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Book Review: Dead Reckoning by Charlaine Harris (Series, #11) (Audiobook narrated by Johanna Parker)
Summary:
When Merlotte’s is firebombed, no one is sure if it’s because the shifters just came out and folks are angry that Sam is one or if it’s a more personal vendetta. As if that wasn’t bad enough, Eric’s vampire boss, Victor, has just opened a new human bar that’s stealing business from Merlotte’s. Sookie knows it’s a direct jab against her, as Eric’s wife. And Victor isn’t just stealing business. He’s punishing Eric via Pam, preventing Pam from turning her dying lover. Eric, Pam, and Sookie all know that Victor has got to go, and with the plotting going on, Sookie can’t be bothered to think too much about the firebombing.
Review:
This time it took me less than a year to return to Sookie, instead of the three year break I took last time. I’ve read so much of the 13 book series; I just have to know how it ends. The Sookie Stackhouse series is utterly ridiculous. But it’s a comfortable kind of ridiculous that’s just right to ease into while you’re cooking dinner. That’s why, when I listened to a sample and realized how perfect the audiobook narrator is for the books, I decided to listen to the end of the series. The warmth and ease of Sookie Stackhouse is perfect for combating cabin fever. This entry in the series has a bit more happen than in book 10, although the resolution to the big mystery feels repetitive.
Most of the ideas and plots in this book will ring familiar to any reader of the series. There might be hate against a newly out group (the shifters this time), some vampire higher ups are causing problems and need to be dealt with, and Sookie is just shocked that someone wants her dead. How she continues to be shocked by everyone hating her or wanting her out of the picture is beyond me, but Sookie isn’t exactly smart. Because many of the plots feel like previously visited territory, in spite of the fact that they’re well-written and active, they’re a bit boring. Something truly new really needs to happen to Sookie. The one plot point that is new, of course, is her interactions with the fae that were left behind when Niall closed off fairy. That plot was very interesting, and I’m glad it’s in the book, as it kept my interest up.
There really isn’t very much sex at this point. I honestly felt like that was a mercy since listening to someone read the awkward sex scene out loud was almost too cringe-inducing to bear. We all know Harris’s sex scenes are a bit….awkward. There’s not much new to say about that except that there’s really only one, and that feels like a good thing. Although Sookie does mention rather frequently Eric’s prowess in bed.
Sookie continues to be a self-righteous hypocrite, but someone close to her finally (finally!) calls her out on it. It happens toward the end of the book, after a lot of build-up of Sookie continuing to think she’s better than everyone else and has more morals than the rest of the supe world. The call-out is written with a perfect amount of ambiguity in the narration, leaving it up to the reader to decide if they agree with Sookie that she’s just holding onto her human morals or with the one who calls her out that she’s committing the acts and refusing to admit this is who she is. I’m not sure what camp Harris falls into, but I appreciated the finesse with which she leaves it open-ended for the reader to form their own opinion of Sookie.
The audiobook narrator, Johanna Parker, does a wonderful job. She truly makes Sookie and Bon Temps her own. There is a clear delineation in my head when listening to her that this is the book Bon Temps, not the True Blood one. She and Anna Paquin (who plays Sookie on tv) each bring their own interpretation, and they are both good and well-suited to the book and tv series, respectively.
Overall, this entry in the series is a bit repetitive. Two of the three main plots are similar versions of things we have seen before. However, Sookie finally gets called out for her hypocrisy and self-righteousness, and the third plot is new enough to keep interest up. Fans of the series will be a bit disappointed but will still find it a moderately interesting, quick read.
3.5 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Dead in the Family, review
Book Review: Dead in the Family by Charlaine Harris (Series, #10) (Bottom of TBR Pile Challenge)
Summary:
With the Fae war at an end, Sookie tries to return to some semblance of normal, working on both physical and emotional rehab. Although she has feelings for Eric, she is uncomfortable with his insistence that she is his wife, even if she technically is by vampire law. Plus, his maker and his new vampire-brother show up, putting a strain on the relationship. Meanwhile, the ramifications of the shifters coming out are beginning to be felt, and Sookie’s fae cousin, Claude, moves in with her, missing the presence of other fairies.
Review:
I just need to take a moment to point out two things. 1) The last time I read/reviewed a Sookie Stackhouse book was in October of 2010. This is why I started the Bottom of TBR Pile Challenge for myself. Books (even series books!) were getting lost in the pile! 2) Every time I look at that cover I think for a brief moment that Eric is bald. Something is just off in that painting. Now, on to the book.
Even though I read it almost three years ago (seriously, holy shit), I still clearly remember really enjoying the ninth book of the series. It was action-packed with lots of development of both plot and character. It reinvigorated the series for me so much so that even this much later, I was excited to pick up the next book. I should have known it would fizzle some after the action of the last book. It’s not easy to keep that much tension and action going, and it’s not like there weren’t any lulls earlier in the series. What I can mostly say about this book is that nothing much happens. Seriously. It’s longer than some of the books but less happens. I suppose technically things do happen. Eric’s maker shows up with a new vampire-brother for Eric, the hemophiliac Romanov brother, who is just not quite right in the head. This leads to some interesting development of Eric’s background, but not a ton. And it just isn’t all that intriguing. Similarly, even though logically it should be very interesting that Claude shows up at Sookie’s and the weres sniff out two fairies around, but it just isn’t. They sound interesting on the surface, but when you’re reading the book it mostly feels like you’re hanging out at Sookie’s house eating a cookie and wondering if the calories are worth it to listen to her yammer on.
I think the crux of the problem might be that neither Sookie nor Harris is comfortable with Sookie being with Eric, in spite of the reader liking Sookie being with Eric. If it’s not within the character for her to be with Eric, then a break-up needs to happen, regardless of what the readers like seeing. It’s important to keep characters acting within character. Interestingly, Sookie has started to notice that she is aging and thinking about what it will be like to slowly grow old and die. She seems to be seriously considering her vampire options. But we all know Sookie doesn’t want to be a vampire. Sookie wants children. If she gives that up to be a vampire, it will make the series take an incredibly dark turn. The next book will be an important one. It’s basically a shit or get off the pot moment for character development, and in spite of the ho hum nature of this entry in the series, I am interested to see if things pick up in the next book in this regard. They tend not to slump for long in Sookie Stackhouse-land.
There’s not too terribly much else to say about the book. Weaknesses that are there earlier in the series are still there. Sookie isn’t very smart and is kind of annoying. The sex scenes continue to be cringe-inducing. But the world is complex and fun to visit, even when not much is happening there. Sookie does need to start taking some agency soon though, or being stuck with her first person narration may become a bit too much to handle. Readers of the series will be disappointed by this dull entry, although it won’t come as a surprise since lulls happen earlier in the series. Enough happens to keep some interest up to keep going with it though.
3 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Dead And Gone, review
Book Review: Dead and Gone by Charlaine Harris (Series, #9)
Summary:
Now that the pieces seem to have been picked up from the bombing at Rhodes, Sookie is hoping to just get back to her normal life and adjust to living with her two roommates, the witches Amelia and Octavia. Of course, that can’t last for long. After seeing how well things are going for the vampires being out, the shifters decide to come out as well. Soon there’s what appears to be a hate crime against a shifter Sookie knows, and the FBI comes knocking wondering how Sookie was able to find survivors at Rhodes. On top of everything, a fae war is brewing, and Sookie can no longer hide from the fact that she’s part fae.
Review:
This is without a doubt my favorite Sookie Stackhouse book so far. It’s dark and (I know this sounds odd to say about a paranormal story) realistic. Harris doesn’t let Sookie hide from her problems. She has to truly face reality and deal with it in a way she’s never had to previously in her life. She can’t hide from her telepathy, her exes, her friendships, her coworkers, or her enemies. In a way this book is all about Sookie having to grow up and deal with it.
Readers who started out loving the beginning of the series might not like the dark direction Harris has turned. I for one love dark, disturbing tales, but those who don’t should be aware that there are a few scenes they may find upsetting. I thought these scenes were quite creative, particularly for a series that is being told in the first person.
Of course, this book still faces the writing issues seen in the earlier books in the series. Mainly, some of the writing is painfully simplistic or uses the obvious analogies. Then again, Sookie isn’t exactly super-intelligent, so it fits her voice. Additionally, the sex scenes continue to be a bit cringe inducing. I know other reviewers have pointed out multiple times how the sex scenes are a bit ridiculous. That continues to be true, but they aren’t exactly the focus of the series, so I’m ok with that myself.
Overall, Harris has taken an idea that could have worn out quickly and moved it gradually to a much darker tale that is quite thrilling. The series continues to be complex, and readers who’ve enjoyed the series thus far won’t be disappointed as long as they can handle some disturbing scenes.
4 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review
Dead as a Doornail, review
Definitely Dead, review
All Together Dead, review
From Dead to Worse, review
Book Review: Dead as a Doornail by Charlaine Harris (Series, #5)
Summary:
Someone is shooting shifters in the parish, and the Werepanthers are suspicious of Jason. Sookie sets out to clear his name, but things get a bit more complicated when it becomes clear someone has their eye not only on the shifters, but also on her.
Review:
Although the back cover claims this entry into the Sookie-verse is full of entertaining plot-twists, it actually reads as a been there, done that, plot.
Jason is in trouble, again. Sookie’s fairy godmother has to save her, again. Someone isn’t what they seem. Again. Sam still has the major hots for Sookie (though I’ll never understand why. She seems to just use him repeatedly when she needs help). Bill still wants Sookie even though he’s sleeping with someone else, and Alcide is still kind of a jerk.
I think the problem with this book is that it doesn’t move the overarching plot forward much at all. There is a tiny development in the Sookie/Eric plotline, but that’s all. I guess I could forgive this if the individual storyline was new and exciting, but it’s not. Ooo, someone’s targeting the supes. Big deal.
In spite of all these complaints, I still want to keep reading the series. This book read more like a clunker episode of a tv series you really love than a death toll. I expect things will improve in the next book, and this was just a mystery idea that went bad for Harris.
2 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark, review
Living Dead in Dallas, review
Club Dead, review
Dead To The World, review