On the Beach
By: Nevil Shute
After a nuclear World War III has destroyed most of the globe, the few remaining survivors in southern Australia await the radioactive cloud that is heading their way and bringing certain death to everyone in its path.
Surely someone in
The last surviving nation
Would have kinky sex?
3 out of 5 stars
By: Justin Kramon
Finny’s relationships with Earl and Judith open her up to dizzying possibilities of love and loss and propel her into a remarkable adventure spanning twenty years and two continents.
Selfish male artists are top!
Unlike all things femme.
2 out of 5 stars
By: Siobahn Vivian
It happens every year. A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn’t matter. The damage is done the minute it goes up.
Could’ve been a series,
Instead squished eight tales in one.
Outline with no depth.
3 out of 5 stars
Eve has been patient with Liam. They’ve been together nine years and have two children but he has yet to marry her and gets defensive anytime the topic comes up. Her sister, Sam, has never liked Liam and has become suspicious about all his business trips outside of Ireland, particularly the ones to Australia.
On the other side of the world in Australia, Brook is dating an Irishman who’s frustratingly periodically unavailable, in spite of what she thinks are their strong feelings for each other. She tries to distract herself reading a new manuscript that’s been left for her, but the manuscript might be less about a book deal and more about making sure she’s not the last to know something….
If you have ever seen Futurama, you’ll be aware of the utterly campy and ridiculous robot soap opera named “All My Circuits.” It’s known within the world of Futurama in particular for its over-the-top plot twists and yet somehow still being something entertaining that you can’t stop watching. When I read a book that goes a bit off the rails, I refer to it as being very All My Circuits. That is this book. If you love campy soap opera plots and ridiculous situations and twists that make you audibly gasp, you’re going to love this book.
I was suspicious of at least one upcoming twist from the very beginning from the description and set-up alone. The narration alternates between Brook’s life and the manuscript that’s been submitted to her for a while. At a certain point, it moves to include some thoughts from the person (or people) who wrote the manuscript. Brook is likeable. Eve and Sam are likeable. They’re all three well-rounded women with very different goals in life and life situations. Any reader of chick lit will be able to relate to one of them. I think that’s really all that a potential reader who doesn’t want spoilers needs to know about the book. If you are intrigued and don’t want spoilers, go on and pick it up! Those interested in the delicious ridiculousness of the twists should read further.
It completely seems in both the description and the beginning of the book that the twist is going to be that Brook’s boyfriend is Eve’s baby daddy, and Eve’s author sister Sam is revealing this as gently as possible to Brook via the manuscript. HOLD UP THOUGH. Partway through the book, you find out that Liam has a thing for Eve’s best friend who is in a relationship with Liam’s best friend. I can’t for the life of me remember these characters’ names, so I’m going to call them EBF (Eve’s Best Friend) and LBF (Liam’s Best Friend). EBF is considering leaving LBF but then she finds out she’s pregnant and decides to stay and have a family with him. They have a baby girl. Then Liam DIES IN A CAR ACCIDENT ALONG WITH BOTH OF EVE’S CHILDREN. At this point the reader is like hold the fucking phone, Brook’s boyfriend isn’t dead so wtf. Wtf is the connection with Brook?
Eve finds out about the feels between EBF and Liam and in her grief becomes convinced that EBF’s baby is actually fathered by Liam and not LBF. For some unearthly reason, LBF and EBF ask her to babysit while they go to a wedding, and when they get back she and the baby are gone. Eve decided in her grief that she deserved this baby, so she absconds to Australia. So Brook is EBF’s baby. And she was raised by Eve. If you’re wondering how they pulled this off, the explanation is that the manuscript has been taking place decades ago so it was easier to run off with a baby then. Especially around the world.
Guys, I gasped audibly when I figured out where this story was going. Seriously. whoa I just really did not see those plot twists coming! Really did not. I was irritated at myself for never figuring out that the Ireland in the manuscript was from decades ago and not present-day. (I did keep wondering why it was such a big deal for women not to be single moms and why no one seemed to have a cell phone but I brushed over it). I thought that Brook dating an Irish guy was a bit too cute for the red herring, but I’m willing to let it slide. I wasn’t looking for great literature here. I was looking for All My Circuits. And oh man did I get it!
Overall, if you’re looking for a light-hearted yet drama-llama read full of plot twists that just might make you gasp out loud, this is the read for you. A few plot devices are a bit convenient and might make the reader eye-roll but not enough to detract from the enjoyment.
4 out of 5 stars
Source: Won in a giveaway
Alois used to work for the Ministry, but he felt stifled and quit. Now he steals chickens. One night the white owner of one of the large, walled-in houses he steals from stops him. He wants him to get a letter for him. A letter from Gabriel, a revolutionary leader who has been long-thought to be dead. Alois accepts for the money, but soon finds his whole world changing around him.
This book was a gift from a one-time friend who also enjoys African lit. She enjoyed it and thought I would, but remember that problem I mentioned in my last review where I don’t seem to like books other people recommend to me? Yeah. Still a problem. I do enjoy African lit, and I thought when I saw the cover and heard the title that this book would be more of a social justicey kind of plot. But it’s actually quite a bit of a political thriller, and I personally don’t like those. Putting that element aside, though, I am still able to review the quality of the book.
The plot takes the less common method of looking at political upheavals and developments through the eyes of an average person dragged into the situation. There are a few chapters that show us the president’s perspective, but primarily things are seen through Alois’s eyes. I think this is what made it readable to me, because honestly who cares about politicians? It’s the everyman that is interesting. The plot is also interesting in that it looks at both a past revolution and a present-day coup. That makes it more unique in the world of political thrillers.
The writing can only be described as flowery. For example:
In truth he saw her everywhere, but you couldn’t say to a woman, not one who was meant to be just your friend, “Here, I have brought you this tree because its branches moved as you do” or “see here this bucket, when the water falls from it I hear your voice. (page 104)
Pretty much the entire book has that kind of meandering, highly descriptive cadence. I know that works for lots of readers. It’s just not personally something I enjoy, and I did find it odd in a political thriller.
One thing that bothered me is that it’s never entirely clear what country in Africa this is. I think it might be a fictional country in the southern region of Africa. The author herself lived in Ghana for a time so perhaps the idea was inspired by Ghanaian culture, but not based on anything factual in Ghana. In a book like this, a political thriller, I prefer real countries. Or at least a clearly defined country. That might bother other readers less though.
Overall then, there are some aspects of this political thriller that make it unique in the genre. It examines both a past revolution and a current coup through the eyes of a non-political youth who was not alive for the previous revolution. The writing is surprisingly flowery for the genre, so fans should be aware of that difference going in. Recommended to fans of political thrillers looking for something different.
3 out of 5 stars
We catch up with Yorick, 355, and Dr. Mann on board a freighter headed for Australia by way of Japan. They seem to have abandoned their hunt for Ampersand the monkey for now. The captain of the ship is gorgeous and has the hots for Yorick, but trouble arrives in the form of an Australian submarine. Is it the freighter or the submarine that is the pirates?
So the title is sort of a double entendre. We do get an excellent lesbian sex scene (inter-racial no less!), but we also have the war between the submarine of women and the ship of women. Haha, well played, Vaughan!
The great thing about this entry in the series is that by itself it has a lot of very cool elements, but it also moves the plot forward. We find out some about what’s been happening on the other side of the globe since the men died, characters hook up, and we get some really good action. It gets us places (specifically moving across the ocean), but it doesn’t feel like a filler book the way #4 did.
Plus, the Pacific Islander ship captain is really hot and badass.
Overall, this is an excellent entry in the series that is entertaining and moves the plot forward. Fans will not be disappointed.
5 out of 5 stars
Source: Public Library
Previous Books in Series
Y: The Last Man: Unmanned (review)
Y: The Last Man: Cycles (review)
Y: The Last Man: One Small Step (review)
Y: The Last Man: Safeword (review)
Y: The Last Man: Ring of Truth (review)