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Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret. She’s a telepath, and it’s ostracized her from most of the people in her town. But when vampires come out of the coffin, Sookie discovers that she can’t read their minds. Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal. She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.
Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood. There will be no spoilers for the show and no comparisons between the books and the show. The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate. Moving right along!
This series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be. Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one. But this series is truly not a romance. Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.
The whodunit plots are generally murder mysteries. The violence is moderate. If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series. The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in. Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.
The setting of a supernatural American south is well imagined and evoked. Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon. The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.
The characters can sometimes feel like overwrought caricatures. While some characters are given depth, most are not. This is odd, since Sookie can read minds. one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her. And yet she doesn’t. Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly. For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.
Sookie’s character does develop, albeit minimally, over the course of the books. Characters should grow and change, 
particularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable. This is extra frustrating when the book is told from her perspective. Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her. She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life. Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical. Either own your own actions and validate their necessity or stop doing them. Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did. The fact that Sookie slowly becomes this hypocritical person makes her less and less likable. Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes. I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have 
done all of those things without coming to view supes as inferior. It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.
There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series. Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it. Unfortunately, there is an instance of bi erasure in the book. One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women. Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.
The sex in the book is not well-written. It is just awkward, cringe-inducing, and laughable most of the time. But the sex scenes aren’t very often, and they do fit in with the rest of the book. Just don’t go to this series looking to get really turned 
on.
This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable. It’s kitschy, not to be taken too seriously. It’s a series to come to and read precisely to laugh and roll your eyes. To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves. To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is. It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.
3.5 out of 5 stars
Source: Amazon, PaperBackSwap, and Audible
Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Dead Ever After
Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)
Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma. On top of this, someone is out to frame Sookie for murder, and they just might succeed. Sookie even gets arrested and must be bailed out of prison. Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.
Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood. The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life. Whether or not that’s the story readers wanted to hear, it is the story that gets told.
It becomes abundantly clear early in this book that Sookie has had it with the supernatural world. At least, with pure supes. She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires. Anyone who she feels has no humanity, she is done with. As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans. Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world. I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced. That part of Sookie’s character arc makes me sad. She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change. It’s sad. But, it is an actual character arc, and it makes sense within who Sookie is as a character. Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world. But it is a well-written character arc that makes sense.
The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense. The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia. Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.
The boyfriend situation. Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written. The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me. Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much. Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.
One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about. I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had. In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does. Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view. It reads odd, not ominous.
The audiobook narrator, Johanna Parker, took an odd turn with this book. Her voice reads as an old woman periodically, which doesn’t suit who Sookie is. I was disappointed, after her very good narration of books 12 and 11.
Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her. Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for. However, this book series has always been about Sookie. It is told in her voice and is about her life. Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told. Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Book Review: Deadlocked by Charlaine Harris (Series, #12) (Audiobook narrated by Johanna Parker)
Summary:
Sookie now has to deal with the fall-out of her, Eric, and Pam’s successful plot to kill Victor. And that means entertaining the vampire King of Louisiana. The very first party they host for the King ends with a dead half-shifter girl on the lawn. Meanwhile, Sookie finds out just why Eric has been seeming distant lately, and it might be too much for them to overcome. On top of all this, Sookie has to keep track of and protect the fairie present given to her grandmother, the cluviel dor.
Review:
The penultimate book in the Sookie Stackhouse series has a lot of big reveals, as one would expect. The big reveals at the heart of Sookie’s overarching story make sense and are well-played, although the central mystery of this entry feels a bit ho-hum.
The cluviel dor felt a bit like a deus ex machina from the instant the concept was introduced in book 11. To a certain extent, a powerful magical object that grants one wish will always feel like a deus ex machina, no matter how it is ultimately used. However, of the many options for the use of the wish, I think that how Sooie ultimately uses it is the least like a deus ex machina that it could be. The world is not torn asunder. The events of prior books aren’t canceled out. The instant in which she uses it makes sense, feels real, and is understandable. It reveals a plot point that may irritate some readers, particularly big fans of Eric, but it’s not a development that doesn’t fit in with the characters and world. Meaning that the cluviel dor is not used as a love spell or to undo the existence of vampires or some such nonsense. Those nervous about what would happen with it should rest easy and continue reading the series. You won’t have the rug pulled out from under you.
The central mystery feels kind of repetitive. There’s a dead body, and everyone must figure out what happened. Similarly, Sookie continues to refuse to learn anything from the multiple supernatural situations she has found herself in. She continues to make incredibly dumb mistakes that make it hard to root for her.
The depiction of the vampires, fairies, and werewolves continues on an ever more negative spiral. The good supes are few and far between, whereas humanity is depicted as something to strive for. For instance, having mercy on someone is seen as having humanity, as opposed to just having mercy. One of the things I liked at the beginning of the series was the ambiguity of the supes. Having Sookie feel increasingly negative toward them all is a bit sad.
That said, the book definitely moves the plot forward in a logical way. Many loose ends are addressed and answers given. Plus there is at least one big final question left for the last book in the series.
Overall, if you’ve stuck with the series this far, you should definitely keep reading. The penultimate book answers some question and continues to flesh out the version of Bon Temps in Harris’s mind.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Book Review: Dead Reckoning by Charlaine Harris (Series, #11) (Audiobook narrated by Johanna Parker)
Summary:
When Merlotte’s is firebombed, no one is sure if it’s because the shifters just came out and folks are angry that Sam is one or if it’s a more personal vendetta. As if that wasn’t bad enough, Eric’s vampire boss, Victor, has just opened a new human bar that’s stealing business from Merlotte’s. Sookie knows it’s a direct jab against her, as Eric’s wife. And Victor isn’t just stealing business. He’s punishing Eric via Pam, preventing Pam from turning her dying lover. Eric, Pam, and Sookie all know that Victor has got to go, and with the plotting going on, Sookie can’t be bothered to think too much about the firebombing.
Review:
This time it took me less than a year to return to Sookie, instead of the three year break I took last time. I’ve read so much of the 13 book series; I just have to know how it ends. The Sookie Stackhouse series is utterly ridiculous. But it’s a comfortable kind of ridiculous that’s just right to ease into while you’re cooking dinner. That’s why, when I listened to a sample and realized how perfect the audiobook narrator is for the books, I decided to listen to the end of the series. The warmth and ease of Sookie Stackhouse is perfect for combating cabin fever. This entry in the series has a bit more happen than in book 10, although the resolution to the big mystery feels repetitive.
Most of the ideas and plots in this book will ring familiar to any reader of the series. There might be hate against a newly out group (the shifters this time), some vampire higher ups are causing problems and need to be dealt with, and Sookie is just shocked that someone wants her dead. How she continues to be shocked by everyone hating her or wanting her out of the picture is beyond me, but Sookie isn’t exactly smart. Because many of the plots feel like previously visited territory, in spite of the fact that they’re well-written and active, they’re a bit boring. Something truly new really needs to happen to Sookie. The one plot point that is new, of course, is her interactions with the fae that were left behind when Niall closed off fairy. That plot was very interesting, and I’m glad it’s in the book, as it kept my interest up.
There really isn’t very much sex at this point. I honestly felt like that was a mercy since listening to someone read the awkward sex scene out loud was almost too cringe-inducing to bear. We all know Harris’s sex scenes are a bit….awkward. There’s not much new to say about that except that there’s really only one, and that feels like a good thing. Although Sookie does mention rather frequently Eric’s prowess in bed.
Sookie continues to be a self-righteous hypocrite, but someone close to her finally (finally!) calls her out on it. It happens toward the end of the book, after a lot of build-up of Sookie continuing to think she’s better than everyone else and has more morals than the rest of the supe world. The call-out is written with a perfect amount of ambiguity in the narration, leaving it up to the reader to decide if they agree with Sookie that she’s just holding onto her human morals or with the one who calls her out that she’s committing the acts and refusing to admit this is who she is. I’m not sure what camp Harris falls into, but I appreciated the finesse with which she leaves it open-ended for the reader to form their own opinion of Sookie.
The audiobook narrator, Johanna Parker, does a wonderful job. She truly makes Sookie and Bon Temps her own. There is a clear delineation in my head when listening to her that this is the book Bon Temps, not the True Blood one. She and Anna Paquin (who plays Sookie on tv) each bring their own interpretation, and they are both good and well-suited to the book and tv series, respectively.
Overall, this entry in the series is a bit repetitive. Two of the three main plots are similar versions of things we have seen before. However, Sookie finally gets called out for her hypocrisy and self-righteousness, and the third plot is new enough to keep interest up. Fans of the series will be a bit disappointed but will still find it a moderately interesting, quick read.
3.5 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Book Review: Dead in the Family by Charlaine Harris (Series, #10) (Bottom of TBR Pile Challenge)
Summary:
With the Fae war at an end, Sookie tries to return to some semblance of normal, working on both physical and emotional rehab. Although she has feelings for Eric, she is uncomfortable with his insistence that she is his wife, even if she technically is by vampire law. Plus, his maker and his new vampire-brother show up, putting a strain on the relationship. Meanwhile, the ramifications of the shifters coming out are beginning to be felt, and Sookie’s fae cousin, Claude, moves in with her, missing the presence of other fairies.
Review:
I just need to take a moment to point out two things. 1) The last time I read/reviewed a Sookie Stackhouse book was in October of 2010. This is why I started the Bottom of TBR Pile Challenge for myself. Books (even series books!) were getting lost in the pile! 2) Every time I look at that cover I think for a brief moment that Eric is bald. Something is just off in that painting. Now, on to the book.
Even though I read it almost three years ago (seriously, holy shit), I still clearly remember really enjoying the ninth book of the series. It was action-packed with lots of development of both plot and character. It reinvigorated the series for me so much so that even this much later, I was excited to pick up the next book. I should have known it would fizzle some after the action of the last book. It’s not easy to keep that much tension and action going, and it’s not like there weren’t any lulls earlier in the series. What I can mostly say about this book is that nothing much happens. Seriously. It’s longer than some of the books but less happens. I suppose technically things do happen. Eric’s maker shows up with a new vampire-brother for Eric, the hemophiliac Romanov brother, who is just not quite right in the head. This leads to some interesting development of Eric’s background, but not a ton. And it just isn’t all that intriguing. Similarly, even though logically it should be very interesting that Claude shows up at Sookie’s and the weres sniff out two fairies around, but it just isn’t. They sound interesting on the surface, but when you’re reading the book it mostly feels like you’re hanging out at Sookie’s house eating a cookie and wondering if the calories are worth it to listen to her yammer on.
I think the crux of the problem might be that neither Sookie nor Harris is comfortable with Sookie being with Eric, in spite of the reader liking Sookie being with Eric. If it’s not within the character for her to be with Eric, then a break-up needs to happen, regardless of what the readers like seeing. It’s important to keep characters acting within character. Interestingly, Sookie has started to notice that she is aging and thinking about what it will be like to slowly grow old and die. She seems to be seriously considering her vampire options. But we all know Sookie doesn’t want to be a vampire. Sookie wants children. If she gives that up to be a vampire, it will make the series take an incredibly dark turn. The next book will be an important one. It’s basically a shit or get off the pot moment for character development, and in spite of the ho hum nature of this entry in the series, I am interested to see if things pick up in the next book in this regard. They tend not to slump for long in Sookie Stackhouse-land.
There’s not too terribly much else to say about the book. Weaknesses that are there earlier in the series are still there. Sookie isn’t very smart and is kind of annoying. The sex scenes continue to be cringe-inducing. But the world is complex and fun to visit, even when not much is happening there. Sookie does need to start taking some agency soon though, or being stuck with her first person narration may become a bit too much to handle. Readers of the series will be disappointed by this dull entry, although it won’t come as a surprise since lulls happen earlier in the series. Enough happens to keep some interest up to keep going with it though.
3 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Book Review: Dead and Gone by Charlaine Harris (Series, #9)
Summary:
Now that the pieces seem to have been picked up from the bombing at Rhodes, Sookie is hoping to just get back to her normal life and adjust to living with her two roommates, the witches Amelia and Octavia. Of course, that can’t last for long. After seeing how well things are going for the vampires being out, the shifters decide to come out as well. Soon there’s what appears to be a hate crime against a shifter Sookie knows, and the FBI comes knocking wondering how Sookie was able to find survivors at Rhodes. On top of everything, a fae war is brewing, and Sookie can no longer hide from the fact that she’s part fae.
Review:
This is without a doubt my favorite Sookie Stackhouse book so far. It’s dark and (I know this sounds odd to say about a paranormal story) realistic. Harris doesn’t let Sookie hide from her problems. She has to truly face reality and deal with it in a way she’s never had to previously in her life. She can’t hide from her telepathy, her exes, her friendships, her coworkers, or her enemies. In a way this book is all about Sookie having to grow up and deal with it.
Readers who started out loving the beginning of the series might not like the dark direction Harris has turned. I for one love dark, disturbing tales, but those who don’t should be aware that there are a few scenes they may find upsetting. I thought these scenes were quite creative, particularly for a series that is being told in the first person.
Of course, this book still faces the writing issues seen in the earlier books in the series. Mainly, some of the writing is painfully simplistic or uses the obvious analogies. Then again, Sookie isn’t exactly super-intelligent, so it fits her voice. Additionally, the sex scenes continue to be a bit cringe inducing. I know other reviewers have pointed out multiple times how the sex scenes are a bit ridiculous. That continues to be true, but they aren’t exactly the focus of the series, so I’m ok with that myself.
Overall, Harris has taken an idea that could have worn out quickly and moved it gradually to a much darker tale that is quite thrilling. The series continues to be complex, and readers who’ve enjoyed the series thus far won’t be disappointed as long as they can handle some disturbing scenes.
4 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Book Review: From Dead to Worse by Charlaine Harris (Series, #8)
Summary:
Hurricane Katrina and the bombing of the vampire assembly at Rhodes have left the Louisiana supernatural community reeling and disjointed. This naturally creates the perfect atmosphere for attempted violent takeovers in both the were and vampire communities. Sookie finds herself smack in the middle, as usual, both due to her telepathic abilities and her desire to help her friends. Of course her telepathic abilities can’t tell her where her boyfriend, Quinn, has disappeared to. In the middle of all this, she also finds out some interesting family secrets.
Review:
Not only is Sookie’s character developing and changing, but the series is as well, and that’s what’s keeping it interesting this many books in. If you’ve stuck it out this long, then you’re clearly enjoying something that Harris is doing; however, I would say that the previous book and this one mark a stark change in the style of the series away from paranormal romance to just paranormal fiction. I’m actually not sure what exactly one would call this genre, but From Dead to Worse definitely reads like modern-day fiction just with supernatural characters tossed in. I really enjoy this partly because Harris’ sex scenes are cringe-inducing anyway, but also because it allows for that modern day connection but with problems that I will never have. This makes it a relaxing read.
Unlike some paranormal series, the main character of Sookie has gone through significant character developments. She went from a naive girl desperate to fit in to sadder but wiser woman who enjoys being different. In the first book, we see Sookie being cared for by her grandmother; in this one, we see Sookie caring for not only the witch, Amelia, but also an elderly woman, Octavia. It’s not just this that’s changing, however. Sookie’s experiences leave her wondering if she’s a good person or not, and frankly the reader is left trying to figure that out as well.
Some readers will be thrown by the absence of sex in this book. However, I enjoyed the various types of sexual and romantic interest tension Sookie has with the various men in her life. It is evident that she’s attempting to figure out which direction she wants to go in her life before settling on a man. Racking up this tension throughout one book is a great set-up for the next one.
My only gripes with this entry in the series are two-fold. First, I really don’t like the Jason/Hotshot storyline. Jason could be a very interesting character, as we know from the direction they’ve taken him in True Blood. He’s not used well in the books, though, and I hope Harris fixes this soon. I’m tired of cringing over the Hotshot scenes. Also, this book yet again features a northern woman who yet again is an evil bitch in Sookie’s eyes. This is obviously Harris’ own prejudice coming through as Sookie has been established as a person who is staunchly not prejudiced against anyone. What is with this hating on northern women? It says a lot about Harris that this prejudice seeps into her writing even when writing a character who is not prejudiced. I’m sick of seeing it, and it stings as a northern female fan of the series.
However, in spite of these short-comings, the series is still enjoyable. This book marks a distinct change in the writing from paranormal romance to simply paranormal. Readers who’ve stuck it out this far will either enjoy this change as I do or give up on the series due to its lack of romance. If you’re reading it for the characters and the world Harris has created, you will enjoy this entry into the series. If you’re reading it for paranormal romance, you’ll probably want to look elsewhere.
4 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
Book Review: Dead as a Doornail by Charlaine Harris (Series, #5)
Summary:
Someone is shooting shifters in the parish, and the Werepanthers are suspicious of Jason. Sookie sets out to clear his name, but things get a bit more complicated when it becomes clear someone has their eye not only on the shifters, but also on her.
Review:
Although the back cover claims this entry into the Sookie-verse is full of entertaining plot-twists, it actually reads as a been there, done that, plot.
Jason is in trouble, again. Sookie’s fairy godmother has to save her, again. Someone isn’t what they seem. Again. Sam still has the major hots for Sookie (though I’ll never understand why. She seems to just use him repeatedly when she needs help). Bill still wants Sookie even though he’s sleeping with someone else, and Alcide is still kind of a jerk.
I think the problem with this book is that it doesn’t move the overarching plot forward much at all. There is a tiny development in the Sookie/Eric plotline, but that’s all. I guess I could forgive this if the individual storyline was new and exciting, but it’s not. Ooo, someone’s targeting the supes. Big deal.
In spite of all these complaints, I still want to keep reading the series. This book read more like a clunker episode of a tv series you really love than a death toll. I expect things will improve in the next book, and this was just a mystery idea that went bad for Harris.
2 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Book Review: Dead to the World by Charlaine Harris (Series, #4)
Summary:
Just because Sookie has broken up with Bill doesn’t mean her relationship with the supernatural world is over–especially when she finds Eric naked and suffering from amnesia on the side of the road. When she discovers from Pam that a league of evil witches have their sights set on ruling Shreveport, she agrees to hide Eric while the vampires, werewolves, and Wiccans attempt to fend off the witches. To top it off, Sookie’s brother has gone missing, which may or may not be related to the near-war going on.
Review:
While the books in the series so far have been improving, Dead to the World is definitely a step back.
The individual plot lines aren’t so bad, but Harris doesn’t do a good job of keeping them integrated and flowing. The book reads as if it has too many sticks in the fire. Just too much happens in such a short book. The reader is left feeling a bit of whiplash from the rapidly changing storylines and situations.
I knew Sookie would have a rebound after Bill, but I’d hoped Harris would be more creative than having that rebound be Eric. Don’t get me wrong. I like Eric better than Bill, but I also enjoyed the tension between him and Sookie. I wish that had lasted longer. Similarly, I don’t think giving Eric amnesia was a wise character development choice. I’m pretty sure anyone with amnesia plopped into the supernatural world would be a cowering mess. That doesn’t tell us anything about who Eric is underneath his persona. Sookie’s interactions with him therefore felt so fake that I not only couldn’t take real interest in them, I was also a bit grossed out by the falseness of them. I didn’t expect Sookie’s rebound to be emotional, but I did expect it to be more real.
On the other hand, Sookie’s character development takes a nice turn. Without Bill in the picture, she may have expected the supernatural world to pretty much leave her alone. Instead she finds out they still depend on her. Through the various situations, she starts to become a more empowered version of herself, and I enjoyed seeing that.
The best part of the book by far is Jason’s plot-line. I can’t say much more or I’ll give away the secret, but suffice to say that I hope True Blood gets to this part of the story sooner rather than later.
While I’m irritated by some of the character development choices Harris has made, I am still enjoying the world she has created. I am hoping though that the series returns to the tight, witty writing found in Club Dead.
3 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Book Review: Club Dead by Charlaine Harris (Series, #3)
Summary:
Bill has been acting oddly distant with Sookie lately, so she isn’t exactly pleased when he announces he’s going to Seattle on a mission for the vampire queen of Louisiana. She soon finds out from Pam and Eric, though, that Bill lied to her. He’s actually been in Jackson, Mississippi with his one-time vampire lover, Lorena. He’s also been kidnapped. Something he’s been secretly up to has put them all in danger, so Sookie must put aside her anger for now and try to help the vampires free Bill and prevent a vampire war between the kingdoms of Mississippi and Louisiana. Along the way, Sookie gets to know a whole lot more about the werewolves–not to mention about Eric.
Review:
I have to hand it to Harris, I expected there to be trouble in paradise for Bill and Sookie, but I didn’t expect it this soon or this serious. Reading Club Dead made me realize this series isn’t about Sookie’s relationship with Bill, but about Sookie’s gradual entry into the supernatural world. Bill just kind of served as a door. I tend to be a bit of a romantic, but I’ve never really liked Bill nearly as much as the other supernatural guys, so let me just say–woohoo!
The plot is complex. There are multiple mysteries for Sookie to figure out on top of dealing with her emotions about Bill’s betrayal and her odd popularity among the supernatural guys. I enjoy the fact that she was never desired by human guys, but is among the the supernaturals. It’s akin to the awkward growing up girl finding her niche in her 20s. At first Sookie thought it was just Bill who has the major hots for her, but it turns out she’s a hot commodity with lots of the supernatural guys, but it isn’t just about her looks. They like Sookie for her personality. Something it seemed to me Bill never seemed to appreciate much.
Harris does a good job writing a unique werewolf world. Whereas the vampires are notoriously cold emotionally, the werewolves are hot-blooded. They’re passionate, strong, and animalistic. Harris has them mostly working blue collar jobs, but excelling at it. Sookie’s escort, Alcide, runs a highly profitable family general contracting business.
My only complaint is that Harris doesn’t seem to trust her readers to remember the rules of the world she’s created. We get told yet again that silver chains can hold a vampire down, shifters aren’t out yet, Sookie had a hard time in school, the Japanese created synthetic blood, etc… It’s annoying, and it makes it feel like Harris thinks she needs to dumb down the story for her readers. I understand a quick rehash at the beginning of the book to remind us where we left off, but as for everything else, I think the reader can be trusted to remember that silver chain nets are dangerous to vampires. Those parts are easily skimmed over though, and the res of the book makes up for it.
I originally was uncertain that Harris could keep Sookie Stackhouse’s world interesting for seven books. I envisioned repeated “Bill and Sookie solve yet another mystery” outings, but I am glad to say I was mistaken. As the books continue, more of the world is revealed, and Sookie’s life becomes more complicated. I’m looking forward to what she’s going to reveal next.
If you enjoy the gradual building of a world around a strong female character, you will enjoy the direction this series is headed.
4 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 