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Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret. She’s a telepath, and it’s ostracized her from most of the people in her town. But when vampires come out of the coffin, Sookie discovers that she can’t read their minds. Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal. She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.
Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood. There will be no spoilers for the show and no comparisons between the books and the show. The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate. Moving right along!
This series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be. Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one. But this series is truly not a romance. Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.
The whodunit plots are generally murder mysteries. The violence is moderate. If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series. The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in. Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.
The setting of a supernatural American south is well imagined and evoked. Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon. The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.
The characters can sometimes feel like overwrought caricatures. While some characters are given depth, most are not. This is odd, since Sookie can read minds. one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her. And yet she doesn’t. Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly. For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.
Sookie’s character does develop, albeit minimally, over the course of the books. Characters should grow and change, 
particularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable. This is extra frustrating when the book is told from her perspective. Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her. She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life. Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical. Either own your own actions and validate their necessity or stop doing them. Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did. The fact that Sookie slowly becomes this hypocritical person makes her less and less likable. Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes. I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have 
done all of those things without coming to view supes as inferior. It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.
There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series. Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it. Unfortunately, there is an instance of bi erasure in the book. One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women. Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.
The sex in the book is not well-written. It is just awkward, cringe-inducing, and laughable most of the time. But the sex scenes aren’t very often, and they do fit in with the rest of the book. Just don’t go to this series looking to get really turned 
on.
This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable. It’s kitschy, not to be taken too seriously. It’s a series to come to and read precisely to laugh and roll your eyes. To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves. To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is. It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.
3.5 out of 5 stars
Source: Amazon, PaperBackSwap, and Audible
Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Dead Ever After
Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)
Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma. On top of this, someone is out to frame Sookie for murder, and they just might succeed. Sookie even gets arrested and must be bailed out of prison. Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.
Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood. The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life. Whether or not that’s the story readers wanted to hear, it is the story that gets told.
It becomes abundantly clear early in this book that Sookie has had it with the supernatural world. At least, with pure supes. She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires. Anyone who she feels has no humanity, she is done with. As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans. Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world. I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced. That part of Sookie’s character arc makes me sad. She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change. It’s sad. But, it is an actual character arc, and it makes sense within who Sookie is as a character. Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world. But it is a well-written character arc that makes sense.
The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense. The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia. Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.
The boyfriend situation. Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written. The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me. Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much. Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.
One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about. I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had. In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does. Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view. It reads odd, not ominous.
The audiobook narrator, Johanna Parker, took an odd turn with this book. Her voice reads as an old woman periodically, which doesn’t suit who Sookie is. I was disappointed, after her very good narration of books 12 and 11.
Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her. Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for. However, this book series has always been about Sookie. It is told in her voice and is about her life. Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told. Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Book Review: Deadlocked by Charlaine Harris (Series, #12) (Audiobook narrated by Johanna Parker)
Summary:
Sookie now has to deal with the fall-out of her, Eric, and Pam’s successful plot to kill Victor. And that means entertaining the vampire King of Louisiana. The very first party they host for the King ends with a dead half-shifter girl on the lawn. Meanwhile, Sookie finds out just why Eric has been seeming distant lately, and it might be too much for them to overcome. On top of all this, Sookie has to keep track of and protect the fairie present given to her grandmother, the cluviel dor.
Review:
The penultimate book in the Sookie Stackhouse series has a lot of big reveals, as one would expect. The big reveals at the heart of Sookie’s overarching story make sense and are well-played, although the central mystery of this entry feels a bit ho-hum.
The cluviel dor felt a bit like a deus ex machina from the instant the concept was introduced in book 11. To a certain extent, a powerful magical object that grants one wish will always feel like a deus ex machina, no matter how it is ultimately used. However, of the many options for the use of the wish, I think that how Sooie ultimately uses it is the least like a deus ex machina that it could be. The world is not torn asunder. The events of prior books aren’t canceled out. The instant in which she uses it makes sense, feels real, and is understandable. It reveals a plot point that may irritate some readers, particularly big fans of Eric, but it’s not a development that doesn’t fit in with the characters and world. Meaning that the cluviel dor is not used as a love spell or to undo the existence of vampires or some such nonsense. Those nervous about what would happen with it should rest easy and continue reading the series. You won’t have the rug pulled out from under you.
The central mystery feels kind of repetitive. There’s a dead body, and everyone must figure out what happened. Similarly, Sookie continues to refuse to learn anything from the multiple supernatural situations she has found herself in. She continues to make incredibly dumb mistakes that make it hard to root for her.
The depiction of the vampires, fairies, and werewolves continues on an ever more negative spiral. The good supes are few and far between, whereas humanity is depicted as something to strive for. For instance, having mercy on someone is seen as having humanity, as opposed to just having mercy. One of the things I liked at the beginning of the series was the ambiguity of the supes. Having Sookie feel increasingly negative toward them all is a bit sad.
That said, the book definitely moves the plot forward in a logical way. Many loose ends are addressed and answers given. Plus there is at least one big final question left for the last book in the series.
Overall, if you’ve stuck with the series this far, you should definitely keep reading. The penultimate book answers some question and continues to flesh out the version of Bon Temps in Harris’s mind.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Book Review: Dead in the Family by Charlaine Harris (Series, #10) (Bottom of TBR Pile Challenge)
Summary:
With the Fae war at an end, Sookie tries to return to some semblance of normal, working on both physical and emotional rehab. Although she has feelings for Eric, she is uncomfortable with his insistence that she is his wife, even if she technically is by vampire law. Plus, his maker and his new vampire-brother show up, putting a strain on the relationship. Meanwhile, the ramifications of the shifters coming out are beginning to be felt, and Sookie’s fae cousin, Claude, moves in with her, missing the presence of other fairies.
Review:
I just need to take a moment to point out two things. 1) The last time I read/reviewed a Sookie Stackhouse book was in October of 2010. This is why I started the Bottom of TBR Pile Challenge for myself. Books (even series books!) were getting lost in the pile! 2) Every time I look at that cover I think for a brief moment that Eric is bald. Something is just off in that painting. Now, on to the book.
Even though I read it almost three years ago (seriously, holy shit), I still clearly remember really enjoying the ninth book of the series. It was action-packed with lots of development of both plot and character. It reinvigorated the series for me so much so that even this much later, I was excited to pick up the next book. I should have known it would fizzle some after the action of the last book. It’s not easy to keep that much tension and action going, and it’s not like there weren’t any lulls earlier in the series. What I can mostly say about this book is that nothing much happens. Seriously. It’s longer than some of the books but less happens. I suppose technically things do happen. Eric’s maker shows up with a new vampire-brother for Eric, the hemophiliac Romanov brother, who is just not quite right in the head. This leads to some interesting development of Eric’s background, but not a ton. And it just isn’t all that intriguing. Similarly, even though logically it should be very interesting that Claude shows up at Sookie’s and the weres sniff out two fairies around, but it just isn’t. They sound interesting on the surface, but when you’re reading the book it mostly feels like you’re hanging out at Sookie’s house eating a cookie and wondering if the calories are worth it to listen to her yammer on.
I think the crux of the problem might be that neither Sookie nor Harris is comfortable with Sookie being with Eric, in spite of the reader liking Sookie being with Eric. If it’s not within the character for her to be with Eric, then a break-up needs to happen, regardless of what the readers like seeing. It’s important to keep characters acting within character. Interestingly, Sookie has started to notice that she is aging and thinking about what it will be like to slowly grow old and die. She seems to be seriously considering her vampire options. But we all know Sookie doesn’t want to be a vampire. Sookie wants children. If she gives that up to be a vampire, it will make the series take an incredibly dark turn. The next book will be an important one. It’s basically a shit or get off the pot moment for character development, and in spite of the ho hum nature of this entry in the series, I am interested to see if things pick up in the next book in this regard. They tend not to slump for long in Sookie Stackhouse-land.
There’s not too terribly much else to say about the book. Weaknesses that are there earlier in the series are still there. Sookie isn’t very smart and is kind of annoying. The sex scenes continue to be cringe-inducing. But the world is complex and fun to visit, even when not much is happening there. Sookie does need to start taking some agency soon though, or being stuck with her first person narration may become a bit too much to handle. Readers of the series will be disappointed by this dull entry, although it won’t come as a surprise since lulls happen earlier in the series. Enough happens to keep some interest up to keep going with it though.
3 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Book Review: From Dead to Worse by Charlaine Harris (Series, #8)
Summary:
Hurricane Katrina and the bombing of the vampire assembly at Rhodes have left the Louisiana supernatural community reeling and disjointed. This naturally creates the perfect atmosphere for attempted violent takeovers in both the were and vampire communities. Sookie finds herself smack in the middle, as usual, both due to her telepathic abilities and her desire to help her friends. Of course her telepathic abilities can’t tell her where her boyfriend, Quinn, has disappeared to. In the middle of all this, she also finds out some interesting family secrets.
Review:
Not only is Sookie’s character developing and changing, but the series is as well, and that’s what’s keeping it interesting this many books in. If you’ve stuck it out this long, then you’re clearly enjoying something that Harris is doing; however, I would say that the previous book and this one mark a stark change in the style of the series away from paranormal romance to just paranormal fiction. I’m actually not sure what exactly one would call this genre, but From Dead to Worse definitely reads like modern-day fiction just with supernatural characters tossed in. I really enjoy this partly because Harris’ sex scenes are cringe-inducing anyway, but also because it allows for that modern day connection but with problems that I will never have. This makes it a relaxing read.
Unlike some paranormal series, the main character of Sookie has gone through significant character developments. She went from a naive girl desperate to fit in to sadder but wiser woman who enjoys being different. In the first book, we see Sookie being cared for by her grandmother; in this one, we see Sookie caring for not only the witch, Amelia, but also an elderly woman, Octavia. It’s not just this that’s changing, however. Sookie’s experiences leave her wondering if she’s a good person or not, and frankly the reader is left trying to figure that out as well.
Some readers will be thrown by the absence of sex in this book. However, I enjoyed the various types of sexual and romantic interest tension Sookie has with the various men in her life. It is evident that she’s attempting to figure out which direction she wants to go in her life before settling on a man. Racking up this tension throughout one book is a great set-up for the next one.
My only gripes with this entry in the series are two-fold. First, I really don’t like the Jason/Hotshot storyline. Jason could be a very interesting character, as we know from the direction they’ve taken him in True Blood. He’s not used well in the books, though, and I hope Harris fixes this soon. I’m tired of cringing over the Hotshot scenes. Also, this book yet again features a northern woman who yet again is an evil bitch in Sookie’s eyes. This is obviously Harris’ own prejudice coming through as Sookie has been established as a person who is staunchly not prejudiced against anyone. What is with this hating on northern women? It says a lot about Harris that this prejudice seeps into her writing even when writing a character who is not prejudiced. I’m sick of seeing it, and it stings as a northern female fan of the series.
However, in spite of these short-comings, the series is still enjoyable. This book marks a distinct change in the writing from paranormal romance to simply paranormal. Readers who’ve stuck it out this far will either enjoy this change as I do or give up on the series due to its lack of romance. If you’re reading it for the characters and the world Harris has created, you will enjoy this entry into the series. If you’re reading it for paranormal romance, you’ll probably want to look elsewhere.
4 out of 5 stars
Source: PaperBackSwap
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
Best Discoveries of 2009–Movies, TV Shows, and Websites
You guys got to see my favorite reads of 2009, but what about all else entertainment? I do, surprisingly, do things besides read with my (little) free-time. So here’s Part One of my best of all-else entertainment list from 2009. I’m not limiting myself to things that came out in 2009, just things that I encountered for the first time in 2009. Consider everything listed as accompanied with the highest recommendations.
Movies
Coraline (2009)
The story of a little girl rightfully frustrated with her parents who discovers another world is delightfully creative, but the animation is what makes this a must-see. It is truly a feast for your eyes.- The Hangover (2009)
Bust a gut, laugh out loud funny. A groom and his buddies go to Vegas a few days before his wedding for his bachelor party, and when they wake up the next morning, the buddies can’t find the groom or remember what they did the night before. Uproariously awkward situations make you feel way better about that one night you can’t remember. 
Inglorious Basterds (2009)
A troop of American Jews led by Brad Pitt go on a Nazi-killing spree in WWII Europe. Confession. I fucking love WWII history. I have ever since I was a kid. I also absolutely love blood and guts movies. The more gruesome the better. I also love Jewish fellas (I blame my undergrad university for that one). Additionally, I love Brad Pitt. *swoon* German is also my foreign language, so I didn’t even need the damn sub-titles. Can you say must-see movie? My only gripe is that not enough time was spent on the awesome group of American soldiers.- Kill Bill Volume One (2003)
The Bride has a score to settle with her old boss Bill and everyone who helped him commit the slaughter of all present for her wedding day (not to mention almost killing her). So many epic fight scenes. So many bad-ass women. Not to mention the whole blood and guts thing previously mentioned. 
South Park: Bigger Longer & Uncut (1999)
The boys’ parents get all upset when they sneak in to see the R-rated Terrence and Phillip movie, which clearly leads to a war with Canada. This basically is South Park The Musical and gave us the gifts that are the songs “Uncle Fucka” and “Blame Canada.” Top it off with a giant talking vagina, and you have a seriously hilarious movie.- The Shining (1980), review
Jack takes his family with him on a live-in caretaker job in a remote, empty hotel in Colorado. Did I mention the hotel is sinister? It takes a lot for a film to scare me, and this did.
TV Shows
- Lost (2004 to present)
The tale of the survivors of a flight that crashed on an uncharted island. I remember when this first came out that I avoided watching it because I knew I didn’t have time to get addicted to another tv show. Netflix Instant spurred me into watching it, and holy shit. This show’s mystery and scifi are so good that I am literally yelling at the tv (yes, I bought the complete set). Me yelling at the tv is a sign of a good tv show, btw. I’m on the fourth season and am bound and determined to catch up before the new season starts in February. 
The Simpsons (1989 to present)
That sound you hear is the collective shock of everyone reading this, but I seriously had never watched The Simpsons ever before this year. No, not even one episode. I really can’t explain why. I just never got around to it. Well, now I get what the obsession is with it, and I’ve watched a ton of episodes, let me tell you.- South Park (1997 to present)
No big surprise here with the movie listed above, but I also was newly introduced to this show this year. The pop culture commentary is epic. All you need to do is see the Kanye West fish sticks episode to understand. 
True Blood (2008 to present)
A small Louisiana town deals with daily life and the recent coming out of vampires with the Japanese invention of synthetic human blood. This show has everything: bayou setting, vampires, sex, drugs, comedy, and mystery. Watching an episode is like taking a vacation. It also provided me with the hilarity that is me imitating Bill saying “Sookie is mine!” I can’t wait for the second season to come out on DVD so I can watch it!
Websites
- Etsy
Buy and/or sell handmade or vintage items and supplies. It’s kind of like having a craft fair in your browser, and I love buying one-of-a-kind earrings there. - Regretsy
My friends and I were doing what this blog does for a while–finding the hideous things people offer up as “vintage” or “handmade” on Etsy (not the majority of things found there at all) and mocking them. This blog is sure to send many giggles your way. (or horror) - Sock Dreams
I love wearing snazzy socks, tights, and legwarmers, and this website has the best selection for the best prices. - Tor
I’m a scifi freak, and their theme months are great. This month was Cthulu Christmas, for instance. Also they host a bunch of amazing give-aways.
Coming up in Part Two, Boston places, web clips, and recipes!
Book Review: Dead as a Doornail by Charlaine Harris (Series, #5)
Summary:
Someone is shooting shifters in the parish, and the Werepanthers are suspicious of Jason. Sookie sets out to clear his name, but things get a bit more complicated when it becomes clear someone has their eye not only on the shifters, but also on her.
Review:
Although the back cover claims this entry into the Sookie-verse is full of entertaining plot-twists, it actually reads as a been there, done that, plot.
Jason is in trouble, again. Sookie’s fairy godmother has to save her, again. Someone isn’t what they seem. Again. Sam still has the major hots for Sookie (though I’ll never understand why. She seems to just use him repeatedly when she needs help). Bill still wants Sookie even though he’s sleeping with someone else, and Alcide is still kind of a jerk.
I think the problem with this book is that it doesn’t move the overarching plot forward much at all. There is a tiny development in the Sookie/Eric plotline, but that’s all. I guess I could forgive this if the individual storyline was new and exciting, but it’s not. Ooo, someone’s targeting the supes. Big deal.
In spite of all these complaints, I still want to keep reading the series. This book read more like a clunker episode of a tv series you really love than a death toll. I expect things will improve in the next book, and this was just a mystery idea that went bad for Harris.
2 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Book Review: Dead Until Dark By Charlaine Harris
Since I watched the first season of True Blood and loved it, I decided to read the book the first season is based on. This was an interesting reversal for me, since usually I’ve read a book then seen the tv show/movie that is made from it. Anyway, this review naturally contains comparisons between the two, so be warned there are spoilers for both Dead Until Dark and the first season of True Blood.
Summary:
Sookie Stackhouse, a waitress in a bar in a small town in Louisiana, has been wanting to meet a vampire ever since they came out of the coffin a few years ago. She gets her chance when Bill Compton, a vampire who was made right after the Civil War, moves to her town of Bon Temps. Bill is in turn intrigued by Sookie, because she is different from other humans–she can read minds. They start dating, but it’s not always easy to date a vampire–especially when local women known to hook-up with them are being murdered by an unknown killer.
Review:
Charlaine Harris’s strength as a romance novelist is definitely witty conversations between our heroine and the various male characters in the books. They are witty and come across remarkably real considering the paranormalness of the plot. She also sets scenes well. I’ve never been to Louisiana, but I could just feel the humidity in the air as Sookie partook in various night adventures.
Something that bothered me when watching True Blood was I just couldn’t understand what Sookie found appealing in Bill. I find him dull, boring, and ugly. In the book, though, it is abundantly clear that what is so appealing about Bill is that Sookie can relax around him since she can’t read his mind. The amount she relaxes in scenes with just him is palpable. I therefore understand why she chooses to overlook his various faults.
The book is written in first-person, and I think this was an unfortunate choice. It limits our ability to see everything that is going on in Sookie’s world. Most notably missing is Jason’s storyline. In True Blood vampire blood is sold as a drug, V, and Jason becomes addicted to it. Thus, his odd behavior with Sookie is understandable. In the book though we only hear hints of V being used by anyone and certainly not by Jason. Jason is just a douchebag. This limits the levels of story in the book, and I missed the multiple storylines.
*spoiler warning*
The end of Dead Until Dark almost makes up for this though. In True Blood the murderer comes for Sookie, and she is saved by Bill and her boss, Sam. In the book though Sookie is left entirely on her own and saves herself. She finds the faces the murderer alone and defeats him. She finds her inner strength and just keeps fighting back. The murderer even says that the Stackhouse women were the only ones to fight back (he also killed her grandmother). They didn’t just lay back and let it happen. That’s what makes Sookie such a great romance heroine–she is strong and independent. She doesn’t need her relationship with Bill, but she does want it. This makes their romance much more fun.
*end spoiler*
Finally, if you’re a romance novel reader, you might be wondering about the quality of the sex scenes. Well, they do exist, and they are not corny. However, they also just aren’t that exciting. Harris keeps them short and to the point. No witty, fun double entendres are used, either, which is one of my personal favorite aspects of romance novels. This book isn’t one to read for the sex scenes; it’s one to read for the storyline.
If you could mash up the best parts of Dead Until Dark with the best parts of True Blood, you would have a truly amazing story. Unfortunately, both versions have flaws that hold them back from excellence. Dead Until Dark is worth reading if you enjoy paranormal romance. If you just want to read the books because you like True Blood for anything but the main Sookie storyline, though, don’t bother reading the books.
3.5 out of 5 stars
Sources: I bought Dead Until Dark and Netflixed True Blood.
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 