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Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris

March 7, 2014 6 comments

Introduction:
I post series reviews after completing reading an entire series of books.  It gives me a chance to reflect on and analyze the series as a whole.  These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another.  Please be aware that series reviews necessarily contain some spoilers.

Man in cloak floating in the airSummary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret.  She’s a telepath, and it’s ostracized her from most of the people in her town.  But when vampires come out of the coffin, Sookie discovers that she can’t read their minds.  Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal.  She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.

Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood.  There will be no spoilers for the show and no comparisons between the books and the show.  The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate.  Moving right along!

coverclubdeadThis series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be.  Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one.  But this series is truly not a romance.  Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.

The whodunit plots are generally murder mysteries.  The violence is moderate.  If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series.  The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in.  Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.

coverdeadasadoornailThe setting of a supernatural American south is well imagined and evoked.  Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon.  The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.

The characters can sometimes feel like overwrought caricatures.  While some characters are given depth, most are not.  This is odd, since Sookie can read minds.  one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her.  And yet she doesn’t.  Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly.  For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.

Sookie’s character does develop, albeit minimally, over the course of the books.  Characters should grow and change, coveralltogetherdeadparticularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable.  This is extra frustrating when the book is told from her perspective.  Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her.  She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life.  Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical.  Either own your own actions and validate their necessity or stop doing them.  Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did.  The fact that Sookie slowly becomes this hypocritical person makes her less and less likable.  Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes.  I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have Blonde woman in blue standing between two pale men in black capes.done all of those things without coming to view supes as inferior.  It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.

There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series.  Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it.  Unfortunately, there is an instance of bi erasure in the book.  One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women.  Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.

The sex in the book is not well-written.  It is just awkward, cringe-inducing, and laughable most of the time.  But the sex scenes aren’t very often, and they do fit in with the rest of the book.  Just don’t go to this series looking to get really turned Cartoon drawing of a blonde woman in a green dress upside down with burning paper near her.on.

This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable.  It’s kitschy, not to be taken too seriously.  It’s a series to come to and read precisely to laugh and roll your eyes.  To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves.  To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is.  It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.

3.5 out of 5 stars

A blonde woman stands among flowers and tomatoes with the sun either setting or rising behind her.Source: Amazon, PaperBackSwap, and Audible

Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Dead Reckoning, review
Deadlocked, review
Dead Ever After, review

Book Review: Dead Reckoning by Charlaine Harris (Series, #11) (Audiobook narrated by Johanna Parker)

February 26, 2014 3 comments

Cartoon drawing of a blonde woman in a green dress upside down with burning paper near her.Summary:
When Merlotte’s is firebombed, no one is sure if it’s because the shifters just came out and folks are angry that Sam is one or if it’s a more personal vendetta.  As if that wasn’t bad enough, Eric’s vampire boss, Victor, has just opened a new human bar that’s stealing business from Merlotte’s.  Sookie knows it’s a direct jab against her, as Eric’s wife.  And Victor isn’t just stealing business. He’s punishing Eric via Pam, preventing Pam from turning her dying lover.  Eric, Pam, and Sookie all know that Victor has got to go, and with the plotting going on, Sookie can’t be bothered to think too much about the firebombing.

Review:
This time it took me less than a year to return to Sookie, instead of the three year break I took last time.  I’ve read so much of the 13 book series; I just have to know how it ends.  The Sookie Stackhouse series is utterly ridiculous.  But it’s a comfortable kind of ridiculous that’s just right to ease into while you’re cooking dinner.  That’s why, when I listened to a sample and realized how perfect the audiobook narrator is for the books, I decided to listen to the end of the series.  The warmth and ease of Sookie Stackhouse is perfect for combating cabin fever.  This entry in the series has a bit more happen than in book 10, although the resolution to the big mystery feels repetitive.

Most of the ideas and plots in this book will ring familiar to any reader of the series.  There might be hate against a newly out group (the shifters this time), some vampire higher ups are causing problems and need to be dealt with, and Sookie is just shocked that someone wants her dead.  How she continues to be shocked by everyone hating her or wanting her out of the picture is beyond me, but Sookie isn’t exactly smart.  Because many of the plots feel like previously visited territory, in spite of the fact that they’re well-written and active, they’re a bit boring.  Something truly new really needs to happen to Sookie.  The one plot point that is new, of course, is her interactions with the fae that were left behind when Niall closed off fairy.  That plot was very interesting, and I’m glad it’s in the book, as it kept my interest up.

There really isn’t very much sex at this point.  I honestly felt like that was a mercy since listening to someone read the awkward sex scene out loud was almost too cringe-inducing to bear.  We all know Harris’s sex scenes are a bit….awkward.  There’s not much new to say about that except that there’s really only one, and that feels like a good thing.  Although Sookie does mention rather frequently Eric’s prowess in bed.

Sookie continues to be a self-righteous hypocrite, but someone close to her finally (finally!) calls her out on it.  It happens toward the end of the book, after a lot of build-up of Sookie continuing to think she’s better than everyone else and has more morals than the rest of the supe world.  The call-out is written with a perfect amount of ambiguity in the narration, leaving it up to the reader to decide if they agree with Sookie that she’s just holding onto her human morals or with the one who calls her out that she’s committing the acts and refusing to admit this is who she is.  I’m not sure what camp Harris falls into, but I appreciated the finesse with which she leaves it open-ended for the reader to form their own opinion of Sookie.

The audiobook narrator, Johanna Parker, does a wonderful job.  She truly makes Sookie and Bon Temps her own.  There is a clear delineation in my head when listening to her that this is the book Bon Temps, not the True Blood one.  She and Anna Paquin (who plays Sookie on tv) each bring their own interpretation, and they are both good and well-suited to the book and tv series, respectively.

Overall, this entry in the series is a bit repetitive.  Two of the three main plots are similar versions of things we have seen before.  However, Sookie finally gets called out for her hypocrisy and self-righteousness, and the third plot is new enough to keep interest up.  Fans of the series will be a bit disappointed but will still find it a moderately interesting, quick read.

3.5 out of 5 stars

Source: Audible

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Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review