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Book Review: A Bánh Mì for Two by Trinity Nguyen
A sweet, closed-door sapphic romance set in Sài Gòn, where two foodie 18-year-olds fall for each other while uncovering family secrets and rekindling a love of food writing.
Summary:
In Sài Gòn, Lan is always trying to be the perfect daughter, dependable and willing to care for her widowed mother and their bánh mì stall. Her secret passion, however, is A Bánh Mì for Two, the food blog she started with her father but has stopped updating since his passing.
Meanwhile, Vietnamese American Vivi Huynh, has never been to Việt Nam. Her parents rarely talk about the homeland that clearly haunts them. So Vivi secretly goes to Vietnam for a study abroad program her freshman year of college. She’s determined to figure out why her parents left, and to try everything she’s seen on her favorite food blog, A Bánh Mì for Two.
When Vivi and Lan meet in Sài Gòn, they strike a deal. Lan will show Vivi around the city, helping her piece together her mother’s story through crumbling photographs and old memories. Vivi will help Lan start writing again so she can enter a food blogging contest. And slowly, as they explore the city and their pasts, Vivi and Lan fall in love.
Review:
I love a sweet, closed-door sapphic romance (see my review of Hani and Ishu’s Guide to Fake Dating), so when I heard about A Bánh Mì for Two, it was an easy add to my wishlist. The focus on food blogging and Vietnamese street food—both eating it and running a street food cart—was just the icing on the cake. This story strikes a delicate yet exquisite balance between lighthearted sweetness and the very real multigenerational trauma caused by the Vietnam War (referred to in Vietnam as The War Against the Americans to Save the Nation).
Told in alternating first-person perspectives between Lan and Vivi, the book avoids the common pitfall of muddled voices. While both characters are kind and thoughtful, they each have distinct ways of seeing the world, which keeps their narration clear and engaging. The romance is a sweet, slow burn, beginning with Vivi’s admiration of Lan’s food blog and blossoming into real-world chemistry after a chance encounter in Sài Gòn.
I especially appreciated the queer representation. There’s no on-page angst about being queer. Vivi does talk briefly with her friend Cindy (a Mexican American character) about how coming out can be complicated with conservative parents, but by the time the story begins, both girls’ families are accepting. It was also refreshing to see Vivi clearly identify as bisexual—representation that could’ve been easily overlooked since her only relationship in the book is with Lan. It’s affirming and intentional, which I loved.
The food descriptions are vivid but never overdone. They strike just the right balance between informing the reader (especially for dishes that might be unfamiliar) and keeping the flow natural. (I’ve eaten many a bánh mì in my life, and still found the food writing delightful!) I also really appreciated that this is a story about two 18-year-olds, and college isn’t presented as the only post–high school option. Lan’s mom encourages her to pursue school if she wants to, but also supports her jumping right into a career—a rare and welcome take in YA-adjacent fiction.
Vivi’s experience as a Vietnamese American studying abroad in Vietnam adds a beautiful emotional layer. She’s not a tourist—she’s searching for a kind of homecoming. She’s exploring why her mother kept so many details about Vietnam and their family a secret. This process is a powerful lens for the reader to learn about the war’s impact on Vietnamese families without the book ever feeling preachy. The historical context emerges naturally—through conversations, shared meals, and street encounters. It’s excellent writing.
The romantic progression between Lan and Vivi is tender and believable. One of my favorite parts was the motorbike rides around Sài Gòn—evocative, cinematic, and intimate. Even the third-act conflict felt justified. It wasn’t a contrived misunderstanding but a believable clash of cultural differences and personal pain. No one is villainized, and the resolution feels earned.
That said, a few elements pulled me out of the story. For example, Vivi’s study abroad program is mentioned as her reason for being in Vietnam, but we never actually see her attend class or study. This absence feels like a missed opportunity—readers might expect the study abroad setting to include some academic context. Similarly, while the book opens with several references to Vivi lying to her mom about her location—including photoshopping photos—the tension fades away later in the book. I found it a bit hard to believe that her mom wouldn’t catch on sooner.
The book is richly diverse, featuring Vietnamese and Vietnamese American characters, a Mexican American side character, and a sapphic romance at the center. Lan’s mother has a chronic illness, and her father passed away young from a stroke. The book also explores difficult family dynamics, grief, and healing across generations.
Overall, this is a fun, sweet sapphic romance featuring the beloved tropes of slow burn and study abroad, while offering thoughtful reflections on Vietnamese culture, family history, and the legacy of war. It’s beautifully steeped in food, healing, and love. Recommended for anyone looking for a sweet, queer romance with emotional depth, cross-cultural exploration, and heartwarming food moments.
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4 out of 5 stars
Length: 224 pages – average but on the shorter side
Source: Library
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Publication Announcement: Novella – Ecstatic Evil – Second Edition
I am thrilled to announce the publication of the second edition of my novella Ecstatic Evil. I published the first edition 11 years ago in 2011. I have completed major updates throughout the second edition, as well as added an author’s note and a content note. You can view both of the notes in their entirety by using the preview book feature on its Amazon page.
I have also added a paperback version for those readers who prefer to read in print. Both the electronic and paperback versions are available internationally.
Here is the updated blurb:
Tova Gallagher isn’t just your average, grumpy Bostonian. She also happens to be half-demon, and the demons have just issued a deadline for her all-important half-demon decision. She has just two weeks to choose whether to lean into her demon side by signing on with them wholeheartedly or never use her powers again under the tutelage of an assigned angel. But it’s hard to worry about the battle of good versus evil when she’s just met a sexy, sunshiny stranger on the edge of the Charles River.
Reviews of the first edition of this grumpy/sunshine paranormal romance call it a “quick, captivating read” with a romantic pairing that are “so sweet to each other.”
This newly expanded second edition includes edits throughout the book, as well as an author’s note and content note.
If this book was a movie, it would be rated PG13 for adult situations and sensuality.
The spiciness level is 2 or 3 chili peppers, depending upon which system you use. It is lightly spicy. There is foreplay and some clothes come off, but the camera pans away before more intimate moments.
There is no adult language. On-screen violence is minimal (shoving, gripping someone’s arm too tightly.) One supernatural being attacks another off-screen.
Today and tomorrow (November 9th-10th 2023, Pacific Time), the ebook is free for everyone. Please consider downloading your copy today!
If you previously purchased the first edition, note that Amazon does not send the second edition to your kindle. Please send me an email at mcneil.author@gmail.com letting me know you own the first edition and would like the second, and I will send you a copy.
If you are a book reviewer and would like a reviewer copy, please email me at mcneil.author@gmail.com with links to where you review books.
Please be sure to check out my Publications Page for my other work.
Book Review: Positively, Penelope by Pepper D. Basham
A grumpy/sunshine, no spice romance set in the theater world.
Summary:
Penelope Edgewood is practically positive in every way, so when, fresh out of college, she is awarded a paid internship to help save a century-old theater on the island of Skymar, she jumps at the chance. After all, a crumbling theater needs the special touch of someone who reveres all things vintage and adores the stage.
Unfortunately, not everything is as it seems at Darling House Theatre. Finances are in shambles, the local theater group is disenchanted, and the two brothers, Matt and Alec Gray, can’t seem to see eye-to-eye about how to run their theatrical business. So, of course, it’s the perfect place for Penelope to shine her own personal brand of sunshine.
With a little help from GK, the person emailing her encouragement along the way, she puts all her heart into helping the Grays save Darling House. But between Matt’s ever-present skepticism, Alec’s tendency to treat Penelope a little too much like the “princess” she thinks she wants to be (until someone actually started treating her that way), a grandfather who is stuck in his grief, and a mysterious person stealing Penelope’s marketing ideas, she’s not sure her optimism is enough to make a happily-ever-after of her own story, let alone The Darling House’s.
Between an adorable little girl, a matchmaker, a sea monster or two, and a copious amount of musical references, can Penelope draw enough confidence from her faith, her family, and her adoration of all things Julie Andrews, to find the thief and save the theater . . . without getting her heart broken in the process?
Review:
This book is presented as a Christian fiction romance told “mostly” in an epistolary style, but I found it to be neither of those things.
This is definitely a light-hearted, no spice romance. I found Penelope endearing, and her love interest just the appropriate amount of grumpy with a reason. As a musical theater geek myself, I absolutely loved all of the references to classic musicals and how the male main character alludes to Gene Kelly. I also like that while Penelope is a sunshine character, we get to see how she has to actively choose to be happy and optimistic. It’s not her natural default. She’s given a depth.
Now, I love epistolary books, and I didn’t notice that the book said only that it was “mostly” epistolary, so I was jarred the first time there was a non-epistolary scene. I was willing to give it a pass, though, since it was a phone call scene. In fact, I could see how a phone call scene might work in a modern epistolary novel. However, by about two-thirds of the way through the book, most of the writing was typical book – not epistolary. It wasn’t even phone call scenes. It was basically like any modern book that includes some text messages and such. I like both styles of writing for different reasons, but I found the mixing the total flip-flop from one to the other jarring to say the least.
I realize this book is from a Christian publishing house, but I think it’s a marketing flaw to market it as “Christian fiction.” The characters’ religious beliefs played almost no role in the book. They mention God a few times, and the characters mention having gone to church a couple of times, but no scenes are set in a church. They mention praying but never actually pray on-screen. Also, in spite of being Christians, they never mention Jesus or the Holy Spirit, and we never see them reading the Bible. The blurb says that her faith guides Penelope’s decisions, but I absolutely did not see that in the book. I found Hani and Ishu’s Guide to Fake Dating (review), published by a mainstream publishing house, to have more issues of religion and faith in it. One of the main characters is Muslim, and her faith impacts her relationships with her friends, we see her praying, we see her reading the Quran, we see her go to the mosque. All of which is to say, if you’re interested in the romance but turned off by the idea that it’s “Christian romance” – don’t be. On the other hand, if you’re interested in seeing faith represented in what you read, you won’t get that here.
This book is set on a fictional island colonized by the UK. The Indigenous people are mentioned in passing a couple of times (as “natives”), but we never actually meet one or see their culture. This is extra bizarre since The Darling House is a community-based theater. Why is it only celebrating the colonizer’s culture? There’s also a royal family that’s not tied to the UK anymore. There’s no exploration, even in passing, of the ethical issues in colonization or even a whiff of a suggestion of decolonization. I get wanting to set your romance in a fantasy land, but the way to do that is like the fake country of Genovia or the fake royalty in a fake country in Never Ever Getting Back Together (review). Why imagine additional colonization tragedies if you’re not going to explore them and broach the topic of decolonizing? The way the book is written, it’s clear none of the characters see any problems with colonizing or issues for the Indigenous peoples, and that’s not the sort of fantasy land I personally want to visit. This is also another example of how, in my opinion, this book is not really rooted in strong Christian theology, as social justice is a key Christian issue.
Overall, this is a lighthearted, no spice grumpy/sunshine romance. It focuses on the grumpy character’s heart warming up over time. The book itself makes some comparisons of the romance to The Sound of Music but the von Trapp’s resisted an invading fascist force whereas these characters celebrate a colonizing royalty.
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3 out of 5 stars
Length: 416 pages – average but on the longer side
Source: Library
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Book Review: Wanderlust by Elle Everhart
In this romcom that tackles hard topics, Dylan wins a trip around the world, the only catch is she has to go with a man she ghosted months ago.
Summary:
Feeling stuck at work and tired of London’s dreary weather, magazine writer Dylan Coughlan impulsively rings a radio station one day only to win a once-in-a-lifetime trip around the world. The catch? Her travel partner must be a contact randomly selected on her phone. And of course this stressful game of contact roulette lands on a number listed only as Jack the Posho, an uptight, unbearably posh guy she met on a night out and accidentally ghosted.
The two couldn’t be more different, and as the trip kicks off, Jack seems like he’d sooner fling himself into the sun than have a conversation with Dylan. But more is hinging on this trip than the chance to see the world. For the past two years, Dylan’s been relegated to writing quizzes (and only quizzes) at her lifestyle magazine after an article about her past abortion went viral—and not in the good way. If she’s able to make a series about their trip successful, her overbearing boss will give her a chance at a permanent column. Dylan’s willing to do anything to make the series a hit, even if it means embellishing her and Jack’s relationship to satisfy readers. But as the column’s popularity grows, so does the bond between Dylan and Jack, and Dylan is forced to consider if the one thing she thought she always wanted is worth the price she’ll have to pay to get there.
Review:
I picked this up off the library’s new book shelf because the romcom set-up sounded great. I was pleasantly surprised in chapter one to find that Dylan identifies as both queer and bisexual. Yay for more representation! But I actually ended up not liking Dylan particularly much by the end of the book.
Let’s start with the good. I found the romance sweet. It’s a classic grumpy/sunshine and organized/disorganized (Oscar and Felix for us olds out there). I liked how Dylan teased Jack for being posh and how he clearly didn’t mind the teasing. I was intrigued by why Jack was willing to drop everything to go on a trip around the world with someone who ghosted him who he also seemed to not like very much. And I was rooting for Dylan to find success blogging about her trip. The first destination was Australia, and it was definitely written the best. I could really visualize Australia, and I felt like we saw the characters spend an appropriate amount of time there.
In contrast, for a book about a trip around the world, a lot of the locations really breezed by. For example, India was less than a chapter. In South Africa we saw them at a dock. In New York we hear Jack excited about the Empire State Building but then don’t see the characters go there. It was a little bizarre for a book ostensibly about a trip around the world with a magazine writer. It was a let-down after the Australia chapters, especially.
The book deals with a couple of tough topics that might be a turn-off to some readers. Dylan wrote about her own abortion around the time Ireland was looking at its abortion policies. Her piece went viral, and she ended up being cyberbullied and doxxed. These topics aren’t mentioned in passing. They come up repeatedly in the book. Kind of heavy for a romcom. While the blurb I gave you talks about it, the blurb on the back of the print book I got from the library doesn’t mention it at all. It’s clear from looking at reviews that readers would have preferred knowing in advance, and I am glad the blurb was updated accordingly.
To me, Dylan started out likeable enough but became less likeable as the book progressed. The first glimmer I got of this was early on in Australia when Jack is nervous doing an activity, and she’s irritated at him because him looking and seeming anxious (while still doing the activity!) is impinging on her own enjoyment of the activity. This would be like saying your flight is ruined because a person in the seat next to you seems a little nervous during the flight but doesn’t talk about it and causes no issues. She has basically no empathy for Jack and is clearly self-centered. Which was jarring. As the book continues, it becomes increasingly clear that she acts without thinking. Ok sometimes people do that. But when it’s a recurring character trait that impacts other people (and hers does), that’s an issue. Especially for a character who’s almost 30. I also found how she spoke to her mother to be really terrible. She wasn’t trying to have a conversation with her mother (even though her mother was clearly trying to do so). She was giving her a speech without any interest in reconciliation. I don’t personally think her mother messed up enough to warrant that. And I didn’t like seeing it played up as some big empowering scene for Dylan. I thought it was quite sad, actually.
For readers wondering about the spice, this was an odd mix. The vast majority of the book is low spice/slow burn. Then there is one very spicy scene that takes up two chapters. (This scene also managed to make me like Dylan even less, and the score was already pretty low at that point). I found it jarring to go from all of the heat being from like a hand on the low of your back to a detailed spicy scene. I would have preferred a fade out and maybe some post-activities snuggling and pillow talk. It just fits the vibe of the rest of the book better.
Overall, the idea for the set-up for this romcom is stellar. Jack is a great leading man. But he’s set up with a leading lady who’s not particularly likeable, and the romcom is dragged down by some heavy topics.
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3 out of 5 stars
Length: 368 pages – average but on the longer side
Source: Library
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Book Review: The Road to Roswell by Connie Willis
When a woman who doesn’t believe in aliens comes to Roswell for her college roommate’s UFO-themed wedding, she’s shocked to find herself abducted by an alien and driving all over the southwest at his tentacled bidding.
Summary:
When level-headed Francie arrives in Roswell, New Mexico, for her college roommate’s UFO-themed wedding—complete with a true-believer bridegroom—she can’t help but roll her eyes at all the wide-eyed talk of aliens, which obviously don’t exist. Imagine her surprise, then, when she is abducted by one.
Odder still, her abductor is far from what the popular media have led her to expect, with a body like a tumbleweed and a mass of lightning-fast tentacles. Nor is Francie the only victim of the alien’s abduction spree. Before long, he has acquired a charming con man named Wade, a sweet little old lady with a casino addiction, a retiree with a huge RV and a love for old Westerns, and a UFO-chasing nutjob who is thoroughly convinced the alien intends to probe them and/or take over the planet.
But the more Francie gets to know the alien, the more convinced she becomes that he’s not an invader. That he’s in trouble and she has to help him. Only she doesn’t know how—or even what the trouble is.
Part alien-abduction adventure, part road trip saga, part romantic comedy, The Road to Roswell is packed full of Men in Black, Elvis impersonators, tourist traps, rattlesnakes, chemtrails, and Close Encounters of the Third, Fourth, and Fifth kind. Can Francie, stuck in a neon green bridesmaid’s dress, save the world—and still make it back for the wedding?
Review:
Connie Willis’s To Say Nothing of the Dog is one of my favorite scifi/romance/comedy reads of all time (review). I’m also a huge fan of the American Southwest, so when I heard about this book, it went on my wishlist immediately. (Shout-out to my siblings-in-law for the birthday present). This was definitely a rollicking, feel-good read, which was just what I needed.
Francie is a fun main character. Jumping right into her being at the airport on her way to a wedding she wants to help her old college roommate see is probably a bad idea builds up the identification and empathy right away. Who among us hasn’t had a friend in a questionable relationship? She doesn’t believe the alien stuff of everyone else at Roswell, but she’s kind about it. (She doesn’t go around calling them names in her head).
When she is abducted by an alien who looks like a tumbleweed who can’t speak but can only force her to drive with his tentacles and gesturing seriously in the direction he wants to go, I was hooting. What a fun idea for an alien species Indy is! I also like how the crux of the issue between humans and Indy is the difficulty in communication. Unlike a lot of scifi, he doesn’t just show up with a translator. Communication is a big problem and leads to a lot of comedic situations (including the, ahem, abduction). I was particularly fond of how Indy keeps semi-accidentally adding more people to his collection of abductees due to miscommunication.
The American Southwest is lovingly depicted from the glorious sunsets to the shocking vast emptiness, not to mention the overwhelming situation that is Las Vegas (right on down to an Elvis impersonator). Dusted on top of these depictions are quotes from various westerns (including a lot from one of my favorites, Support Your Local Sheriff). Movie westerns and how they reflect (accurately and inaccurately) the American Southwest are cleverly added via a character who is obsessed with them.
So I loved the setting, the plot, Francie, and Indy. The humor wasn’t quite working for me in the way it has in other books of hers, though. It didn’t ever bother me it just didn’t tickle my funny bone. That didn’t matter, because the book was still feel-good for me. But it did keep it from rocketing up to new favorite territory. There is also one infuriating scene where Francie is trying to get in touch with other people without Indy hearing and she, bafflingly, calls and leaves voicemails rather than texting. I just cannot think of a single person Francie’s age I know who would ever default to calling and not texting in a regular situation, let alone one where you want to not be overheard. (I mean, you can even text 911 these days….) I understand for the point of the plot that calling needed to happen but then we needed a reason for it. Maybe Francie’s texts wouldn’t go through. Maybe she lost her smartphone in the airport and had to borrow her friend’s old flip-phone. Something. This is a minor quibble though in a book that was generally a delight.
Overall, this a feel-good scifi read with a dash of romance and a very lovable alien. Perfect for scifi lovers wanting an escapist read or romance readers wanting a no spice read with a dash of something different.
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4 out of 5 stars
Length: 405 pages – average but on the longer side
Source: Gift
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Book Review: Pixels of You by Ananth Hirsh, Yuko Ota, J.R. Doyle
Two interns, one human and one AI, dislike each other so naturally they’re forced to work together on a new project.
Summary:
In a near future, augmentation and AI changed everything and nothing. Indira is a human girl who has been cybernetically augmented after a tragic accident, and Fawn is one of the first human-presenting AI. They have the same internship at a gallery, but neither thinks much of the other’s photography. But after a huge public blowout, their mentor gives them an ultimatum. Work together on a project or leave her gallery forever. Grudgingly, the two begin to collaborate, and what comes out of it is astounding and revealing for both of them.
Review:
This forced proximity sapphic romance idea featuring a human and an AI is such a good one. The near-future world it is set in is fascinating. But both the relationship and the world weren’t explored enough for me.
AI in art is a really big issue right now. While it is also beginning to show up in written art, it has become a large issue much more quickly in graphic arts. So I was of course intrigued by a graphic novel exploring AI in a near future where a human artist is an intern side-by-side with an AI artist. But the book doesn’t really dig into the nitty gritty of whether what the AI produces can count as art or not. Even though the summary says that human-presenting AI like Fawn is new, no one seems particularly taken aback by Fawn. The most controversy she faces is other AI being jealous of her human-like skin. Given that Fawn is a photographer using solely her AI eye, there is a huge opportunity for exploration of what makes art, art. Yet this isn’t really explored at all. Similarly, Indira has a robotic eye to replace one she lost in an accident. It causes her chronic pain, but how having a robotic eye impacts her art as a photographer also isn’t really explored.
While I easily believed the forced proximity romance plot of Fawn and Indira if they were both human, I struggled to believe its rapidity given that Fawn is AI and Indira’s own background to her accident. (Which is a spoiler, but suffice to say one would imagine it would predispose her to negative feelings about AI.) I’m not saying these feelings couldn’t be overcome and the romance couldn’t happen, but it needed more time to develop. With regards to the spice of the romance, there’s some kissing and nothing more explicit than that.
The art in this graphic novel is beautiful. It has nice contrast that makes it easy to follow and suits the storyline.
Overall this is a pretty read and a fun world to visit, although it may leave you wishing for more.
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3 out of 5 stars
Length: 172 pages – average but on the shorter side
Source: Library
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Book Review: Love on the Menu by Mimi Deb
A London romcom whose meet-cute is a get your life together list accidentally dropped in a take-out bag leading to notes being passed back and forth.
Summary:
Gia thrives on risks. Ben plays it safe.
She crossed continents to chase her London dream; he works the same job in the same restaurant, night after night.
Then fate steps in. When Gia’s takeout is delivered, her embarrassing list of New Year’s resolutions accidentally makes its way to Ben’s restaurant, stuck to the bottom of a delivery backpack.
With each delivery Gia orders, Ben slips in a note of his own and eagerly awaits her reply. One by one, these notes transform their lives in unexpected ways, and an unlikely love story is written.
Review:
The only thing I can say without spoilers was I loved the meet-cute idea but ultimately disliked both halves of the pairing. The rest of this review will contain spoilers.
I didn’t know when I requested this book that Ben, the love interest, is in long-term recovery (5 years plus) from alcohol. As a sober person myself, when I realized this about the love interest, I was ecstatic to see that representation. It’s what kept me hanging on after a shaky opening that I’ll talk about in a moment. But ultimately the representation left me disappointed. Plus I wound up not liking Ben. So let’s get into it.
First, the opening chapter. Gia gets drunk at a work event and accidentally kisses her boss while dancing. How, you ask? I’m still confused by it. She was doing the Single Ladies dance, they were dancing back-to-back, and when she jumped to turn 180 degrees, her lips landed on her boss’s. I do not think this would actually be possible to do without either bonking noses or hitting teeth together.
Now I need to explain a bit about the plot to talk about what didn’t work for me. So, after this, she convinces herself she’s about to lose her job and writes the get your life together list Ben ultimately finds. When she returns to work after the holidays, she becomes convinced that her boss is out to get her, thanks partially to her work-friend, Jay’s warnings. They are both immigrants. She immigrated from India, and he from China. He explains that the boss can’t legally fire her for such a thing in Britain but she can set her up to fail by giving her too much responsibility then a warning then a firing. When she does suddenly get more responsibility at work, she becomes convinced this is what is happening. Meanwhile she keeps ordering delivery from a local Indian takeaway that reminds her of home, plus she’s getting to exchange cute notes with one of the employees, Ben, through them. He coaches youth football on the weekends and has a large and loving family. Ben becomes enamored with Gia. Eventually they get a chance to meet when she needs a caterer for a big important work event.
Gia repeatedly drinks too much throughout the book. I was ok with this at first because I thought maybe she would have an ah-hah moment and cut back (or stop entirely). But she doesn’t. She thinks maybe she should. She puts it on her list. (Heartbreakingly the list at the ends says: “Don’t Drink. Drink less. Drink responsibly.”) But then she doesn’t actually do it. She even continues binging up through her marathon run. Her mother at one point in the last chapter says to her boss that Gia drinks too much. The boss agrees. And Gia blows it off. In the last chapter! There’s nothing I can root for with a person in long-term recovery getting together with someone with an active alcohol problem that’s bad enough that their family and boss have noticed and yet they won’t acknowledge it.
There is a giant reason I don’t think Ben is right for Gia either. Essentially, when Ben was in the throes of his addiction, he made some choices that led to an immigrant getting fired from his brother’s company. Instead of standing up for the guy and taking responsibility for what happened that night, Ben let him be fired and then took his job (only to quit it a few weeks later). Everyone makes mistakes, and I’m ok with a hero being imperfect. But later – five years later – when this comes up, he says, “Why didn’t he just get another job?” and “Why do you make looking for a job sound like a marathon?” This was a very heartless thing to say. It’s even more heartless given that Ben knows that Gia is also an immigrant whose ability to stay in London is tied to her employment which she at that moment feels is precarious. Ben never actually apologizes for this. He reads Gia a letter in which he talks about how wonderful she is, but he never apologizes for how flippantly he regarded the immigrant work situation.
These two people don’t belong together, and that is what left me feeling sour at the end. I don’t see a HEA or even a HFN but the first few seconds of a train wreck.
So, while the meet-cute was adorable, and I loved seeing diversity both in race and mental health in this book, I ultimately felt that the two leads did not belong together, although with some different plot directions, they could have been. Ben could have made a real apology and done something to try to make up for his lack of compassion for immigrants. Gia could have realized she had a problem with alcohol and taken Ben up on the offer to hook her up with a sponsor. If these two conditions were met, there could have been a very cute one year later they get together with a new meet-cute epilogue. But instead the book just swept the important issues under the rug with a Beyonce song at the end.
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3 out of 5 stars
Length: 416 pages – average but on the longer side
Source: NetGalley
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Book Review: Never Ever Getting Back Together by Sophie Gonzales
If you’ve ever wished that two of the women – any two of the women – on a reality tv dating show would just get with each other instead of pining over the questionable man they’re supposedly there for, this one is for you.
Summary:
It’s been two years since Maya’s ex-boyfriend cheated on her, and she still can’t escape him: his sister married the crown prince of a minor European country and he captured hearts as her charming younger brother. If the world only knew the real Jordy, the manipulative liar who broke Maya’s heart.
Skye Kaplan was always cautious with her heart until Jordy said all the right things and earned her trust. Now his face is all over the media and Skye is still wondering why he stopped calling.
When Maya and Skye are invited to star on the reality dating show Second-Chance Romance, they’re whisked away to a beautiful mansion—along with four more of Jordy’s exes— to compete for his affections while the whole world watches. Skye wonders if she and Jordy can recapture the spark she knows they had, but Maya has other plans: exposing Jordy and getting revenge. As they navigate the competition, Skye and Maya discover that their real happily ever after is nothing they could have scripted.
Review:
I’m revealing my age here, but in high school I definitely watched the very first season of The Bachelor (and a few of the following ones). I wasn’t yet out to myself, but even so found myself wondering why the women were such better catches than the man. Apparently, long after I stopped watching, in 2016 two of the women contestants got together with each other. But this happens far less frequently than one might imagine. In any case, when I saw the plot description for this book, let me tell you, I smashed the request button on NetGalley without paying too much attention beyond – two women on a reality tv dating show get together.
Beyond the reality tv show wrapping, this uses the enemies to lovers romance trope. I’ve historically avoided this trope because I had a hard time conceptualizing how I could root for someone to get together with someone they start off disliking strongly. This book showed me otherwise, though. Although it starts in Maya’s perspective in just a couple of chapters it shifts to Skye’s so it becomes easy to see how these two women have come to dislike each other based on a bad misunderstanding. So there’s not actually something enemy-worthy about either of them. That said, both of them are flawed (as are well all) but with the enemies to lovers they start out only seeing the flaws then start to see what’s great about each other. It makes for a really realistic depiction of a healthy relationship at the end, because it’s not all rose-colored glasses. Also, I really like how they move from enemies to women supporting women to women loving each other.
This book is also hysterically funny. I legitimately laughed out loud multiple times while reading it. Representation is decent. Two of the secondary characters are people of color, and one is gay. Both Skye and Maya are bisexual. Because Jordy hid his two-timing ways easily since his family moved all over the world, his exes are also international. Chalonne is funnily contrived in much the way Genovia from The Princess Diaries was. (Incidentally, this got me to wondering if European writers set books in fake countries in the Americas the way we seem to make up fake European monarchies. It seems like most of them that do exist are more of an alternate history where either fascism takes over or the colonies never won independence sort.)
There were three things I wasn’t so keen on in the book that held me back from five stars. First, I just didn’t feel like these characters were 18. They read as more like just out of college than just out of high school to me. It was easy for me to give that a pass, though, because I just headcanoned them older. Related to my mistaken belief that they were older when I started reading it, in the first scene, Maya is at a bar and not drinking. Oh nice! I thought. Representation of sobriety in a romance. But no. She was just under the drinking age in the US. As soon as she gets to Chalonne, where the drinking age is 18, she starts drinking. A lot. Just not wine because she thinks it’s icky. So that was disappointing to me. I also wish that the scene where she has too many vodka jello shots was more realistic. Binge drinking for people assigned female at birth is 4 drinks in one sitting. She has way more than that. She should have been very sick as opposed to having a mild hangover that passed by lunchish. I refuse to believe this reality tv show would have gone light on the vodka when we all know they like for contestants to get drunk. To be clear, while I personally would like to see more romances depicting sober people, I understand it’s realistic to show people drinking. But if we’re going to show them drinking and drinking too much in one night is a plot point, let’s be realistic about how much is too much for a person in a body assigned female at birth. Last, while I get it that Jordy needs to be the bad guy, he’s such a bad guy that I struggled to understand how all these nice women fell for him at all to begin with. I understand from Maya’s perspective he’s gross for valid non-physical reasons (the cheating, the lying, etc…) but we do have the chance to see Skye’s perspective as well, and it’s not clear to me from hers what she sees in him either. Maybe even if just in one of the first scenes where Jordy takes his shirt off Maya found herself attracted to him in spite of knowing his douchey ways, that would have helped me to understand. But she even seems to be turned off by his looks. It left me scratching my head a bit.
Overall, this book was a breath of fresh air, featuring two women bisexual leads who fall for each other surrounded by a very humorous reality tv setting. While some of that setting was a bit difficult to believe, the enemies to lovers plot was so enjoyable that it was easy enough to just focus on them.
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4 out of 5 stars
Length: 384 pages – average but on the longer side
Source: NetGalley
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Book Review: A Restless Truth by Freya Marske (Series, #2)
A murder mystery on an ocean liner cruising from the US to the UK in the early 1900s being solved by two women – one of whom is a magician. Both of whom are into each other. Things get spicy…and dangerous.
Summary:
When Maud voyages from the US to the UK on RMS Lyric, she finds a dead body, a disrespectful parrot, and a beautiful stranger in Violet Debenham, who is everything—a magician, an actress, a scandal—Maud has been trained to fear and has learned to desire. Surrounded by the open sea and a ship full of loathsome, aristocratic suspects, they must solve a murder and untangle a conspiracy that began generations before them.
Review:
I’m not sure how I ended up with an advanced copy of the second book in The Last Binding series – when I hadn’t read the first. I’m assuming either I requested it, not realizing it was a second book or it was sent to me based on my reading history with the assumption it didn’t matter. The series aspect is less “the story happens in a row” and more “everyone featured is living in these alternate history version of the early 1900s plus magic.” Apparently the first book in the series features a m/m pairing (Amazon, Bookshop.org), whereas this one stars a f/f pair.
I didn’t struggle too much to figure out what’s going on. The author does refrain from explaining much for the first chapter or two. But that’s because the book starts essentially in media res – with the murder happening. After that has occurred we slow down for a minute, and there’s a refresher of the rules of the universe. It didn’t take me too long to catch up and get into it.
One thing that did surprise me was the spice level of this romance. I was expecting very light spice with most encounters occurring off-screen after a fade to dark. That is not the case. Things get very explicit. Let’s put it this way….at least one of the scenes would have had to have been cut to manage to squeak in an R rating for explicitness. There are three scenes total, and each takes up a whole chapter. To me, this much spice feels like erotica jammed into a romance. I prefer the two separately.
The pairing here is grumpy/cheery. Violet is the grumpy, and I adored her. I liked Maud too, but Violet was someone I could see a whole book’s perspective on. Perhaps I’m biased since Violet is bisexual and the quintessential theater geek. I just really enjoyed her. But Maud is nice enough too. I liked their pairing well enough.
The mystery is substantial enough to hold up a plot. I enjoyed the animals and sneaking around the boat. I did think a bit more attention could have been paid to the class and race issues that sort of came up and got a bit glossed over. I don’t expect preaching in a book but it might have been interesting to at least have Maud and Violet see the second or third class areas of the ship on one of their many attempts to outrun their pursuers. (Somehow they always seemed to end up in the cargo hold instead). Maud talks with disdain of her parents only giving charity when others can see it, but Maud herself doesn’t seem to do much giving either. Violet, at least, offers to become the patron of an all-Black opera. (The real history of Black opera.)
Overall, I liked getting to know Violet, and it was an interesting world to visit. But the spice level was far too hot for what I personally prefer in romance, sliding more into an erotica category in my opinion. It also seems to me that the first book may have been quite different from this one, so readers of the first should come in aware of these differences.
If you found this review helpful, please consider tipping me on ko-fi, checking out my digital items available in my ko-fi shop, buying one of my publications, or using one of my referral/coupon codes. Thank you for your support!
3 out of 5 stars
Length: 388 pages – average but on the longer side
Source: NetGalley
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2022 Award Eligibility
I have four pieces eligible for awards during the 2022 award season in three categories.
All of these were first published during 2022.
For the paid stories, I am able to provide author copies for award consideration purposes only. Please email me at mcneil.author [at] gmail.com to request one.
Short Stories
“The University of Late-Night Moans” in Decoded Pride: A science fiction, fantasy, and horror story-a-day anthology for Pride month
June 9, 2022, issue 3, $14.99 digital
fantasy romance (sapphic / wlw)
It’s 1998, and Leonora’s friend Virginia is helping her investigate the moans coming from the cemetery across the train tracks from her dorm.
“Sister Prudence on the Beach” in Solarpunk Magazine
Issue #6, Lunarpunk Special, Nov/Dec 2022, $6 digital
hopepunk (speculative scifi)
Sister Prudence settles down for her full moon meditation on the beach. But a young one passing by interrupts not just her meditation but perhaps her retirement as well.
Drabble
“Bostonians Aren’t Friends With Our Neighbors” in Wyrms: An Anthology of Dragon Drabbles
July 1, 2022, $3 digital, $6 print
fantasy
The first line is “Deadrodents.com said the box on the triple-decker’s porch next door.”
Creative Nonfiction
“These Boots Were Made for Who?” in Just Femme & Dandy
July 4, 2022, issue 3, free
digital magazine version (page 105) or html/accessible version
literary fashion magazine through a queer lens
I explore how my favorite pair of thrifted boots helped me develop my queer, bisexual fashion sense and sustained me throughout the pandemic.
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This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 