Someone has kidnapped the sons of the Duchess Dianda Lorden, regent of the Undersea Duchy of Saltmist. To prevent a war between land and sea, Toby must not only find the missing boys, but also prove that the Queen of the Mists was not behind their abduction. She’ll need all her tricks and the help of her allies if she wants to make it through this in one piece.
I’ll keep this review short and sweet, because if you’ve made it to book 5 in this series, you already know if the writing style works for you or not. So specifically, how did this particular plot work out?
This is the Toby Daye book I’ve liked least so far in the series. Part of that is probably for personal reasons, but part of it is for repetitive plot reasons. Toby just….seems to have to save children an awful lot. Now, I’m not saying that an urban fantasy that basically involves someone solving crimes in a world where there’s a huge taboo on murder of immortals won’t repeat some crimes. I am saying that I think doing abducted children again right after a book that did that theme so incredibly well (Blind Michael is the ultimate in creepy) is just too repetitive. There are actually some sly nods to the reader that the author knows abducted children plots are happening a lot. Toby comments something along the lines of gee she’s sure sick of saving children. If your main character is sick of saving kids, maybe the readers are tired of reading it. Just saying. Beyond that, there were two other things that made me meh about this plot.
First, we’re clearly supposed to sympathize with Toby in the whole “whyyy does everyone think I’m a terrible mother” plot, but honestly I don’t sympathize with her, and I do think she’s a terrible mother. So. There’s that. But I fully admit to having some of my own mom issues, so it might be harder for me to see this with a neutral viewpoint. Other readers may have a different experience. But be prepared to possibly like Toby less.
Second, you know how most romances have various love interests and you’re on a certain team? Well, I am 100% #TeamTybalt, and I was not pleased by all the Connor scenes. I just find him dull and drab and I am massively creeped out by the webs between his fingers that never go away. Plus…male selkies….eh. This book could easily be called the #TeamConnor book so readers who like him….enjoy. For the rest of us, you might find yourself rolling your eyes a bit.
I know that sounds like a lot of negatives but it is the book I’ve liked least in the series so far, in spite of really enjoying the series, so it seemed apt to discuss at length why it didn’t work so well for me. All of that said, I read it quickly, and I fairly soon picked up the next book in the series, so I certainly didn’t hate it. A lot about the series works really well for me, there are just certain aspects of this book and plot that I think might make it less enjoyable for certain readers compared to the rest of the series.
Workaholic attorney Samantha Sweeting has just done the unthinkable. She’s made a mistake so huge, it’ll wreck any chance of a partnership.
Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she’s mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they’ve hired a lawyer–and Samantha has no idea how to work the oven. She can’t sew on a button, bake a potato, or get the #@%# ironing board to open. How she takes a deep breath and begins to cope–and finds love–is a story as delicious as the bread she learns to bake.
But will her old life ever catch up with her? And if it does…will she want it back?
Long-time readers of this blog will know that I’m a Sophie Kinsella fan, so it should come as no surprise that I liked this book. But let me say I love love loved this book. It’s my favorite Kinsella book I’ve read so far. It was funny but also a beautiful love story and also great commentary on life and priorities. It gave me the warm fuzzies, you guys.
I think one of the things I like best about Kinsella books is how they present all of women’s life options as totally valid ones, even if the heroine herself doesn’t realize that at first. What matters most is the heroine doing what makes her happy, and often the drama comes from the heroine forcing herself to be something she’s not or align herself with life values she doesn’t have. In any case, this book walks a great line of neither demonizing career women nor women who stay at home. It also doesn’t present doing a high-powered, high-education track as better than doing a traditionally blue collar job like housekeeping or cooking. Yes, at first Samantha thinks one of them is better and looks down on the other, but ultimately she realizes the pluses and minuses of both types of jobs, and I really like seeing that in chick lit. A lot. I also really enjoyed seeing the struggle Samantha has between part of herself wanting the high-powered career and part wanting the quiet life at home. I think that’s a feeling many modern women can relate to.
The romance is also quite sweet. The early on playing between Samantha and her man and how that progresses made me feel like I was cozied up in a just the right temperature bath. But I also really liked that the book shows that compromise in a relationship is necessary. Both of them have to adjust their perceptions to fit the new reality of each other and both are willing to make compromises and meet in the middle.
Of course it’s also funny. What’s not funny about a lawyer trying to keep house when she doesn’t know anything about cleaning or cooking? At some point though the humor transitions into scenes that I can only describe as warm and glowing. That focus in on what really matters in life.
I was entertained. My life goals and ambitions were strengthened and validated. And I (maybe) (ok, definitely) cried happy-ever-after tears at the end of the book. I suppose if you’re a reader who doesn’t understand people who want to work a job they at least moderately enjoy and live life at a reasonable pace with lots of time with those they love then you might not enjoy this book. But I’d also say you need to read it and take a hard look at Samantha’s life before and after her lessons.
5 out of 5 stars
River “Styx” Nash was born into the Hades Hangmen motorcycle club. He always knew he was set to inherit running it, in spite of his speech impediment, but he never expected to be running it at the young age of twenty-six. When a young woman shows up at their doorstep, bleeding and unconscious, he’s reminded of a girl he met at a fence in the woods when he was a boy….a girl who has haunted him ever since.
Salome grew up under Prophet David’s rule in the commune that’s the only home she’s ever known. When her sister dies, she finds the strength to run and somehow ends up in the arms of the man who was once a boy she met at the fence of the commune.
I’m being a bit charitable with my rating of this read because the juxtaposition of commune and motorcycle club (gang) is one I haven’t seen before, and I do think it’s interesting. Additionally, I do realize that these types of romances are basically fantasy so I try to cut them some leeway. That said, this book is not executed as well as it could have been for its genre. There are some jarring elements that take the reader out of the read, thus leading it to be less enjoyable.
First, it’s poorly edited. There are many clear mistakes such as saying things like “gotta to.” It reads like a first copy, not a final draft. Better editing would have really helped this book.
Second, you have to imagine that the reader who might pick up a romance featuring motorcycles might know a thing or two about them. While everything else surrounding the motorcycles can be pure fantasy, the motorcycles themselves should function like the real world (unless it’s scifi). Motorcycles, though, are treated in the book as basically cars with two wheels, and anyone who’s ridden one can tell you that’s not so, and a motorcycle gang definitely would know better than to treat them that way. One glaring instance of being unrealistic about bikes is when Salome first rides on one. The book sets it up that she has no idea what a motorcycle is. She’s never seen one before, she has zero idea how they work. In spite of this, the only riding instruction she’s given is to “hold on.” Even someone giving the most bare of instructions to a new passenger will tell them to follow the lead of the rider — to lean when they lean and not to counter-lean against the rider. This is basic safety and even a motorcycle gang would give those basic instructions because a passenger who is startled could easily cause the bike to crash and riders love their bikes. Similarly, in spite of Salome not knowing anything about motorcycles, she puts on the helmet with zero instructions. I have never seen anyone who’s never worn a motorcycle helmet before be able to put it on with zero instructions. The strap is complicated and almost always takes guidance. Additionally, we are to believe Salome is riding with someone who cares about her, yet he doesn’t check on her helmet at all. This is not something a rider who cares about his passenger would ever do.
The final thing I found jarring was descriptions of the abuse in the cult. I fully expected there to be cult abuse, but there are repeated flashbacks to the rape of 8 year olds whose legs are being held apart by bear traps. I personally find it extremely difficult to get into a romance that repeatedly flashes back to the graphic underage and violent rape of the main character. It made the book feel like it was at war with itself. Did it want to be a contemporary book about the horrors of cults or did it want to be a romance? You can be both, but that is a difficult book to write, and it’s important to either put all of the abuse in one area of the book (usually where the heroine informs the hero about it) or to make the abuse more minimal (ie maybe the heroine grew up in a cult that restricted her knowledge and movement but that didn’t rape her physically).
Ultimately, while I appreciate the interesting combination of main characters (leader of a motorcycle club and escapee from a cult), I found the execution to not live up to the unique premise. Primarily recommended to those interested in the fantasy of motorcycles with little personal knowledge of them. They will be more able to get fully into the fantasy.
3 out of 5 stars
Book Review: The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism by Naoki Higashada
Born in 1992 and diagnosed with Autism at the age of 5, Naoki uses an alphabet board to painstakingly write. In this book, he addresses answers to common questions neurotypicals have about people with Autism, such as “Why do you line up your toy cars and blocks?” and “Why don’t you make eye contact when you’re talking?” Mixed in with answers to these questions are short stories that Naoki has written, squashing the myth that those with Autism lack imagination.
I read this for Katie of Doing Dewey’s Nonfiction Book Club back in April, which was also Autism Awareness Month. I don’t often have the time to do group reads, but this book appealed to me and was short, would count for the Mental Illness Advocacy Reading Challenge I host, and I was able to get a digital copy from the Boston Public Library. I read this in one day in just my morning and evening commutes. It’s a short but mind-opening work.
For those who don’t know, Autism is a spectrum disorder. This basically means that Autism can severely or minorly impact how a person with it functions with the world (and everything in-between). Someone who is high functioning may mostly just strike others as a bit odd, whereas those most severely impacted are unable to communicate at all. You may read more about Autism here.
Naoki’s Autism is more severe. He is mostly unable to speak but he has learned how to communicate by pointing to an alphabet board with an assistant who writes down what he points at. Since Autism is so individualized, bare in mind when reading this book that his answers might not necessarily apply to everyone with Autism. That said, Naoki generally answers the questions with the word we, not I. My suspicion is this may be due to cultural reasons. Naoki is Japanese, which is generally a less individualized culture than our own. Additionally, his words have been filtered through a translator. It’s important, I believe, for a reader to keep all of these things in mind when reading this book.
This is a short book and an easy read, so I won’t say too much beyond the two biggest takeaways I had. First, I think in general people often wonder if people with Autism are similar to neurotypicals inside or are completely foreign. I think Naoki’s book smashes that question with a sledgehammer. It left me with the distinct impression that people with Autism are extremely similar to neurotypicals, but their signals from their bodies interfere with their ability to interact with the world. But Naoki puts this better than me.
It’s as if we’re remote-controlling a faulty robot. (page 16)
My second takeaway was that we should never make assumptions about anyone with Autism. The biggest example of this is that it is generally assumed people with Autism do not have an imagination. (I’ve even seen having an imagination being used as a way to rule out some people as having high functioning Autism). But Naoki, who very clearly has Autism, also very clearly has a bright imagination. His own short stories are inter-mixed throughout the book. They struck me as things any 13-year-old might write. That may sound simple, but that’s a big deal for a person who others might assume is “abnormal” for 13 with “no imagination.”
I do wish that the person interviewing Naoki had asked a wider variety of questions. Some of the questions can get a bit repetitive, and I wondered why they didn’t ask something deeper. Instead of continually asking things like why do you do this or why do you do that ask more about what he enjoys. What his hopes and dreams are. Does he think there’s a god. Things like that.
Overall, though, I highly recommend this book to anyone who is curious about what it’s like to have Autism, as well as to those who do or may come into contact with someone with Autism.
4 out of 5 stars
Mental Illness Advocacy Reading Challenge
Lesley and Mo’s relationship is tested when Mo develops feelings for Jayne and the arrangement the triad struck in Rymellan 2 comes to an end. The three women know they must adapt to the inevitable changes for the triad to thrive, but the triad’s shifting dynamics would challenge the strongest of Rymellans—and does.
The second book in this series ended on such a cliffhanger that I picked up the third right away. At the time, I wasn’t sure if there would be more in the series or if this would be it. Since then, I discovered another book that has published but I don’t think I’ll be picking it up. The third book left me feeling a bit strung along with questions and no answers for too long for me to keep going.
So Lesley and Mo who we the readers presumed to be soul mates from book one find out in book two that the all-powerful government matchmakers have determined that they actually have a third soul mate and will be formed into a triad. This whole book strikes me as very similar to a real world monogamous couple where one of them falls in love with a third and them trying to make the move into polyamory. Say what you will about the government matchmaking them but their arrangement was to essentially be a couple with a live-in friend and roommate who they consult on household things. The plan was never for anyone to fall in love. But of course (because they’re Chosens) first one then eventually the other does fall in love with Jane. Thus, in spite of the government aspect, it still is essentially the same as a real world couple making the move to polyamory.
Why am I bothering to explain this? Because a lot of the book is dealing with the angst of a couple deciding to become poly. That is a plot point that will either work or not work for a lot of readers. I’m not sure how I feel about a series that starts out as being so strongly a romance between two moving into a poly romance. I’m sure many poly readers would say that’s how they themselves discovered polyamory and enjoyed it. But for me I was expecting one style of story which I really enjoy (lovers having to overcome many things to be together) and instead I got another that I feel very meh about personally (a couple choosing to open things up to polyamory). I guess what I’m saying is I think it might be difficult for the audience for this series to find it because the poly aspect is a surprising plot twist.
The other big change in this book over the others in the series was that the sinisterness of where the society they live in really hangs over this book, and what makes it extra eerie is they don’t seem to realize just how sinister it is. In a book with romance at the center, it’s an odd feeling to have.
While I’m glad to have seen where Lesley and Mo end up, this read to me as a bit of a lukewarm tragedy that didn’t realize it is one. I’d have preferred an obvious happy ever after or a truly dramatic tragedy. However, readers simply looking for a couple that turns into a romantic trio in a scifi backdrop that’s not explained will eat up this series, and I do recommend it to those readers.
3 out of 5 stars
Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen’s inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden.
I like books that mix scientific accuracy with a touch of personification of animals, or in this case, insects. I was expecting it to be weird, because it’s about insects, but oh boy was this book weird.
For some reason, I find the title to be hilarious. I just kept walking around saying to myself, “the bees, The Bees, THE BEES.” You may think that sounds ridiculous (and it does, and I am, indeed, a ridiculous person) but this book really closely matches that experience.
I applaud the author all the research she clearly must have done. I think it only makes logical sense that she invented a religion for the bees to follow that revolves around worshiping the queen. The horrifying dystopianesque rigid structure of bee life also makes sense based on what we scientifically know about them. All of that said, it was still deeply odd to read. Priestesses and chanting and drones and evil invading wasps. It struck me as a cartoon that took itself very very seriously. I would have preferred if it perhaps took itself a bit less seriously. Like (I’m aging myself here) SimAnt.
In any case, the book does take itself very seriously, most likely due to the very real and serious fact that bees are dying out, and reasons for this are reflected in the story, as the colony faces many challenges to staying alive. While I was able to take some of these threats quite seriously, like flowers not blooming at the right time, others were written in such a ridiculous way that I just couldn’t. For example, a giant evil cell phone tower that makes the bees lose their way when they’re out flying. It’s practically personified as a giant evil ominous entity, and I found myself laughing when I knew actually this is really a problem for bees. The book is basically caught in this uncanny valley that both prevented me from being moved by it and from finding it completely humorous. It’s a book that I think needed to sway a bit more in one direction or the other.
I was still at least 4 star enjoying it though until the end. I found the end just so deeply depressing and unnecessarily so (the point was made, no need to go so extreme) that I was left frustrated. I think, having read the ending, that perhaps the author didn’t realize that she was at times veering into ludicrous humor, and she maybe intended the whole book to be a Very Serious Read, when it simply was not.
Overall, then, if you’re a reader who is able to take some ludicrousness seriously, you will most likely enjoy the book more and get more emotional depth out of it than I did.
Now, if only there was a SimBees…..
3 out of 5 stars
‘Mancy (magic) is illegal in this parallel world where people find their obsessions turn into magical powers. Paul Tsabo has spent his life fighting to keep ‘mancers off the street and instead brainwashed into a military force. See, the universe hates magic, and if you use it too much, it will retaliate. By doing things like destroying Europe. So the brainwashing is safer. The only problem is that Paul has found himself obsessed with bureaucracy and has developed into a bureaucromancer. A series of unfortunate events leads him into agreeing to make Flex–magic distilled into crystal form for the non-magical to get high on. Paul has officially turned into what he once hunted.
This is a pretty cool concept. It sounds like it’ll be Breaking Bad: Urban Fantasy Style. Unfortunately, a lack of world building and a lack of focus in the plot made the book fall flat.
Let’s start with what I liked. The concept of how magic comes to be is pretty neat. I like the social commentary that magic is outlawed and the only magical people are the ones with an abnormal level of obsession with things. Using the urban fantasy magic element really highlights how different can be both beautiful and dangerous.
A key part of the plot revolves around Paul, who is recently divorced, and his wife trying to figure out how to co-parent. Paul is a majorly invested father. He doesn’t just walk away after the divorce. That’s nice to see. Also, it’s an inter-racial family. Paul is white, his ex-wife is black, and their daughter is obviously bi-racial.
Romance is really not a part of this plot. I thought at first it might be when a new character is introduced but it actually turns out that she’s introduced to develop a friendship with Paul. How often do we get to see genuine friendships between men and women in literature? Not often.
Unfortunately these positives were hurt by other aspects of the book. The worst is that the book reads like it’s one book for the first half then completely changes course halfway through. Essentially, the first half of the book is about drugs and is basically Breaking Bad. The second half of the book that plot is totally dropped and instead the characters are pursuing a Big Bad Buffy the Vampire Slayer style. It’s jarring and makes it feel like you’re reading a draft rather than a final version of the book. Plus, the book is heavily marketed as the drug book, when in fact the drugs are just dropped in the middle of the book, which is disappointing if that’s what you were reading the book for.
The world also isn’t built enough. For instance, we know Europe disappeared but we don’t know precisely how or when. This is a parallel universe to our own. You’d think that something like Europe disappearing would lead to some major changes in the world, but no. It reads like New York City is precisely like how it is in our world just with added ‘mancers. This is illogical. It can’t be both ways. It can’t both be a world with major changes like no more Europe but also simultaneously exactly like our own.
The book reads like the author has an agenda that comes through too clearly at times. How much that will bother the reader will depend upon if the reader agrees with the agenda or not, I’d imagine. I didn’t so it bugged me more than it might bother others. I also felt that some of the descriptive writing was weak or lazy, leading to a two-dimensionality that veers dangerously toward being offensive.
Overall, this is a good idea that was poorly executed. There are some individually cool scenes, particularly if you like seeing an interplay between our world, magic, and videogames. Recommended, then, to readers who seek out scenes like that and don’t mind the other weaknesses laid out in this review.
3 out of 5 stars