii.
Review:
As a fan of the Earth’s Children series since the age of 15, there is just no way I can review this epically disappointing, long-awaited finale to the series without spoilers. So, be warned, this whole post is going to contain spoilers, because there is just no way I can possibly not talk about everything that went horribly awry here.
First there is the incredibly huge issue of plot. The book is divided into three sections. The first section is entirely Ayla wandering around looking at caves with Zelandoni. Which would be fine. If the caves had anything particularly unique about them or anything exciting happened in the caves or if we weren’t told repeatedly “here’s a horse painting, here’s a cave lion painting, here are dots that mean something to the Zelandoni but I won’t ever tell you what they mean because where would the fun in that be?” Oh sure, there are hints that something more exciting might happen, but nothing ever does. It’s like Auel thought about putting action in, but then decided it’d be way easier to talk more about the badly painted and scratched in horses in these caves that for some reason the Zelandonii think are so incredibly sacred. Oh yeah. I remember why. Because they’re supposedly the vagina of the Earth Mother. Think about that for a second. These people are worshiping in sacred vaginas.
Then we have the second section which mysteriously jumps forward four years in Ayla’s acolyte training because for some reason we couldn’t possibly be interested in that, oh no, there’s nothing interesting about ceremonies or studies. Instead, we get to jump ahead four years and go on Ayla’s Donier tour. Do you know what Ayla’s Donier tour is? Going around Zelandonii territory to look at MORE CAVES. This traveling could possibly be interesting. We have foreshadowing multiple times that something bad is going to happen to Ayla, particularly that a band of evil bad rapist men are going to kidnap her and drag her off. But no. They grab her and Jondalar somehow miraculously goes from in front of the evil band of rapist men to behind them, breaks the leather-thong assisted choke-hold the dude has on Ayla, and saves her from them. Then the Zelandoni beat them to death in an instance of mob justice. Well. At least something sort of happened?
The third section jumps ahead two more years (skipping almost all the rest of Ayla’s acolyte training) to yet another summer meeting, which Ayla has to come to part-way through because she had to stay back to complete her final assignment of training. Ayla has a vision in a cave (oh, we’ll get to that in a minute) and then goes to the summer meeting where she walks in on Jondalar getting naked sexy head from the one woman in the Ninth Cave of the Zelandonii immune to liking Ayla. No, I am not joking. Jondalar, the oh I am Ayla’s soulmate and we will be together forever and I love her so much has totally been cheating on her for almost the entire last two years of her acolyte training. Because she was busy. Because a man has needs. Because the ho offered herself to him and why on earth would Jondalar say no? I am not joking, that is the tone of the book in the whole revelation of cheating thing. PLUS, the whole cave knew about it and hid it from Ayla to protect her feelings. Ayla, naturally, knows jealousy is taboo in Zelandonii society, so instead of confronting the cheating bastard she first has sex at a Mother Ceremony (ahem, orgy) with the dude Jondalar hates most in the Ninth Cave, and then she decides life isn’t worth living and tries to kill herself with the Clan root. This from a woman who has three horses, a wolf, and a freaking 6 year old daughter to look after. The only thing that saves her, naturally, is Jondalar’s undying love. It took all of my self-control not to throw my kindle across the room. Well, and also my intense love for my kindle.
So for two-thirds of the book nothing really happens, and then in the last third our two heroes both turn into loathsome people. Good. Times.
Ok, so, the plot takes a complete nose-dive off Niagara Falls without a barrel while holding your beloved kitten. What about the supposedly key element of the book and series? What world-changing thing does this special woman, this powerful shaman, bring about? Allow me to quote the new verse of the Earth Mother’s Song that is revealed to Ayla at the climax:
Her last Gift, the Knowledge that man has his part.
His need must be spent before new life can start.
It honors the Mother when the couple is paired,
Because woman conceives when Pleasures are shared.
Earth’s Children were blessed.
The Mother could rest. (page 540)
Yes. That is right, people. The reason for this woman existing is to reveal to these dim-wits that sex, not the Earth Mother mixing spirits, causes babies. Allow me to repeat that. Ayla’s big contribution to pre-historic society is to teach these people the birds and the bees.
I wish I could say it gets better from there, but it doesn’t. First Ayla has to convince the other shamans (Zelandoni) that this is true. They, naturally, don’t want to believe it. The lead Zelandoni convinces them that they must tell the people in a huge ceremony, because this will be life-changing. Then we have, quite possibly, the most eyeball-widening, face-palming, head:desk inducing passage I have ever read. The ceremony, meetings, and Mother’s Celebration that go along with it. I won’t put you through the pain of all of it, but allow me to show you a good sample. The passage in which the lead Zelandoni explains what to call the men who are also parents:
He is a far-mother, a fa-ther. It was also chosen to indicate that while women are the Blessed of Doni, men may now think of themselves as the Favored of Doni. It is similar to ‘mother,’ but the fa sound was chosen to make it clear that it is a name for a man, just as ‘fa’lodge’ is the name for the men’s place. (page 676-7)
I just…..there are no words for the inanity of it all.
Then, of course, all the men overnight turn into possessive, abusive, over-aggressive douchebags since now they know that their sperm has magical powers. The book ends with the very heavy-handed suggestion that this revelation is what caused the move from matriarchy to patriarchy.
Oh, but it gets better. To put one final touch of absurdity on the whole thing, we also finally get to find out what happened to the Neanderthals (Clan). Ayla still has the black stone that contains a piece of every Clan member’s spirit in it from when she was a medicine woman for them. A vision reveals to her that when Broud cast her out with the death curse, she forgot to leave the stone behind and thus caused the death of the entire Clan. Yeah. Really. That’s what happens. All of this build-up, and we find out that Ayla reveals the birds and the bees, kills matriarchy, and kills the Neanderthals. What. The. Fuck.
As if the meandering plot and completely inane and horrifying huge reveals weren’t bad enough, something happened to Auel’s writing style. I like to call it “let me give everything really long names and repeat myself a lot” Just one example of the plethora of overly long names is “Zelandoni Who Was First Among Those Who Served The Great Earth Mother.” That would be less painful, maybe, if Auel didn’t also repeat herself all the time. Almost every time the lead Zelandoni shows up, we are reminded that she is a very large woman. Almost every time Ayla speaks, someone notices her foreign accent. Almost every time someone sees Jonayla (kill me now with that name), someone notices that she has Jondalar’s eyes. Enough already! We know! Stop telling us!
Between the meandering plot, completely what the fuck ending, and simply bad writing, I can’t recommend this book to anyone. My best advice to fans of the series, or those interested in it, is to pretend that it ends with The Mammoth Hunters and Jondalar riding off into the sunset with Ayla. Just pretend it stops there. Ignore his people. Ignore Ayla’s calling. Ignore the Journey. Just ignore the whole thing. Take the characters and world back from Auel who completely mistreated them and let them exist in your mind the way they were at the end of The Mammoth Hunters. Do not waste your time or hurt your brain reading this book. Just…..don’t.
1 out of 5 stars
Source: Amazon
Previous Books in Series:
The Clan of the Cave Bear
The Valley of the Horses
The Mammoth Hunters
The Plains of Passage
The Shelters of Stone
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This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 