Posts Tagged ‘humanity’

Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)

March 5, 2014 5 comments

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma.  On top of this, someone is out to frame Sookie for murder, and they just might succeed.  Sookie even gets arrested and must be bailed out of prison.  Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.

You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood.  The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life.  Whether or not that’s the story readers wanted to hear, it is the story that gets told.

It becomes abundantly clear early in this book that Sookie has had it with the supernatural world.  At least, with pure supes.  She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires.  Anyone who she feels has no humanity, she is done with.  As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans.  Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world.  I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced.  That part of Sookie’s character arc makes me sad.  She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change.  It’s sad.  But, it is an actual character arc, and it makes sense within who Sookie is as a character.  Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world.  But it is a well-written character arc that makes sense.

The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense.  The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia.  Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.

The boyfriend situation.  Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written.  The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me.  Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much.  Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.

One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about.  I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had.  In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does.  Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view.  It reads odd, not ominous.

The audiobook narrator, Johanna Parker, took an odd turn with this book.  Her voice reads as an old woman periodically, which doesn’t suit who Sookie is.  I was disappointed, after her very good narration of books 12 and 11.

Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her.  Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for.  However, this book series has always been about Sookie.  It is told in her voice and is about her life.  Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told.  Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.

4 out of 5 stars

Source: Audible

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Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review

Book Review: Ethan: Site 39 by Otis V. Goodwin

January 26, 2010 9 comments

Book cover--purple light hitting a black and white planet.Summary:
In the near future Earth is destroyed by an asteroid.  Luckily for humanity, a group of people had already departed for Alpha Centauri to colonize the two stars found there.  After losing contact with the few survivors, the Centaurians believed Earth to be uninhabited.  Five thousand years later, their descendants return to an Earth that has recovered from the chaos caused by the asteroid to begin the work of reinhabiting it.  When Ethan, one of the colonists, stumbles upon a residence dug into a mesa made of granite, everything the Centaurians believe about what occurred on Earth in relation to the asteroid is challenged.

I really wanted this to be a good book.  First I’m a big supporter of indie and self-publishing, as I often find the stories more creative and thought-provoking than those published by big publishing houses.  (See my review of Vow of Silence for evidence of that).  I also thought it was an intriguing scifi storyline.  Unfortunately, Goodwin can’t write.

Oh, he can come up with a great idea for a story, but his writing is terrible.  First, he tells us instead of showing us.  For instance, he’ll say things like “Ethan was thinking how worried he was,” instead of, you know, letting us see Ethan’s worried thoughts.  Whole parts of the story that would have been fun to read in addition to making the book longer he sums up by telling us about it in a couple of sentences, such as “They talked about their planned future together” instead of letting us read the conversation.

Not that I would have wanted to read the conversation anyway, because the dialogue is atrocious.  Every character sounds like an automaton.  They never use a contraction or a simile or anything really that makes a human sound human.  Goodwin tries to explain this as language changing, but even when we flash back to see characters from the time of the asteroid, they speak in exactly the same robotic manner.

The book blurb says that Goodwin is retired from the military, and it frankly shows.  In some ways, this is good.  The military portions in the asteroid flashback are clearly written by someone who knows the military.  However, mostly it’s just a rabid conservatism showing.  We’re talking a world in which the small population of humans rebuilding all automatically fall in love with someone of the opposite gender and that love is automatically, wholeheartedly returned.  It’s like the man never got past the fairy tales told to little girls to realize that that doesn’t happen perfectly for everybody in real life.  Real life just doesn’t work out that perfectly for everyone.  It makes all of the characters unbelievable, whereas having one true love situation would be believable.

Of course, there is no saving the wretched female characters.  Goodwin seems to be only capable of writing the completely helpless sobbing woman or a woman who is essentially a dude with boobs.  God forbid a woman be strong and feminine simultaneously.

I feel kind of bad saying all of this, because his overall storyline really is good and creative.  It’s what kept me reading the book in spite of cringing and rolling my eyes.  What Goodwin should have done is acquired a writing partner who could write his storyline on the sentence level well.  Then he would have had a great book.  Unfortunately, he didn’t do that.

2 out of 5 stars

Source: Free copy from book promotion agent via LibraryThing‘s EarlyReviewers Member Giveaway program.

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