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Book Review: Symphony of Blood by Adam Pepper
Summary:
Hank Mondale wanted to be a cop but his gambling, alcohol, and drug addictions ruined his record. Instead, he is now a private detective barely scraping by, so when a wealthy and famous man named Blake hires him to figure out where the monster pursuing his daughter is hiding out, he takes the case in spite of the odd sound of it. Particularly since Blake and his daughter insist that this is a literal, shape-changing, lizard-like monster after her.
Review:
This is a book that suffers from bad structure, a plethora of unlikable characters, and a serious lack of editing.
I don’t need to go into too much detail about the lack of editing. Suffice to say it’s a combination of grammar, spelling, and punctuation errors. For instance, Jaeger is spelled “Yager” at one point (when being spoken about by an alcoholic character, no less). Also, although most of the book is told in past tense, periodically present tense shows up. Similarly, other errors show up that simply jar the reader, such as calling a character “rippled,” when the author meant “ripped.”
These are all editing problems, though, so I always try to look beyond them to see if they were fixed, would the story be a quality one? Alas, the case in this instance is simply no. The first half of the book is told entirely from the detective’s point of view, only to abruptly switch and have the next 25% or so back-track and tell what occurred from the monster’s perspective. Then the last bit of the book reverts back to the detective’s perspective. This gives the book an incredibly odd structure and simultaneously removes most of the mystery and suspense. Where before the creature was an enigma, we now understand it intimately. Similarly, whereas the section told from the creature’s point of view could be an interesting story in its own right, it is instead smushed between two ho-hum detective sections. Either choose to be investigating the monster or be the monster or alternate more quickly between the two to maintain some mystery. This structure simply feels like two different books willy-nilly slammed together.
There’s also the problem of the characters. The only sympathetic one is the monster, which would work if the story was told entirely from the monster’s perspective, yet it is not. Plus the monster itself just doesn’t make much sense. It’s hard to picture or imagine how it operates. It seems the author used the excuse of it being a monster to let it bend all rules whenever it was convenient to the storyline. Beyond the monster, the detective, his friends, Blake, and the daughter are all completely unsympathetic. They are the kind of people you’d move away from on the subway or roll your eyes at behind their backs. Readers, particularly in a mystery, need at least one character they can relate to.
All that said, Pepper does have some writing abilities. He clearly has a creative mind and is capable of telling a story one can follow. This would be a good draft, but not a final published work. He needs to decide if he wants to tell the monster’s story or the detective’s, then rewrite entirely from that point of view and also invest in an editor. If these steps are followed, Pepper could have a solid book here. As it stands now, though, I can’t in good faith recommend it to anyone, even staunch horror fans.
2 out of 5 stars
Source: Copy from the author in exchange for my honest review
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Book Review: My Life as a White Trash Zombie by Diana Rowland
Summary:
Angel wakes up in the hospital to discover she was found naked and overdosed on drugs on the the side of the road in her small town after a fight with her boyfriend, Randy. Someone mysteriously drops off medicinal energy drinks along with a note that she must work loyally for at least a month at a job newly acquired for her at the city morgue. A high school drop-out living with her alcoholic and periodically abusive father, Angel decides that she should seize this opportunity. It certainly helps that pills and alcohol no longer seem to do anything for her. As her oddly gloppy energy drinks start to run out, though, Angel finds herself having cravings for something found in the morgue–brains.
Review:
I bought the kindle edition of this book the instant it came out as a birthday present to myself for two reasons. First, the title is amazing. Second, look at that cover! Yeah, the whole thing just screamed my named. My instincts were right, too.
It’s been a long time since I read a book that hits all the elements I love in literature like this one–urban fantasy style horror, a setting that rings familiar to me, a completely relatable main character, and a fun love interest. It’s a world that’s simultaneously familiar and special, which is what makes urban fantasy fun. Angel’s world of trailers, beer cans, and nothing to do reminds me a lot of my childhood growing up in Vermont. On the other hand, Angel has cravings for brains. And she somehow manages to keep this a secret in a small town, certainly a monumental task.
Angel’s problems are a combination or fantastical ones (must find brains to survive) and completely real world ones (a history of an abusive mother and a father with alcoholism). Angel has a lot to overcome even before she gets zombified, but the zombification adds an element of distance that allows tough things to be talked about without that dragging down dullness often found in literary fiction.
Rowland reworks the zombie trope without completely removing the essentials of a zombie. Angel can function in day to day life as long as she has brains once every two days or so. If she doesn’t have them though, her senses slowly dull and she gradually turns into the lurching monster simply desiring brains that we all know from the classic zombie movies. This really works, because it allows Angel to be a part of society, yet still be the monster we’ve all grown to know and love.
That said, I will say that I am getting a bit tired of the monsters surviving by working in a morgue trope. I wish Rowland had come up with something a bit more creative for how Angel gets her hands on brains than that. It’s starting to seem like the staff of the morgues in all of urban fantasy consist entirely of monsters and sociopaths. Thinking more outside the box would have made me love the book instead of really liking it.
Overall, this zombie book gave me thrills, chills, and laughs galore, but it also brought me close to tears. It’s genre fiction with a heart, and I highly recommend it to anyone willing to see zombies (or white trash) in a whole new light.
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4 out of 5 stars
Length: 320 pages – average but on the longer side
Source: Purchased
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Book Review: Hunt Beyond the Frozen Fire by Gabriel Hunt (series, #4)
Summary:
Gabriel Hunt is independently wealthy and runs around the world saving artifacts, people, etc… Think Indiana Jones in book form. In this entry, a hot lady named Velda shows up at his office asking him to help look for her father who’s gone missing in Antarctica. His last transmission mentions trees, and his colleagues believe he was hallucinating, but Velda wants to save what could be her father’s greatest discovery. Hunt decides to take the case and assembles a team including his best friend, southern charmer Maximilian, and his ex-girlfriend, a mechanic, which is a bit awkward since he’s now banging Velda. When the team gets out to the portion of ice Velda’s father was lost around, they fall into a fission in the ice and discover red ice and a tunnel that just may prove Velda’s father wasn’t hallucinating after all.
Review:
This is what pulp fiction should be all about. This is the kind of book that I finished and immediately contacted multiple friends to tell them the full plot, and then they all wanted to read it for themselves in spite of knowing how it ends. In fact, knowing the ending made them want to read it more. This is the kind of book where I hit one particular scene, and my jaw dropped open and I started laughing hysterically and everyone in my work cafeteria turned to look at me. Basically: this kind of book is why I love pulp fiction and thumb my nose at literary fiction snobs.
Basically, ridiculous things build up and keep happening until suddenly you’re just accepting something in the plot that is INSANELY out there, but in the world the author has created it works. We go from a murderous knife-throwing gypsy who also sells munitions to a mysterious message from a father who survived the Holocaust to falling into a fission in the ice and not dying to leap-frogging across deadly cold water on ice islands to finding an Amazon style jungle under the ice to being attacked by a giant chicken to being taken hostage by a tribe of Amazon Nazi women.
Yes, you read that right. Amazon Nazi women. Most of whom are naturally late teens to early 20s, blond haired, blue eyed, and completely gorgeous. NATURALLY.
Now, I know what you’re thinking. “What, Amanda? You’re doing The Real Help project. You host the MIA Reading Challenge. What the what?” But the thing is, this sort of fiction is just about FUN, and the plot is so ridiculous it’s not like I’m going to go out there and say obviously there are murderous Amazon Nazis in the ice under Antarctica. Just….no. It’s overly ridiculous on purpose. Kind of like old school MTV shows like Room Raiders and Next. It’s escapist literature. It knows it’s ridiculous, and that’s ok. Most of it is not offensive if you have a modicum of a sense of humor.
Of course, just because it’s hilarious and ridiculous doesn’t mean it’ll be everyone’s cup of tea. It is quite violent. It probably presses the boundaries of what some people would be ok with reading about sex and violence. You guys know me and know I don’t really have boundaries for those things though. To me this would be the perfect read to give a reluctant male reader. It’s action-packed, fast-paced, and basically a male wet dream. Obviously that won’t be everyone’s cup of tea.
Essentially if you think that a book version of 007 complete with a village of Amazon Nazis under the ice sounds like one of the best things ever, you’re going to love this book. If you read that sentence and rolled your eyes or cringed, then yeah, avoid it. It’s not meant for you.
4 out of 5 stars
Source: I think this was Paperbackswap, but I’m not positive.
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Book Review: The Meowmorphosis by Franz Kafka and Coleridge Cook
Summary:
Gregor Samsa goes to bed and wakes up as an adorable snuggly kitten! He has trouble making up his mind about anything, though, and is easily distracted by things like dust and canned fish. Plus, his family clearly are not cat people.
Review:
This is the first Quirk Classic that I’ve read, mainly because all the others were based on classics I don’t like to start with (Jane Austen and Anna Karenina). However, “The Metamorphosis” is one of my faaaavorite short stories. Although, I will always insist that Gregor woke up as a grasshopper, not a cockroach. (I was the only one in my AP English class who thought this. Whatever). In spite of its (epically awesome win) name, this actually also incorporates another Kafka story “The Trial,” which I have not read. Anyway, when this came up as an EarlyReviewer I obviously needed to have a copy.
The main problem with reworking “The Metamorphosis” to be a cat is that, well, cats are adorable and playful and perfectly normal household cats whereas a giant insect is not. A lot of the depression, ennui, and conflict in the original story comes from Gregor being an insect. While Cook does a good job showing the internal workings of a cat brain to go with their adorably quirky behavior, the actions of the family are less understandable. What is up with this family hating on their adorable son? Why do they lock him away in a room? What is up with that? Of course this gets addressed later when Gregor grows to a disturbingly large size and can barely move around. I couldn’t help but think of that obese cat that was on the news last year. However, at that point he was sort of just becoming the monster they were treating him as. Ok, I just read what I wrote, and quite possibly that is the point of the story. However, while reading it, it certainly bogged me down.
I also have to say that I didn’t like the illustrations that went with the story. Somehow, the illustrator actually managed to make pictures of cats that I didn’t squee over. There’s something wrong with that picture.
Overall I’d say that I don’t feel like I wasted my time reading this, per se, but I also sort of wish I’d just re-read “The Metamorphosis” and hunted down a copy of “The Trial.” As someone who can be a bit of an emo reader at times, nothing beats Kafka’s brand of ennui and depression. Why brighten it up with a kitty? Just…..why?
I’d recommend this book to that odd juxtaposition of reader who loves depressing European lit and doesn’t mind it being brightened up by an adorable kitty. I think only you will know if that describes you.
3 out of 5 stars
Source: Free copy from the publisher via LibraryThing’s EarlyReviewers in exchange for my honest review
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Book Review: Point by Thomas Blackthorne (series, #2)
Summary:
Mysterious cutter circles are showing up in the Britain of the future. Thirteen teenagers gather in a circle, then slice the wrist of the person next to them all the way around the circle. The MI5 recruits a neuroscientist to help figure out the circles before they reach epidemic proportions. Meanwhile, her boyfriend, Josh Cumberland, finds himself sucked back into his old special forces unit when a civilian job reaches a mysterious end. Are the two events connected?
Review:
I received an ARC of this book through the Angry Robot Army, and I sort of wish I’d noticed it was the second in a series. I just dislike reading books out of order. Also, I think perhaps if I’d read the first book in the series, I wouldn’t have been so misled by the cover.
In case you can’t see the cover, it says, “Britain, tomorrow. The latest craze: cutter circles. Thirteen kids. Each has a blade. On a signal everybody cuts. What else is there when life has no point.” This makes it seem like this will be a book about depression and suicide in a post-apocalyptic world, right? In fact the people committing suicide have been brainwashed by music in an emotiphone to further a political power move. Which has…..nothing to do with real suicide or depression.
There’s nothing wrong with being a political intrigue book, but I am a bit disturbed at how Blackthorne utilizes psychology, psychiatry, and neuroscience in the book. He makes it look like in the future we’ll be able to just….program people out of it or to do whatever we want them to do. The brain is much more complex than that, and I just don’t like the message that such a plot device sends.
When looking at the book as the political espionage it actually is, as opposed to a book about mental illness in a dystopian world, it’s not a bad book. I have the feeling that those who enjoy political intrigue books will enjoy it. Josh is your typical wounded hero, and I did enjoy the scenes of him training. Blackthorne creatively incorporates reality tv into the plot-line that many readers will enjoy. The characters aren’t flat, but also aren’t particularly well-rounded. That’s ok, though, because the focus of the book is the action and political intrigue.
Overall, the book seems to be an average future political intrigue action flick…in written form. I recommend it to fans of that genre, but others will probably be bored.
3 out of 5 stars
Source: ARC from publisher
Book Review: The Last Werewolf by Glen Duncan
Summary:
Jacob Marlowe finds out he’s the last werewolf living and has just been informed by the WOCOP that they plan to kill him during the next full moon. That’s just fine with him. He’s been living for almost 200 years and is just plain tired of it. So he plans to let the WOCOP’s tails follow him and just let the death happen. The fates don’t quite see it that way, though, and nothing quite goes according to Jake’s plans.
Review:
Think of this as what would have happened if Anne Rice chose to write about werewolves instead of vampires. The Last Werewolf reads very much like Interview with a Vampire only with the characteristics of werewolves instead of vampires of course. By this I mean that the sentences and story structure are incredibly literary while addressing the highly genre topic of werewolves.
Unlike vampires, werewolves must eat a human during each full moon or they become ill. Animals are no substitute. They cannot take a bite and leave the victim alive. No, they must completely ravish the victim. This is no weak True Blood style werepanther or werewolf that can simply shift at will and avoid killing people. Jake is affected by The Hunger and must eat and kill to stay alive. The rest of the month when he’s not in wolf form he has to come to terms with his actions. The crux and root of the dilemma at the heart of the story is this:
We’re the worst thing because for us the worst thing is the best thing. And it’s only the best thing for us if it’s the worst thing for someone else. (page 197)
It’s quite the moral conundrum and is addressed eloquently in the story.
There is also of course Jake’s suicidal mentality. He wants to die, but he doesn’t want to be the one to do it. He’s completely over life. Life is boring and pointless. There are absolutely some beautifully depressing passages about the emptiness of life that both perfectly depict depression and remind me a bit of the Romantic period of poetry. Think of Lord Byron. That type of thing. Beautifully suicidal. That may bother some readers. To me, it’s often a part of great literature. This overwhelming sadness and feelings of helplessness. They’re common human emotions and lend a great force to the narrative.
Now, I was sent this for review due to how much I enjoyed American Psycho in January, so I was expecting it to be graphically violent and sexual and have the two mixed-up. It is all of those things but–dare I say it–it wasn’t quite violent enough for me. I was expecting something shocking, due to the American Psycho connection, but I can see a lot of people reading this and not being put-off by the amount of violence. Compared to your average R rated action flick, it’s really not that bad. On the other hand, a lot of people are profoundly disturbed by the violence in American Psycho. There’s absolutely nothing wrong with the level of violence in this book, and I think Duncan was probably smart in that, since it will have a wider appeal. What can I say. I was looking forward to something incredibly gross and twisted and instead got a lot of beautiful prose with the occasional murder. It was a happy surprise, absolutely. I just want to make it abundantly clear to potential readers that if you can handle an R rated horror movie, you can definitely handle the violence in this book, so don’t be turned off!
So the prose is beautiful and the topics addressed and discussed are important or at least interesting, so why am I not raving? The ending left me disappointed. It felt rather cliche and expected, and I didn’t like what became the focus in the end. There are so many other ways the ending could have gone that would have been amazing and powerful, but instead I finished this book and basically said, “AGH not this shit again.” *mini-spoiler* It includes pregnancy and babies, and ya’ll know how I feel about that. *end mini-spoiler*
Overall this is a literary take on a genre theme. It is violent and sexual, but not disturbingly so. Recommended to fans of Anne Rice.
4 out of 5 stars
Source: ARC from the publisher in exchange for my honest review
Book Review: The Last of the Demon Slayers by Angie Fox (series, #4)
Summary:
Lizzie is back from Greece with her hunky griffin boyfriend, Dimitri, and the geriatric witch biker gang (not to mention her talking dog Pirate and Pirate’s pet adolescent dragon Flappy) with plans to help the witches finally set up a real home at a New Jersey biker bar after years on the run. Of course nothing has ever gone according to Lizzie’s plans since the day she turned 30 and inherited her demon slayer powers. Naturally, her birth father shows up in a pillar of fire begging her to help free him from a bad situation with an even badder demon in California. Thus, Lizzie and the gang wind up following fairy trails across the country in an attempt to stop the demon, who just so happens to be out to kill demon slayers too.
Review:
Ah, this series. I have such a love/hate relationship with this series! That’s mainly because I love everyone except Lizzie and Dimitri. Why why is everyone else in this world so hilarious and relaxed, whereas Lizzie and Dimitri are basically THAT couple. You know THAT couple. They’re the ones who met each other during freshman orientation week and proceeded to have the perfect dream relationship throughout all four years of college and promptly moved in together and got engaged after. They’re the ones where the girl whines and bitches to you about some minor fight she had with her dude during your junior year when you’ve barely slept in three days and haven’t had a date in months. THAT COUPLE. It’s hard to root for that couple.
On the other hand, though, there’s everyone else. The geriatric biker witches are amazeballs. I would pay good money to have a bunch of older women like that in my life. They’re strong, empowered, and bound and determined to live their life to the fullest no matter what society says they should be doing. Interestingly, grandma gets a boyfriend this entry, and Lizzie is none too happy about it. Grandma tells her unequivocally that old people have sex. Yes! What? Lizzie is the only one who should be making everyone eye-roll with her sexy antics? I think not.
Then of course there’s Pirate and Flappy. Hilarious animal characters hit my heart *right here*. I would put up with almost anything just to see Pirate trying to train Flappy to sit. Seriously. Fox has a real talent for writing animal dialogue that is believable without being too sophisticated. It’s clear she has some critters in her life. For instance, Pirate runs up to Lizzie excited to see her yelling “Lizzie! Lizzie! Lizzie!” and then proceeds to beg for food. Typical doggy.
The plot definitely thickens in this entry. I’m not sure I’m totally happy with how it has. Essentially, it turns out there are actually more demon slayers, and as a Buffy fan, this just irritated me. I don’t like being told there’s only one only to have more show up. Either there are a lot of slayers or there aren’t. Plus, did we really have to make the new slayer so feminine? Lizzie is already a pretty extraordinarily feminine slayer. It’d be nice to have some variety. On the other hand, the rest of the plot of the supernatural world is interesting. There’s Lizzie’s father plus a visit to purgatory. I’m betting that the next entry will start to confront the presence of “good” supernatural creatures, since we’ve now visited hell and purgatory. If Dante taught me anything, it’s that that leaves only one place to go.
It’s interesting how I can’t stop reading this series even though I can’t seem to make up my mind how much I like it. I’ve rated entries everywhere from 3.5 to 5 stars. I think in general the experience of the hilarious side-kicks and minor characters off-sets the annoying main couple enough that I can kinda sorta mostly ignore them. There’s also always the hope that they’ll break up, which I root for in every book.
Overall, if you’ve stuck with the series this far, you’ll enjoy this entry. It takes the focus off the griffins and puts it back on Lizzie and her biological family. The ever-expanding cast of characters all fit together smoothly and hilariously.
3.5 out of 5 stars
Source: Amazon
Previous Books in Series:
The Accidental Demon Slayer, review
The Dangerous Book for Demon Slayers, review
A Tale of Two Demon Slayers, review
Book Review: The Prometheus Project: Captured by Douglas E. Richards (series, #2)
Summary:
Brother/sister duo Ryan and Regan are back only this time they’re officially part of the team of scientists working in the top-secret alien city discovered deep underground in Pennsylvania. They rush off every day after school to work in the city of Prometheus. One weekend they convince their parents to let them sleep over in the city, only to wake up to discover all of the adults captured by a ruthless alien escaped convict whose mind control abilities mysteriously fail to work on the kids. It’s up to them to save not just the adults, but the earth itself from alien rule.
Review:
This follow-up to The Prometheus Project: Trapped (review) brings even more action and science than the first time around. It’s also a longer length that is more suitable for the older middle grade crowd.
Ryan and Regan’s relationship with each other has progressed from sibling tolerance to a level of respect for each other clearly due to working together in the city. It’s nice to see a healthy sibling relationship modeled in a middle grade book.
Again the plot fooled me with a twist ending I didn’t see coming, but that made perfect sense when it was revealed. This is the sort of thing I’d have loved as a middle grade reader. A mystery that manages to out-wit me without playing any tricks.
The villain is threatening without being too frightening. Although the kids’ parents are held captive, no undue violence is shown. Predominantly the scientists are held with plastic ties on their wrists and a simple verbal threat of “do this or else….” It seems an appropriate level of suspense for the age-range. The enemy is formidable, but it is possible to out-wit him.
Although the science, plot, and characters are strong, something just couldn’t let me jump from liking it a lot to loving it. Perhaps this is because I am out of the age-range intended, but it does seem to me as though sometimes the story expects a bit too little of the young reader enjoying it. I hope in future books that Richards challenges young readers a bit more with the writing in addition to the science.
Overall, this is another strong entry in this middle grade series. I firmly believe the series will keep young readers with an interest in scifi and secret government operations happily engaged while parents and guardians can have peace of mind about what they are reading.
4 out of 5 stars
Source: Won copy in exchange for my honest review from the author via LibraryThing
Previous Books in Series:
The Prometheus Project: Trapped, review
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Book Review: Lucky Stiff by Tonia Brown
Summary:
Peter’s just a young 18 on his first spring break to New Orleans with his friends when he accidentally takes ecstasy instead of sleeping pills and dies. His friends, terrified, drag his corpse off to a local voodoo priestess who raises him with her special kind of magic–tantric magic. Somehow this method of raising Peter combined with the time of year makes Peter into a very special kind of zombie. One who can feed off of female orgasms instead of human flesh if he so chooses.
Review:
In case it’s not abundantly clear from the summary, this is an erotica novel. A zombie erotica novel. Frankly if you’re not grossed out by vampire undead sex, then this book shouldn’t bother you at all. It’s not like Peter decays (don’t worry, Brown takes care of that part logically). So it’s less sex with a decaying corpse and more sex with an undead dude.
Brown’s concept is hilarious and well-executed. Peter is a zombie with a permanent hard-on who can’t come but needs female orgasms to feed off of to keep him from going all cold-blooded killer. Um possibly the best female-friendly set-up for a paranormal erotica ever? Since he died a virgin, he starts off with the Madam learning how to pleasure a lady for five years, then he gets booted out to go find his own way and become a pick-up artist. He’s completely focused on and fascinated with the female orgasm. You might even call it a fetish. ;-)
It doesn’t matter if I can’t come as long as I can be a part of it when you do. (page 15)
On top of the fun and varied sex scenes though there’s lots of well-conceived plot. Peter has issues he has to deal with. He basically has to grow the fuck up enough to be able to handle a monogamous relationship and recognize real love for what it is. For instance, at first he thinks he’s in love with the Madam, but she tells him:
Sex is just sex. Sometimes it’s really good, true, but it’s nothing in da grand scheme a’ things. We may have fucked, but we never made love. (page 87)
In other words, he only thinks he loves her because he lost his virginity to her. He needs to go out and learn what real love is. That combined with navigating morality and your faith (he becomes a voodoo convert loyal to La Croix) are at the center of the plot.
Brown also drops in various witticisms that exhibit wisdom but are simultaneously hilariously dripping in paranormality:
The trick to being undead, much like being monogamous, is keeping everything fresh. (page 33)
Bits like that kept me laughing out loud whenever I wasn’t caught up in the erotica.
Alas, sometimes the dialogue is a bit stiff (haha, sorry, couldn’t resist). Ahem, in all seriousness, sometimes the dialogue felt a bit forced and unnatural. Similarly, I was bothered that, although Peter clearly is bisexual (he makes multiple comments about wanting to try things out with men in addition to women), for some reason male orgasms are too violent or pointed or whatever for him to be able to feed off of them. Um, I’m sorry, but this isn’t logical. At the very least it would make that if Peter gave head to a guy it would feed him, yes? It felt like Brown wanted to be edgy by making Peter almost bi, but refused to really go all the way. A great example of this is that Peter tries sex with a dude once, but only in the context of a threesome, and it’s the only sex scene not written as erotica. It’s simply briefly mentioned in past tense. I really wish Brown had gone all the way and made Peter bi. It’d be interesting to see that here. Alternatively, to just make Peter totally straight would’ve been fine too. This fine walking of the line rubs me the wrong way though.
Overall this is a fun erotica with a unique storyline that manages to make zombies sexy with a heavy dash of voodoo. I recommend it to those who love zombies and erotica fairly equally. I’m betting, knowing the people that I know, that this is not as small a portion of the population as some may think.
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4 out of 5 stars
Length: 248 pages – average but on the shorter side
Source: purchased
Buy It (Amazon. Not available on Bookshop.org.)
Book Review: The Egyptian by Layton Green (Series, #2)
Summary:
Dominic Grey, previously a government worker and before that a champion jiu-jitsu fighter, is now working for Professor Viktor Radek on private detective cases frequently involving religious mysteries and the occult. His first case seems straight-forward enough–retrieve a vial stolen from a biomedical company in Egypt. But there’s more to this biomedical company than meets the eye, and Dominic soon finds himself racing around the globe from New Jersey to Bulgaria to Cairo in an attempt to unravel a mystery involving what just might be the elixir of life.
Review:
This follow-up to The Summoner (review) lives up to the excitement and global noir feel of the original without retracing the same steps. This holds promise for the series as a whole as one issue in writing serial detective novels is keeping everything fresh for the reader.
Green has either traveled the world extensively or done a ton of research, as his writing shows an intimate knowledge of the various areas of the world Dominic’s work takes him that is only evidenced by those who have been there. It is easy to tell when a writer intimately knows the setting they are speaking of, and this is clear in Green’s work. This lends an extra edge of excitement to the work.
Dominic’s character develops at a believable rate in this entry of the series. Who he is at the core is still the same, but his work and his encounters with a variety of people lead him to question himself, his life, and his intentions. I also appreciated that instead of pulling a 007 and moving on to the next woman without thinking much of his love interest from the first book, Nya, Dominic struggles with his emotions about the women he sleeps with. He is certainly no saint when it comes to the opposite sex, but the way he deals with women strikes a believable middle.
Unfortunately, Viktor does not feature as prominently this time around, and he also appears to be on a bit of a downward slope in his fondness for absinthe. I hope his character will be addressed more fully in the next entry in the series.
Two of the new characters added this time around are particularly enjoyable–Veronica (the love interest) and Jax (an international mercenary). I actually fell for Jax much harder than I’ve fallen for Dominic. He is from small town America with no ties to family, completely confident in the most rural corners of the world. He’s brassy, witty, and clearly has a bit of a good streak buried in him somewhere. I think both the ladies and the men reading the series will enjoy his presence, and I hope he’ll pop up in later entries (or even get his own spin-off series). Veronica is enjoyable for different reasons. She’s a career woman starting to question where her life is heading and falls for the guy she can’t have. It may seem cliche, but that sort of thing happens all the time in real life. She’s sympathetic without being pathetic. Also, personally, I found her a lot more enjoyable than Nya. She’s more assertive with Dominic; let’s just leave it at that. ;-)
The writing style itself still struggles in places on the sentence level. Sometimes Green tries too hard to sound philosophical, and it comes across as forced. Similarly, some paragraphs lean a bit too heavily on showing, not telling. The instances of this occurring are fewer than in the previous book, though, and it is obvious that Green is working hard on improving his craft. Personally, I did not find that these instances distracted me from the exciting plot at all.
Overall, The Egyptian is a fast-paced, unpredictable detective mystery, perfect for those looking for a light-weight, page-turner for their evenings or the beach.
4 out of 5 stars
Source: Free kindle copy from the author in exchange for review
Buy It
Note: The Egyptian and The Summoner are on sale for 99 cents for this release weekend only (August 27th and 28th)
Previous Books in Series:
The Summoner, review
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This work by Amanda Nevius is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
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