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Book Review: The Many-Colored Land by Julian May (Series, #1) (Audiobook narrated by Bernadette Dunne)
Summary:
In the future, the universe exists in a peace-loving era that allows many alien races and humans to co-exist. People are expected to act within the confines of acceptability and are offered various humane treatment options to help if their nature or nurture sends them the wrong way. But some people don’t want to conform and would rather live in the wild, warrior-like days of old. When a scientist discovers time travel but only to the pliocene era, these people think they have found their solution. There’s only one catch. The time travel only works to the past. For decades the misfits step into the time travel vortex, not knowing what is on the other side. The government approves the solution, since it seems kind and no time paradoxes have occurred. When the newest group steps through, they will discover just what really waits on the other side of exile.
Review:
I became aware of this book thanks to a review by fellow book blogger, Resistance Is Futile. Imagine my surprise when going through my wishlist to check for audiobooks, I discovered a brand-new audiobook production of it featuring the audiobook superstar Bernadette Dunne. This is a creative, action-packed book that truly encompasses both scifi and fantasy in a beautiful way.
Since this is the first book of the series, it takes a bit to set the plot up and get to know the characters. People are sent through the time travel portal in groups, so we get to know everyone in one group prior to going through the time portal so we can follow them all after they go through it. May spends the perfect amount of time familiarizing the reader with the future world, as well as the people who are choosing to leave it. Some readers might be sad to see the imaginative future world left behind for the pliocene era, but it quickly becomes evident that the pliocene is just as richly imagined, albeit different. The pliocene era is not as straight-forward as the exiles believed, and new problems quickly arise for them. It’s not the lawless paradise they were envisioning, and while dealing with the realities of it in an action-packed manner, they also must deal with themselves. Now that they realize there is no true escape to solitude or an imagined perfect past, they must address those aspects of themselves that led them to exile in the first place. These deeper emotional issues are the perfect balance to the other, action-oriented plot. I did feel that the book ends a bit abruptly. However, it is part of a series and clearly the cliff-hanger is intentional. I prefer series entries that tell one complete smaller story within the larger, overarching plot, but this is still a well-done cliff-hanger.
The characters offer up a wide variety of experiences and ethnic and sexual backgrounds, representative of all of humanity fairly well. One of the lead characters is a butch lesbian, another is an elderly Polish-American male expert in the pliocene era, another a nun, another a frat boy style space captain. This high level of diversity doesn’t seem pushed or false due to the nature of the self-selection of exiles. It makes sense a wide variety of humans would choose to go, although the statistics presented in the book establish that more whites and Asians than Africans and more men than women choose to go. Some of the characters get more time to develop and be presented in a three-dimensional nature than others but enough characters are three-dimensional that the reader is able to become emotionally invested in the situation. My one complaint was in prominently featuring a nun in a futuristic scifi, yet again. Statistics show that less and less people are choosing to become nuns or priests. Given that this is set so far in the future with such a different culture, a religious leader of a new or currently rising religion would feel much more thoughtfully predictive of the future.
Most engaging to me is how the book mixes scifi and fantasy. Without giving too much away, the book offers a plausible scientific explanation for human myths of supernatural creatures such as fairies, elves, and shapeshifters. The presence of the inspirations for these myths give a delightful, old world fantastical feel to the story, even while May offers up scientific explanations for all of it. This is not a mix I have seen in much scifi or fantasy, and I was surprised at how much I enjoyed it.
Overall, this is a delightful new take on time-travel that incorporates some fantasy elements into the scifi. Readers looking just for futuristic hard scifi might be disappointed at how much of the book takes place in the ancient past, but those who enjoy scifi and fantasy will delight at the mixing of the two.
4 out of 5 stars
Source: Audible
Series Review: Sookie Stackhouse / Southern Vampire Mysteries Series by Charlaine Harris
Introduction:
I post series reviews after completing reading an entire series of books. It gives me a chance to reflect on and analyze the series as a whole. These series reviews are designed to also be useful for people who: A) have read the series too and would like to read other thoughts on it or discuss it with others OR B) have not read the series yet but would like a full idea of what the series is like, including possible spoilers, prior to reading it themselves or buying it for another. Please be aware that series reviews necessarily contain some spoilers.
Summary:
Sookie Stackhouse is a waitress in the rural town of Bon Temps, Louisiana, and she has a secret. She’s a telepath, and it’s ostracized her from most of the people in her town. But when vampires come out of the coffin, Sookie discovers that she can’t read their minds. Mind reading made her dating life non-existent, for obvious reasons, but with vampires, Sookie can feel somewhat normal. She soon starts to get pulled into their supernatural world, which contains more than they’re letting on to the mainstream public.
Review:
I first want to make it very clear that this series review is talking exclusively about the books and not the tv show inspired by them, True Blood. There will be no spoilers for the show and no comparisons between the books and the show. The show diverged very quickly from the books, so I think it’s fair to keep discussion of the two separate. Moving right along!
This series takes the mystery series whodunit in the vein of Agatha Christie and drenches it in the supernatural and the American south, utilizing it to tell the overarching story of one woman choosing who she wants to be. Perhaps because of the presence of some handsome leading men and the occasional sex scene, some mistake the series for a romance one. But this series is truly not a romance. Sookie’s romantic life (and sex life) is really secondary to the mysteries she solves and her slow discovery of who she is and who she wants to be.
The whodunit plots are generally murder mysteries. The violence is moderate. If you can handle a vampire biting someone or knowing someone is being beheaded without actually getting the gore described to you, you can handle the violence in this series. The whodunit plots start out engaging but gradually become more repetitive and ho-hum, almost as if the author was running out of ideas for situations to place Sookie in. Similarly, Sookie gets kidnapped and has to get saved by her supernatural friends kind of a lot.
The setting of a supernatural American south is well imagined and evoked. Both small town, rural lives and larger southern cities like Dallas and New Orleans are touched upon. The American north is visited once, however, Sookie has a strong aversion to northern women that sours the representation of the north in the book.
The characters can sometimes feel like overwrought caricatures. While some characters are given depth, most are not. This is odd, since Sookie can read minds. one would assume that she, as the first person narrator, would have a very three-dimensional view of those around her. And yet she doesn’t. Sookie likes to say that she’s for equality and seeing the good in everyone but she actually judges people very harshly. For instance, she thinks it’s a shame that women who are not virgins wear white wedding dresses.
Sookie’s character does develop, albeit minimally, over the course of the books. Characters should grow and change, 
particularly over the course of 13 books, but unfortunately Sookie’s character changes to become less and less likable. This is extra frustrating when the book is told from her perspective. Instead of becoming more powerful and strong (emotionally, mentally) over the course of the series, Sookie becomes less and less able to handle the things going on around her. She also continues to act shocked and appalled at the wars and violence she doesn’t just see, but participates in, in spite of it now being a normal part of her life. Perhaps if she was just repeatedly a victim this mentality would make sense, but Sookie enacts violence on those around her and then acts disgusted at what the vampires/werewolves/etc… do, which comes off as hypocritical. Either own your own actions and validate their necessity or stop doing them. Don’t do certain violent actions then deny your involvement while simultaneously judging others for doing precisely what you just did. The fact that Sookie slowly becomes this hypocritical person makes her less and less likable. Similarly, she starts out the books with a firm belief in social justice and equality for supes but over the course of the series clearly comes to believe that humans are better than supes. I don’t blame her for wanting a quiet life or for wanting to stay human or wanting to have babies but she could have 
done all of those things without coming to view supes as inferior. It is frustrating for the reader to have a main character in an almost cozy style mystery series gradually change into someone it is difficult to empathize with.
There is a consistent presence of GLBTQ characters, albeit mostly in secondary roles, throughout the series. Homophobia is depicted in an extremely negative light since only the bad guys ever exhibit it. Unfortunately, there is an instance of bi erasure in the book. One of the characters is identified as gay but everyone also acknowledges that he periodically sleeps with women. Even the character himself calls himself gay, so this isn’t just a case of the author writing a realistic amount of the realities of bi erasure into the book.
The sex in the book is not well-written. It is just awkward, cringe-inducing, and laughable most of the time. But the sex scenes aren’t very often, and they do fit in with the rest of the book. Just don’t go to this series looking to get really turned 
on.
This sounds like a lot of criticism for the series but some of these things, such as the campy, two-dimensional characters, are part of what makes the series enjoyable. It’s kitschy, not to be taken too seriously. It’s a series to come to and read precisely to laugh and roll your eyes. To be utterly bemused at the sheer number of supernatural creatures and the ridiculousness of how they organize themselves. To sigh in frustration at Sookie as she gets kidnapped yet again or is oblivious yet again to who the murderer is. It’s a series that’s candy for those who enjoy camp and not too much violence with a touch of the supernatural in their mysteries.
3.5 out of 5 stars
Source: Amazon, PaperBackSwap, and Audible
Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Dead Ever After
Book Review: Dead Ever After by Charlaine Harris (Series, #13) (Audiobook narrated by Johanna Parker)
Summary:
Sookie, Eric, and Sam must deal with the fall-out of her using the cluviel dor to save Sam, rather than to save Eric from his arranged marriage with the vampire Queen of Oklahoma. On top of this, someone is out to frame Sookie for murder, and they just might succeed. Sookie even gets arrested and must be bailed out of prison. Her demon godfather, his niece, his grandson, Sookie’s witch friend Amelia, and Amelia’s boyfriend all come to help her.
Review:
You guys. You guys. I finally did it. I finally finished the Sookie Stackhouse series! No longer will Sookie’s book adventures hang over my head….now I just have to finish watching True Blood. The final entry in the series finishes telling the story of what clearly were a defining couple of years of Sookie’s life. Whether or not that’s the story readers wanted to hear, it is the story that gets told.
It becomes abundantly clear early in this book that Sookie has had it with the supernatural world. At least, with pure supes. She’s ok with people who are basically human with a touch of something else (like herself) but she’s over the truly supernatural, like the fairies and the vampires. Anyone who she feels has no humanity, she is done with. As a reader, I appreciate that Harris took the heroine and made her commit firmly to the humans. Many heroines in supernatural books desperately want to be supernatural themselves and commit wholeheartedly to that world. I like that Harris tells a different story, even if I think that ultimately it makes Sookie look a bit prejudiced. That part of Sookie’s character arc makes me sad. She starts out very much in favor of social justice and incorporating the supernatural world into the human one and ends up kind of prejudiced and against change. It’s sad. But, it is an actual character arc, and it makes sense within who Sookie is as a character. Some readers, who are enamored with the supernatural world themselves, might find it irritating or frustrating that Sookie has changed to not wanting to be a part of that world. But it is a well-written character arc that makes sense.
The murder/framing plot at first seems incredibly ho-hum, been there, done that, why is everyone constantly after Sookie she is not that special, although she’s pretty annoying so yeah it kind of makes sense. The plot does at least bring together a bunch of other highly enjoyable characters, such as Diantha and Amelia. Ultimately, there is a plot twist that makes the central whodunit plot more interesting, although I did not like how the twist plays into Sookie’s increasing dislike of supernatural folks who she thinks aren’t human enough.
The boyfriend situation. Well, it makes sense who Sookie chooses, and thank god their sex scenes are better written. The ultimate romance makes sense with who Sookie has become, although it doesn’t read as either titillating or particularly romantic to me. Then again, I decided many books ago that this series isn’t really about the romance, so I can’t say that it bothered me that much. Readers that are more invested in the romantic aspect of the books might be disappointed or elated, depending on who they like.
One oddity of the book is that it alternates between Sookie’s first person narration and an ominous third person narration telling us things that are going on that Sookie doesn’t know about. I don’t recall this happening in the series before, although I read the books over a long period of time, so perhaps it had. In any case, departing from the familiar first person narration probably was an attempt to build tension, with the reader knowing more about what is threatening Sookie than Sookie does. Ultimately, though, it just comes across as simultaneously jarring and like Harris just couldn’t figure out how to tell this story entirely from Sookie’s point of view. It reads odd, not ominous.
The audiobook narrator, Johanna Parker, took an odd turn with this book. Her voice reads as an old woman periodically, which doesn’t suit who Sookie is. I was disappointed, after her very good narration of books 12 and 11.
Overall, the final book in the Sookie Stackhouse series satisfactorily completes Sookie’s story arc and wraps up everything that has happened to her. Those who are secondary to the first person narration of Sookie’s life do not get the attention and wrap-up some readers might be looking for. However, this book series has always been about Sookie. It is told in her voice and is about her life. Some readers may be disappointed with how her life ends up and who she ultimately becomes but the character arc is well told. Recommended that readers who have completed at least half of the series finish the series, keeping in mind that it is really just about Sookie.
4 out of 5 stars
Source: Audible
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Definitely Dead
All Together Dead
From Dead to Worse
Dead And Gone
Dead in the Family
Dead Reckoning
Deadlocked
Book Review: All I Want For Christmas Is a Vampire By Kerrelyn Sparks (Series, #5)
Summary:
Toni never meant to wind up working as a daytime security guard for vampires. She meant to be spending her December focusing on finishing up her masters degree so she and her best friend Sabrina would be one step closer to their dream of running a high-quality orphanage. But Sabrina was attacked and her claims that vampires orchestrated the attack has led to her uncle locking her up in a mental institution. Toni is determined to prove to Sabrina’s uncle that vampires are real, so she has gone undercover guarding the good vampires seeking some definitive way to prove their existence. Much as she wants to hate vampires, a certain Scottish highlander vamp named Ian has a way of making her feel very much alive.
Review:
Since I received this book as a present and there was no indication on the cover, I had no idea it’s the fifth book in the series until I was partway in and did a little bit of investigating. So, I haven’t read any of the other books in the series.
Of course, I don’t particularly think I would want to. The book starts out strongly. Toni is a character who it is easy to identify with. She’s a young adult with dreams and struggling with her self-esteem via a list of positive affirmations she says every morning. She is fiercely loyal and intelligent. Toni’s character does develop throughout the book, unfortunately not in a good way. Instead of realizing her own strength, she now has a whole new set of people–vampires and shape-shifters–to feel inferior to.
The vampire world that Sparks creates is simply not appealing. She sets up two groups of vampires–the good guys and the bad guys, or as the good vampires call them, the “Malcontents.” The Malcontents enjoy making others feel fear and pain and want to kill off all of the good vampires. The good vampires, no kidding, have their own priest and Mass. Yeah, you read that right, the vampires are Catholic. WTF?! That’s almost as bad as vampires that sparkle.
Additionally, the good vampires seem to have a thing for marrying mortals, and the leader of the good vampires has come up with a way to splice male vamps’ genetic material so that the mortal mother can give birth to a child who is half-vampire. Naturally these children have super-human abilities, such as levitating, but they also seem to be able to miraculously heal the sick. Reading these scenes gave me the same feeling as fingernails on chalkboard.
On the other hand, the romance portion of the plot is actually quite good. Toni’s and Ian’s witty banter reads realistically, and their sex scenes are fun.
If you’re just after the romance element and won’t mind the world Sparks has created, you’ll enjoy the book. All others should stick to Charlaine Harris and Nora Roberts.
2.5 out of 5 stars
Source: Gift from a friend
Previous Books in Series:
How to Marry a Millionaire Vampire
Vamps and the City
Be Still My Vampire Heart
The Undead Next Door
Book Review: Definitely Dead By Charlaine Harris (Series #6)
Summary:
Sookie needs to go to New Orleans for both personal and business reasons. Her cousin Hadley had been a vampire but died her second death leaving everything to Sookie, so she needs to go clean out her apartment. As far as business goes, the queen of Louisiana has also requested her presence to figure out if she will require Sookie’s services for the upcoming vampire summit. When Sookie finds out that Hadley was the queen’s lover, a connection between the two purposes for the visit shows up that may be more significant than she at first realizes.
Review:
I’m glad I learned on some blog (wish I could remember which one) that a short story comes between the previous book and this one in the series, otherwise I would have thought I missed a book or something. That annoying tendency to retell things that already happened? Actually awfully helpful here, since I haven’t read that short story. You don’t need to read the short story to enjoy this book, but I wish I had and advise you to as well. If you’re interested, some investigation reveals that short story is contained in the collection of Sookie short stories called A Touch of Dead.
Also thankfully, my prediction that Dead as a Doornail was a random clunker and not a death toll for the series was correct. Definitely Dead is a step back up in quality. The multiple storylines actuall do reveal to be related and not just random throwaways designed to throw you off the scent of the main mystery. We also get the addition of a new supe–part-demons–and some serious reveals. I mean makes you rethink how you look at the entire story reveals. To give you non-spoilery hints, you learn something about Bill and something about just why Sookie is so darn appealing to the supe guys. I personally love that sort of thing, and I’m hoping these two reveals will help the series continue to grow and expand.
On the minus side, I have to come right out and say it that I am not impressed with Quinn. I’m glad Sookie has become a bit more savvy about pursuing a long-term relationship, but with Quinn? Really? The man’s looks don’t match what has been established to be Sookie’s type at all–tall and lean–he is instead the muscle-bound guy. That suits some women, but it comes out of the blue that Sookie’s at all attracted to him. Also, what’s with the purple eyes? On what planet is it sexy for a man to have eyes not only an unnatural color, but an unnatural color that’s girly? I of course dislike him for nonsuperficial reasons too. He seems far too perfect. He says those puke-inducing gushy things to Sookie that, I’m sorry, perfectly nice men just don’t say in real life, and you know why they don’t say them? Because they sound corny and false and how the man treats you is far more important than what he says to you. There’s also the fact that he originally came on to her when there was a fight to the death going on in front of them, something I find indicative of just how sympathetic he really is to other people. Frankly, I just don’t find Quinn or Sookie’s interest in him believable. Something just rings false about the whole thing. It isn’t like her interactions with Eric, for example, that are full of witty banter and internal conflict about liking this person on both sides. Quinn and Sookie’s conversations literally make me want to puke at how disgustingly sweet and false they sound. Reading their conversations is like eating a twinkie. A deep-fried twinkie.
Thankfully, there isn’t much Quinn in this book, so it’s still an enjoyable read and a sign of better things to come in the series.
3 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
Living Dead in Dallas
Club Dead
Dead To The World
Dead as a Doornail
Book Review: Living Dead in Dallas By Charlaine Harris (Series, #2)
I generally lean a bit more toward stand-alone books and trilogies, but every once in a while I get caught up in a series. Currently, I’m caught up in two–Sookie Stackhouse Series and Dark Tower Series. Anyway, I decided I should warn you guys if a book is in the middle of a series by placing (series, #number) in the title. So be warned that means there will be spoilers for books preceding that book, but probably not for that book itself. Got it? Good! There are currently 9 books in the Sookie Stackhouse Series and 7 in the Dark Tower Series, so don’t despair! Stand-alones and trilogies will be back shortly. Now, on to the review!
Summary:
Sookie discovers yet another murder in Bon Temps when she finds Merlotte’s cook, Lafayette, dead in the bar’s parking lot. She doesn’t have much time to even think about the murder, though, because Eric has called upon her to fulfill her duty to the vampires. She’s been hired by a vampire nest in Dallas to investigate the disappearance of one of their brothers. Sookie discovers there’s more to the supernatural world–and the natural one–than she ever bargained for.
Review:
Maybe it’s because I have yet to see the second season of True Blood and thus don’t have the awesomeness that is that tv show to compare to, but I found myself liking this entry into Sookie’s escapades far more than Dead Until Dark. The first book is much more about the murders than the supernatural world Sookie finds herself on the edge of. Here, she is forced to confront the fact that, yes, she is dating someone from an entirely different world than hers.
This key plot element is what drives the story in a two-pronged fashion. First, Sookie encounters far more supernatural beings than she has before–shapeshifters, werewolves, vampires, a maenad, and another telepath. The supernatural world is far bigger and more complex than she ever imagined. Vampires weren’t one lonely group separated from everyone. They’re a group in an underground world that is straddling both worlds and neither seems too happy about it. This makes the whole idea of vampires coming out of the coffin more interesting, because the other supernatural creatures have one thing in common with the humans: they aren’t happy with the vampires for coming out.
Second, Sookie finally has to deal with the fact that, much as she loves Bill, he has his faults just like anyone does. His just run a bit more shocking to her, because he is in fact a member of the undead. Bill tells her at one point that he hasn’t been human far longer than he was human, and he often forgets what it is like to feel human. There is definitely an element of Bill that is a monster, and Sookie sees that. Bill may be trying to control it, but it’s there. Sookie moves past the honeymoon phase of the relationship and has to decide if her and Bill really are a good match. If the pleasure of loving him is worth the difficulties and struggles.
All the strong features and weaknesses of Dead Until Dark are found here. The conversations are again, excellent. I particularly enjoyed when a werewolf calls Sookie “little milkbone.” On the other hand, the multiple storylines of many characters found in True Blood are again absent here. I think, however, as the series progresses, it will be easier to see this as Sookie’s story and True Blood as Bon Temps’ story, and Sookie is enough of a three-dimensional character to keep it interesting.
4 out of 5 stars
Source: Bought on Amazon
Previous Books in Series:
Dead Until Dark
This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Opinions of a Wolf 